DOCSLIB.ORG

U2 – Discografia Comentada

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
U2 – Discografia Comentada U2 – Discografia Comentada BOY (1980) Aqui no Brasil, todo mundo ficou intrigado com essa capa. Só depois descobrimos que se tratava de um estupendo álbum de estreia de uma banda irlandesa. Com a certeira produção de Steve Lillywhite, que tratou de valorizar uma sonoridade encorpada e mais consistente em relação ao que se fazia na época dentro da seara do “pós-punk-pop”, todo o repertório acabou se valorizando ainda mais. Não tinha como não se entusiasmar com as audições de pequenas maravilhas “I Will Follow”, “The Electric Co.”, “Twilight” e a dobradinha “An Cat Dubh”/”Into the Heart”, todas com refrãos maravilhosos e que grudavam imediatamente no cérebro. Um dos melhores discos de estreia de todos os tempos! https://www.youtube.com/watch?v=g2BqLlVHlWA https://www.youtube.com/watch?v=lMgUifLVPpM https://www.youtube.com/watch?v=5qWidx0CBOU OCTOBER (1981) O segundo disco da banda foi lançado no Brasil com um atraso indesculpável, muito depois do estouro de The Unforgettable Fire em 1984. Tudo porque os executivos brasucas não viam qualquer aspecto comercial em relação ao primeiro álbum. Por um lado, ficaram receosos em soltar por aqui um disco diferente do anterior, em que a banda deixou de lado os refrãos fáceis e elaborou um repertório mais “difícil”, que exigia muito mais do ouvinte. A canção que mais de aproximava do que estávamos acostumados é “Gloria”, que até ganhou videoclipe por causa disso. É um disco com menor intensidade sônica, como comprovam os violões e piano em “I Fall Down”, a introspecção de “Scarlet” e da faixa-título. É um disco criminosamente subestimado até pelos fãs da banda! https://www.youtube.com/watch?v=ybYgP48X2DY https://www.youtube.com/watch?v=r4AyW6IpzyA https://www.youtube.com/watch?v=WbrFnZ80748 https://www.youtube.com/watch?v=kqdJ6CsXt4Y WAR (1983) Foi a partir desse terceiro álbum que a banda começou a galgar a montanha do sucesso que viria a seguir. Ao mesmo tempo, foi quando o messianismo de Bono aflorou e se tornou quase um ser à parte do vocalista. Menos mal que isso foi feito com um repertório sensacional, com justíssimo destaque para as sensacionais “Sunday Bloody Sunday”, “New Year’s Day”, “Surrender” e “Two Hearts Beat as One”, que poderiam tranquilamente ser incluídas em Boy. Ao mesmo tempo, algumas novidades surgiram, como o naipe de sopros e o coral na bela “Red Light” e o The Edge fazendo parte dos vocais principais em “Seconds”. Discaço! https://www.youtube.com/watch?v=d8FYJ9qvegI https://www.youtube.com/watch?v=vdLuk2Agamk https://www.youtube.com/watch?v=rJONY9FndlU https://www.youtube.com/watch?v=uIuAFBRyjj4 THE UNFORGETTABLE FIRE (1984) O disco marca a ausência do produtor Lillywhite e o início da colaboração com Brian Eno e Daniel Lanois, que duraria muitos anos. Com uma sonoridade totalmente diferente dos discos anteriores, menos intensa e mais experimental em termos de ambientação, foi de certa forma o primeiro ponto de redirecionamento artístico que a banda sentiu a necessidade de fazer. O sucesso absurdo de canções como “Pride (in the Name of Love)” e “Bad” finalmente levaram a banda a um sucesso avassalador, embora o disco esconda pequenas preciosidades, como a placidez de temas como “4th of July” e “Promenade” em contrapartida ao engajamento delicado e dolorido de “MLK” – uma tocante homenagem, a Martin Luther King - e à abordagem percussiva da pouca citada “Elvis Presley and America”, esta última funcionando como um prenúncio do álbum seguinte. É daqueles álbuns que precisa ser reouvido com atenção e com um bom par de fones de ouvido. https://www.youtube.com/watch?v=LHcP4MWABGY https://www.youtube.com/watch?v=LCdltGg4EzM https://www.youtube.com/watch?v=ZlyZ0YGi9nM https://www.youtube.com/watch?v=G_Z10NCnwlg THE JOSHUA TREE (1987) Para muitos, é a obra-prima dentro da discografia da banda, algo que concordo em partes. Não porque tenha se tornado um dos discos mais vendidos da história e que tenha sedimentado o sucesso da banda em escala mundial a partir da meteórica apresentação no Live Aid em 1985, mas principalmente porque foi um passo certeiro para atingir o mercado musical mais desejado por todas as bandas e artistas: o americano. Nem vou comentar a respeito da mortal trinca de hits - “With or Without You”, “I Still Haven’t Found What I’m Lookin’ for” e “Where the Streets Have no Name” –, do peso de “Bullet the Blue Sky” (que anos depois rendeu uma ótima versão do Sepultura), da beleza crítica de “In God’s Country” e “Red Hill Mining Town”. Ouça o disco do início ao fim, como se estivesse lendo um livro, e surpreenda-se com a densidade do álbum como um todo. https://www.youtube.com/watch?v=fdmNC8ylrXI https://www.youtube.com/watch?v=qv5xGrzml7I https://www.youtube.com/watch?v=yLvpZwN9Oko RATTLE AND HUM (1988) A mistura de canções inéditas com músicas conhecidas gravadas ao vivo só faz sentido para quem assiste ao documentário que deu origem a esse disco. Gravado durante a turnê do álbum anterior, é um documento precioso a respeito de como a banda funcionava nas internas e de seu fascínio pela cultura americana, algo sempre presenta na cultura irlandesa em geral. No geral, as canções são ótimas; desde a intensa homenagem a Bo Diddley em ”Desire” e ao blues em “When Love Comes to Town” (composta em parceria com o lendário B. B. King e com a participação do próprio) ao tributo a Billie Holiday na antológica “Angel of Harlem” e a Bob Dylan em uma esplendorosa versão de “All Along the Watchtower”, a reverência explícita nunca resvala pelo pieguismo, mesmo quando The Edge assume os vocais na tocante “Van Diemen’s Land”. Outro discaço, mas que precisa do documentário para ser perfeitamente compreendido. https://www.youtube.com/watch?v=jVorYO-gH5A ACHTUNG BABY (1991) O disco marcou a mais radical virada dentro da carreira da banda. Não foram poucos os fãs que ficaram assustados e até mesmo com raiva de tal redirecionamento, que foi da imagem da banda – quem imaginaria ver Bono com maquiagem diabolicamente carregada e o baixista Adam Clayton pelado na contracapa do álbum? – ao próprio som, agora com uma abordagem eletrônica. Isso explica porque o álbum até hoje é massacrado pelos “fãs raiz” e considerado por mim como um dos favoritos na discografia do quarteto. Recheado de canções espetaculares - “Even Better Than the Real Thing”, “Until the End of the World”, “Who’s Gonna Ride Your Wild Horses”, “Misterious Ways” e, claro, “One” –, o disco funciona desde sempre como uma ponte perfeitamente bem construída ligando dois universos aparentemente inconciliáveis: o rock e a eletrônica. Clássico indiscutível! https://www.youtube.com/watch?v=HyI3mFQweYs https://www.youtube.com/watch?v=t7ElEHJpvNs https://www.youtube.com/watch?v=Z4egwj-ba-o https://www.youtube.com/watch?v=ftjEcrrf7r0 ZOOROPA (1993) È mais um daqueles álbuns criminosamente massacrados por quem apresenta ouvidos rudimentares. Concordo que é preciso ter gostado e se familiarizado com o disco anterior para curtir tudo o que Zooropa pode oferecer, mas nada justifica a tremenda má vontade do “fã raiz”, mesmo que a produção de Brian Eno tenha buscado a colaboração de Flood, um produtor especializado em música eletrônica. O resultado foi um repertório coeso e cheio de canções muito mais que interessantes, como “Lemon”, “Stay (Faraway So Close)”, a esquisita “Numb” e “The Wanderer”, essa última com a participação de ninguém menos que Johnny Cash! É daqueles discos que precisam urgentemente de uma reavaliação por parte dos mais preconceituosos! https://www.youtube.com/watch?v=9YoAQ50BK74 https://www.youtube.com/watch?v=7RNu7VDiJcs https://www.youtube.com/watch?v=VQx-xzjhVC0 https://www.youtube.com/watch?v=al9x2l12CR0 POP (1997) Outro disco odiado pelos “fãs ortodoxos”, já que nem se deram ao trabalho de entender o senso de humor do quarteto logo no clipe da faixa de abertura, a deliciosa “Discothèque”, e nem sequer perceberam que se trata de um álbum conceitual. Sim, isso mesmo! Todas as faixas formam um enredo acidamente crítico em relação à tirania dos Estados Unidos, cujas maiores armas estavam – e estão! – no estímulo ao desenfreado consumismo em escala mundial. É claro que a atmosfera eletrônica perdura ao longo das faixas, mas nunca a ponto de obscurecer a porção rock dos caras, como podemos perceber em “Mofo” e “Last Night on Earth”. Dá para sacar isso até mesmo nas belas baladas “If You Wear that Velvet Dress” e “If God Will Send His Angels” e na depressiva “Wake Up, Dead Man!”. Outro álbum que merece uma audição mais atenta e livre de preconceitos. https://www.youtube.com/watch?v=GUuCFxKPI3A https://www.youtube.com/watch?v=cRWbytzs0n4 https://www.youtube.com/watch?v=YswMTdys0cc https://www.youtube.com/watch?v=3385OS31Yio ALL THAT YOU CAN’T LEAVE BEHIND (2000) Cansados de ser massacrada por boa parte da mídia e até mesmo de uma grande parcela conservadora de seus próprios fãs, a banda resolveu retomar um pouco a sua vertente sonora mais básica e desprovida dos excessos eletrônicos. Assim, o repertório desse disco voltou a ser trabalhado pela produção de Eno e Lanois de um modo mais vigoroso, que tem nas sensacionais “Beautiful Day”, “Walk On” e “Elevation” os exemplos perfeitos desse “retorno ao básico”. Da mesma forma, a sensibilidade demonstrada em “Stuck in a Moment You Can’t Get Out Of”, “In a Little While” e “Peace on Earth” demonstram que a inspiração do quarteto estava de volta. Belo álbum! https://www.youtube.com/watch?v=co6WMzDOh1o https://www.youtube.com/watch?v=gwKEdFoUB0o https://www.youtube.com/watch?v=19KstSgU-c0 https://www.youtube.com/watch?v=R-BT2yzXP8w HOW TO DISMANTLE AN ATOMIC BOMB (2004) O tal “retorno ao básico” iniciado no disco anterior se completou nesse excelente álbum, que acabou sendo o tapa na cara que todo fã ranheta precisava tomar.
Load more

Recommended publications
  • U2thejoshuatree2017 #Setlistgeek Chart by @Markpeterboro. for Full
    #U2TheJoshuaTree2017 #setlistgeek chart by @markpeterboro. For full setlists visit www.u2gigs.com Vancouver Seattle Clara Santa Angeles Los Angeles Los Houston Dallas Chicago Chicago Pittsburgh FestivalBonnaroo Miami Tampa Louisville Philadelphia Washington Toronto Boston Rutherford East Rutherford East Cleveland London London Berlin Rome Rome Barcelona Dublin Paris Paris Amsterdam Amsterdam Brussels Detroit Buffalo Minneapolis Indianapolis City Kansas New Orleans Phoenix DiegoSan City Mexico City Mexico Bogota Aires Buenos Aires Buenos Santiago Sao Paulo Sao Paulo Sao Paulo Sao Paulo Number of plays Sunday Bloody Sunday 100% OOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOO 51 New Year's Day 100% 51 Bad 88.2% 45 A Sort Of Homecoming 15.7% 8 MLK 2.0% 1 Pride (In The Name Of Love) 100% 51 Where The Streets Have No Name 100% 51 I Still Haven't Found What I'm Looking For 100% 51 With Or Without You 100% 51 Bullet The Blue Sky 100% 51 Running To Stand Still 100% 51 Red Hill Mining Town 100% 51 In God's Country 100% 51 Trip Through Your Wires 100% 51 One Tree Hill 100% 51 Exit 100% 51 Mothers Of The Disappeared 100% 51 Miss Sarajevo 66.7% 34 Beautiful Day 100% 51 Elevation 100% 51 Vertigo 80.4% CCCCC 41 Mysterious Ways 23.5% 12 You're The Best Thing About Me 29.4% 15 Ultra Violet (Light My Way) 98.0% 50 One 100% C CC CC C C CCCCC CC CC CCCC 51 The Little Things That Give You Away 27.5% C CCCCCCC CCCC 14 Spanish Eyes 2.0% C 1 Sweetest Thing 2.0% C 1 I Will Follow 21.6% CCCCC CCCCCC 11 Don't Look Back In Anger (Oasis cover) 2.0% C 1 Number Of Songs Played: 22 23 22 22 21 21 21 21 21 21 19 21 21 21 21 21 22 22 22 22 22 23 22 22 22 22 22 22 22 23 22 22 22 21 21 21 21 21 22 22 22 22 22 21 21 22 21 21 21 22 22 51.
    [Show full text]
  • Dan Blaze's Karaoke Song List
    Dan Blaze's Karaoke Song List - By Artist 112 Peaches And Cream 411 Dumb 411 On My Knees 411 Teardrops 911 A Little Bit More 911 All I Want Is You 911 How Do You Want Me To Love You 911 More Than A Woman 911 Party People (Friday Night) 911 Private Number 911 The Journey 10 cc Donna 10 cc I'm Mandy 10 cc I'm Not In Love 10 cc The Things We Do For Love 10 cc Wall St Shuffle 10 cc Dreadlock Holiday 10000 Maniacs These Are The Days 1910 Fruitgum Co Simon Says 1999 Man United Squad Lift It High 2 Evisa Oh La La La 2 Pac California Love 2 Pac & Elton John Ghetto Gospel 2 Unlimited No Limits 2 Unlimited No Limits 20 Fingers Short Dick Man 21st Century Girls 21st Century Girls 3 Doors Down Kryptonite 3 Oh 3 feat Katy Perry Starstrukk 3 Oh 3 Feat Kesha My First Kiss 3 S L Take It Easy 30 Seconds To Mars The Kill 38 Special Hold On Loosely 3t Anything 3t With Michael Jackson Why 4 Non Blondes What's Up 4 Non Blondes What's Up 5 Seconds Of Summer Don't Stop 5 Seconds Of Summer Good Girls 5 Seconds Of Summer She Looks So Perfect 5 Star Rain Or Shine Updated 08.04.2015 www.blazediscos.com - www.facebook.com/djdanblaze Dan Blaze's Karaoke Song List - By Artist 50 Cent 21 Questions 50 Cent Candy Shop 50 Cent In Da Club 50 Cent Just A Lil Bit 50 Cent Feat Neyo Baby By Me 50 Cent Featt Justin Timberlake & Timbaland Ayo Technology 5ive & Queen We Will Rock You 5th Dimension Aquarius Let The Sunshine 5th Dimension Stoned Soul Picnic 5th Dimension Up Up and Away 5th Dimension Wedding Bell Blues 98 Degrees Because Of You 98 Degrees I Do 98 Degrees The Hardest
    [Show full text]
  • Als PDF Downloaden
    Deine U2-Konzert-Statistik Konzert-Statistik: http://www.u2tour.de/statistic.php?id=74nuzu Besuchte Konzerte von Knusperschnitte 17.06.1987 Köln, Müngersdorfer Stadion 15.12.1989 Dortmund, Westfalenhalle 12.06.1993 Köln, Müngersdorfer Stadion 27.07.1997 Köln, Butzweilerhof 12.07.2001 Köln, Kölnarena 16.07.2005 Amsterdam, Amsterdam Arena 10.08.2010 Frankfurt, Commerzbank Arena Insgesamt: 7 Konzerte in 2 Ländern, 4 Städten und 6 Venues. Alle gespielten Songs (75) Anzahl New Year's Day 7 Where The Streets Have No Name 6 With Or Without You 6 Bullet The Blue Sky 6 Pride (In The Name Of Love) 5 Sunday Bloody Sunday 5 I Will Follow 5 I Still Haven't Found What I'm Looking For 5 One 5 Until The End Of The World 4 MLK 4 Mysterious Ways 4 The Fly 3 Desire 3 '40' 3 Beautiful Day 3 Elevation 3 Bad 3 Even Better Than The Real Thing 2 Zoo Station 2 The Unforgettable Fire 2 Walk On 2 Miss Sarajevo 2 Running To Stand Still 2 Vertigo 2 When Love Comes To Town 2 All I Want Is You 2 Seite 1/4 Deine U2-Konzert-Statistik Help! 2 City Of Blinding Lights 2 Angel Of Harlem 2 The Electric Co. 2 In A Little While 2 Hold Me, Thrill Me, Kiss Me, Kill Me 2 Who's Gonna Ride Your Wild Horses 1 New York 1 Stay (Faraway, So Close!) 1 Kite 1 Stuck In A Moment You Can't Get Out Of 1 Yahweh 1 Magnificent 1 Glastonbury 1 I'll Go Crazy If I Don't Go Crazy Tonight 1 Moment Of Surrender 1 Get On Your Boots 1 Return Of The Stingray Guitar 1 Sometimes You Can't Make It On Your Own 1 Love And Peace Or Else 1 All Because Of You 1 Original Of The Species 1 Miracle Drug 1 Satellite
    [Show full text]
  • Love Is Blindness Original
    Love is blindness original Love is Blindness -U2- I really like Jack White, but his version has nothing on the original U2 version. Taken. all the comments about ehe Edge and Bono´s performances in this clip but dont forget to listen to how Larry keeps. Love is Blindness as heard on the YSL BEAUTY commercial for MON PARIS. Performed and recorded by THE. GO WATCH Official Video: ?v=kvuH5qijOBo&t=0s WEB: https://www. the song where the cover is better than the original. more energy and power, more drama = better in this case. sad and srry J. White fans, but this is the original and, I prefer original stuff. Love is blindness I don't. Performance taken from From The Sky Down, a documentary film about the making of U2's Achtung Baby. The song Love Is Blindness was written by Bono, The Edge, Adam Clayton, Larry Mullen and was first released by U2 in It was covered by The Devlins. Music Video for the U2 song "Love is Blindness" covered by Jack White. My first assignment in Directing for Camera. Director / Editor - Kate. Guitarist talks 'Great Gatsby' contribution, 'Love Is Blindness' as executive producer, also wrote and performed the original song, "$ Bill"). Love Is Blindness. By U2. • 1 song, Play on Spotify. 1. Love Is Blindness. Featured on Achtung Baby. Today, White's inclusion of “Love Is Blindness” debuted on BBC Radio 2, And for context's sake, here's what the original version sounds like. Jack White's cover of U2's 'Love is Blindness' is now available on YouTube version is both heavier and more stripped down than the original.
    [Show full text]
  • Songs by Artist
    Sound Master Entertianment Songs by Artist smedenver.com Title Title Title .38 Special 2Pac 4 Him Caught Up In You California Love (Original Version) For Future Generations Hold On Loosely Changes 4 Non Blondes If I'd Been The One Dear Mama What's Up Rockin' Onto The Night Thugz Mansion 4 P.M. Second Chance Until The End Of Time Lay Down Your Love Wild Eyed Southern Boys 2Pac & Eminem Sukiyaki 10 Years One Day At A Time 4 Runner Beautiful 2Pac & Notorious B.I.G. Cain's Blood Through The Iris Runnin' Ripples 100 Proof Aged In Soul 3 Doors Down That Was Him (This Is Now) Somebody's Been Sleeping Away From The Sun 4 Seasons 10000 Maniacs Be Like That Rag Doll Because The Night Citizen Soldier 42nd Street Candy Everybody Wants Duck & Run 42nd Street More Than This Here Without You Lullaby Of Broadway These Are Days It's Not My Time We're In The Money Trouble Me Kryptonite 5 Stairsteps 10CC Landing In London Ooh Child Let Me Be Myself I'm Not In Love 50 Cent We Do For Love Let Me Go 21 Questions 112 Loser Disco Inferno Come See Me Road I'm On When I'm Gone In Da Club Dance With Me P.I.M.P. It's Over Now When You're Young 3 Of Hearts Wanksta Only You What Up Gangsta Arizona Rain Peaches & Cream Window Shopper Love Is Enough Right Here For You 50 Cent & Eminem 112 & Ludacris 30 Seconds To Mars Patiently Waiting Kill Hot & Wet 50 Cent & Nate Dogg 112 & Super Cat 311 21 Questions All Mixed Up Na Na Na 50 Cent & Olivia 12 Gauge Amber Beyond The Grey Sky Best Friend Dunkie Butt 5th Dimension 12 Stones Creatures (For A While) Down Aquarius (Let The Sun Shine In) Far Away First Straw AquariusLet The Sun Shine In 1910 Fruitgum Co.
    [Show full text]
  • Rewriting the Past, Shaping the Present: U2's Rock Lyrics As Social and Political Activism
    DIPLOMARBEIT / DIPLOMA THESIS Titel der Diplomarbeit / Title of the Diploma Thesis „Rewriting the Past, Shaping the Present: U2’s Rock Lyrics as Social and Political Activism“ verfasst von / submitted by Christina Koller angestrebter akademischer Grad / in partial fulfilment of the requirements for the degree of Magistra der Philosophie (Mag. phil.) Wien, 2018 / Vienna, 2018 Studienkennzahl lt. Studienblatt / A 190 344 406 degree programme code as it appears on the student record sheet: Studienrichtung lt. Studienblatt / Lehramtsstudium UF Englisch UF degree programme as it appears on the student Mathematik record sheet: Betreut von / Supervisor: Mag. Dr. Julia Lajta-Novak, M.A. Acknowledgements Writing this thesis has been the biggest challenge of my academic career so far, and this work would not have been possible without the support of several people. Firstly, I would like to express my gratitude to my supervisor Mag. Dr. Julia Lajta-Novak, M.A. She made me experience that writing a diploma thesis does not need to be a lonely process, and she introduced me to new concepts of academic writing. With her professional advice and detailed feedback, she helped me write a better thesis. I would also like to give my sincere thanks to my former teachers at school who encouraged me to take up a career as a teacher myself. Martina Haslinger made me believe in my mathematical skills, and trusting her opinion was one of the best decisions so far. Secondly, I am very grateful to Monika Ortner-Bachler, who evoked my interest in the English language and introduced me to U2. Finally, I would like to thank my family – first and foremost, my parents.
    [Show full text]
  • Economic Profile Quebec 2006.Pdf
    The largest province in Canada by surface area, Québec ranks second in population with 7.6 million people. In 2005, Québec’s gross domestic product was nearly C$275 billion (US$227 billion or €182 billion). Québec’s per capita GDP ranks 19th in the OECD: it is equivalent to the average of OECD countries. Between 2000 and 2004, Québec’s standard of living, i.e. real per capita GDP, rose by more than any other G7 country except the United Kingdom. The North American Free Trade Agreement (NAFTA) gives Québec preferred access to a market of 435 million consumers, more than 25% of whom live within 1000 km of its largest city, Montréal. Photo acknowledgments: Cover page: Hydro-Québec Jean Sylvain, Mont-Sainte-Anne Page 6: Canadian Space Agency Les Triplettes de Belleville, courtesy of LES ARMATEURS (France), PRODUCTION CHAMPION (Canada) and VIVIFILM (Belgique) Page 11: Hydro-Québec Page 12: Hydro-Québec Page 13: Abitibi-Témiscamingue, Cité de l’or Village minier de Bourlamaque, Val-d’or Jean-Guy Lavoie Page 14: Collection Assemblée nationale Page 21: Cirque Éloize 2005 - Joke Schot 2005 U2 Jean-François Brière, Festival d’été de Québec Page 22: Muriel Brousseau, Grand Prix du Canada Yves Tessier, Vieux-Québec The ECONOMIC AND FINANCIAL PROFILE OF QUÉBEC is produced by the Ministère des Finances 12, rue Saint-Louis, bureau 2.08 Québec (Québec) G1R 5L3 For information, contact: Secrétariat et coordination Phone : (418) 691-2250 Fax : (418) 646-0923 Email : [email protected] This document is available on the web at: www.finances.gouv.qc.ca Subscription available ISBN 2-550-46710-8 Legal deposit Bibliothèque nationale du Québec, 2006 Publication date: June 2006 QUÉBEC CANADA Edmonton Victoria Vancouver QUÉBEC Seattle Calgary St.
    [Show full text]
  • Autumn 07 Cover
    Ewbanks Entertainment cover.qxp_Layout 1 23/08/2016 14:37 Page 1 Entertainment Memorabilia, Vintage Posters & Toys Posters Entertainment Memorabilia, Vintage www.ewbankauctions.co.uk Entertainment Memorabilia, Vintage Posters & Toys Tuesday 6th & Wednesday 7th September 2016 Tuesday 6th & Wednesday 7th September 2016 6th & Wednesday Tuesday £10 Ewbanks Entertainment cover.qxp_Layout 1 23/08/2016 14:37 Page 2 ewbank’s auction sale dates 2016 Viewing days/times vary, please contact the auctioneer for details September November 6th Entertainment & Memorabilia (Movie, Music, Sporting 10th Asian Art & Toys) 10th Textiles, Sewing & Vintage Fashion 7th Vintage Posters 16th Antique & Collectors' 21st Jewellery, Silver & Watches 30th Jewellery, Silver & Watches Chris Ewbank, FRICS ASFAV Andrew Ewbank, BA, ASFAV Alastair McCrea, MA 22nd Fine Art & Antiques Senior partner Partner Partner 23rd Antique Furniture & Clocks [email protected] [email protected] [email protected] December 1st Fine Art & Antiques October 2nd Antique Furniture & Clocks 5th Antique & Collectors' 8th Entertainment & Memorabilia (Movie, Music, Sporting 6th Photographic, Scientific Instruments & Natural History & Toys) 27th Decorative Arts 9th Vintage Posters 27th Contemporary Art 14th Antique & Collectors' 15th Fine Wines & Spirits Andrew Delve, MA, ASFAV Tim Duggan, ASFAV Partner Partner [email protected] [email protected] John Snape, BA, ASFAV Stephanie Connell Partner Entertainment & Memorabilia [email protected] Consultant [email protected] Fully illustrated catalogues with multiple images are published on our website approximately two weeks before the sale. For Monthly sales they go online approximately one week before the sale. Cover: Lot 1241 Dates are published on our website and are subject to change without notice.
    [Show full text]
  • MTO 17.3: Endrinal, Defining the Interverse
    Volume 17, Number 3, October 2011 Copyright © 2011 Society for Music Theory Burning Bridges: Defining the Interverse in the Music of U2 Christopher Endrinal NOTE: The examples for the (text-only) PDF version of this item are available online at: http://www.mtosmt.org/issues/mto.11.17.3/mto.11.17.3.endrinal.php KEYWORDS: interverse, bridge, popular music, form, U2, Bono, The Edge, Adam Clayton, Larry Mullen Jr., introduction, verse, chorus, refrain, interlude, transition, conclusion ABSTRACT: Popular music analysis, particularly pop-rock analysis, presents several challenges. Despite the repetition and seeming simplicity of the harmonic progressions in many pop-rock songs, analyzing their form can be difficult. One of these difficulties lies in the terminology used to describe the sections within a song. Specifically, the term “bridge” is troublesome because frequently it does not adequately describe the function of the section it represents. Using the music of Irish group U2, this paper defines and illustrates the “interverse,” a new term for the section traditionally called a “bridge” in pop-rock music, one that more accurately describes how the section relates to immediately preceding and succeeding material, as well as how it functions within the song as a whole. In addition to introducing new terminology, this paper also defines, illustrates, and distinguishes among the traditional sections of a pop-rock song, namely the introduction, verse, chorus, refrain, interlude, transition, and conclusion. Received February 2011 [1] The word “bridge” suggests connecting or transitional function, as in the statement “bridging the gap between point A and point B.” A physical bridge links two otherwise separate entities.
    [Show full text]
  • MASARYKOVA UNIVERZITA Filozofická Fakulta Ústav Hudební
    MASARYKOVA UNIVERZITA Filozofická fakulta Ústav hudební vědy Hudební věda LUCIE KOZÁKOVÁ Bc. BONO VOX a vliv jeho politických aktivit na tvorbu rockové skupiny U2 Vedoucí práce: PhDr. ALEŠ OPEKAR, CSc. Rok odevzdání práce: 2008 Prohlašuji,že jsem pracovalasamostatněaveškeroupoužitouliteraturujsemcitovala. ___________________________ OBSAH PŘEDMLUVA ...........................................................................................................................1 ÚVOD ........................................................................................................................................2 KDOJE BONOVOX? ..............................................................................................................3 PAUL DAVID HEWSON .............................................................................................................3 BONO VOX ..............................................................................................................................4 SITUACE PO VYSTOUPENÍ NA LIVE AID ....................................................................................5 DEVADESÁTÁ LÉTA .................................................................................................................6 NOVÁ ETAPA – NÁVRAT KE KOŘENŮM .....................................................................................8 ANALÝZA PÍSNÍ ....................................................................................................................10 SUNDAY BLOODY SUNDAY – NEDĚLE KRVAVÁ NEDĚLE .......................................................10
    [Show full text]
  • Sasoma (Nava J13SINIH ,SA3VIAIS, NOWV :Nlds 3H1 Rif D .11114111
    www.americanradiohistory.com sp.maall u! papodaJ SR 900Z J0 pqr1 u()!Jm.tioad mjay 1# aras] El:ET '11 WOTSpicoa8pueo!ped-mmm J3IH3 M3N SAVd .I3 13301 :311.10dd SA3HS1113fld "."' 900Z ul le!Oo!Ped ade s uai I. "ON WOW sasoma (Nava J13SINIH ,SA3VIAIS, NOWV :NldS 3H1 rif d .11114111. WI0Vd JV 3-1nd TILLS S138V1 00 N1011.MOA3ti 11H wool qDniJ puv isBuos dol snid 05'9$ v L89L 'ON 900Z 'El 1138P13330 3nssi ON3-tiV3A 7V133dSli DECEMBER 8, 2006 I SPECIAL YEAR-END ISSUE] NC. 1687 THE YEAR $6-50 PLUS IN ELL ngs, Artists, Labels RINGING UP THE CH And Much More HIT REVOLUTION: DO MAJOR LABELS STILL RULE AT RADIO? THE SPIN: AKON 'SMACKS' HIMSELF FORMAT BY FORMAT FROM NO.1 That Shaped Th Trends RADIO & RECORDS PUBLISHER'S PROFILE: MEE. Radio Dial In 2006 pp.29 -92 ALEY RAO'S N. W CHIEF www.RadioandRecord s.com rILJUJU! IVI\IVLI' V h ILL VILL HE JOSH TURNER VINCE GILL LARWOOD GARY ALLAN REBA MCENTIRE HOT API MCENTIRE HOT APPLE PIE JO, ,,LL GEORGE STRAIT TRISHA YEARWOOD GARY ALLAN R tJCE GILL GEORGE STRAIT TRISr,, r.tJ GARY ALLAN REBA MCENTIRE HOT APPLE PIE JOSH TURPS GEORGE STRAIT ,Ar .rrf.:rrr-a . IV v I KLLHiV 'ALUM IW't r;.._:' +rc I vtiv viLLVCORGE STRAIT TRf.,wit Ltclivv -VARI Tp1C1.3A VC'ADlA%!r R; rMI: E N T t R E HOT APPLE 1-1r: -',OSH TURNER GILL GEORGE S FROM THE UMG- NASHVILLE FAMILY TO YOUR FAMILY Thanks country radio for another fantastic year t!.rr Hk:' R k I ï RY N1CHQ RRINGTON JULIE ROBERTS LEE AP.
    [Show full text]
  • Health, Wellbeing and Place in the Work of Bono and U2
    Health & Place ] (]]]]) ]]]–]]] Contents lists available at ScienceDirect Health & Place journal homepage: www.elsevier.com/locate/healthplace Cool aid? Health, wellbeing and place in the work of Bono and U2 Gavin J. Andrews a,n, Robin A. Kearns b, Paul Kingsbury c, Edward R. Carr d a Department of Health, Aging and Society, McMaster University, 1280 Main Street West, Hamilton, Ontario, M6J 2G4, Canada b School of Environment, The University of Auckland, Private Bag 92019, Auckland, New Zealand c Department of Geography, Simon Fraser University, 8888 University Drive, Burnaby, British Columbia, V5A 4X7. Canada d Department of Geography, Univeristy of South Carolina, Columbia, SC 29208, USA article info abstract Article history: Through a discussion of the sounds and statements of Bono and U2, this paper explores the ways in Received 17 December 2009 which music can work in particular spatial contexts, contributing towards both personal and Received in revised form population-wide health and wellbeing. We engage critically with the idea of celebrity diplomacy, 8 September 2010 and look beyond this notion to suggest ways in which the production, circulation and consumption of Accepted 20 September 2010 music warrants greater attention within the unfolding domain of health geography. & 2010 Elsevier Ltd. All rights reserved. Keywords: Health Wellbeing music Geography U2 Bono 1. Introduction 2. Inquiries into music, health and place Western society is celebrity obsessed to the extent that it is not When searching for studies that engage with music, health and only fascinated by famous people, but also by what they are place one is struck by how little work engages contempora- doing, and what they have become, even after their fame has neously with all three of these empirical and conceptual fields.
    [Show full text]