Musical Biographies at East Greenbush Community Library
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
KLOS March 17Th 2013
1 1 2 PLAYLIST MARCH 17TH 2013 9AM Good morning Apple Scruffs! George Harrison – Apple Scruffs - All Things Must Pass ‘70 2 3 This was a salute to the girls (and sometimes boys) who stood vigil at Apple, Abbey Road and anyplace a Fab was to likely to be. Upon recording the tune, George invited the “Apple Scruffs,” into the studio to have a listen. The Beatles – Sun King - Abbey Road Recorded w/ Mean Mr. Mustard as one song on July 24th 1969. Lennon in Playboy interview of 1980…”That’s a piece of garbage I had around”. Many parts of Pink Floyd’s Dark Side of the Moon sound very much inspired by that piece of garbage. Lennon 1.00 The Beatles – Mean Mr. Mustard - Abbey Road Recorded July 24th. Written in India as we heard on the White LP demos from Esher. When the band is playing it during the Let It Be sessions Pam was then a Shirley. Lennon 1.00 The Beatles - Her Majesty – Abbey Road Recorded July 2, 1969. Originally fit between” Mean Mr. Mustard” and “Polythene Pam” McCartney 1.00 The Beatles – Polythene Pam - Abbey Road Recorded July 25th w/ “She Came in Through The Bathroom Window “. The only Beatles song inspired by a woman in New Jersey who dressed in polythene (but not jack boots or kilts). Written in India, demoed for the White LP. Lennon 1.00 The Beatles – She Came In Through The Bathroom Window - Abbey Road Recorded July 25th 1969. Written while in NYC to announce Apple. Based on a true story about some Scruffs breaking into Paul house at St. -
Fotografe 19/07/11 21:33 Page 36
Stones 179.QXP_Fotografe 19/07/11 21:33 Page 36 Estante Fotos: Mark Hayward e Philip Townsend Foto dos Stones em referência à música Sitting on the Fence, “sentado numa cerca”: a cena foi repetida em outras ocasiões 36 • Fotografe Melhor no 179 Stones 179.QXP_Fotografe 19/07/11 21:33 Page 37 Para quem ama ou quer saber mais sobre os Rolling Stones Livro chega com atraso ao Brasil, mas é um valioso documento com muitas imagens da banda inglesa que marcou gerações Músicos vestidos com paletós xadrez, por indicação do agente Andrew Oldham, para uma sessão de fotos Agosto 2011 • 37 Stones 179.QXP_Fotografe 19/07/11 21:33 Page 38 Estante POR JUAN ESTEVES depoimento do gui- tarrista Keith Ri- Ochards define bem Christopher Sykes o caráter do livro According to the Rolling Stones: “Sempre me senti absolutamente aben- çoado. Nunca tive que dizer ‘sim, senhor’ desde que saí da escola e as pessoas ainda pa- gam para que eu possa tocar. Às vezes você sente como se tivessem lhe dado permissão de viver a vida que todo mun- do queria viver ou acha que queria viver, se pudesse”. A obra foi lançada em junho de 2011 no Brasil pela Cosac Naify, a partir da edição in- glesa publicada em 2003. Mais recente publicação sobre a veterana e célebre ban- da inglesa, o volume é rica- mente ilustrado com fotos e foi organizado por Dora Loe- wenstein e Philip Dodd. Ela é empresária e convive com os Stones desde que nasceu, pois é filha do gerente finan- ceiro da banda, Rupert Loe- wenstein. -
Eric Clapton Philip Norman Bij Uitgeverij Thomas Rap
eric clapton philip norman bij uitgeverij thomas rap Mick Jagger Paul McCartney Philip Norman Eric Clapton De biografie Vertaald door Sylvie Hoyinck, Irene Paridaans en Jan Willem Reitsma 2018 thomas rap amsterdam De poëzieregels op p. 244 komen uit ‘De wijn van de geliefden’, in Charles Baudelaire, De bloemen van het kwaad, vert. Petrus Hoosemans, Historische Uitgeverij, Groningen 1997. Copyright © 2018 Philip Norman Copyright Nederlandse vertaling © 2018 Sylvie Hoyinck, Irene Paridaans en Jan Willem Reitsma Oorspronkelijke titel Slowhand Oorspronkelijke uitgever Weidenfeld & Nicolson, Londen Omslagontwerp Bij Barbara Omslagillustratie © Imageselect Vormgeving binnenwerk CeevanWee, Amsterdam Druk Bariet Ten Brink, Meppel isbn 978 94 004 0143 3 nur 320 thomasrap.nl Inhoud proloog A Clockwork Strawberry 7 intro De meester-overlever 20 1 Rick 29 2 Pat 44 3 Troubadour 56 4 Van Rooster tot Engineer 69 5 Yardbird 80 6 Journeyman 90 7 Bluesbreaker 105 8 Net als Freddy 119 9 Stiggy 130 10 nsu 143 11 De Pheasantry 160 12 ‘Tering! Ik ben rijk!’ 173 13 Het bos in 188 14 Een tijdbom die miljoenen opbracht 208 15 Het Domino-effect 225 16 Fanfare voor Eric 240 17 De zwarte doos 257 18 E+P 272 19 Wonderful Tonight? 289 20 ‘God zegene ons huwelijk’ 309 21 Made in Montserrat 325 22 Captain Smirnoff 342 23 ‘Huil alsjeblieft niet’ 358 24 Een plekje 373 25 ‘De zoom van Gods gewaad’ 391 Dankwoord 405 Register 408 Proloog A Clockwork Strawberry et is december 1969, lunchtijd in een drukbezocht cafetaria H langs een snelweg, een paar kilometer ten zuiden van Leeds. In de rij voor de selfservicebalie staan een stuk of zes jonge mannen wier schouderlang haar, Bijbelse baarden en zelfgebreide truien hun het ui- terlijk verschaffen van negentiende-eeuwse evangelisten. -
Adult Contemporary Radio at the End of the Twentieth Century
University of Kentucky UKnowledge Theses and Dissertations--Music Music 2019 Gender, Politics, Market Segmentation, and Taste: Adult Contemporary Radio at the End of the Twentieth Century Saesha Senger University of Kentucky, [email protected] Digital Object Identifier: https://doi.org/10.13023/etd.2020.011 Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Senger, Saesha, "Gender, Politics, Market Segmentation, and Taste: Adult Contemporary Radio at the End of the Twentieth Century" (2019). Theses and Dissertations--Music. 150. https://uknowledge.uky.edu/music_etds/150 This Doctoral Dissertation is brought to you for free and open access by the Music at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--Music by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known. -
George Harrison
COPYRIGHT 4th Estate An imprint of HarperCollinsPublishers 1 London Bridge Street London SE1 9GF www.4thEstate.co.uk This eBook first published in Great Britain by 4th Estate in 2020 Copyright © Craig Brown 2020 Cover design by Jack Smyth Cover image © Michael Ochs Archives/Handout/Getty Images Craig Brown asserts the moral right to be identified as the author of this work A catalogue record for this book is available from the British Library All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins. Source ISBN: 9780008340001 Ebook Edition © April 2020 ISBN: 9780008340025 Version: 2020-03-11 DEDICATION For Frances, Silas, Tallulah and Tom EPIGRAPHS In five-score summers! All new eyes, New minds, new modes, new fools, new wise; New woes to weep, new joys to prize; With nothing left of me and you In that live century’s vivid view Beyond a pinch of dust or two; A century which, if not sublime, Will show, I doubt not, at its prime, A scope above this blinkered time. From ‘1967’, by Thomas Hardy (written in 1867) ‘What a remarkable fifty years they -
Scribbles California Writers Club — Central Coast Writers Branch Centralcoastwriters.Org May 2016
Scribbles California Writers Club — Central Coast Writers Branch centralcoastwriters.org May 2016 May 17 Speaker Sylvie Simmons Writing a Comprehensive Biography Sylvie Simmons, author of I’m Your Man: The Life of Leonard Cohen will speak about writing a definitive biography without losing your emotional distance, your livelihood or your mind. She will talk about research, interviews, immersing yourself in another person’s life, what to reveal, what not to reveal, how to gain your subject’s trust...and how being passionate about a dream can lead to an extraordinary life. SYLVIE SIMMONS is a Londonborn U.S.based music journalist and author. A widely regarded writer and rock historian since the late 1970s, she is one of very few women included among the predominantly male rock elite. She has interviewed artists from Mick Jagger to Michael Jackson. The Leonard Cohen book was named best biography of the year (2012) by NPR’s “All Things Considered.” She is also a singersongwriter and ukulele player signed to Light in the Attic Records. Coming on June 21 Michael David Lukas — WHAT’S INSIDE Revision and Inspiration MICHAEL DAVID LUKAS has been a Fulbright Scholar in Turkey, Announcements 46 a nightshift proofreader in Tel Aviv, and a waiter at the Bread CCW President’s Letter 2 Loaf Writers’ Conference in Vermont. Translated into more than a dozen languages, his first novel The Oracle of Stamboul Contests and Conferences 9 was a finalist for the California Book Award, the NCIBA Book of the Year Award, and the Harold U. Ribalow Prize. -
Entertainer Josephine Baker by Lilyana D’Amato
The Legacy of Black Musicians: Entertainer Josephine Baker by Lilyana D’Amato In the decade following the First World War, French popular culture was dominated by images of negrophilia: the disconcerting obsession with and seizure of Black — specifically African — culture. Introduced to African folk art through global imperialism and colonialism, the French became fascinated with racialized depictions of the “savage” Black body, fetishizing Blackness through painting, sculpture, film, and performance. In the early 1920s, avant-garde Parisian artists began appropriating Black culture as a means of exploring what they saw as the juxtaposition between the “primitive” and changing notions of modernity. When entertainer Jospehine Baker, the hugely influential African American expatriate, arrived in Paris in 1925, she became the face of this racialized mania. Her body and persona came to signify the exotic, used to satisfy colonialist sexual fantasies. In reviews of Baker’s most iconic performance, her 1925 stage debut in La Revue Nègre, she is almost solely described through animalistic metaphors — as a monkey, a panther, a giraffe, or a snake. In the Parisian newspaper Candide, the reviewer begins: “This is no woman, no dancer. It’s something as exotic and elusive as music, an embodiment of all the sounds we know.” Dehumanized and reduced to something, Baker was, as Scholar Alicja Sowinska explores in her paper Dialectics of the Banana Skirt: The Ambiguities of Josephine Baker’s Self-Representation, “popularly situated in a sort of netherworld, suspended between civilization and savagery, and between the human and the animal.” References to Baker’s ambiguous humanity also appeared in e.e. -
“What Happened to the Post-War Dream?”: Nostalgia, Trauma, and Affect in British Rock of the 1960S and 1970S by Kathryn B. C
“What Happened to the Post-War Dream?”: Nostalgia, Trauma, and Affect in British Rock of the 1960s and 1970s by Kathryn B. Cox A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Music Musicology: History) in the University of Michigan 2018 Doctoral Committee: Professor Charles Hiroshi Garrett, Chair Professor James M. Borders Professor Walter T. Everett Professor Jane Fair Fulcher Associate Professor Kali A. K. Israel Kathryn B. Cox [email protected] ORCID iD: 0000-0002-6359-1835 © Kathryn B. Cox 2018 DEDICATION For Charles and Bené S. Cox, whose unwavering faith in me has always shone through, even in the hardest times. The world is a better place because you both are in it. And for Laura Ingram Ellis: as much as I wanted this dissertation to spring forth from my head fully formed, like Athena from Zeus’s forehead, it did not happen that way. It happened one sentence at a time, some more excruciatingly wrought than others, and you were there for every single sentence. So these sentences I have written especially for you, Laura, with my deepest and most profound gratitude. ii ACKNOWLEDGMENTS Although it sometimes felt like a solitary process, I wrote this dissertation with the help and support of several different people, all of whom I deeply appreciate. First and foremost on this list is Prof. Charles Hiroshi Garrett, whom I learned so much from and whose patience and wisdom helped shape this project. I am very grateful to committee members Prof. James Borders, Prof. Walter Everett, Prof. -
Tommy Schools Resource Pack
Schools Resource Pack 2017 Contents Page 2……………………….Ramps on the Moon Page 3……………………….Cast and Creative Team Page 4-6.……………….….Tommy Plot synopsis Page 7-8…………………….Meeting the Creatives: Kerry Michael, Director Page 9-12………………….Meeting the Creatives: Inside the Rehearsal Room Page 13……………………..Exploring Tommy Page 14……………………. Game 1: Bomb & Shield Page 15……………………. Game 2: Exaggerate the Action Page 16-17………………. Activity 1: Character Insight Page 18……………………..Activity 2: Yippee! Page 19……………………. Activity 3: Who Is Driving Your Car? Page 20-21………………. Activity 4: Journeys Page 22……………………. Activity 5: Theatre Making Page 23……………………. Embedding Accessibility Page 24-26………………..Workshop Activities with Jamie Beddard Page 27……………………..Do You Want to Work in the Arts? Page 28-29……………….. How Did You Get To Where You Are Now? Page 30-31……………….. Creative Assistant Biographies Page 32-34…………………Social Model of Disability Page 35………………………Media & Resources Page 36………………………Fingerspelling Alphabet This pack is intended to support your student’s experience of Tommy, as well as to explore integrated and accessible theatre, employment opportunities and routes into the theatre industry. Many of the exercises in this pack are suitable for groups who have not seen the production. Sian Thomas Creative Learning Producer New Wolsey Theatre, Ipswich E: [email protected] T: 01473 295930 Rehearsal photos by Patrick Baldwin & Richard Davenport, Production photos by Mike Kwasniak 1 Ramps on the Moon Ramps on the Moon is a ground breaking touring project that sets out to put more D/deaf and disabled people on our stages, in our audiences and in our workforce. Integrating disabled and non- disabled performers and practitioners, the programme aims to achieve a step change in the employment and artistic opportunities for disabled performers and creative teams , and a cultural change in the participating organisations to enable accessibility to become a central part of their thinking and aesthetics. -
Eminem 1 Eminem
Eminem 1 Eminem Eminem Eminem performing live at the DJ Hero Party in Los Angeles, June 1, 2009 Background information Birth name Marshall Bruce Mathers III Born October 17, 1972 Saint Joseph, Missouri, U.S. Origin Warren, Michigan, U.S. Genres Hip hop Occupations Rapper Record producer Actor Songwriter Years active 1995–present Labels Interscope, Aftermath Associated acts Dr. Dre, D12, Royce da 5'9", 50 Cent, Obie Trice Website [www.eminem.com www.eminem.com] Marshall Bruce Mathers III (born October 17, 1972),[1] better known by his stage name Eminem, is an American rapper, record producer, and actor. Eminem quickly gained popularity in 1999 with his major-label debut album, The Slim Shady LP, which won a Grammy Award for Best Rap Album. The following album, The Marshall Mathers LP, became the fastest-selling solo album in United States history.[2] It brought Eminem increased popularity, including his own record label, Shady Records, and brought his group project, D12, to mainstream recognition. The Marshall Mathers LP and his third album, The Eminem Show, also won Grammy Awards, making Eminem the first artist to win Best Rap Album for three consecutive LPs. He then won the award again in 2010 for his album Relapse and in 2011 for his album Recovery, giving him a total of 13 Grammys in his career. In 2003, he won the Academy Award for Best Original Song for "Lose Yourself" from the film, 8 Mile, in which he also played the lead. "Lose Yourself" would go on to become the longest running No. 1 hip hop single.[3] Eminem then went on hiatus after touring in 2005. -
THE GOD GROOVE by DAVID RITZ
For immediate release Contact: Yona Deshommes Associate Director of Publicity [email protected] (212) 698-7566 THE GOD GROOVE By DAVID RITZ David Ritz has written over 50 books. Ritz’s job as a ghostwriter molded his prime directive into becoming the voice of who he was writing about, rejecting the temptation to implant his/her own point of view into the story. So, you’ve never really seen a clear portrait of the man himself until The God Groove, his first memoir. Seeking an escape from death by boredom in advertising, Ritz began his 40-plus year journey as a writer and ghostwriter with a simple but seemingly impossibly goal: to be Ray Charles’ first biographer. What began with a 32-year-old husband and father of two’s plane ride from Dallas to Los Angeles to bang on Ray’s front door began an odyssey from which he never truly returned as the same man. The God Groove places Ritz in rooms with artists, musicians and academics who have shaped the last 50 years in American culture: the late Aretha Franklin, Blues legend Etta James, and the tortured genius of Marvin Gaye, for whom he writes the titles to the now- classic “Sexual Healing”, the first stone on the path to Ritz becoming a songwriter in his own right. For immediate release Contact: Yona Deshommes Associate Director of Publicity [email protected] (212) 698-7566 Ritz documents the thoughts and feelings of late bluesman B.B. King on a tour bus through the cotton fields of the deep South. -
Ballets Russes Press
A ZEITGEIST FILMS RELEASE THEY CAME. THEY DANCED. OUR WORLD WAS NEVER THE SAME. BALLETS RUSSES a film by Dayna Goldfine and Dan Geller Unearthing a treasure trove of archival footage, filmmakers Dan Geller and Dayna Goldfine have fashioned a dazzlingly entrancing ode to the rev- olutionary twentieth-century dance troupe known as the Ballets Russes. What began as a group of Russian refugees who never danced in Russia became not one but two rival dance troupes who fought the infamous “ballet battles” that consumed London society before World War II. BALLETS RUSSES maps the company’s Diaghilev-era beginnings in turn- of-the-century Paris—when artists such as Nijinsky, Balanchine, Picasso, Miró, Matisse, and Stravinsky united in an unparalleled collaboration—to its halcyon days of the 1930s and ’40s, when the Ballets Russes toured America, astonishing audiences schooled in vaudeville with artistry never before seen, to its demise in the 1950s and ’60s when rising costs, rock- eting egos, outside competition, and internal mismanagement ultimately brought this revered company to its knees. Directed with consummate invention and infused with juicy anecdotal interviews from many of the company’s glamorous stars, BALLETS RUSSES treats modern audiences to a rare glimpse of the singularly remarkable merger of Russian, American, European, and Latin American dancers, choreographers, composers, and designers that transformed the face of ballet for generations to come. — Sundance Film Festival 2005 FILMMAKERS’ STATEMENT AND PRODUCTION NOTES In January 2000, our Co-Producers, Robert Hawk and Douglas Blair Turnbaugh, came to us with the idea of filming what they described as a once-in-a-lifetime event.