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Pitch interval
Perceptual Interactions of Pitch and Timbre: an Experimental Study on Pitch-Interval Recognition with Analytical Applications
Unified Music Theories for General Equal-Temperament Systems
MTO 19.3: Nobile, Interval Permutations
Interval Cycles and the Emergence of Major-Minor Tonality
Motivic Similarity and Form in Boulez's Anthèmes
1 Chapter 1 a Brief History and Critique of Interval/Subset Class Vectors And
Interval Vectors
A Multi-Dimensional Analytical Model for Musical Harmony Perception
On the Meanings of Musical Tone in Twentieth-Century Music
On Adapting Theoretical Models from the Work of David Lewin
Foundations in Music Psychology
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MTO 3.4: Barnes, Review of Williams
Pitch-Interval Analysis of ‘Periodic’ and ‘Aperiodic’ Question+Answer Pairs
A Tutorial on Pitch Class Sets
Musical Enumerations, Asymmetric Rhythms, & Crab
A Primer for Atonal Set Theory
Representing Harmony in Computational Music Cognition
Top View
A PRACTICAL GLOSSARY for Twentieth-Century Music
The Nine-Step Scale of Alexander Tcherepnin: Its Conception, Its Properties, and Its Use
Functional Organization for Musical Consonance and Tonal Pitch Hierarchy in Human Auditory Cortex
Pattern Processing in Melodic Sequences: Challenges, Caveats & Prospects
A General Pitch Interval Representation: Theory and Applications
Theory of Music-Basic Atonal Theory
A Derivation of the Tonal Hierarchy from Basic Perceptual Processes
The Effect of Melodic and Temporal Contour on Recognition Memory for Pitch Change
Arxiv:1912.12877V2 [Math.GM] 9 Jan 2021
CLEM, D. TRAVIS, MM Interval Serialization and Its Use In
Post-Common Practice Era Music Theory Pedagogy
Voice Leadings As Generalized Key Signatures
Pitch-Class Set Analysis Today Author(S): Allen Forte Source: Music Analysis , Mar
Analyzing Atonal Music: Pitch-Class Set Theory and Its Contexts Michiel Schuijer
Musical Intervals and Relative Pitch: Frequency Resolution, Not Interval Resolution, Is Special