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Portamento

  • Of Gods and Monsters: Signification in Franz Waxman's Film Score Bride of Frankenstein

    Of Gods and Monsters: Signification in Franz Waxman's Film Score Bride of Frankenstein

  • Common Opera Terminology

    Common Opera Terminology

  • The Application of Bel Canto Concepts and Principles to Trumpet Pedagogy and Performance

    The Application of Bel Canto Concepts and Principles to Trumpet Pedagogy and Performance

  • That World of Somewhere in Between: the History of Cabaret and the Cabaret Songs of Richard Pearson Thomas, Volume I

    That World of Somewhere in Between: the History of Cabaret and the Cabaret Songs of Richard Pearson Thomas, Volume I

  • Microkorg Owner's Manual

    Microkorg Owner's Manual

  • Portamento in Romantic Opera Deborah Kauffman

    Portamento in Romantic Opera Deborah Kauffman

  • Using Bel Canto Pedagogical Principles to Inform Vocal Exercises Repertoire Choices for Beginning University Singers by Steven M

    Using Bel Canto Pedagogical Principles to Inform Vocal Exercises Repertoire Choices for Beginning University Singers by Steven M

  • Volume 60, Number 07 (July 1942) James Francis Cooke

    Volume 60, Number 07 (July 1942) James Francis Cooke

  • The German School of Singing: a Compendium of German Treatises 1848-1965

    The German School of Singing: a Compendium of German Treatises 1848-1965

  • An Interactive System for Visual and Quantitative Analyses of Vibrato

    An Interactive System for Visual and Quantitative Analyses of Vibrato

  • AVA: a Graphical User Interface for Automatic Vibrato and Portamento [23] J

    AVA: a Graphical User Interface for Automatic Vibrato and Portamento [23] J

  • Ii the APPLICATION of BEL CANTO

    Ii the APPLICATION of BEL CANTO

  • Virtuoso Malgre Lui: Chopin's Musical Education

    Virtuoso Malgre Lui: Chopin's Musical Education

  • Voice Syllabus / 2012 Edition

    Voice Syllabus / 2012 Edition

  • Legatothroughtheages.Pdf

    Legatothroughtheages.Pdf

  • Computational Modelling and Analysis of Vibrato and Portamento in Expressive Music Performance

    Computational Modelling and Analysis of Vibrato and Portamento in Expressive Music Performance

  • Gesture, Affect and Rhythmic Freedom in the Performance of French Tragic Opera from Lully to Rameau Wentz, J.A

    Gesture, Affect and Rhythmic Freedom in the Performance of French Tragic Opera from Lully to Rameau Wentz, J.A

  • Contemporary Music Notation for the Flute: a Unified Guide Ot Notational Symbols for Composers and Performers

    Contemporary Music Notation for the Flute: a Unified Guide Ot Notational Symbols for Composers and Performers

Top View
  • The Functions of the Minimalist Technique in Film Scores
  • Voicelikeness of Musical Instruments
  • ROBYN CATHCART: M.A. CANDIDATE in MUSICOLOGY the UNIVERSITY of VICTORIA, VICTORIA BC -The Singing School of Manuel Garcia
  • Clive Brown Singing and String Playing In
  • Vocal Ornamentation in Italy
  • Scottish M Usic Review
  • Rigoletto Opera Box Lesson Plan Title Page with Related Academic Standards
  • Culture and History in the Performance of Diegetic Music In
  • Bel Canto Technique
  • Ornamentation of Italian Vocal Music of the Eighteenth Century According to Pietro Francesco Tosi and Giovanni Battista Mancini Beverly Ann Brandon
  • An Analysis of Bernard Hermann's Scores for Jane Eyre (1943) and the Ghost and Mrs
  • Early Twentieth Century Vocal Performance Practice and the French School: an Exploration of the Lectures and Selected Songs by Reynaldo Hahn
  • An Aural Analysis of Bel Canto: Airlie Jane Kirkham
  • Control of Synthesized Vibrato During Portamento Musical Pitch Transitions*
  • From Italian Opera to Estill: an Overview of Bel Canto Style Singing Techniques from the Eighteenth Century to Modern Day Phoebe R
  • Chopin, the Listener
  • Frequently Asked Questions
  • What's New in Sibelius® Software


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