Using Satirical Cues to Detect Potentially Misleading News
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Philosophy, Theory, and Literature
STANFORD UNIVERSITY PRESS PHILOSOPHY, THEORY, AND LITERATURE 20% DISCOUNT NEW & FORTHCOMING ON ALL TITLES 2019 TABLE OF CONTENTS Redwood Press .............................2 Square One: First-Order Questions in the Humanities ................... 2-3 Currencies: New Thinking for Financial Times ...............3-4 Post*45 ..........................................5-7 Philosophy and Social Theory ..........................7-10 Meridian: Crossing Aesthetics ............10-12 Cultural Memory in the Present ......................... 12-14 Literature and Literary Studies .................... 14-18 This Atom Bomb in Me Ordinary Unhappiness Shakesplish The Long Public Life of a History in Financial Times Asian and Asian Lindsey A. Freeman The Therapeutic Fiction of How We Read Short Private Poem Amin Samman American Literature .................19 David Foster Wallace Shakespeare’s Language Reading and Remembering This Atom Bomb in Me traces what Critical theorists of economy tend Thomas Wyatt Digital Publishing Initiative ....19 it felt like to grow up suffused with Jon Baskin Paula Blank to understand the history of market American nuclear culture in and In recent years, the American fiction Shakespeare may have written in Peter Murphy society as a succession of distinct around the atomic city of Oak Ridge, writer David Foster Wallace has Elizabethan English, but when Thomas Wyatt didn’t publish “They stages. This vision of history rests on ORDERING Tennessee. As a secret city during been treated as a symbol, an icon, we read him, we can’t help but Flee from Me.” It was written in a a chronological conception of time Use code S19PHIL to receive a the Manhattan Project, Oak Ridge and even a film character. Ordinary understand his words, metaphors, notebook, maybe abroad, maybe whereby each present slips into the 20% discount on all books listed enriched the uranium that powered Unhappiness returns us to the reason and syntax in relation to our own. -
Strategic Stories: an Analysis of the Profile Genre Amy Jessee Clemson University, [email protected]
Clemson University TigerPrints All Theses Theses 5-2009 Strategic Stories: An Analysis of the Profile Genre Amy Jessee Clemson University, [email protected] Follow this and additional works at: https://tigerprints.clemson.edu/all_theses Part of the Mass Communication Commons Recommended Citation Jessee, Amy, "Strategic Stories: An Analysis of the Profile Genre" (2009). All Theses. 550. https://tigerprints.clemson.edu/all_theses/550 This Thesis is brought to you for free and open access by the Theses at TigerPrints. It has been accepted for inclusion in All Theses by an authorized administrator of TigerPrints. For more information, please contact [email protected]. STRATEGIC STORIES: AN ANALYSIS OF THE PROFILE GENRE A Thesis Presented to the Graduate School of Clemson University In Partial Fulfillment of the Requirements for the Degree Master of Arts Professional Communication by Amy Katherine Jessee May 2009 Accepted by: Dr. Sean Williams, Committee Chair Dr. Susan Hilligoss Dr. Mihaela Vorvoreanu ABSTRACT This case study examined the form and function of student profiles published on five university websites. This emergent form of the profile stems from antecedents in journalism, biography, and art, while adapting to a new rhetorical situation: the marketization of university discourse. Through this theoretical framework, universities market their products and services to their consumer, the student, and stories of current students realize and reveal a shift in discursive practices that changes the way we view universities. A genre analysis of 15 profiles demonstrates how their visual patterns and obligatory move structure create a cohesive narrative and two characters. They strategically show features of a successful student fitting with the institutional values and sketch an outline of the institutional identity. -
Television Satire and Discursive Integration in the Post-Stewart/Colbert Era
University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Masters Theses Graduate School 5-2017 On with the Motley: Television Satire and Discursive Integration in the Post-Stewart/Colbert Era Amanda Kay Martin University of Tennessee, Knoxville, [email protected] Follow this and additional works at: https://trace.tennessee.edu/utk_gradthes Part of the Journalism Studies Commons Recommended Citation Martin, Amanda Kay, "On with the Motley: Television Satire and Discursive Integration in the Post-Stewart/ Colbert Era. " Master's Thesis, University of Tennessee, 2017. https://trace.tennessee.edu/utk_gradthes/4759 This Thesis is brought to you for free and open access by the Graduate School at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Masters Theses by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. To the Graduate Council: I am submitting herewith a thesis written by Amanda Kay Martin entitled "On with the Motley: Television Satire and Discursive Integration in the Post-Stewart/Colbert Era." I have examined the final electronic copy of this thesis for form and content and recommend that it be accepted in partial fulfillment of the equirr ements for the degree of Master of Science, with a major in Communication and Information. Barbara Kaye, Major Professor We have read this thesis and recommend its acceptance: Mark Harmon, Amber Roessner Accepted for the Council: Dixie L. Thompson Vice Provost and Dean of the Graduate School (Original signatures are on file with official studentecor r ds.) On with the Motley: Television Satire and Discursive Integration in the Post-Stewart/Colbert Era A Thesis Presented for the Master of Science Degree The University of Tennessee, Knoxville Amanda Kay Martin May 2017 Copyright © 2017 by Amanda Kay Martin All rights reserved. -
Satirical News Detection and Analysis Using Attention Mechanism and Linguistic Features
Satirical News Detection and Analysis using Attention Mechanism and Linguistic Features Fan Yang and Arjun Mukherjee Eduard Gragut Department of Computer Science Computer and Information Sciences University of Houston Temple University fyang11,arjun @uh.edu [email protected] { } Abstract ... “Kids these days are done with stories where things happen,” said CBC consultant and world's oldest child Satirical news is considered to be enter- psychologist Obadiah Sugarman. “We'll finally be giv- tainment, but it is potentially deceptive ing them the stiff Victorian morality that I assume is in and harmful. Despite the embedded genre vogue. Not to mention, doing a period piece is a great way to make sure white people are adequately repre- in the article, not everyone can recognize sented on television.” the satirical cues and therefore believe the ... news as true news. We observe that satiri- Table 1: A paragraph of satirical news cal cues are often reflected in certain para- graphs rather than the whole document. Existing works only consider document- gardless of the ridiculous content1. It is also con- level features to detect the satire, which cluded that fake news is similar to satirical news could be limited. We consider paragraph- via a thorough comparison among true news, fake level linguistic features to unveil the satire news, and satirical news (Horne and Adali, 2017). by incorporating neural network and atten- This paper focuses on satirical news detection to tion mechanism. We investigate the differ- ensure the trustworthiness of online news and pre- ence between paragraph-level features and vent the spreading of potential misleading infor- document-level features, and analyze them mation. -
Themes in Dialogue Worksheet
Dialogue is one of the most dynamic elements of novel-writing. It reveals character, deepens conflict, and shares information. However, did you know that dialogue is also a fantastic way of nurturing a story’s themes? If you closely study what’s being said, you’ll find that the message being delivered is often as memorable as the speaker’s words and emotions. How can you let your story’s themes shine through in your dialogue without making them too obvious? That’s what the Themes In Dialogue Worksheet is for! It includes three activities that will help you determine how well your story’s dialogue reveals literary themes through conversation basics, emotional subtext, and repetition. This worksheet is based on the activities in my DIY MFA article “Developing Themes In Your Stories: Part Four – Dialogue.” Click here to read the article before continuing. Instructions: Print out a copy of this worksheet, and have either a print or electronic version of your WIP available for selecting dialogue excerpts to use in the following activities. 1. Dissect Your Dialogue Using the Four Basics of Conversation Purposeful dialogue consists of four conversation “basics” that can be dissected as follows: a) Topic: What is the subject of the dialogue, or of the chosen excerpt from a longer conversation? b) Details: What questions do the participating characters ask? What information is revealed? c) Opinions: What points do the participating characters make in favor of or against the topic? How do other characters receive those opinions? d) Themes: What high-level concepts emerge from the dialogue? In other words, what are the characters really talking about? Chances are, the first three “basics” will be revealed directly through dialogue. -
Introduction Screenwriting Off the Page
Introduction Screenwriting off the Page The product of the dream factory is not one of the same nature as are the material objects turned out on most assembly lines. For them, uniformity is essential; for the motion picture, originality is important. The conflict between the two qualities is a major problem in Hollywood. hortense powdermaker1 A screenplay writer, screenwriter for short, or scriptwriter or scenarist is a writer who practices the craft of screenwriting, writing screenplays on which mass media such as films, television programs, comics or video games are based. Wikipedia In the documentary Dreams on Spec (2007), filmmaker Daniel J. Snyder tests studio executive Jack Warner’s famous line: “Writers are just sch- mucks with Underwoods.” Snyder seeks to explain, for example, why a writer would take the time to craft an original “spec” script without a mon- etary advance and with only the dimmest of possibilities that it will be bought by a studio or producer. Extending anthropologist Hortense Powdermaker’s 1950s framing of Hollywood in the era of Jack Warner and other classic Hollywood moguls as a “dream factory,” Dreams on Spec pro- files the creative and economic nightmares experienced by contemporary screenwriters hoping to clock in on Hollywood’s assembly line of creative uniformity. There is something to learn about the craft and profession of screenwrit- ing from all the characters in this documentary. One of the interviewees, Dennis Palumbo (My Favorite Year, 1982), addresses the downside of the struggling screenwriter’s life with a healthy dose of pragmatism: “A writ- er’s life and a writer’s struggle can be really hard on relationships, very hard for your mate to understand. -
Fake News Vs Satire: a Dataset and Analysis
Session: Best of Web Science 2018 WebSci’18, May 27-30, 2018, Amsterdam, Netherlands Fake News vs Satire: A Dataset and Analysis Jennifer Golbeck, Matthew Mauriello, Brooke Auxier, Keval H Bhanushali, Christopher Bonk, Mohamed Amine Bouzaghrane, Cody Buntain, Riya Chanduka, Paul Cheakalos, Jeannine B. Everett, Waleed Falak, Carl Gieringer, Jack Graney, Kelly M. Hoffman, Lindsay Huth, Zhenye Ma, Mayanka Jha, Misbah Khan, Varsha Kori, Elo Lewis, George Mirano, William T. Mohn IV, Sean Mussenden, Tammie M. Nelson, Sean Mcwillie, Akshat Pant, Priya Shetye, Rusha Shrestha, Alexandra Steinheimer, Aditya Subramanian, Gina Visnansky University of Maryland [email protected] ABSTRACT Fake news has become a major societal issue and a technical chal- lenge for social media companies to identify. This content is dif- ficult to identify because the term "fake news" covers intention- ally false, deceptive stories as well as factual errors, satire, and sometimes, stories that a person just does not like. Addressing the problem requires clear definitions and examples. In this work, we present a dataset of fake news and satire stories that are hand coded, verified, and, in the case of fake news, include rebutting stories. We also include a thematic content analysis of the articles, identifying major themes that include hyperbolic support or con- demnation of a figure, conspiracy theories, racist themes, and dis- crediting of reliable sources. In addition to releasing this dataset for research use, we analyze it and show results based on language that are promising for classification purposes. Overall, our contri- bution of a dataset and initial analysis are designed to support fu- Figure 1: Fake news. -
News for a New Generation: Can It Be Fun and Functional?
News for A New Generation: Can it Be Fun and Functional? Susan Sherr Eagleton Institute of Politics Rutgers, The State University of New Jersey [email protected] CIRCLE WORKING PAPER 29 MARCH 2005 CIRCLE Working Paper 29: March 2005 News for a New Generation: Can it be Fun and Functional? CIRCLE Working Paper 28: February News for a New Generation: Can it be Fun and Functional? INTRODUCTION programs (Pew Center for the People and the Press, 2004). However, it is far too pessimistic to assume that the only options available to young people for Considerable time and financial resources information gathering must be flawed news sources have been dedicated to increasing the numbers that do not appeal to them or comedy shows that of young people who vote in the United States. have no mandate to inform. Voting is certainly a vital component of political and civic engagement. However, there are other News media organizations have an obvious important political behaviors in which young people interest in increasing the youth audience but not have been participating in decreasing numbers and necessarily in providing young people with high at rates lower than older people. One example is quality information about politics and public affairs. news consumption. Even if 18-24 year olds begin Efforts to increase youth audiences by news voting at consistently higher rates, their relative organizations generally include providing more inattention to political information may prevent entertainment coverage, shortening the length of them from casting informed votes. news stories and adjusting formal visual features to be more consistent with “MTV Style” editing (Sherr, Many recent studies and practitioner reports CIRCLE Working Paper 16, 2004). -
ELEMENTS of FICTION – NARRATOR / NARRATIVE VOICE Fundamental Literary Terms That Indentify Components of Narratives “Fiction
Dr. Hallett ELEMENTS OF FICTION – NARRATOR / NARRATIVE VOICE Fundamental Literary Terms that Indentify Components of Narratives “Fiction” is defined as any imaginative re-creation of life in prose narrative form. All fiction is a falsehood of sorts because it relates events that never actually happened to people (characters) who never existed, at least not in the manner portrayed in the stories. However, fiction writers aim at creating “legitimate untruths,” since they seek to demonstrate meaningful insights into the human condition. Therefore, fiction is “untrue” in the absolute sense, but true in the universal sense. Critical Thinking – analysis of any work of literature – requires a thorough investigation of the “who, where, when, what, why, etc.” of the work. Narrator / Narrative Voice Guiding Question: Who is telling the story? …What is the … Narrative Point of View is the perspective from which the events in the story are observed and recounted. To determine the point of view, identify who is telling the story, that is, the viewer through whose eyes the readers see the action (the narrator). Consider these aspects: A. Pronoun p-o-v: First (I, We)/Second (You)/Third Person narrator (He, She, It, They] B. Narrator’s degree of Omniscience [Full, Limited, Partial, None]* C. Narrator’s degree of Objectivity [Complete, None, Some (Editorial?), Ironic]* D. Narrator’s “Un/Reliability” * The Third Person (therefore, apparently Objective) Totally Omniscient (fly-on-the-wall) Narrator is the classic narrative point of view through which a disembodied narrative voice (not that of a participant in the events) knows everything (omniscient) recounts the events, introduces the characters, reports dialogue and thoughts, and all details. -
Magic Realism As Rewriting Postcolonial Identity: a Study of Rushdie’S Midnight’S Children
Magic Realism as Rewriting Postcolonial Identity 74 SCHOLARS: Journal of Arts & Humanities Volume 3, No. 1, February 2021, pp. 74-82 Central Department of English Tribhuvan University [Peer-Reviewed, Open Access, Indexed in NepJOL] Kirtipur, Kathmandu, Nepal Print ISSN: 2773-7829; e-ISSN: 2773-7837 www.cdetu.edu.np/ejournal/ DOI: https://doi.org/10.3126/sjah.v3i1.35376 ____________________________________________Theoretical/Critical Essay Article Magic Realism as Rewriting Postcolonial Identity: A Study of Rushdie’s Midnight’s Children Khum Prasad Sharma Department of English Padma Kanya Multiple Campus, TU, Kathmandu, Nepal Corresponding Author: Khum Prasad Sharma, Email: [email protected] Copyright 2021 © Author/s and the Publisher Abstract Magic realism as a literary narrative mode has been used by different critics and writers in their fictional works. The majority of the magic realist narrative is set in a postcolonial context and written from the perspective of the politically oppressed group. Magic realism, by giving the marginalized and the oppressed a voice, allows them to tell their own story, to reinterpret the established version of history written from the dominant perspective and to create their own version of history. This innovative narrative mode in its opposition of the notion of absolute history emphasizes the possibility of simultaneous existence of many truths at the same time. In this paper, the researcher, in efforts to unfold conditions culturally marginalized, explores the relevance of alternative sense of reality to reinterpret the official version of colonial history in Salman Rushdie’s Midnight’s Children from the perspective of magic realism. As a methodological approach to respond to the fiction text, magic realism endows reinterpretation and reconsideration of the official colonial history in reaffirmation of identity of the culturally marginalized people with diverse voices. -
Identifying “Notice and Note Signposts” in Fiction (From Notice and Note: Strategies for Close Reading by Beers and Probst, 2012)
Identifying “Notice and Note Signposts” in Fiction (from Notice and Note: Strategies for Close Reading by Beers and Probst, 2012) Signpost and Definitions Clues to the Signpost Literary Element It Helps Us Anchor Question Understand Contrasts and Contradictions A character behaves or thinks in a way we Character development Why would the character act 1. A sharp contrast between what we do NOT expect. Internal conflict or feel this way? would expect and what we observe the OR Theme character doing. 2. Behavior that An element of a setting is something we Relationship between setting contradicts previous behavior or well- would NOT expect. and plot established patterns (normal behavior). Again and Again A word is repeated, sometimes used in an Plot Why might the author bring Events, images, or particular words that odd way, over and over in the story. Setting this up again and again? recur over a portion of the novel or story or An image reappears several times Symbolism during the whole work. during the course of the book. Theme Character development Conflict Memory Moment The ongoing flow of the narrative is Character development Why might this memory be When a character remembers something interrupted by a memory that comes to the Plot important? that interrupts the forward progress of the character, often taking several paragraphs Theme story; a flashback. (or more) to recount before we are returned Relationship between to events of the present character and plot moment. Aha Moment Phrases usually expressing Character development How might this change A character’s realization of something that suddenness: Internal conflict things? shifts his or her actions or understanding “Suddenly I understood...” Plot of him/herself, others, or the world around “It came to me in a flash that...” him or her (a lightbulb moment). -
News Satire and the Climate Debate
Sune Auken and Mette Møller 6 “THINK BIG and then do absolutely NÜSCHTE”. News Satire and the Climate Debate Abstract: The chapter discusses how ACC is represented in news satire, and how the genre may affect climate change perception. News satire is first a humor genre, primarily intended to make people laugh, and any impact news satire may have on the ACC debate is dependent on this laughter. Based on an examination of a wide selection of news satire sites and video channels, the chapter identifies and discusses the most common types and targets of news satire on ACC. In general, climate deni- alism and public inaction relative to climate change are the primary targets. News stories satirically representing public figures, particularly politicians, as passive and in denial of climate change are also relatively common. Towards the end, the chapter moves to discuss the impact of news satire on climate change perception. News satire often presents a grim outlook on the future of our planet leaving little space for hope. At the same time, however, news satire allows for a perhaps more bearable emotional response to such hopelessness by inviting recipients to laugh at the ACC denier – a ridiculous figure regularly included in the news stories. News satire moreover tran- scends false balance issues in mainstream media and consistently confirms the reality and severity of ACC, thereby highlighting the importance of climate action. 6.1 Introduction The purpose of the present chapter is to present and analyze the treatment of anthro- pogenic climate change (ACC) in news satire. As an arena rife with failings, selfishness, self-contradiction, human shortcomings, and ridiculousness, the climate debate is an open invitation to satire, and news satire makes the most of it.