Africa to America
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
The 2018 NEA Jazz Masters Tribute Concert Honoring the 2018 National Endowment for the Arts Jazz Masters
4-16 JAZZ NEA Jazz.qxp_WPAS 4/6/18 10:33 AM Page 1 The John F. Kennedy Center for the Performing Arts DAVID M. RUBENSTEIN , Chairman DEBoRAh F. RUTTER, President CONCERT HALL Monday Evening, April 16, 2018, at 8:00 The Kennedy Center and the National Endowment for the Arts present The 2018 NEA Jazz Masters Tribute Concert Honoring the 2018 National Endowment for the Arts Jazz Masters TODD BARKAN JOANNE BRACKEEN PAT METHENY DIANNE REEVES Jason Moran is the Kennedy Center Artistic Director for Jazz. This performance will be livestreamed online, and will be broadcast on Sirius XM Satellite Radio and WPFW 89.3 FM. Patrons are requested to turn off cell phones and other electronic devices during performances. The taking of photographs and the use of recording equipment are not allowed in this auditorium. 4-16 JAZZ NEA Jazz.qxp_WPAS 4/6/18 10:33 AM Page 2 THE 2018 NEA JAZZ MASTERS TRIBUTE CONCERT Hosted by JASON MORAN, Kennedy Center Artistic Director for Jazz With remarks from JANE CHU, Chairman of the National Endowment for the Arts DEBORAH F. RUTTER, President of the John F. Kennedy Center for the Performing Arts The 2018 NEA JAzz MASTERS Performances by NEA Jazz Master Eddie Palmieri and the Eddie Palmieri Sextet John Benitez Camilo Molina-Gaetán Jonathan Powell Ivan Renta Vicente “Little Johnny” Rivero Terri Lyne Carrington Nir Felder Sullivan Fortner James Francies Pasquale Grasso Gilad Hekselman Angélique Kidjo Christian McBride Camila Meza Cécile McLorin Salvant Antonio Sanchez Helen Sung Dan Wilson 4-16 JAZZ NEA Jazz.qxp_WPAS 4/6/18 -
Entertainer Josephine Baker by Lilyana D’Amato
The Legacy of Black Musicians: Entertainer Josephine Baker by Lilyana D’Amato In the decade following the First World War, French popular culture was dominated by images of negrophilia: the disconcerting obsession with and seizure of Black — specifically African — culture. Introduced to African folk art through global imperialism and colonialism, the French became fascinated with racialized depictions of the “savage” Black body, fetishizing Blackness through painting, sculpture, film, and performance. In the early 1920s, avant-garde Parisian artists began appropriating Black culture as a means of exploring what they saw as the juxtaposition between the “primitive” and changing notions of modernity. When entertainer Jospehine Baker, the hugely influential African American expatriate, arrived in Paris in 1925, she became the face of this racialized mania. Her body and persona came to signify the exotic, used to satisfy colonialist sexual fantasies. In reviews of Baker’s most iconic performance, her 1925 stage debut in La Revue Nègre, she is almost solely described through animalistic metaphors — as a monkey, a panther, a giraffe, or a snake. In the Parisian newspaper Candide, the reviewer begins: “This is no woman, no dancer. It’s something as exotic and elusive as music, an embodiment of all the sounds we know.” Dehumanized and reduced to something, Baker was, as Scholar Alicja Sowinska explores in her paper Dialectics of the Banana Skirt: The Ambiguities of Josephine Baker’s Self-Representation, “popularly situated in a sort of netherworld, suspended between civilization and savagery, and between the human and the animal.” References to Baker’s ambiguous humanity also appeared in e.e. -
Reggie Workman Working Man
APRIL 2018—ISSUE 192 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM REGGIE WORKMAN WORKING MAN JIM JONNY RICHARD EDDIE McNEELY KING WYANDS JEFFERSON Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East APRIL 2018—ISSUE 192 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 New York@Night 4 Laurence Donohue-Greene: Interview : JIM Mcneely 6 by ken dryden [email protected] Andrey Henkin: [email protected] Artist Feature : JONNY KING 7 by donald elfman General Inquiries: [email protected] ON The COver : REGGIE WORKMAN 8 by john pietaro Advertising: [email protected] Encore : RICHARD WYANDS by marilyn lester Calendar: 10 [email protected] VOXNews: Lest WE Forget : EDDIE JEFFERSON 10 by ori dagan [email protected] LAbel Spotlight : MINUS ZERO by george grella US Subscription rates: 12 issues, $40 11 Canada Subscription rates: 12 issues, $45 International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or vOXNEWS 11 by suzanne lorge money order to the address above or email [email protected] Obituaries by andrey henkin Staff Writers 12 David R. Adler, Clifford Allen, Duck Baker, Stuart Broomer, FESTIvAL REPORT Robert Bush, Thomas Conrad, 13 Ken Dryden, Donald Elfman, Phil Freeman, Kurt Gottschalk, Tom Greenland, Anders Griffen, CD REviews 14 Tyran Grillo, Alex Henderson, Robert Iannapollo, Matthew Kassel, Marilyn Lester, Suzanne -
Ballets Russes Press
A ZEITGEIST FILMS RELEASE THEY CAME. THEY DANCED. OUR WORLD WAS NEVER THE SAME. BALLETS RUSSES a film by Dayna Goldfine and Dan Geller Unearthing a treasure trove of archival footage, filmmakers Dan Geller and Dayna Goldfine have fashioned a dazzlingly entrancing ode to the rev- olutionary twentieth-century dance troupe known as the Ballets Russes. What began as a group of Russian refugees who never danced in Russia became not one but two rival dance troupes who fought the infamous “ballet battles” that consumed London society before World War II. BALLETS RUSSES maps the company’s Diaghilev-era beginnings in turn- of-the-century Paris—when artists such as Nijinsky, Balanchine, Picasso, Miró, Matisse, and Stravinsky united in an unparalleled collaboration—to its halcyon days of the 1930s and ’40s, when the Ballets Russes toured America, astonishing audiences schooled in vaudeville with artistry never before seen, to its demise in the 1950s and ’60s when rising costs, rock- eting egos, outside competition, and internal mismanagement ultimately brought this revered company to its knees. Directed with consummate invention and infused with juicy anecdotal interviews from many of the company’s glamorous stars, BALLETS RUSSES treats modern audiences to a rare glimpse of the singularly remarkable merger of Russian, American, European, and Latin American dancers, choreographers, composers, and designers that transformed the face of ballet for generations to come. — Sundance Film Festival 2005 FILMMAKERS’ STATEMENT AND PRODUCTION NOTES In January 2000, our Co-Producers, Robert Hawk and Douglas Blair Turnbaugh, came to us with the idea of filming what they described as a once-in-a-lifetime event. -
The 2017 NEA Jazz Masters Tribute Concert Honoring the 2017 National Endowment for the Arts Jazz Masters
4-3 NEA JAZZ.qxp_WPAS 3/24/17 8:41 AM Page 1 The John F. Kennedy Center for the Performing Arts DAVID M. RUBENSTEIN, Chairman DEBoRAh F. RUTTER, President CONCERT HALL Monday Evening, April 3, 2017 at 7:30 The Kennedy Center and the National Endowment for the Arts present The 2017 NEA Jazz Masters Tribute Concert Honoring the 2017 National Endowment for the Arts Jazz Masters DEE DEE BRIDGEWATER IRA GITLER DAVE HOLLAND DICK HYMAN DR. LONNIE SMITH Jason Moran is the Kennedy Center Artistic Director for Jazz. This performance will be livestreamed online, and will be broadcast on Sirius XM Satellite Radio. WPFW 89.3 FM is a media partner of Kennedy Center Jazz. Patrons are requested to turn off cell phones and other electronic devices during performances. The taking of photographs and the use of recording equipment are not allowed in this auditorium. 4-3 NEA JAZZ.qxp_WPAS 3/24/17 8:41 AM Page 2 THE 2017 NEA JAZZ MASTERS TRIBUTE CONCERT Hosted by JASON MORAN, Kennedy Center Artistic Director for Jazz With remarks from JANE CHU, Chairman of the National Endowment for the Arts DEBORAH F. RUTTER, President of the John F. Kennedy Center for the Performing Arts KENNY BARRON, NEA Jazz Master DAN MORGENSTERN, NEA Jazz Master GARY GIDDINS, jazz and film critic JESSYE NORMAN, Kennedy Center Honoree and recipient, National Medal of Arts The 2017 NEA JAzz MASTERS Performances by PAQUITO D’RIVERA, saxophone LEE KONITz, alto saxophone Special Guests Bill Charlap, piano Sherrie Maricle and the Theo Croker, trumpet DIVA Jazz Orchestra Aaron Diehl, piano Sherrie Maricle, leader and drummer Robin Eubanks, trombone Tomoko Ohno, piano James Genus, bass Noriko Ueda, bass Donald Harrison, saxophone Jennifer Krupa , lead trombonist Booker T. -
Blumenduett, Kohutkova + Slepkovska, SRSO, Wildner (5:32) Verdi, Rigoletto: Questo, Plácido Domingo, Wiener Philh., C.M
Klassikselektion Catalani, La Wally: Ebben?, Miriam Gauci, BRTPO, A. (3:12) Delibés, Lakmé: Blumenduett, Kohutkova + Slepkovska, SRSO, Wildner (5:32) Verdi, Rigoletto: Questo, Plácido Domingo, Wiener Philh., C.M. Guilini (1:55) Händel, Zadok The Priest, Th. Tallis Ch. Choir, RAConsort, J. Summerly (5:43) Michel Legrand, The Windmills Of Your Mind (5:39) Ennio Morricone, The Mission: Gabriel’s Oboe, Prager Philh., N. Ingman (3:19) Massenet, Thais: Méditation, Nigel Kennedy, NPO, R. Bonynge (5:44) Die menschliche Stimme; erste Sektion On My Heart, Haley Westenra & Mike Oldfild (2:26) Gounot: Cinq Mars, Nuit resplendissante, Magdalena Kozena (5.29) Bellini: Norma, Casta diva, Montserrat Caballe (10:15) Puccini: Madame Butterfly, Leontine Price & Richard Tucker (7:05) Gershwin: Oh, Lady Be Good, Ella Fitzgerald & Nelson Riddle (3:58) Gershwin: Someone To Watch Over Me, Ella Fitzgerald & Nelson Riddle (4:30) Gershwin: Summertime, Inga Rumpf & Joja Wendt (4:35) Love Is Gold, Inga Rumpf & Joja Wendt (3:45) Puccini: Turandot, Nessun dorma, Josè Cura (3:01) Voglio vivere cosi, Luciano Pavarotti & Hanry Mancini (2:42) Der komplexe Klang – Jazz meets the Symphony Hymn, Lalo Shifrin, Ray Brown, Grady Tate, LSO (6:28) Blues In The Bassment, Lalo Shifrin, Ray Brown, Grady Tate, LSO (4:13) An American In Paris, Lalo Shifrin, Ray Brown, Grady Tate, LSO (6:53) Prelude No. 2, Lalo Shifrin & Sydney Symphony (5:10) Orchestrale Klassik und New Classics Duke Ellington: Village Virgins, Detroit Symphony, Neeme Järvi (4:17) Bernstein: Times Square, Boston Pops, John Williams (5:18) Max Steiner: Gone With The Wind, Boston Pops, John Williams (4:39) Max Steiner: A Summer Place, Boston Pops, John Williams (2:40) Holst: The Planets, Jupiter, LSO, Bernhard Haitink (4:49) BAlan Silvestri: Forrest Gump, Cincinnati Pops, Erich Kunzel (2:31) Die menschliche Stimme; zweite Sektion Marie-J. -
June 2010 Issue
NEW YORK June 2010 | No. 98 Your FREE Monthly Guide to the New York Jazz Scene newyork.allaboutjazz.com HERBIE HANCOCKSEVEN DECADES OF IMAGINATION Mark Feldman • David S. Ware • Kadima Collective • Event Calendar NEW YORK Despite the burgeoning reputations of other cities, New York still remains the jazz capital of the world, if only for sheer volume. A night in NYC is a month, if not more, anywhere else - an astonishing amount of music packed in its 305 square miles (Manhattan only 34 of those!). This is normal for the city but this month, there’s even more, seams bursting with amazing concerts. New York@Night Summer is traditionally festival season but never in recent memory have 4 there been so many happening all at once. We welcome back impresario George Interview: Mark Feldman Wein (Megaphone) and his annual celebration after a year’s absence, now (and by Sean Fitzell hopefully for a long time to come) sponsored by CareFusion and featuring the 6 70th Birthday Celebration of Herbie Hancock (On The Cover). Then there’s the Artist Feature: David S. Ware always-compelling Vision Festival, its 15th edition expanded this year to 11 days 7 by Martin Longley at 7 venues, including the groups of saxophonist David S. Ware (Artist Profile), drummer Muhammad Ali (Encore) and roster members of Kadima Collective On The Cover: Herbie Hancock (Label Spotlight). And based on the success of the WinterJazz Fest, a warmer 9 by Andrey Henkin edition, eerily titled the Undead Jazz Festival, invades the West Village for two days with dozens of bands June. -
La Cantante China Moses Abre Mañana El Ciclo De Jazz Que Caja De Burgos Celebra En La Capital
23 de febrero de 2012 La cantante China Moses abre maana el ciclo de Jazz que Caja de Burgos celebra en la ca ital Moses resenta a artir de las 20.30 horas, en Cultural Cord#n, el es ect$culo The Blues Ain’t Nothing junto con el ianista franc%s Ra ha'l Lemonnier Diverjazz, John Pizzarelli Quartet y Locomotora Big Band com letan el rograma Por su arte, el tr-o Citric acercar$ su ro uesta renovadora a Briviesca y Medina de Pomar La cantante China Moses, considerada una de las m$s hermosas del actual anorama del soul jazz, ser$ la encargada de abrir maana 2. de febrero, a artir de las 20.30 horas, el ciclo JA00012 en Cultural Cord#n. China Moses acerca a Burgos su resencia magn%tica ara resentar el es ect$culo The Blues Ain’t Nothing junto con el ianista franc%s Ra ha'l Lemonnier, con el que ya grab# en 2001 el $lbum This one’s for Dinah, tributo a la legendaria Dinah 2ashington, una de las voces m-ticas del blues. Las entradas ara ver a esta cantante ecl%ctica y com leta, francesa de origen estadounidense y que domina un am lio rango estil-stico 3ha colaborado con artistas de la talla de Me4shell Ndegeocello, 6uru o Camille 3, ya est$n agotadas. Presentadora de la televisiva cadena musical MT8 y com ositora, China Moses hered# de su madre, la gran cantante Dee Dee Bridgewater, una voz otente y c$lida, sensual y rofunda: y de su adre, 6ilbert Moses, director de cine y televisi#n, res onsable de series como Races y el-culas como Willy Dynamite, el valor del esfuerzo y la ca acidad de comunicar su asi#n con talento y sinceridad. -
Givens Playbills
Givens Collection Playbills/Programs Box 1 Abbott, George: The Pajama Game. Lunt-Fontanne Theatre. 1974. Aiken, G.L.: Uncle Tom’s Cabin. The Alvin Theatre, New York. 1933. Ailey, Alvin: The Alvin Ailey American Dance Theatre. Souvenir Book Publishers Inc., New York. Anderson, Maxwell: Lost in the Stars. The Playwrights’ Company, New York. 19450. Baker, Josephine. Josephine Baker and Her International Revue. Baldwin, James: • The Amen Corner. Los Angeles. 1964 • The Amen Corner. Ethel Barrymore Theatre. 1965. • Blues for Mister Charlie. Anta Theatre, New York. 1964. Ballets Africains. New York. Belafonte, Harry. Belafonte at the Palace. A Belafonte Enterprises, Inc. Production. 1959. The Biggest Show of ’51. Souvenir program with signatures. Blake, Eubie: Eubie! Ambassador Theatre, New York. 1979. Broadway Answers Selma. Majestic Theatre, New York. Brown, William F.: The Wiz. Majestic Theatre, New York. 1974. Bullins, Ed • The Electronic Nigger and Others. The American Palace Theatre, New York. 1968. • House Party (2 copies). The American Palace Theatre, New York. 1973. Café Society Downtown. New York. Carnegie Hall (Charlie Parker Memorial Concert). New York. 1955. D’Usseau, Arnaud & Gow, James: Deep are the Roots. The Fulton Theatre, New York. 1946. Davis, Ossie • Purlie Victorious. The Longacre Theatre. 1962. • Purlie. 1970. Duberman, Martin B.: In White America. Sheridan Square Playhouse, New York. Dunham, Katherine • The Playbill for the Martin Beck Theatre. Cabin in the Sky. New York. 1940. • Program for Katherine Dunham and her company in a tropical revue. Martin Beck Theatre, New York. 1943. • S. Hurok presents Katherine Dunham and her Company in Tropical Revue with Bobby Capo Dowdy Quartet. -
African-Americans Abroad: Josephine Baker and the Controversy Surrounding African-American Figures Outside of America
Louisiana State University LSU Digital Commons LSU Master's Theses Graduate School July 2020 African-Americans Abroad: Josephine Baker and the Controversy Surrounding African-American Figures Outside of America Ferin E. Jones Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_theses Recommended Citation Jones, Ferin E., "African-Americans Abroad: Josephine Baker and the Controversy Surrounding African- American Figures Outside of America" (2020). LSU Master's Theses. 5205. https://digitalcommons.lsu.edu/gradschool_theses/5205 This Thesis is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Master's Theses by an authorized graduate school editor of LSU Digital Commons. For more information, please contact [email protected]. African-Americans Abroad: Josephine Baker and the Controversy Surrounding African American Figures Outside of America A Thesis Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Masters of Arts in History in The Department of History by Ferin E. Jones B. A. Louisiana State University, 2015 August 2020 This paper is dedicated to my favorite Black women. Shelis, Rita, and Laverne. ii Table of Contents Abstract………………………………………………………………………………….iii Introduction …………………………………………………………………………….1-2 Chapter I. American Entertainment and Blackness…………………………………….3-7 Chapter II. Is The Grass Greener? .................................................................................8-19 Chapter III. Josephine Baker as a Celebrity………………………………………….20-33 Chapter IV. Josephine Baker as an American Activist and French Spy……………..34-41 Conclusion……………………………………………………………………………42-44 Bibliography………………………………………………………………………….45-47 Vita…………………………………………………………………………………….48 iii Abstract This paper is about the complexities surrounding the African American experience in other countries. -
2015 International Jazz
United Nations International Jazz Day Educational, Scientific and Cultural Organization 19th District (Continued) 15th District EDUCATIONAL PROGRAMS & PERFORMANCES | APRIL 30, 2015 Emergency Homeless Shelter for Conservatory of the 15th District: 43 rue women and children: 166 rue de 5th District 6th District Bargue 1st District 8th District (Continued) 10th District 13th District Crimée 11:00-11:45: Thelonious Monk Institute Fellows 14:00-14:45: Dee Dee Bridgewater & Gare de l’Est (train station): Place du 11 Forum des Halles: Place Carrée, 75001 Paris 5th District Town Hall Kioske à Musique du Jardin du Gare d’Austerlitz (train station): 85, Quai Master Class Sylvain Luc performance CRR (Continued) Novembre 1918 12:00-13:30: “Bread & Jam” Jam Session 16:00-17:00: Kellylee Evans Showcase La Mairie du 5e: 21, Place du Panthéon Luxembourg: Jardin du Luxembourg 17:00: Showcase with Pôle Supérieur Jazz, Performance by Giovanni Mirabassi with guest d’Austerlitz 10:30-12:00: Film screening: “Keep on Keepin’ On” 14:00-14:45pm: Thelonious Monk 14:00-14:45: Lukmil Perez Master Class 17:00-18:00: Lou Tavano Showcase with Paris and guest Jean-Michel Pilc Sarah Lancman Performance by China Moses & Andre The River Seine by Quincy Jones Institute Fellows Concert 15:00-15:45: Sean Thomas steelpans Master Downtown (Jazz Group of students & parents from 17:30: Showcase with “Big Band Jazz Devils” Manoukian 12:15-13:00: Showcase and Discussion: Justin 15:00-15:45: Lisa Cat-Berro Concert Class the Conservatories of the 1st, 2nd, 3rd and 4th 18:00: Showcase -
Reconceptualizing Leadership Through the Prism of the Modern Civil Rights Movement: a Grounded Theory Case Study on Ella Baker Edna R
University of St. Thomas, Minnesota UST Research Online Education Doctoral Dissertations in Leadership School of Education Spring 2015 Reconceptualizing Leadership through the Prism of the Modern Civil Rights Movement: A Grounded Theory Case Study on Ella Baker Edna R. Comedy University of St. Thomas, Minnesota, [email protected] Follow this and additional works at: https://ir.stthomas.edu/caps_ed_lead_docdiss Part of the Education Commons Recommended Citation Comedy, Edna R., "Reconceptualizing Leadership through the Prism of the Modern Civil Rights Movement: A Grounded Theory Case Study on Ella Baker" (2015). Education Doctoral Dissertations in Leadership. 57. https://ir.stthomas.edu/caps_ed_lead_docdiss/57 This Dissertation is brought to you for free and open access by the School of Education at UST Research Online. It has been accepted for inclusion in Education Doctoral Dissertations in Leadership by an authorized administrator of UST Research Online. For more information, please contact [email protected]. Reconceptualizing Leadership through the Prism of the Modern Civil Rights Movement: A Grounded Theory Case Study on Ella Baker A DISSERTATION SUBMITTED TO THE FACULTY OF THE SCHOOL OF EDUCATION OF THE UNIVERSITY OF ST. THOMAS ST. PAUL, MINNESOTA By Edna R. Comedy IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF EDUCATION 2014 ii UNIVERSITY OF ST. THOMAS Reconceptualizing Leadership through the Prism of the Modern Civil Rights Movement: A Grounded Theory Case Study on Ella Baker We certify that we have read this dissertation and approved it as meeting departmental criteria for graduating with honors in scope and quality. We have found that it is complete and satisfactory in all respects, and that any and all revisions required by the final examining committee have been made.