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Rainer Maria Rilke

  • RILKE and the MODERNIST TRADITION: a BRIEF LOOK at “ARCHAIC TORSO of ••• APOLLO”* Pyeaam ABBASI**

    RILKE and the MODERNIST TRADITION: a BRIEF LOOK at “ARCHAIC TORSO of ••• APOLLO”* Pyeaam ABBASI**

  • MY GERMANY Graham Mummery Talk Delivered at Ludwig Maximillian University, Munich, Friday 2Nd July 2010 at W-Orte Festival

    MY GERMANY Graham Mummery Talk Delivered at Ludwig Maximillian University, Munich, Friday 2Nd July 2010 at W-Orte Festival

  • Franz Kafka's Transformations

    Franz Kafka's Transformations

  • “The Double Bind” of 1989: Reinterpreting Space, Place, and Identity in Postcommunist Women’S Literature

    “The Double Bind” of 1989: Reinterpreting Space, Place, and Identity in Postcommunist Women’S Literature

  • Mausoleum Notes

    Mausoleum Notes

  • An Interpreter's Guide to Rainer Maria Rilke

    An Interpreter's Guide to Rainer Maria Rilke

  • The Art of Meaning Making Or, How Are We to Live? Jack

    The Art of Meaning Making Or, How Are We to Live? Jack

  • Orphic Reflections (Leon Burnett) Orpheus Sings! with This Statement

    Orphic Reflections (Leon Burnett) Orpheus Sings! with This Statement

  • Final Copy 2018 11 06 Wates

    Final Copy 2018 11 06 Wates

  • Universidad De La Laguna

    Universidad De La Laguna

  • Erst War Es Immer, Und Dann War Es Nicht. Speed and the Poetics of Movement in Rainer Maria Rilke's Neue Gedichte Erika Kontulainen Washington University in St

    Erst War Es Immer, Und Dann War Es Nicht. Speed and the Poetics of Movement in Rainer Maria Rilke's Neue Gedichte Erika Kontulainen Washington University in St

  • Toward a Poetics of Animality: Hofmannsthal, Rilke, Pirandello, Kafka

    Toward a Poetics of Animality: Hofmannsthal, Rilke, Pirandello, Kafka

  • LTMO 145-A) MWF, 9 – 11:30Am, HUM 2, 250 Instructor: Tim Willcutts

    LTMO 145-A) MWF, 9 – 11:30Am, HUM 2, 250 Instructor: Tim Willcutts

  • Orphic Traces in Thomas Mann's Magic Mountain

    Orphic Traces in Thomas Mann's Magic Mountain

  • On the Wisdom of Nietzsche's Musical Departures from Wagner

    On the Wisdom of Nietzsche's Musical Departures from Wagner

  • Addiction, Recovery, and the Metamodernist Movement Ashlie M

    Addiction, Recovery, and the Metamodernist Movement Ashlie M

  • Representing the Visual: a Study of Aesthetics in Rainer Maria Rilke's

    Representing the Visual: a Study of Aesthetics in Rainer Maria Rilke's

  • In 1945 Erich Maria Remarque Told a New York Times Reporter That He Was No Longer a German: “For I Do Not Think in German Nor Feel German, Nor Talk German

    In 1945 Erich Maria Remarque Told a New York Times Reporter That He Was No Longer a German: “For I Do Not Think in German Nor Feel German, Nor Talk German

Top View
  • Waiting As Resistance: Lingering, Loafing, and Whiling Away
  • Volume 10, Issue 3 November 2017
  • Rainer Maria Rilke and Franz Marc LUKE FISCHER
  • 'Denk an Meinen Hund': Applied Subdominants and Motivic Treatment in Schoenberg's “Warnung,” Op. 3, No. 3 Julie Pedn
  • PASSION 2011 Text Edited Times W-Introsxt
  • Rilke's Russian Encounter Highlights The
  • German Literature: Modern Literature
  • The Absurd Imagination: Northrop Frye and Waiting for Godot Diane Dubois University of Lincoln
  • An Examination of Text Reflection and Imagery in Zoltán Gárdonyi's Fünf
  • The Poetry of Rainer Maria Rilke
  • The Cosmos Is Not Finished
  • The Thing You Are Looking for Jessie Shinn Washington University in St
  • The Transnational Third Space of Contemporary Chinese-Francophone Writers
  • The Cambridge Companion to Rilke Edited by Karen Leeder and Robert Vilain Frontmatter More Information
  • Information to Users
  • Cy Twombly: Treatise on the Veil" Is Organized by Bernice Rose, Chief Curator, Drawing Institute and Study Center, and Michelle White, CY TWOMBLY Associate Curator
  • Beyond Observation: Literature and Science in Kafka, Rilke, Mann and Musil
  • An Investigation in Dialogue with Rainer Maria Rilke and Virginia Woolf


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