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Regietheater

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  • La Bohème Program Notes (Michigan Opera Theatre) Christy Thomas Adams, Ph.D

    La Bohème Program Notes (Michigan Opera Theatre) Christy Thomas Adams, Ph.D

  • Idomeneo” on Crete “

    Idomeneo” on Crete “

  • Florida State University Libraries

    Florida State University Libraries

  • Music on Stage

    Music on Stage

  • La Regìa Lirica, Livello Contemporaneo Della Regìa Teatrale

    La Regìa Lirica, Livello Contemporaneo Della Regìa Teatrale

  • Nyco Renaissance

    Nyco Renaissance

  • Audiovisual Recording As Registers of Opera Productions1

    Audiovisual Recording As Registers of Opera Productions1

  • The Role of Music in European Integration Discourses on Intellectual Europe

    The Role of Music in European Integration Discourses on Intellectual Europe

  • 13895 Wagner News

    13895 Wagner News

  • Schoenberg and the Gesamtkunstwerk Path to Abstraction By

    Schoenberg and the Gesamtkunstwerk Path to Abstraction By

  • “The Infallible Protagonist” a Study of Complexity Theory and Rehearsal Dynamics in Monodrama

    “The Infallible Protagonist” a Study of Complexity Theory and Rehearsal Dynamics in Monodrama

  • What Would Wagner Have Thought of Regietheater in Modern Bayreuth

    What Would Wagner Have Thought of Regietheater in Modern Bayreuth

  • Juilliard Opera Presents Music by W. A. Mozart

    Juilliard Opera Presents Music by W. A. Mozart

  • A Scintillating Siroe Göttingen Handel Festival 2013

    A Scintillating Siroe Göttingen Handel Festival 2013

  • Brilliant Barbiere Graces Pesaro's Boards

    Brilliant Barbiere Graces Pesaro's Boards

  • The British Invasion a Festival of English Musical Dramas May–June 2015 the British Invasion: a Festival of English Musical Dramas 1

    The British Invasion a Festival of English Musical Dramas May–June 2015 the British Invasion: a Festival of English Musical Dramas 1

Top View
  • The Mahler-Roller Productions of the Vienna Court Opera House (Historical Essay and Syllabus)
  • Performing Masculinity in Johann Strauss's Die
  • OPERAS of the PAST, MIRRORS of OUR PRESENT © Sylvia L’Écuyer, Vancouver 4 March 2018
  • Kreuzer-Curtain Gong Steam.Indd
  • Democratizing Opera in America, 1895 to the Present
  • Four Recent Productions of Dido and Aeneas
  • Socialism and Feminism in East German Opera: the Cases of Director Ruth Berghaus and Composer Ruth Zechlin
  • 1 on the Relation Between Music, Libretto and Stage Direction in Der Rosenkavalier by Hugo Von Hofmannsthal and Richard Strauss
  • Where Have the Great Big Wagner Voices Gone?
  • Conflicts of the Mind and the Media in Kasper Holten's Juan
  • Remaking the Iconic Lulu: Transformations of Character, Context, and Music
  • Chapter Daniel Meyer-Dinkgräfe Werktreue and Regieoper
  • Verdi's Aida: a Partial Survey of the Discography by Ralph Moore
  • La Clemenza Di Tito a Reappraisal
  • Copyright and Use of This Thesis This Thesis Must Be Used in Accordance with the Provisions of the Copyright Act 1968
  • Romanische Studien 2, 2015
  • Opera and Music 2014/15 Season
  • Comedia Performance


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