The Essential Science Fiction Television Reader
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Warhoon 16 Lu P P H O O P
WARHOON 16 LU P P H O O P ■ Warhoon, the quarterly of imaginative procrastination, is edited and published by Richard Bergeron at 110 Bank Street, New York City 1<+, New York. This is issue number 16, dated July 1962. It is produced with the expectation of being circulated in the 60th wailing of the Spectator Amateur Press Society and is available to contributors, writers of letters, in trade for your publi cation, or for 20^ per copy or 5 issues for $1. All material is written by the editor, unless otherwise credited, and represents his opinions and view points. Material that is credited expresses the opinions of the author. All letters will be considered for publication unless otherwise specified. CONTENTS The Harp That Once Or Twice........................ 9 The Fifth Column.................... u19 Accidentals and Nomics................................. 13 Mail Warp...................................................... 2^ The View From Down Under.............................16 Dissonant Discourse................................ *’t6 If I were president of the United States and the Communists had been as loudly demanding (as some fans have) that this magazine adopt a contents page, the above bit of appeasement would have surely cost me the next election. That may be an awkwardly realized sentence but it serves its purpose: if I'm to be forced into 'a position where I can be called Soft On Critics, people like Boggs, Lupoff, Baxter, Calkins and Donaho might as well be investigated on just as thin evidence. As you can see, how ever, criticism of this magazine is not entirely in vain -Individual barbs may lodge in an apparently impassive facade, but when enough of them collect something is some times done about it. -
Explorations in the Typology of Anaphora A
UNIVERSITY OF CALIFORNIA SANTA CRUZ BEYOND DEEP AND SURFACE: EXPLORATIONS IN THE TYPOLOGY OF ANAPHORA A dissertation submitted in partial satisfaction of the requirements for the degree of DOCTOR OF PHILOSOPHY in LINGUISTICS by Andrea Thompson June 2014 The Dissertation of Andrea Thompson is approved: Professor Jorge Hankamer, chair Professor James McCloskey Associate Professor Pranav Anand Tyrus Miller Vice Provost and Dean of Graduate Studies x Table of Contents Abstract iv Dedication v Acknowledgments vi 1 Introduction 1 2 The Typology of Anaphora 5 2.1 Theacceptedtypology ............................ 9 2.1.1 Therecord............................... 10 2.1.2 The record, reference, and mixed anaphors . 13 2.1.3 Thetests................................ 14 2.1.4 Methodofinterpretation . 14 2.1.5 Testing for syntactic complexity . 23 2.1.6 OvertA-bardependencies . 25 2.1.7 UnpronouncedA-bardependencies . 29 2.1.8 Adependencies............................ 31 2.1.9 Headmovement ........................... 33 2.2 Thecommonanalyses ............................ 34 2.2.1 Thestructuralapproaches . 35 2.3 Mixedanaphors................................ 43 2.4 Buildingananalysis............................. 49 2.4.1 Deepanaphoricapproaches . 49 2.4.2 A general problem for derivational theories of ellipsis .... 63 2.5 Acopyinganalysisformixedanaphors . .. 82 3 A Dependencies in Mixed Anaphora 89 3.1 ThenatureofAdependencies . 90 3.2 TheuseofAdependenciesastests . 92 iii 3.2.1 Morphological dependencies in A phenomena . 93 3.2.2 Syntactic dependencies in A phenomena . 96 3.2.3 The morphosyntactic nature of the antecedent and its inter- actionwithanaphorstructure. 99 3.3 Theanaphors ................................. 104 3.3.1 British do ...............................105 3.3.2 DutchMCA .............................. 119 3.3.3 Do so ..................................152 3.3.4 Swedish det ..............................166 3.4 Amovementandmixedanaphors . 195 4 A-bar Dependencies in Mixed Anaphora 197 4.0.1 A-bar dependencies and mixed anaphora: The data . -
Doctor Who: Frayed
FRAYED Tara Samms First published in England in 2003 by Telos Publishing Ltd 61 Elgar Avenue, Tolworth, Surrey KT5 9JP, England www.telos.co.uk ISBN: 1-903889-22-7 (standard hardback) Frayed © 2003 Tara Samms Foreword © 2003 Stephen Laws Icon © 2003 Nathan Skreslet ISBN: 1-903889-23-5 (deluxe hardback) Frayed © 2003 Tara Samms Foreword © 2003 Stephen Laws Frontispiece © 2003 Chris Moore Icon © 2003 Nathan Skreslet The moral rights of the author have been asserted 'DOCTOR WHO' word mark, device mark and logo are trade marks of the British Broadcasting Corporation and are used under licence from BBC Worldwide Limited. Doctor Who logo © BBC 1996. Certain character names and characters within this book appeared in the BBC television series 'DOCTOR WHO'. Licensed by BBC Worldwide Limited Font design by Comicraft. Copyright © 1998 Active Images/Comicraft 430 Colorado Avenue # 302, Santa Monica, Ca 90401 Fax (001) 310 451 9761/Tel (001) 310 458 9094 w: www.comicbookfonts.com e: [email protected] Typeset by TTA Press, 5 Martins Lane, Witcham, Ely, Cambs CB6 2LB, England w: www.ttapress.com e: [email protected] Printed in England by Antony Rowe Ltd, Bumper's Farm Industrial Estate, Chippenham, Wilts SN14 6LH 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 British Library Cataloguing in Publication Data. A catalogued record for this book is available from the British Library. This book is sold subject to the condition that it shall not by way of trade or otherwise, be lent, resold, hired out or otherwise circulated without the publisher's prior written consent in any form of binding or cover other than that in which it is published and without a similar condition including this condition being imposed on the subsequent purchaser. -
ALL Code Sheets
Name: _________________________ Code Name: _________________________ Alien Nation® Cursive Alphabet In the science fiction movie “Alien Nation” the Tenctonese people have an alphabet that corresponds to our alphabet. They even have print and cursive versions of their language. The cursive letters should be connected when spelling a word. Use the alphabet to spell 10 of your spelling words. The word “SPELLING” is done for you as an example. LIST WORD WRITTEN IN CODE EX. S P E L L I N G 1. ___________________ __________________________________________ 2. ___________________ __________________________________________ 3. ___________________ __________________________________________ 4. ___________________ __________________________________________ 5. ___________________ __________________________________________ 6. ___________________ __________________________________________ 7. ___________________ __________________________________________ 8. ___________________ __________________________________________ 9. ___________________ __________________________________________ 10. __________________ __________________________________________ Created by K. S. Spencer Name: _________________________ Code Name: _________________________ Alien Nation® Print Alphabet In the science fiction movie “Alien Nation” the Tenctonese people have an alphabet that corresponds to our alphabet. They even have print and cursive versions of their language. Use the alphabet to spell 10 of your spelling words. The word “SPELLING” is done for you as an example. LIST WORD -
Table of Contents
Table of Contents PART I. Introduction 5 A. Overview 5 B. Historical Background 6 PART II. The Study 16 A. Background 16 B. Independence 18 C. The Scope of the Monitoring 19 D. Methodology 23 1. Rationale and Definitions of Violence 23 2. The Monitoring Process 25 3. The Weekly Meetings 26 4. Criteria 27 E. Operating Premises and Stipulations 32 PART III. Findings in Broadcast Network Television 39 A. Prime Time Series 40 1. Programs with Frequent Issues 41 2. Programs with Occasional Issues 49 3. Interesting Violence Issues in Prime Time Series 54 4. Programs that Deal with Violence Well 58 B. Made for Television Movies and Mini-Series 61 1. Leading Examples of MOWs and Mini-Series that Raised Concerns 62 2. Other Titles Raising Concerns about Violence 67 3. Issues Raised by Made-for-Television Movies and Mini-Series 68 C. Theatrical Motion Pictures on Broadcast Network Television 71 1. Theatrical Films that Raise Concerns 74 2. Additional Theatrical Films that Raise Concerns 80 3. Issues Arising out of Theatrical Films on Television 81 D. On-Air Promotions, Previews, Recaps, Teasers and Advertisements 84 E. Children’s Television on the Broadcast Networks 94 PART IV. Findings in Other Television Media 102 A. Local Independent Television Programming and Syndication 104 B. Public Television 111 C. Cable Television 114 1. Home Box Office (HBO) 116 2. Showtime 119 3. The Disney Channel 123 4. Nickelodeon 124 5. Music Television (MTV) 125 6. TBS (The Atlanta Superstation) 126 7. The USA Network 129 8. Turner Network Television (TNT) 130 D. -
Alyson Hannigan Listing by Ren Smith Featured in USA Today
Alyson Hannigan listing by Ren Smith featured in USA Today February 14, 2018 Alyson Hannigan has a genius way of keeping organized at home Alyson Hannigan is giving us serious inspiration. Having trouble keeping your family’s schedule organized? Steal this fun DIY idea from actress Alyson Hannigan. The “How I Met Your Mother” star recently put her Santa Monica, California house up for sale, and we noticed a large chalkboard calendar on one of the walls in the kitchen area. It made us immediately want to grab a bucket of chalkboard paintand some wood to create one like it in our own homes. The wall features five rows of seven squares separated by narrow strips of wood. Along the top of the larger frame that surrounds the calendar are the names of the days of the week. Each box can be numbered with chalk according to the current month. It’s the perfect place to write down appointment reminders, your kids’ sports practice schedules and even menu plans for the week. And when you want to keep track of miscellaneous things — such as future vacation countdowns, phone numbers, or notes to family members — there’s a larger square on the side for that. The wall can easily be re-created with a few supplies from a home improvement store, and there are also so many variations you can do, such as using whiteboard paint as the base or creating the frame and boxes with Washi tape if you don’t want to work with wood. Hannigan, who has two young daughters, told People in 2016 that she loves to craft so much, she turned her guest house into a crafting room. -
Coler-Carter-Newsletter-2015091.Pdf
Published by Coler Rehabilitation and Nursing Care Center and Henry J. Carter Specialty Hospital and Nursing Facility for our employees, patients, residents and friends. Vol. 34 Coler Rehabilitation and Issue 1 Nursing Care Center 900 Main Street Roosevelt Island, NY 10044 (212) 848-6000 Henry J. Carter Specialty CONTENTS Hospital and Nursing Facility 1752 Park Avenue New York, NY 10035 Message from our Executive Director ............................................ 1 (646) 686-0000 Client Navigators Greet Carter Visitors ......................................... 2 Executive Director: Fighting the Flu in the Hospital & Community ...................... 3 Robert K. Hughes Breast Cancer Fundraising Success .................................................. 3 Editors: Harlem Community Outreach ................................................................ 4 Robert K. Hughes Floyd R. Long IMSAL: State-of-the-Art Cardiac Training ..................................... 5 Howard Kritz Patient Safety: Our Winning Teams ................................................... 6 Linda Wyatt National Nutrition Month Celebrated ............................................ 7 Creative Directors: Guns Down, Life Up Assembly ................................................................ 8 Jose Torres Linda Wyatt The Power of Forgiveness ............................................................................. 9 Wheelchair Charities Hosts Multiple Events .............................. 10 Photography: Jose Torres Weaning Success Stories .............................................................................. -
The Community-Centered Cult Television Heroine, 1995-2007
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Dissertations, Theses, and Student Research: Department of English English, Department of 2010 "Just a Girl": The Community-Centered Cult Television Heroine, 1995-2007 Tamy Burnett University of Nebraska at Lincoln Follow this and additional works at: https://digitalcommons.unl.edu/englishdiss Part of the Feminist, Gender, and Sexuality Studies Commons, Literature in English, North America Commons, and the Visual Studies Commons Burnett, Tamy, ""Just a Girl": The Community-Centered Cult Television Heroine, 1995-2007" (2010). Dissertations, Theses, and Student Research: Department of English. 27. https://digitalcommons.unl.edu/englishdiss/27 This Article is brought to you for free and open access by the English, Department of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Dissertations, Theses, and Student Research: Department of English by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. “JUST A GIRL”: THE COMMUNITY-CENTERED CULT TELEVISION HEROINE, 1995-2007 by Tamy Burnett A DISSERTATION Presented to the Faculty of The Graduate College at the University of Nebraska In Partial Fulfillment of Requirements For the Degree of Doctor of Philosophy Major: English (Specialization: Women‟s and Gender Studies) Under the Supervision of Professor Kwakiutl L. Dreher Lincoln, Nebraska May, 2010 “JUST A GIRL”: THE COMMUNITY-CENTERED CULT TELEVISION HEROINE, 1995-2007 Tamy Burnett, Ph.D. University of Nebraska, 2010 Adviser: Kwakiutl L. Dreher Found in the most recent group of cult heroines on television, community- centered cult heroines share two key characteristics. The first is their youth and the related coming-of-age narratives that result. -
OLD TIME RADIO MASTER CATALOGUE.Xlsx
1471 PREVIEW THEATER OF THE AIR ZORRO-TO TRAP A FOX 15 VG SYN 744 101ST CHASE AND SANDBORN SHOW ANNIVERSARY SHOW NBC 60 EX COM 2951 15 MINUTES WITH BING CROSBY #1 1ST SONG JUST ONE MORE CHANCE 9/2/1931 8 VG SYN 4068 1949 HEART FUND THE PHIL HARRIS-ALICE FAYE SHOW 00/00/1949 15 VG COM 588 20 QUESTIONS 4/6/1946 30 VG- 592 20 QUESTIONS WET HEN MUT. 30 VG- 2307 2000 PLUS THE ROCKET AND THE SKULL 30 VG- SYN 2308 2000 PLUS A VETRAN COMES HOME 30 VG- SYN 3656 21ST PRECINCT LAST SHOW 4/20/1955 30 VG- COM 4069 A & P GYPSIES 1ST SONG IT'S JUST A MEMORY 00/00/1933 NBC 37 VG+ 1017 A CHRISTMAS PLAY #325 THESE THE HUMBLE (SCRATCHY) 30 G-VG SYN 2003 A DATE WITH JUDY WITH JOSEPH COTTON 2/6/1945 NBC 30 VG COM 938 A DATE WITH JUDY #86 WITH CHARLES BOYER AFRS 30 VG AFRS 2488 ABBOTT AND COSTELLO WITH MARLENA DETRICH 10/15/1942 NBC 30 VG+ COM 2489 ABBOTT AND COSTELLO WITH LUCILLE BALL 11/18/1943 NBC 30 VG+ COM 4071 ABBOTT AND COSTELLO WITH LYNN BARI 12/16/1943 NBC 30 VG COM 4072 ABBOTT AND COSTELLO WITH THE ANDREW SISTERS 12/26/1943 NBC 30 VG COM 2490 ABBOTT AND COSTELLO WITH BERT GORDON 12/30/1943 NBC 30 VG+ COM 2491 ABBOTT AND COSTELLO WITH JUDY GARLAND 1/6/1944 NBC 30 VG+ COM 2492 ABBOTT AND COSTELLO WITH HAROLD PERRY 1/20/1944 NBC 30 VG+ COM 4073 ABBOTT AND COSTELLO WITH THE GREAT GILDERSLEEVE 1/20/1944 NBC 30 VG COM 2493 ABBOTT AND COSTELLO WITH DOROTHY LAMOUR 2/17/1944 NBC 30 VG+ COM 4074 ABBOTT AND COSTELLO WITH HEDDA HOPPER 3/2/1944 NBC 30 VG COM 4075 ABBOTT AND COSTELLO WITH BLONDIE AND DAGWOOD 3/9/1944 NBC 30 VG COM 4076 ABBOTT AND COSTELLO WITH -
The New School, Everybody Comes to Rick's
Narrative Section of a Successful Application The attached document contains the grant narrative and selected portions of a previously funded grant application. It is not intended to serve as a model or to indicate particular areas that are of interest to the Endowment, but to give you a sense of how a successful application may be crafted. Every successful application is different, and each applicant is urged to prepare a proposal that reflects his or her unique project and aspirations. Prospective applicants should consult the Research Programs application guidelines at https://www.neh.gov/grants/research/public- scholar-program for instructions. Formatting requirements, including page limits, may have changed since this application was submitted. Applicants are also strongly encouraged to consult with the NEH Division of Research Programs staff well before a grant deadline. Note: The attachment only contains the grant narrative and selected portions, not the entire funded application. In addition, certain portions may have been redacted to protect the privacy interests of an individual and/or to protect confidential commercial and financial information and/or to protect copyrighted materials. Project Title: Everybody Comes to Rick’s: How “Casablanca” Taught Us to Love Movies Institution: The New School Project Director: Noah Isenberg Grant Program: Public Scholar Program 400 Seventh Street, S.W., Washington, D.C. 20506 P 202.606.8200 F 202.606.8204 E [email protected] www.neh.gov Everybody Comes to Rick’s: How Casablanca Taught Us to Love Movies On Thanksgiving Day 1942, the lucky ticket holders who filled the vast, opulent 1,600-seat auditorium at Warner Brothers’ Hollywood Theatre in midtown Manhattan—where today the Times Square Church stands—were treated to the world premiere of Casablanca, the studio’s highly anticipated wartime drama. -
Reminder List of Productions Eligible for the 86Th Academy Awards
REMINDER LIST OF PRODUCTIONS ELIGIBLE FOR THE 86TH ACADEMY AWARDS ABOUT TIME Notes Domhnall Gleeson. Rachel McAdams. Bill Nighy. Tom Hollander. Lindsay Duncan. Margot Robbie. Lydia Wilson. Richard Cordery. Joshua McGuire. Tom Hughes. Vanessa Kirby. Will Merrick. Lisa Eichhorn. Clemmie Dugdale. Harry Hadden-Paton. Mitchell Mullen. Jenny Rainsford. Natasha Powell. Mark Healy. Ben Benson. Philip Voss. Tom Godwin. Pal Aron. Catherine Steadman. Andrew Martin Yates. Charlie Barnes. Verity Fullerton. Veronica Owings. Olivia Konten. Sarah Heller. Jaiden Dervish. Jacob Francis. Jago Freud. Ollie Phillips. Sophie Pond. Sophie Brown. Molly Seymour. Matilda Sturridge. Tom Stourton. Rebecca Chew. Jon West. Graham Richard Howgego. Kerrie Liane Studholme. Ken Hazeldine. Barbar Gough. Jon Boden. Charlie Curtis. ADMISSION Tina Fey. Paul Rudd. Michael Sheen. Wallace Shawn. Nat Wolff. Lily Tomlin. Gloria Reuben. Olek Krupa. Sonya Walger. Christopher Evan Welch. Travaris Meeks-Spears. Ann Harada. Ben Levin. Daniel Joseph Levy. Maggie Keenan-Bolger. Elaine Kussack. Michael Genadry. Juliet Brett. John Brodsky. Camille Branton. Sarita Choudhury. Ken Barnett. Travis Bratten. Tanisha Long. Nadia Alexander. Karen Pham. Rob Campbell. Roby Sobieski. Lauren Anne Schaffel. Brian Charles Johnson. Lipica Shah. Jarod Einsohn. Caliaf St. Aubyn. Zita-Ann Geoffroy. Laura Jordan. Sarah Quinn. Jason Blaj. Zachary Unger. Lisa Emery. Mihran Shlougian. Lynne Taylor. Brian d'Arcy James. Leigha Handcock. David Simins. Brad Wilson. Ryan McCarty. Krishna Choudhary. Ricky Jones. Thomas Merckens. Alan Robert Southworth. ADORE Naomi Watts. Robin Wright. Xavier Samuel. James Frecheville. Sophie Lowe. Jessica Tovey. Ben Mendelsohn. Gary Sweet. Alyson Standen. Skye Sutherland. Sarah Henderson. Isaac Cocking. Brody Mathers. Alice Roberts. Charlee Thomas. Drew Fairley. Rowan Witt. Sally Cahill. -
This Is a Test
‘GOODNIGHT FOR JUSTICE: QUEEN OF HEARTS’ PRODUCTION BIOS LUKE PERRY (Executive Producer) – In 1989, Luke Perry was chosen for a starring role on the internationally popular television series “Beverly Hills 90210,” in which he portrayed the brooding but sensitive Dylan McCay. The highly-rated program won a Golden Globe Award for Best Dramatic Television series in 1991. Perry made his feature film debut in a starring role in “8 Seconds,” the remarkable account of champion bull rider Lane Frost, which he co-produced. His serious devotion to the inspirational legend of Lane Frost led him to train vigorously for 18 months in order to master the techniques of bull riding and to be able to perform many of his own stunts during production. Other film credits include Columbia’s “Fifth Element”, directed by Luc Besson, “Riot for Showtime,” “Normal Life,” “American Strays” and “The Florentine,” in which he co-starred with Chris Penn, Jim Belushi, Michael Madsen and Mary Stuart Masterson. Perry made his debut on Broadway in the critically acclaimed musical The Rocky Horror Picture Show, where he portrayed Brad, the character originally played by Barry Bostwick in the cult film classic. In 2004, Perry appeared onstage in London opposite Allyson Hannigan in When Harry Met Sally. Not one to be typecast because of his work on “90210,” Perry’s television credits include a myriad of roles, including a lead in the NBC drama “Windfall,” HBO’s “John From Cincinnati,” starring for two seasons on “Jeremiah,” the Showtime Network sci-fi series, a multi-episode arc on HBO’s critically acclaimed series “Oz,” in which he portrayed a televangelist convicted of fraud, as well as roles in Hallmark Channel productions “Johnson County War,” “Supernova,” “A Gunfighter’s Pledge” and “Angel and the Badman.” Perry starred in “Goodnight for Justice,” Hallmark Movie Channel’s highest rated movie of all time.