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Finn Ballard: No Trespassing: the Post-Millennial
Page 15 No Trespassing: The postmillennial roadhorror movie Finn Ballard Since the turn of the century, there has been released throughout America and Europe a spate of films unified by the same basic plotline: a group of teenagers go roadtripping into the wilderness, and are summarily slaughtered by locals. These films may collectively be termed ‘roadhorror’, due to their blurring of the aesthetic of the road movie with the tension and gore of horror cinema. The thematic of this subgenre has long been established in fiction; from the earliest oral lore, there has been evident a preoccupation with the potential terror of inadvertently trespassing into a hostile environment. This was a particular concern of the folkloric Warnmärchen or ‘warning tale’ of medieval Europe, which educated both children and adults of the dangers of straying into the wilderness. Pioneers carried such tales to the fledging United States, but in a nation conceptualised by progress, by the shining of light upon darkness and the pushing back of frontiers, the fear of the wilderness was diminished in impact. In more recent history, the development of the automobile consolidated the joint American traditions of mobility and discovery, as the leisure activity of the road trip became popular. The wilderness therefore became a source of fascination rather than fear, and the road trip became a transcendental voyage of discovery and of escape from the urban, made fashionable by writers such as Jack Kerouac and by those filmmakers such as Dennis Hopper ( Easy Rider, 1969) who influenced the evolution of the American road movie. -
Arts Council England Grant-In-Aid and Lottery Annual Report and Accounts 2007/08 HC
/<<C/:@3D73E & Review 08 State of the arts 7\bS`dWSeeWbV8]\ EW\abO\ZSgQ`SOb]` ]T;O\QVSabS`¸ac\W_cS AYSbQV1Wbg 4WdSgSO`a]T 5`O\baT]`bVSO`ba /Z]]YOb/`ba1]c\QWZ Tc\RSR^`]U`O[[Sa 1VOW`¸a`S^]`b $/gSO`OQ`]aabVSO`ba 1]\bS\ba Sir Christopher Frayling reflects on Arts Council staff across music, the heated debates and successful theatre, literature, dance and visual outcomes of the past year. arts consider their personal highlights of 2007/08. "1VWST3fSQcbWdS¸a`S^]`b Alan Davey reflects on an eventful '7[OUSa]TbVSgSO` year, and considers how we must A selection of images that showcase create the conditions under which work we have funded across 2007/08. great art must flourish. %4WdSgSO`a]T5`O\baT]`bVSO`ba $4W\O\QSaObOUZO\QS Our open application programme In 2007/08, we invested more than celebrated its fifth year in April 2008, £529 million of public money from making over 2,800 grants totalling the government and the National nearly £57 million in 2007/08. Lottery in the arts. !BVSgSO`ObOUZO\QS &/`bWabW\bS`dWSe( From the reopening of the Southbank 8]\EW\abO\ZSg Centre to Liverpool becoming Sketch City’s Jon Winstanley talks European Capital of Culture, it’s motivation, music, and street art. been a significant year for the arts. /`bWabW\bS`dWSe( ! =c`^`W]`WbWSa <Oh`W\1V]cRVc`g Our priorities for 2006–2008 are: Author Nazrin Choudhury explains children and young people, the creative how a Grants for the arts award economy, internationalism, vibrant gave her time to write her first novel, communities, celebrating diversity, My England. -
Beat Circus Dreamland
What the press has said about: BEAT CIRCUS DREAMLAND (CUNEIFORM, 2008) Lineup: Brian Carpenter (vocals, pump organ, harmonica, trumpet, slide trumpet, toy piano, composition), Ron Caswell (tuba), Käthe Hostetter (violin, viola), Julia Kent (cello), Alec K. Redfearn (accordion, jawharp), Curtis Hasselbring (trombone), Brandon Seabrook (tenor banjo, mandolin, slide guitar), Briggan Krauss (alto, baritone saxophones), Matt McLaren (drums, percussion, washboard) “…the music and the wonderfully well-realized arrangements are, if anything, even better than on the band's debut. This time, Carpenter is working with an expanded version of the band from the first album, including accordionist Alec K. Redfearn and drummer Matt McLaren …and New York alt-folk mainstay Brian Dewan, who provides his trademark electric zither as well as the album's lovely/creepy cover art, and the stylistically varied results make for a wonderfully imaginative record. Instrumental tracks like the opener "Gyp the Blood," and the mad Balkan dance tune "Slavochka" work the same stylistic street as folks like Beirut and A Hawk and a Hacksaw, while the more experimental pop-oriented songs recall the warped imagination of Elephant 6 associated eccentrics the Music Tapes. Fans of any of those acts will find much to love here.” - Stewart Mason, All Music Guide, www.allmusic.com “Dreamland…is proof positive that the concept album did not die with vinyl records and is still very much alive. In fact it is one of the most ambitious and peculiar musical endeavors I’ve ever experienced. … … Dreamland is a swirling maelstrom of theatrical post-cabaret and vaudevillian post-rock jazz. The...collective…create eccentric soundtracks for the equally eccentric stories and bizarre characters that inhabit Dreamland with an exotic array of instruments… …the music…is always a suitable score for Carpenter’s tale of an impoverished, alcoholic gold miner who makes a pact with the devil before fleeing eastward to work in Dreamland’s sideshows. -
Feature Films
NOMINATIONS AND AWARDS IN OTHER CATEGORIES FOR FOREIGN LANGUAGE (NON-ENGLISH) FEATURE FILMS [Updated thru 88th Awards (2/16)] [* indicates win] [FLF = Foreign Language Film category] NOTE: This document compiles statistics for foreign language (non-English) feature films (including documentaries) with nominations and awards in categories other than Foreign Language Film. A film's eligibility for and/or nomination in the Foreign Language Film category is not required for inclusion here. Award Category Noms Awards Actor – Leading Role ......................... 9 ........................... 1 Actress – Leading Role .................... 17 ........................... 2 Actress – Supporting Role .................. 1 ........................... 0 Animated Feature Film ....................... 8 ........................... 0 Art Direction .................................... 19 ........................... 3 Cinematography ............................... 19 ........................... 4 Costume Design ............................... 28 ........................... 6 Directing ........................................... 28 ........................... 0 Documentary (Feature) ..................... 30 ........................... 2 Film Editing ........................................ 7 ........................... 1 Makeup ............................................... 9 ........................... 3 Music – Scoring ............................... 16 ........................... 4 Music – Song ...................................... 6 .......................... -
Liste Dvd Consult
titre réalisateur année durée cote Amour est à réinventer (L') * 2003 1 h 46 C 52 Animated soviet propaganda . 1 , Les impérialistes américains * 1933-2006 1 h 46 C 58 Animated soviet propaganda . 2 , Les barbares facistes * 1941-2006 2 h 16 C 56 Animated soviet propaganda . 3 , Les requins capitalistes * 1925-2006 1 h 54 C 59 Animated soviet propaganda . 4 , Vers un avenir brillant, le communisme * 1924-2006 1 h 54 C 57 Animatix : une sélection des meilleurs courts-métrages d'animation française. * 2004 57 min. C 60 Animatrix * 2003 1 h 29 C 62 Anime story * 1990-2002 3 h C 61 Au cœur de la nuit = Dead of night * 1945 1 h 44 C 499 Autour du père : 3 courts métrages * 2003-2004 1 h 40 C 99 Avant-garde 1927-1937, surréalisme et expérimentation dans le cinéma belge * 1927-1937 1 h 30 C 100 (dvd 1&2) Best of 2002 * 2002 1 h 12 C 208 Caméra stylo. Vol. 1 * 2001-2005 2 h 25 C 322 Cinéma différent = Different cinema . 1 * 2005 1 h 30 C 461 Cinéma documentaire (Le) * 2003 2 h 58 C 462 Documentaire animé (Le). 1, C'est la politique qui fait l'histoire : 9 films * 2003-2012 1 h 26 C 2982 Du court au long. Vol. 1 * 1973-1986 1 h 52 C 693 Fellini au travail * 1960-1975 3 h 20 C 786 (dvd 1&2) Filmer le monde : les prix du Festival Jean Rouch. 01 * 1947-1984 2 h 40 C 3176 Filmer le monde : les prix du Festival Jean Rouch. -
THE STOPOVER (Voir Du Pays)
ArchiPel 35 PreseNTs THE STOPOVER (Voir Du pays) A fILm wRITTEN & dIREcTEd by DELphINE & MURIEL COULIN 102 min – DcP – 2.39 INTERNATIONAL PRESS RENDEZ-VOUS Viviana Andriani, Audrey Grimaud 2 rue Turgot 75009 Paris, France Ph. +33 1 42 66 36 35 In Cannes: +33 6 80 16 81 39 [email protected] INTERNATIONAL SALES FILMS DISTRIBUTION 5 rue Nicolas Flamel 75004 Paris, France www.filmsdistribution.com Download press materials: www.rv-press.com SYNOPSIS At the end of their tour of duty in Afghanistan, two young military women, Aurore and Marine, are given three days of “decompression leave” with their unit, among tourists, at a five-star resort in cyprus. But it’s not that easy to forget the war and leave violence behind. DECOMPRESSION PROGRAM since 2008, every French soldier returning from a tour of duty goes through a “decompression period” (canadians do the same thing – us soldiers too). They are taken to a five-star hotel for three days where they are supposed to forget about the war and relax among tourists enjoying their vacation. The program, devised by army psychologists, includes aqua- gym and relaxation classes, boat excursions and group mee- tings where everyone must tell the story of their individual experience during the six months spent in a war zone. This military therapy is more or less successful. TWO POWERFUL WOMEN Aurore and Marine are two young women with strong per- sonalities. They’ve known each other since childhood, come from modest backgrounds and grew up in lorient, an ave- rage town, where there aren’t a lot of alternatives for young people to build a future. -
Café Society
Presents CAFÉ SOCIETY A film by Woody Allen (96 min., USA, 2016) Language: English Distribution Publicity Bonne Smith Star PR 1352 Dundas St. West Tel: 416-488-4436 Toronto, Ontario, Canada, M6J 1Y2 Fax: 416-488-8438 Tel: 416-516-9775 Fax: 416-516-0651 E-mail: [email protected] E-mail: [email protected] www.mongrelmedia.com @MongrelMedia MongrelMedia CAFÉ SOCIETY Starring (in alphabetical order) Rose JEANNIE BERLIN Phil STEVE CARELL Bobby JESSE EISENBERG Veronica BLAKE LIVELY Rad PARKER POSEY Vonnie KRISTEN STEWART Ben COREY STOLL Marty KEN STOTT Co-starring (in alphabetical order) Candy ANNA CAMP Leonard STEPHEN KUNKEN Evelyn SARI LENNICK Steve PAUL SCHNEIDER Filmmakers Writer/Director WOODY ALLEN Producers LETTY ARONSON, p.g.a. STEPHEN TENENBAUM, p.g.a. EDWARD WALSON, p.g.a. Co-Producer HELEN ROBIN Executive Producers ADAM B. STERN MARC I. STERN Executive Producer RONALD L. CHEZ Cinematographer VITTORIO STORARO AIC, ASC Production Designer SANTO LOQUASTO Editor ALISA LEPSELTER ACE Costume Design SUZY BENZINGER Casting JULIET TAYLOR PATRICIA DiCERTO 2 CAFÉ SOCIETY Synopsis Set in the 1930s, Woody Allen’s bittersweet romance CAFÉ SOCIETY follows Bronx-born Bobby Dorfman (Jesse Eisenberg) to Hollywood, where he falls in love, and back to New York, where he is swept up in the vibrant world of high society nightclub life. Centering on events in the lives of Bobby’s colorful Bronx family, the film is a glittering valentine to the movie stars, socialites, playboys, debutantes, politicians, and gangsters who epitomized the excitement and glamour of the age. Bobby’s family features his relentlessly bickering parents Rose (Jeannie Berlin) and Marty (Ken Stott), his casually amoral gangster brother Ben (Corey Stoll); his good-hearted teacher sister Evelyn (Sari Lennick), and her egghead husband Leonard (Stephen Kunken). -
Newsletter-Archiv: September 2016
Newsletter-Archiv: September 2016 Filmnewsletter September Liebe Filmliebhaber, In der September-Edition geht es diesmal ein bisschen tiefer in die Materie – weniger Nachrichten, mehr Blick hinter die Kulissen. Zum einen ist da die Reihe des China Film Insider-Guides, die uns ab sofort durch das Labyrinth des chinesischen Filmemachens führt. Zum anderen geht es heute um Wang Xiaoshuai, da einer seiner letzten Filme in verschiedenen deutschen Städten im September gezeigt wird! Und die Blockbuster im spätsommerlichen Fernsehen? Siehe unten. Enjoy! Der neue China Film Insider-Guide Die amerikanische Webseite China Film Insider, ein lesenswertes Bindeglied zwischen Hollywood und der chinesischen Filmindustrie, hat Ende August eine 10-teilige Serie zu den wichtigsten Faktoren des Filmemachens in China gestartet. Schon die ersten beiden Beiträge, die nun jeden Freitag um eine neue Film-Kuriosität aus China erweitert werden, sind vielversprechend und überaus informativ, denn die Autoren arbeiten mit neuesten Fallbeispielen und aktuellen Zahlen. Obwohl es hier in erster Linie darum geht, die Eigenheiten, die der chinesische Markt für neue Regisseure, Produzenten, oder Drehbuchautoren birgt, herauszustellen, sind die Artikel auch für Laien hochspannend! Die ersten Artikel behandeln die Prozedur einer ausländischen Produktion in China: Wie man bereits ahnt, darf nichts sowohl im Fernsehen als auch auf der großen Leinwand ohne chinesische Strippenzieher produziert werden (Das beste Beispiel: die im letzten Newsletter erwähnte Ko-Produktion The Great Wall). Wie eine Art Checkliste geht es in der Serie weiter: Die „Dos & Don’ts“ bei der Zensur. Mit einschlägigen Beispielen wie Lust, Caution (⾊,戒) (2007) von Star-Regisseur Ang Lee oder Marvels Deadpool von letztem Jahr machen die Autoren deutlich, wie schnell Schlüsselszenen der Handlung oder einem ganzen Film (bekannterweise) der Garaus gemacht werden kann. -
Film Appreciation Wednesdays 6-10Pm in the Carole L
Mike Traina, professor Petaluma office #674, (707) 778-3687 Hours: Tues 3-5pm, Wed 2-5pm [email protected] Additional days by appointment Media 10: Film Appreciation Wednesdays 6-10pm in the Carole L. Ellis Auditorium Course Syllabus, Spring 2017 READ THIS DOCUMENT CAREFULLY! Welcome to the Spring Cinema Series… a unique opportunity to learn about cinema in an interdisciplinary, cinematheque-style environment open to the general public! Throughout the term we will invite a variety of special guests to enrich your understanding of the films in the series. The films will be preceded by formal introductions and followed by public discussions. You are welcome and encouraged to bring guests throughout the term! This is not a traditional class, therefore it is important for you to review the course assignments and due dates carefully to ensure that you fulfill all the requirements to earn the grade you desire. We want the Cinema Series to be both entertaining and enlightening for students and community alike. Welcome to our college film club! COURSE DESCRIPTION This course will introduce students to one of the most powerful cultural and social communications media of our time: cinema. The successful student will become more aware of the complexity of film art, more sensitive to its nuances, textures, and rhythms, and more perceptive in “reading” its multilayered blend of image, sound, and motion. The films, texts, and classroom materials will cover a broad range of domestic, independent, and international cinema, making students aware of the culture, politics, and social history of the periods in which the films were produced. -
Love Island Pressbook Screen.Pdf (2.1 Mib)
Synopsis Grebo and his very pregnant wife Liliane are taking a well-deserved vacation at a popular Adriatic seaside resort. All inclusive! All the sun, swimming and fun that their hearts desire. What could possibly go wrong on such an idyllic holiday? At open-mike night, Grebo seduces the resort crowd and reminds his loving French wife of the Sarajevo rocker she fell in love with. But the evening’s big surpise is the young couple’s meeting with mysterious Flora. The charismatic young woman will soon put their young marriage to the test. Past secrets cannot stay hidden for long on Love Island. Summer fun at a seaside resort and a bold look at modern relationships from Jasmila ŽbaniĆ, director of Grbavica (2006 Berlinale Golden Bear), On The Path (Na Putu) and For Those Who Can Tell No Tales. In only a few years, actress Ariane Labed has established a truly international film career, performing in Greek, French, English Main Cast and even some Croatian and Bosnian. She burst onto the scene with Greek director Athina Rachel Tsangari's Attenberg, which won her the Venice Film Festival's Best Actress Award in 2010. In addition to Bosnian director Jasmila ŽbaniĆ's Love Island, Ariane's other feature credits include US director Richard Linklater's Before Midnight, Canadian director Guy Ariane Labed Maddin's Spiritisme and French director Fabienne Godet's Une Place Sur La Terre. Ariane played a determined gymnast in as Liliane Yorgos Lanthimos' ALPS and she will soon be seen in that Greek director's upcoming English-language feature The Lobster. -
Wmc Investigation: 10-Year Analysis of Gender & Oscar
WMC INVESTIGATION: 10-YEAR ANALYSIS OF GENDER & OSCAR NOMINATIONS womensmediacenter.com @womensmediacntr WOMEN’S MEDIA CENTER ABOUT THE WOMEN’S MEDIA CENTER In 2005, Jane Fonda, Robin Morgan, and Gloria Steinem founded the Women’s Media Center (WMC), a progressive, nonpartisan, nonproft organization endeav- oring to raise the visibility, viability, and decision-making power of women and girls in media and thereby ensuring that their stories get told and their voices are heard. To reach those necessary goals, we strategically use an array of interconnected channels and platforms to transform not only the media landscape but also a cul- ture in which women’s and girls’ voices, stories, experiences, and images are nei- ther suffciently amplifed nor placed on par with the voices, stories, experiences, and images of men and boys. Our strategic tools include monitoring the media; commissioning and conducting research; and undertaking other special initiatives to spotlight gender and racial bias in news coverage, entertainment flm and television, social media, and other key sectors. Our publications include the book “Unspinning the Spin: The Women’s Media Center Guide to Fair and Accurate Language”; “The Women’s Media Center’s Media Guide to Gender Neutral Coverage of Women Candidates + Politicians”; “The Women’s Media Center Media Guide to Covering Reproductive Issues”; “WMC Media Watch: The Gender Gap in Coverage of Reproductive Issues”; “Writing Rape: How U.S. Media Cover Campus Rape and Sexual Assault”; “WMC Investigation: 10-Year Review of Gender & Emmy Nominations”; and the Women’s Media Center’s annual WMC Status of Women in the U.S. -
(Revised0507)JAPAN BOOTH 2013 Cannes FIX
CONTENTS INTRODUCTION Contents Introduction 1 Introduction Japan Booth is organized by JETRO/UNIJAPAN with the support from Agency for Cultural Affairs (Government of Japan). 2 Geneon Universal Entertainment Japan, LLC 3 Gold View Co., Ltd. 4 Happening Star Project JETRO, or the Japan External Trade Organization, is UNIJAPAN is a non-profit organization established 5 MODE FILMS INC. a government-related organization that works to pro- in 1957 by the Japanese film industry under the mote mutual trade and investment between Japan and auspice of the Government of Japan for the purpose 6 Nikkatsu Co. the rest of the world. of promoting Japanese cinema abroad. Initially named 7 Office Walker Inc. Originally established in 1958 to promote Japanese ex- ‘Association for the Diffusion of Japanese Film Abroad’ 8 Omgact Entertainment LLC ports abroad, JETRO’s core focus in the 21st century (UniJapan Film), in 2005 it joined hands with the has shifted toward promoting foreign direct investment organizer of Tokyo International Film Festival (TIFF), to 9 Open Sesame Co., Ltd. into Japan and helping small to medium-sized Japa- form a combined, new organization. 10 Production I.G nese firms maximize their global business potential. 11 SDP Inc. 12 Sedic International Inc. 13 Showgate Inc. 14 Tsuburaya Productions Co., Ltd. Category Action Drama Comedy Horror / Suspense Documentary Animation Screening schedule Day Starting Time Length of the Film Title Place 1 Geneon Universal Entertainment Japan, LLC Gold View Co., Ltd. The Chasing World: The Origin Belladonna Of Sadness AD 3000. 1 in 20 has the family name "SATO" in Japan. The A story about a young and beautiful woman, who has lived a life 150th king implements a horrific policy to reduce the number of of hardships.