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Reveal (narrative)

  • Philosophy, Theory, and Literature

    Philosophy, Theory, and Literature

  • Strategic Stories: an Analysis of the Profile Genre Amy Jessee Clemson University, Akjessee@Gmail.Com

    Strategic Stories: an Analysis of the Profile Genre Amy Jessee Clemson University, [email protected]

  • Satirical News Detection and Analysis Using Attention Mechanism and Linguistic Features

    Satirical News Detection and Analysis Using Attention Mechanism and Linguistic Features

  • Themes in Dialogue Worksheet

    Themes in Dialogue Worksheet

  • Introduction Screenwriting Off the Page

    Introduction Screenwriting Off the Page

  • ELEMENTS of FICTION – NARRATOR / NARRATIVE VOICE Fundamental Literary Terms That Indentify Components of Narratives “Fiction

    ELEMENTS of FICTION – NARRATOR / NARRATIVE VOICE Fundamental Literary Terms That Indentify Components of Narratives “Fiction

  • Magic Realism As Rewriting Postcolonial Identity: a Study of Rushdie’S Midnight’S Children

    Magic Realism As Rewriting Postcolonial Identity: a Study of Rushdie’S Midnight’S Children

  • Identifying “Notice and Note Signposts” in Fiction (From Notice and Note: Strategies for Close Reading by Beers and Probst, 2012)

    Identifying “Notice and Note Signposts” in Fiction (From Notice and Note: Strategies for Close Reading by Beers and Probst, 2012)

  • Magical Realism and Latin America Maria Eugenia B

    Magical Realism and Latin America Maria Eugenia B

  • Film & TV Screenwriting (SCWR)

    Film & TV Screenwriting (SCWR)

  • Screenplay Format Guide

    Screenplay Format Guide

  • Satire and Irony in Emily Naralla's Novel Flight Against Time

    Satire and Irony in Emily Naralla's Novel Flight Against Time

  • Genre and Discourse Community

    Genre and Discourse Community

  • Using Satirical Cues to Detect Potentially Misleading News

    Using Satirical Cues to Detect Potentially Misleading News

  • The Writing Center @ JSCC Literary Terms

    The Writing Center @ JSCC Literary Terms

  • Introduction to Screenwriting Instructor: Marc Lapadula Marc.Lapadula@Yale.Edu 610-657-7139 (Cell)

    Introduction to Screenwriting Instructor: Marc Lapadula [email protected] 610-657-7139 (Cell)

  • 1 Introduction: Re-Thinking Magical Realism

    1 Introduction: Re-Thinking Magical Realism

  • Flashback.Pdf

    Flashback.Pdf

Top View
  • The Tools of Screenwriting
  • CMSI State of the Documentary Field Study
  • Introduction: the Double ''Turn'' to Ethics and Literature?
  • Professional Screenplay Format
  • The Philosophy of Richard Rorty Interpreted As a Literary Philosophy of Education
  • Five Elements of Fiction: Plot, Setting, Character, Point of View, Theme R: I
  • Reference and Informational Genres
  • Magical Realism As Literary Activism in the Post-Cold War US Ethnic Novel
  • Analyzing Dialogue in the Diary of Anne Frank: Act I: Ii
  • Can We Tell the Truth About the Future? a Critical Analysis of an Experience in the Docufictional Construction of Truth
  • Chapter 6 Dialogue Creating Dialogue Is the Last Step in the Screenwriting Process. Dialogue Writing Should Not Be Attempted
  • Docufiction in the Digital Age Tay Huizhen an Honours Thesis
  • BEST ORIGINAL SCREENPLAY Written and Directed by Nat Faxon and Jim Rash
  • Scripting the Docufiction: Combining the Narrative and Documentary Modes in a Social Issue Film
  • How to Create INTRIGUE in Screenplays
  • Writing Really Good Dialogue
  • The Dual Phase Oscillation Hypothesis and The
  • Flash Forward


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