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Ralph Smart
The Representation of Reality and Fantasy in the Films of Powell and Pressburger: 1939-1946
Controlling the Ooldea/Yalata Aborigines, 1952-1982
Celluloid Television Culture the Specificity of Film on Television: The
Under Capricorn Symposium Were Each Given a 30 Minute Slot to Deliver Their Paper and Respond to Questions
THE EALING STUDIOS RARITIES COLLECTION VOLUME 7 (Cert TBC)
The Decline of the British Film Industry: an Analysis of Market Structure, the Firm and Product Competition
Trees in Australian Cinema
Special List Index for GRG52/90
Bitter Springs Head Credits
Overlanders Head Credits
Experiment in the Film
Tommy Trinder on Stage and Film As a Public Vector of Post-War Anglo-Australian Projects of Land, Food and People
War Cinema– Or How British Films Learned to Stop Worrying and Love the Affluent Society
Representations of Indigenous Identity Within Australian Cinema
Chapter 1: Epistemological Disjuncture Within the Literature on Geoffrey Powell
Copyright and Use of This Thesis This Thesis Must Be Used in Accordance with the Provisions of the Copyright Act 1968
An Overview of the Australian Western Via Ned Kelly Films DOI: 10.19195/0860-116X.38.3
Ealing Studios' Australian Adventure
Top View
KEYNOTE 1 Jeanette Hoorn University of Melbourne Oz Games
B for Bad Cinema Plus General Articles
The Essential Science Fiction Television Reader