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Philosophy, Theory, and Literature
STANFORD UNIVERSITY PRESS PHILOSOPHY, THEORY, AND LITERATURE 20% DISCOUNT NEW & FORTHCOMING ON ALL TITLES 2019 TABLE OF CONTENTS Redwood Press .............................2 Square One: First-Order Questions in the Humanities ................... 2-3 Currencies: New Thinking for Financial Times ...............3-4 Post*45 ..........................................5-7 Philosophy and Social Theory ..........................7-10 Meridian: Crossing Aesthetics ............10-12 Cultural Memory in the Present ......................... 12-14 Literature and Literary Studies .................... 14-18 This Atom Bomb in Me Ordinary Unhappiness Shakesplish The Long Public Life of a History in Financial Times Asian and Asian Lindsey A. Freeman The Therapeutic Fiction of How We Read Short Private Poem Amin Samman American Literature .................19 David Foster Wallace Shakespeare’s Language Reading and Remembering This Atom Bomb in Me traces what Critical theorists of economy tend Thomas Wyatt Digital Publishing Initiative ....19 it felt like to grow up suffused with Jon Baskin Paula Blank to understand the history of market American nuclear culture in and In recent years, the American fiction Shakespeare may have written in Peter Murphy society as a succession of distinct around the atomic city of Oak Ridge, writer David Foster Wallace has Elizabethan English, but when Thomas Wyatt didn’t publish “They stages. This vision of history rests on ORDERING Tennessee. As a secret city during been treated as a symbol, an icon, we read him, we can’t help but Flee from Me.” It was written in a a chronological conception of time Use code S19PHIL to receive a the Manhattan Project, Oak Ridge and even a film character. Ordinary understand his words, metaphors, notebook, maybe abroad, maybe whereby each present slips into the 20% discount on all books listed enriched the uranium that powered Unhappiness returns us to the reason and syntax in relation to our own. -
Strategic Stories: an Analysis of the Profile Genre Amy Jessee Clemson University, [email protected]
Clemson University TigerPrints All Theses Theses 5-2009 Strategic Stories: An Analysis of the Profile Genre Amy Jessee Clemson University, [email protected] Follow this and additional works at: https://tigerprints.clemson.edu/all_theses Part of the Mass Communication Commons Recommended Citation Jessee, Amy, "Strategic Stories: An Analysis of the Profile Genre" (2009). All Theses. 550. https://tigerprints.clemson.edu/all_theses/550 This Thesis is brought to you for free and open access by the Theses at TigerPrints. It has been accepted for inclusion in All Theses by an authorized administrator of TigerPrints. For more information, please contact [email protected]. STRATEGIC STORIES: AN ANALYSIS OF THE PROFILE GENRE A Thesis Presented to the Graduate School of Clemson University In Partial Fulfillment of the Requirements for the Degree Master of Arts Professional Communication by Amy Katherine Jessee May 2009 Accepted by: Dr. Sean Williams, Committee Chair Dr. Susan Hilligoss Dr. Mihaela Vorvoreanu ABSTRACT This case study examined the form and function of student profiles published on five university websites. This emergent form of the profile stems from antecedents in journalism, biography, and art, while adapting to a new rhetorical situation: the marketization of university discourse. Through this theoretical framework, universities market their products and services to their consumer, the student, and stories of current students realize and reveal a shift in discursive practices that changes the way we view universities. A genre analysis of 15 profiles demonstrates how their visual patterns and obligatory move structure create a cohesive narrative and two characters. They strategically show features of a successful student fitting with the institutional values and sketch an outline of the institutional identity. -
Satirical News Detection and Analysis Using Attention Mechanism and Linguistic Features
Satirical News Detection and Analysis using Attention Mechanism and Linguistic Features Fan Yang and Arjun Mukherjee Eduard Gragut Department of Computer Science Computer and Information Sciences University of Houston Temple University fyang11,arjun @uh.edu [email protected] { } Abstract ... “Kids these days are done with stories where things happen,” said CBC consultant and world's oldest child Satirical news is considered to be enter- psychologist Obadiah Sugarman. “We'll finally be giv- tainment, but it is potentially deceptive ing them the stiff Victorian morality that I assume is in and harmful. Despite the embedded genre vogue. Not to mention, doing a period piece is a great way to make sure white people are adequately repre- in the article, not everyone can recognize sented on television.” the satirical cues and therefore believe the ... news as true news. We observe that satiri- Table 1: A paragraph of satirical news cal cues are often reflected in certain para- graphs rather than the whole document. Existing works only consider document- gardless of the ridiculous content1. It is also con- level features to detect the satire, which cluded that fake news is similar to satirical news could be limited. We consider paragraph- via a thorough comparison among true news, fake level linguistic features to unveil the satire news, and satirical news (Horne and Adali, 2017). by incorporating neural network and atten- This paper focuses on satirical news detection to tion mechanism. We investigate the differ- ensure the trustworthiness of online news and pre- ence between paragraph-level features and vent the spreading of potential misleading infor- document-level features, and analyze them mation. -
Any Gods out There? Perceptions of Religion from Star Wars and Star Trek
Journal of Religion & Film Volume 7 Issue 2 October 2003 Article 3 October 2003 Any Gods Out There? Perceptions of Religion from Star Wars and Star Trek John S. Schultes Vanderbilt University, [email protected] Follow this and additional works at: https://digitalcommons.unomaha.edu/jrf Recommended Citation Schultes, John S. (2003) "Any Gods Out There? Perceptions of Religion from Star Wars and Star Trek," Journal of Religion & Film: Vol. 7 : Iss. 2 , Article 3. Available at: https://digitalcommons.unomaha.edu/jrf/vol7/iss2/3 This Article is brought to you for free and open access by DigitalCommons@UNO. It has been accepted for inclusion in Journal of Religion & Film by an authorized editor of DigitalCommons@UNO. For more information, please contact [email protected]. Any Gods Out There? Perceptions of Religion from Star Wars and Star Trek Abstract Hollywood films and eligionr have an ongoing rocky relationship, especially in the realm of science fiction. A brief comparison study of the two giants of mainstream sci-fi, Star Wars and Star Trek reveals the differing attitudes toward religion expressed in the genre. Star Trek presents an evolving perspective, from critical secular humanism to begrudging personalized faith, while Star Wars presents an ambiguous mythological foundation for mystical experience that is in more ways universal. This article is available in Journal of Religion & Film: https://digitalcommons.unomaha.edu/jrf/vol7/iss2/3 Schultes: Any Gods Out There? Science Fiction has come of age in the 21st century. From its humble beginnings, "Sci- Fi" has been used to express the desires and dreams of those generations who looked up at the stars and imagined life on other planets and space travel, those who actually saw the beginning of the space age, and those who still dare to imagine a universe with wonders beyond what we have today. -
Themes in Dialogue Worksheet
Dialogue is one of the most dynamic elements of novel-writing. It reveals character, deepens conflict, and shares information. However, did you know that dialogue is also a fantastic way of nurturing a story’s themes? If you closely study what’s being said, you’ll find that the message being delivered is often as memorable as the speaker’s words and emotions. How can you let your story’s themes shine through in your dialogue without making them too obvious? That’s what the Themes In Dialogue Worksheet is for! It includes three activities that will help you determine how well your story’s dialogue reveals literary themes through conversation basics, emotional subtext, and repetition. This worksheet is based on the activities in my DIY MFA article “Developing Themes In Your Stories: Part Four – Dialogue.” Click here to read the article before continuing. Instructions: Print out a copy of this worksheet, and have either a print or electronic version of your WIP available for selecting dialogue excerpts to use in the following activities. 1. Dissect Your Dialogue Using the Four Basics of Conversation Purposeful dialogue consists of four conversation “basics” that can be dissected as follows: a) Topic: What is the subject of the dialogue, or of the chosen excerpt from a longer conversation? b) Details: What questions do the participating characters ask? What information is revealed? c) Opinions: What points do the participating characters make in favor of or against the topic? How do other characters receive those opinions? d) Themes: What high-level concepts emerge from the dialogue? In other words, what are the characters really talking about? Chances are, the first three “basics” will be revealed directly through dialogue. -
Introduction Screenwriting Off the Page
Introduction Screenwriting off the Page The product of the dream factory is not one of the same nature as are the material objects turned out on most assembly lines. For them, uniformity is essential; for the motion picture, originality is important. The conflict between the two qualities is a major problem in Hollywood. hortense powdermaker1 A screenplay writer, screenwriter for short, or scriptwriter or scenarist is a writer who practices the craft of screenwriting, writing screenplays on which mass media such as films, television programs, comics or video games are based. Wikipedia In the documentary Dreams on Spec (2007), filmmaker Daniel J. Snyder tests studio executive Jack Warner’s famous line: “Writers are just sch- mucks with Underwoods.” Snyder seeks to explain, for example, why a writer would take the time to craft an original “spec” script without a mon- etary advance and with only the dimmest of possibilities that it will be bought by a studio or producer. Extending anthropologist Hortense Powdermaker’s 1950s framing of Hollywood in the era of Jack Warner and other classic Hollywood moguls as a “dream factory,” Dreams on Spec pro- files the creative and economic nightmares experienced by contemporary screenwriters hoping to clock in on Hollywood’s assembly line of creative uniformity. There is something to learn about the craft and profession of screenwrit- ing from all the characters in this documentary. One of the interviewees, Dennis Palumbo (My Favorite Year, 1982), addresses the downside of the struggling screenwriter’s life with a healthy dose of pragmatism: “A writ- er’s life and a writer’s struggle can be really hard on relationships, very hard for your mate to understand. -
George W Bush Childhood Home Reconnaissance Survey.Pdf
Intermountain Region National Park Service U.S. Department of the Interior August 2015 GEORGE W. BUSH CHILDHOOD HOME Reconnaissance Survey Midland, Texas Front cover: President George W. Bush and First Lady Laura Bush speak to the media after touring the President’s childhood home at 1421 West Ohio Avenue, Midland, Texas, on October 4, 2008. President Bush traveled to attend a Republican fundraiser in the town where he grew up. Photo: SAUL LOEB/AFP/Getty Images CONTENTS BACKGROUND AND PURPOSE — i SUMMARY OF FINDINGS — iii RECONNAISSANCE SURVEY PROCESS — v NPS CRITERIA FOR EVALUATION OF NATIONAL SIGNIFICANCE — vii National Historic Landmark Criterion 2 – viii NPS Theme Studies on Presidential Sites – ix GEORGE W. BUSH: A CHILDHOOD IN MIDLAND — 1 SUITABILITY — 17 Childhood Homes of George W. Bush – 18 Adult Homes of George W. Bush – 24 Preliminary Determination of Suitability – 27 HISTORY AND DESCRIPTION OF THE GEORGE W. BUSH CHILDHOOD HOME, MIDLAND TEXAS — 29 Architectural Description – 29 Building History – 33 FEASABILITY AND NEED FOR NPS MANAGEMENT — 35 Preliminary Determination of Feasability – 37 Preliminary Determination of Need for NPS Management – 37 CONCLUSION AND RECOMMENDATIONS — 39 APPENDIX: THE 41ST AND 43RD PRESIDENTS AND FIRST LADIES OF THE UNITED STATES — 43 George H.W. Bush – 43 Barbara Pierce Bush – 44 George W. Bush – 45 Laura Welch Bush – 47 BIBLIOGRAPHY — 49 SURVEY TEAM MEMBERS — 51 George W. Bush Childhood Home Reconnaissance Survey George W. Bush’s childhood bedroom at the George W. Bush Childhood Home museum at 1421 West Ohio Avenue, Midland, Texas, 2012. The knotty-pine-paneled bedroom has been restored to appear as it did during the time that the Bush family lived in the home, from 1951 to 1955. -
9/11 Report”), July 2, 2004, Pp
Final FM.1pp 7/17/04 5:25 PM Page i THE 9/11 COMMISSION REPORT Final FM.1pp 7/17/04 5:25 PM Page v CONTENTS List of Illustrations and Tables ix Member List xi Staff List xiii–xiv Preface xv 1. “WE HAVE SOME PLANES” 1 1.1 Inside the Four Flights 1 1.2 Improvising a Homeland Defense 14 1.3 National Crisis Management 35 2. THE FOUNDATION OF THE NEW TERRORISM 47 2.1 A Declaration of War 47 2.2 Bin Ladin’s Appeal in the Islamic World 48 2.3 The Rise of Bin Ladin and al Qaeda (1988–1992) 55 2.4 Building an Organization, Declaring War on the United States (1992–1996) 59 2.5 Al Qaeda’s Renewal in Afghanistan (1996–1998) 63 3. COUNTERTERRORISM EVOLVES 71 3.1 From the Old Terrorism to the New: The First World Trade Center Bombing 71 3.2 Adaptation—and Nonadaptation— ...in the Law Enforcement Community 73 3.3 . and in the Federal Aviation Administration 82 3.4 . and in the Intelligence Community 86 v Final FM.1pp 7/17/04 5:25 PM Page vi 3.5 . and in the State Department and the Defense Department 93 3.6 . and in the White House 98 3.7 . and in the Congress 102 4. RESPONSES TO AL QAEDA’S INITIAL ASSAULTS 108 4.1 Before the Bombings in Kenya and Tanzania 108 4.2 Crisis:August 1998 115 4.3 Diplomacy 121 4.4 Covert Action 126 4.5 Searching for Fresh Options 134 5. -
Materialism for the Masses: Cosmos Reboot Distorts the History of Science and Scrubs the Evidence for Intelligent Design
CHRISTIAN RESEARCH INSTITUTE PO Box 8500, Charlotte, NC 28271 Feature Article: JAF3374 MATERIALISM FOR THE MASSES: COSMOS REBOOT DISTORTS THE HISTORY OF SCIENCE AND SCRUBS THE EVIDENCE FOR INTELLIGENT DESIGN by Casey Luskin This article first appeared in the CHRISTIAN RESEARCH JOURNAL, volume 37, number 04 (2014). For further information or to subscribe to the CHRISTIAN RESEARCH JOURNAL, go to: http://www.equip.org/christian-research-journal/. SYNOPSIS In the original 1980 Cosmos series, Carl Sagan famously declared, “The cosmos is all that is, or ever was, or ever will be.” This spring, a new thirteen-episode Cosmos series aired on Fox, aiming to bring Sagan’s materialistic message to a new generation. Hosted by atheist astrophysicist Neil deGrasse Tyson, and executive produced by atheist comedian Seth MacFarlane and atheist Star Trek writer Brannon Braga, the series has an unhidden antireligious agenda. The Cosmos reboot has been sharply criticized—even by evolutionists—for inventing stories about religious persecution of scientists while whitewashing religion’s positive historical influence on science. It promotes “unguided” and “mindless” evolution while omitting scientific evidence that challenges neo-Darwinism or supports intelligent design. It promotes the Copernican Principle, claiming it is a “delusion” to believe Earth occupies a “privileged position.” The series seeks to inspire an atheistic scientific utopian vision of the future by throwing off the shackles of religion, and branding dissenters from the “consensus” as unthinking “deniers” who lack “scientific literacy,” and threaten human progress. Ironically, the show endorses nonconsensus views, such as panspermia and the multiverse. While the new Cosmos boasts high quality computer-generated imagery and offers lucid explanations of uncontroversial scientific topics, it was created by celebrity CRI Web: www.equip.org Tel: 704.887.8200 Fax:704.887.8299 atheists seeking to advance a materialistic worldview and public policies consistent with their ideology. -
The Human Adventure Is Just Beginning Visions of the Human Future in Star Trek: the Next Generation
AMERICAN UNIVERSITY HONORS CAPSTONE The Human Adventure is Just Beginning Visions of the Human Future in Star Trek: The Next Generation Christopher M. DiPrima Advisor: Patrick Thaddeus Jackson General University Honors, Spring 2010 Table of Contents Basic Information ........................................................................................................................2 Series.......................................................................................................................................2 Films .......................................................................................................................................2 Introduction ................................................................................................................................3 How to Interpret Star Trek ........................................................................................................ 10 What is Star Trek? ................................................................................................................. 10 The Electro-Treknetic Spectrum ............................................................................................ 11 Utopia Planitia ....................................................................................................................... 12 Future History ....................................................................................................................... 20 Political Theory .................................................................................................................... -
In the United States District Court for the Western District of Virginia Charlottesville Division
IN THE UNITED STATES DISTRICT COURT FOR THE WESTERN DISTRICT OF VIRGINIA CHARLOTTESVILLE DIVISION CHRISTOPHER MCINTYRE, CIVIL ACTION NO. 3:08-CV-00029 Plaintiff, v. MEMORANDUM OPINION AETNA LIFE INSURANCE COMPANY, Defendant. JUDGE NORMAN K. MOON This action pursuant to the Employee Retirement Income Security Act of 1974, 29 U.S.C. §§ 1001-1461 (“ERISA”), is before the Court upon consideration of the parties’ cross- motions for summary judgment (docket nos. 13 and 15), the ensuing responses and replies, and the parties’ arguments in support of their motions, presented by counsel at a hearing on September 29, 2008. For the reasons stated herein, I will grant Plaintiff’s motion for summary judgment and deny Defendant’s motion for summary judgment. Furthermore, Plaintiff’s motion includes a request for an award of attorney’s fees and costs, which I will grant; accordingly, I will direct Plaintiff’s counsel to file a complete petition for attorney’s fees and costs. I will also direct Plaintiff’s counsel to submit a proposed order of judgment calculating the exact back benefits and pre-and post-judgment interest due and owing as of the date of judgment. I. FACTUAL AND PROCEDURAL BACKGROUND1 Christopher McIntyre (“Plaintiff”) was diagnosed in 2005 with Type I diabetes (and consequent insulin dependence). Until that diagnosis, he earned a living as an airplane pilot, 1 The facts have been adduced from the record. The administrative record in this case is paginated M-001 through M-330, and the parties have adopted that form of citation, which I will also employ. The facts are uncontroverted except where noted otherwise. -
Preemptive Narratives in Recent Television Series Par Toni Pape
Université de Montréal Figures of Time: Preemptive Narratives in Recent Television Series par Toni Pape Département de littérature comparée, Faculté des arts et des sciences Thèse présentée à la Faculté des arts et des sciences en vue de l’obtention du grade de Ph. D. en Littérature, option Études littéraires et intermédiales Juillet 2013 © Toni Pape, 2013 Résumé Cette thèse de doctorat propose une analyse des temporalités narratives dans les séries télévisées récentes Life on Mars (BBC, 2006-2007), Flashforward (ABC, 2009-2010) et Damages (FX/Audience Network, 2007-2012). L’argument général part de la supposition que les nouvelles technologies télévisuelles ont rendu possible de nouveaux standards esthétiques ainsi que des expériences temporelles originales. Il sera montré par la suite que ces nouvelles qualités esthétiques et expérientielles de la fiction télévisuelle relèvent d’une nouvelle pertinence politique et éthique du temps. Cet argument sera déployé en quatre étapes. La thèse se penche d’abord sur ce que j’appelle les technics de la télévision, c’est-à- dire le complexe de technologies et de techniques, afin d’élaborer comment cet ensemble a pu activer de nouveaux modes d’expérimenter la télévision. Suivant la philosophie de Gilles Deleuze et de Félix Guattari ainsi que les théories des médias de Matthew Fuller, Thomas Lamarre et Jussi Parikka, ce complexe sera conçu comme une machine abstraite que j’appelle la machine sérielle. Ensuite, l’argument puise dans des théories de la perception et des approches non figuratives de l’art afin de mieux cerner les nouvelles qualités d’expérience esthétique dans la fiction sérielle télévisée.