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- American Exceptionalism in the Film Industry of the Middle Twentieth Century Bryan Everett University of North Georgia, [email protected]
- Between Documentary and Neorealism: Marshall Plan Films in Italy (1948-1955)
- The Mega-Field of Science Fiction Film: Studying Fans' Negotiations of Cultural Value Via Canonical, Art-House and Blockbuster SF Movies
- German Film: Exploiting the Shock Value to Explain the Other Culture
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- The Relationship Between the American Government and the American Film Industry 1945-1954
- The Chinese Image in Sino-Hollywood Co-Produced Blockbusters During the Era of Globalization
- The Rebel Hero and Social Anxieties in Selected Cinematic Representations of the Twenty-First Century Hollywood Dystopian and Science Fiction Imaginary
- Evil 2018.Indd
- Critical Reactions to the Hollywood Propaganda Model: an Assessment
- From Hitler to Hollywood: Transnational Cinema in World War Ii
- Use of Propaganda Films in Stalinist Russia and Nazi Germany David Rosenblum
- In Search of Laughter in Maoist China: Chinese Comedy Film 1949-1966
- Realism, Fantasy, and the ‘H’ Certificate: Rethinking Horror Cinema in Britain During the 1940S by Paul William Frith
- Where in the World Is Andy Lau? Putting the Popular
- Baroque, Decadence, and a Cinema of Digital- Animated Liberation
- The Promotion of American Culture Through Hollywood Movies to The
- Cinema As Witness to Modern History
- The Curriculum
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- Ancient Worlds in Film and Television Metaforms
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- Japanese Cinema: Texts and Contexts
- Copyright Matters
- Gender, Development, and the Film Industry in Cold War Thailand
- Anti-Communism in Film During the 1940S-50S
- Forbidden Films the Hidden Legacy of Nazi Film a Film by Felix Moeller
- Germans As Nazi Stereotypes in American Cinema
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- Hitler and Hollywood: the Collaboration of American Movie
- Film Review: Alfred Hitchcock—The Films That Reflected American Society from 1940–1944
- New American Civil Wars: Aspects of the Post-Apocalyptic Novel in the U.S
- Liff26-2012-Catalogue-Low-Res.Pdf
- The Great War: Cinema, Propaganda, and the Emancipation of Film Language Christina Stojanova University of Regina (Canada) E-Mail: [email protected]
- Definition of Categojried of Films Domenico De Gregorio
- Issue 6: Summer 2015
- UNIVERSITY of CALIFORNIA, SAN DIEGO International and Wartime Origins of the Propaganda State: the Motion Picture in China, 18
- The Divo and the Duce
- Alfred Hitchcock Presents; 'Propaganda'
- Anti-Communist Politics of the Second Red Scare and How It Affected Hollywood and the Types of Movies Being Made
- Cinema and the Swastika Also by Roel Vande Winkel
- Readapting Pandemic Premediation and Propaganda: Soderbergh's Contagion Amid COVID-19