The Cosmos Is Not Finished
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RILKE and the MODERNIST TRADITION: a BRIEF LOOK at “ARCHAIC TORSO of ••• APOLLO”* Pyeaam ABBASI**
Uluslararası Sosyal Araştırmalar Dergisi The Journal of International Social Research Cilt: 6 Sayı: 24 Volume: 6 Issue: 24 Kış 2013 Winter 2013 www.sosyalarastirmalar.com Issn: 1307-9581 RILKE AND THE MODERNIST TRADITION: A BRIEF LOOK AT “ARCHAIC TORSO OF ••• APOLLO”* Pyeaam ABBASI** Abstract The twentieth century is associated with drastic changes as well as disintegration of old beliefs and grand narratives. Modern poets felt that it was high time they searched for new potentialities of language and made changes in form in order to express and explore changes the world was experiencing. The oneness of the world within and the world without is not peculiar to Rilke. He explores human consciousness as well as the interaction between human and the non-human world. This paper argues that his poetry is an invitation to the reader to participate and create. In “Archaic Torso of Apollo” the transfixed poet finds the torso full of life and vitality, a complete work of art and suggestive of the modernist tradition. As a modern poet Rilke would see the world within and the world without as the same aspects of each other. He believes that existence consists of interactions between things and the perceiving selves and that the inner world, familiar to our consciousness, is continuous with, even identical to, the material world we think of as exterior to our conscious selves. The interaction between the poet (subject) and the torso (subject) creates the sense of transformation. The article concludes that transformation seems to be the most critical change that the modern man needs to experience in the chaotic and disjointed world of the 20 th century. -
MY GERMANY Graham Mummery Talk Delivered at Ludwig Maximillian University, Munich, Friday 2Nd July 2010 at W-Orte Festival
MY GERMANY Graham Mummery Talk delivered at Ludwig Maximillian University, Munich, Friday 2nd July 2010 at W-Orte Festival I am going to talk to you about my experience of Germany, its language and culture. For clar- ity, I add that when I speak of Germany, or German, I include much that is from outside that geographical and political entity we know as Germany. For example composers such as Mo- zart and Schubert who came from Austria, or writers like Kafka and Rilke, who came from Prague count as German within this definition. This means we are talking about a Germany of my imagination. With its borders so defined, let’s enter. My first awareness of Germany comes in early childhood. My oldest friend, has a German mother. This is prob- ably my first awareness ofany country other my own, and that there might be different languages to English. My friend’s mother comes from Hamlin on the Wese, the town with the story of the Pied Piper, which I remember be- ing read to me from a book of fairy stories, which also included others like Hansel and Gretal and Rumplestiltskin which were written down by the Bothers Grimm. In the book, there were pictures of white castles, like those built by Ludwig II here in Bavaria. One way or another, Germany has been in my imagination from very early. My next glimpse comes through music. In the nineteenth century, Germans visiting Britain called it “Das Land ohne Musik.” An injustice, maybe, but with some truth in it. It was long before an Englishman became Director of the Berlin Philharmonic. -
The Romantic Economist
This page intentionally left blank THE ROMANTIC ECONOMIST Since economies are dynamic processes driven by creativity, social norms and emotions, as well as rational calculation, why do econo- mists largely study them through the prism of static equilibrium models and narrow rationalistic assumptions? Economic activity is as much a function of imagination and social sentiments as of the rational optimisation of given preferences and goods. Richard Bronk argues that economists can best model and explain these creative and social aspects of markets by using new structuring assumptions and metaphors derived from the poetry and philosophy of the Romantics. By bridging the divide between literature and science, and between Romanticism and narrow forms of rationalism, economists can access grounding assumptions, models and research methods suitable for comprehending the creativity and social dimensions of economic activity. This is a guide to how economists and other social scientists can broaden their analytical repertoire to encompass the vital role of sentiments, language and imagination. Educated at Merton College, Oxford, Richard Bronk gained a first class degree in Classics and Philosophy. He spent the first seventeen years of his career working in the City of London, where he acquired a wide expertise in international economics, business and politics. His first book, Progress and the Invisible Hand (1998) was well received critically, and anticipated millennial angst about the increasingly strained relationship between economic growth and progress in wel- fare. Having returned to academic life in 2000, Bronk is now a writer and part-time academic. richard bronk is currently a Visiting Fellow in the European Institute at the London School of Economics and Political Science. -
THE IMPACT of the FOURTH INDUSTRIAL REVOLUTION on the JOBS MARKET Senate of the Italian Republic – 11Th Labour and Social Secu
THE IMPACT OF THE FOURTH INDUSTRIAL REVOLUTION ON THE JOBS MARKET Senate of the Italian Republic – 11th Labour and Social Security Committee For the victims of terrorism fallen in the line of work Introduction The issue of the relationship between technology and work has returned to the heart of the public debate. This is by no means a new discussion: fear of jobs being destroyed by the emergence of new tools for producing goods and services, and their new processes, crisscrosses the history of the industrial economy, leaving us with memories of Luddites, Keynesian technological unemployment, and the “the end of work” alarm raised in the early 1990s. The new Industrial Revolution appears to have been enabled by technologies that are increasingly available at low cost to companies and individuals. These technologies are destined to evolve at an unpredictable pace, in unpredictable ways and with unforeseeable content. Their consequences may impact business models and production processes; above all, they are ushering in new ways of relating to consumers and the markets through more efficient, personalized and immediate channels of coordination enabled by technology. The hallmark feature of this technology is its way of integrating physical processes and digital technologies as a means of renewing organizational models. Another way of expressing this is to say that production is “smartening up” along a number of different paths, either making a break or evolving from the past. Large factories are looking to go beyond assembly lines and replace them with autonomous “islands”, manned by people and machines – teams of workers and robots. Small companies are leveraging a typically Italian feature of the economy – the fact that they are concentrated in districts, and are specialized in niche output – as they work to combine classical artisanal with digital skills. -
Franz Kafka's Transformations
Franz Kafka’s Transformations Andrew Barker ALONE amongst the contributions to the volume, this essay does not address a Scandinavian topic. The theme of transformation in Franz Kafka’s work and life does, however, allow us to recall that Peter Graves is himself a notable example of a changeling, having begun his career at Aberdeen University as a student of German under the venerable Professor Wilhelm (Willy) Witte. What is presented here may thus serve as a reminder of a world Peter inhabited long ago, before he morphed into the Scandinavian polymath we know and honour today. The impetus for the present contribution came from reading James Hawes’ exhilarating study Excavating Kafka (2008).1 This work was promptly written off by Klaus Wagenbach, the doyen of Kafka studies in Germany, who is quoted as saying: ‘Irgendein Dämel kommt daher, weiß nix und schreibt über Kafka’ (Jungen 2008).2 In defence of Wagenbach’s po-faced dismissal of a much younger, non-German scholar’s work, one might plead that his grasp of English was insufficient for him to grasp the book’s satirical and polemical intentions. In fact, Excavating Kafka is the work of a scholar who knows a great deal about Kafka, and writes about him with panache and insight. I can match Hawes neither in my knowledge of Kafka nor the secondary literature, but I share with him a mounting frustration with the commonly-peddled myths about Kafka’s life and work, and it is some of these which I shall address in this short paper. Looking at the work first, I shall concentrate on what is probably Kafka’s most iconic story, Die Verwandlung (1912; ‘Metamorphosis’), the English translation of whose title I find particularly problematic. -
Powering Fast Forward Thinking
1 Powering Fast Forward Thinking THE AXA 2019 FORESIGHT TRENDBOOK 2 Editorial 3 AXA Foresight: Who are we? 4 Environment 5 Health 21 New Tech 37 Socio-Economics 53 Appendix 69 Acknowledgement & Credits 70 3 EDITORIAL Editorial Using past experience to anticipate probable future is at the core of insurance. At the same time, as an investor and asset manager, we know that past performance is no guarantee of future results. Societies’, companies’ and individuals’ fates may be overturned, for better or worse, by an unexpected combination of existing trends, by major scientific breakthrough or by a “black swan” event. Foresight is not about the extrapolation of existing trends, it is about the identification of potential disruptions. At AXA, day-to-day management matters but we also have the conviction that true achievements are founded on long term visions. We feel that a foresight effort is important to build our strategy but might also be useful to tackle many public debates. This first Trendbook is a modest contribution to answer this need to broaden our horizons. With this publication, we hope to provide more than a simple compilation of “trending topics”: exploring “ Foresight is not about the substance beyond buzzwords and, based on latest scientific evidence, sharing visions and options for decision-making. extrapolation of existing Indeed, we believe that concepts such as “slashers”, “affective computing” or “genetic engineering” will change trends, it is about the the way we think, live and work. identification of potential Our research initiatives, notably through the AXA Research Fund, are focused around four pillars: Environment & disruptions. -
Leonard Woolf's
Journal X Volume 6 Number 1 Autumn 2001 Article 7 2020 Metropolitan Civility Bloomsbury and the Power of the Modern Colonial State: Leonard Woolf’s “Pearls and Swine” Anindyo Roy Colby College Follow this and additional works at: https://egrove.olemiss.edu/jx Part of the Race, Ethnicity and Post-Colonial Studies Commons Recommended Citation Roy, Anindyo (2020) "Metropolitan Civility Bloomsbury and the Power of the Modern Colonial State: Leonard Woolf’s “Pearls and Swine”," Journal X: Vol. 6 : No. 1 , Article 7. Available at: https://egrove.olemiss.edu/jx/vol6/iss1/7 This Article is brought to you for free and open access by the English at eGrove. It has been accepted for inclusion in Journal X by an authorized editor of eGrove. For more information, please contact [email protected]. Roy: Metropolitan Civility Bloomsbury and the Power of the Modern Colo Metropolitan Civility, Bloomsbury, and the Power of the Modern Colonial State: Leonard Woolf’s “Pearls and Swine” Anindyo Roy Anindyo Roy is Assis Leonard Woolf, one of the key figures in the Blooms tant Professor in Eng bury circle, is perhaps most widely known for his role lish at Colby College in labor party politics in Britain and for his engage where he teaches cours ment, during the first two decades of the twentieth es in critical theory, century, with internationalist politics associated with the League of Nations. As someone closely allied postcolonial literatures with Bloomsbury, Britain’s pre-eminent circle of aes and theory, and thetes and intellectuals, Woolf’s political thinking British Modernism, can at best be described as unorthodox: although a He has published essays member of the exclusive Cambridge circle that had on postcolonial theory been nurtured by the aesthetic and moral philosophy and literature, fiction of G. -
“The Double Bind” of 1989: Reinterpreting Space, Place, and Identity in Postcommunist Women’S Literature
“THE DOUBLE BIND” OF 1989: REINTERPRETING SPACE, PLACE, AND IDENTITY IN POSTCOMMUNIST WOMEN’S LITERATURE BY JESSICA LYNN WIENHOLD-BROKISH DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Comparative Literature in the Graduate College of the University of Illinois at Urbana-Champaign, 2010 Urbana, Illinois Doctorial Committee: Associate Professor Lilya Kaganovsky, Chair; Director of Research Professor Nancy Blake Professor Harriet Murav Associate Professor Anke Pinkert Abstract This dissertation is a comparative, cross-cultural exploration of identity construction after 1989 as it pertains to narrative setting and the creation of literary place in postcommunist women’s literature. Through spatial analysis the negotiation between the unresolvable bind of a stable national and personal identity and of a flexible transnational identity are discussed. Russian, German, and Croatian writers, specifically Olga Mukhina, Nina Sadur, Monika Maron, Barbara Honigmann, Angela Krauß, Vedrana Rudan, Dubravka Ugrešić, and Slavenka Drakulić, provide the material for an examination of the proliferation of female writers and the potential for recuperative literary techniques after 1989. The project is organized thematically with chapters dedicated to apartments, cities, and foreign lands, focusing on strategies of identity reconstruction after the fall of socialism. ii To My Family, especially Mom, Dad, Jeffrey, and Finnegan iii Table of Contents Chapter One: Introduction: “We are, from this perspective, -
A Narrative Pedagogy for Transformative Christian Faith
Story-Making: A Narrative Pedagogy For Transformative Christian Faith Author: Nathaniel Girard Samuel Persistent link: http://hdl.handle.net/2345/3403 This work is posted on eScholarship@BC, Boston College University Libraries. Boston College Electronic Thesis or Dissertation, 2013 Copyright is held by the author, with all rights reserved, unless otherwise noted. Boston College The Graduate School of Arts and Sciences Department of Religious Education and Pastoral Ministry STORY-MAKING: A NARRATIVE PEDAGOGY FOR TRANSFORMATIVE CHRISTIAN FAITH a dissertation by NATHANIEL GIRARD SAMUEL submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy December 2013 © copyright by NATHANIEL GIRARD SAMUEL 2013 ABSTRACT STORY-MAKING: A NARRATIVE PEDAGOGY FOR TRANSFORMATIVE CHRISTIAN FAITH NATHANIEL GIRARD SAMUEL ADVISOR: THOMAS H. GROOME The mid-twentieth century upsurge in scholarship on the methodological and conceptual importance of narrative for theology - established in the work of H.R. Niebuhr, Hans Frei and Stephen Crites inter alia – was a watershed moment for narrative pedagogy in Christian religious education. By and large, narrative approaches have however tended to privilege one form of narrative embodiment - literary (or discursive narratives) - over action (or non-discursive narratives). This dissertation points to the equivocal and pluriform nature of narrativity, and its codification in much more than oral and written textuality. I extend it to refer to a distinct competency for establishing a meaningful world (or ethos) to inhabit, which congeals in varied forms of human expression including our lived narratives. Narrative competency allows us to understand ourselves as persons and communities in (synchronic) relationship with the rest of creation, as well as in (diachronic) relation with persons and communities from the past and in the anticipated future. -
JW Lindt's Colonial Man and Aborigine Image from The
Cultural Relativity as Exchange: J.W. Lindt’s Colonial man and Aborigine image from the GRAFTON ALBUM (circa 1872): Introduction Colonial representations about culture reflect and influence our perceptions even as artefacts. Under scrutiny here is an image from one of J.W. Lindt’s Albums of Australian Aboriginals, a still-intact album of photographs given to the mayor of Grafton, Tomas Page, circa 1872 when Lindt was resident therei. I have given the original untitled image the notional title of Colonial man and Aborigine. ii Lindt spent a year travelling southern Australia on his arrival in 1861 and five years in Grafton as an apprentice in Conrad Wagner’s photographic studio. Lindt’s education and understanding of the arts was already liberal and Wagner, dubbed “our local Raphael”iii by the Grafton paper, extended his skills. Lindt’s temperament was sociable, energetic, and discerning, a crucible for both observing and interpreting culture. That Lindt had the artistic understanding to construct an image such as Colonial Man and Aborigine as a symbolic reference to culture is quite certain. That his cultural relativity may have provided the inclination is suggested here. The Photographic Art According to Gross, “in order for a researcher to decide whether an interpretation is… inferential (the observer is assessing the event as "art"--a symbolic event), one needs to know the grounds on which the conclusions would be justified. …we might say that we know it because we are assuming the event was made to happen that way in order to tell us something (communicational inference). iv For the purposes of interpretation, the context of Lindt’s work can reliably establish that his primary purpose was one of artistic practice. -
Risks of Space Colonization
Risks of space colonization Marko Kovic∗ July 2020 Abstract Space colonization is humankind's best bet for long-term survival. This makes the expected moral value of space colonization immense. However, colonizing space also creates risks | risks whose potential harm could easily overshadow all the benefits of humankind's long- term future. In this article, I present a preliminary overview of some major risks of space colonization: Prioritization risks, aberration risks, and conflict risks. Each of these risk types contains risks that can create enormous disvalue; in some cases orders of magnitude more disvalue than all the potential positive value humankind could have. From a (weakly) negative, suffering-focused utilitarian view, we there- fore have the obligation to mitigate space colonization-related risks and make space colonization as safe as possible. In order to do so, we need to start working on real-world space colonization governance. Given the near total lack of progress in the domain of space gover- nance in recent decades, however, it is uncertain whether meaningful space colonization governance can be established in the near future, and before it is too late. ∗[email protected] 1 1 Introduction: The value of colonizing space Space colonization, the establishment of permanent human habitats beyond Earth, has been the object of both popular speculation and scientific inquiry for decades. The idea of space colonization has an almost poetic quality: Space is the next great frontier, the next great leap for humankind, that we hope to eventually conquer through our force of will and our ingenuity. From a more prosaic point of view, space colonization is important because it represents a long-term survival strategy for humankind1. -
The Demographic Challenge: Myths and Realities
The Demographic Challenge: Myths and Realities NOTE JULY 2018 The Demographic Challenge: Myths and Realities NOTE - JULY 2018 “There are three important things in history: first, numbers; second, numbers; and third, numbers.1” 1 The Decline of the American Empire, film by Denys Arcand, 1986. CONTENTS Introduction .......................................................................................... 5 I. A turning point in human history ................................................... 8 II. Towards a new hierarchy of powers ................................................. 21 III. A lack of resources? .................................................................... 28 IV. A “crescent of crisis” around Europe .............................................. 35 V. Are migrations unavoidable? ....................................................... 40 VI. Eurasia: the societal challenge ..................................................... 57 Conclusion ........................................................................................ 68 3 THE DEMOGRAPHIC CHALLENGE: MYTHS AND REALITIES 4 INTRODUCTION The demographic challenge is not what it used to be. In the early 1980s, the “population explosion” was the main focus of discussion. Since then, all our references have been shaken. The developing countries’ entry into demographic modernity occurred earlier than expected, but the future growth of Africa’s population was revised upwards. Industrialized countries’ aging has become a growing concern, and America seems to be the only