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Petros Peloponnesios
Oktoechos and Multipart Modality. Oral Traditions of Italo-Albanian Communities in Sicily and Calabria by Oliver Gerlach
National Inventory of Intangible Cultural Heritage of Greece
A Byzantine Christmas
City Research Online
Makams – Rhythmic Cycles and Usûls
Christ Is Born
City Research Online
Africa, Orthodoxy in Essential Ingredient in the Support of the Citizens in JUSTIN M
2 LINGAS Byzantine Chant.Pdf
ARTES Vol. 13
Post-Byzantine Musical Manuscripts As Sources for Oriental Secular Music:1 the Case of Petros Peloponnesios (1740-1778) and the Music of the Ottoman Court
Be Moved Be Inspired Be with Us
1. Die Musikliturgischen Handschriften Des Supplementum Graecum
Theologia Orthodoxa
2018 Olley Jacob 1239687 Et
Performance Practice and the Politics of Transcribing Byzantine Chant1
Innovative Compositional Attempts in the Nineteenth-Century Greek Orthodox Church Music
The Current Tradition of Orthodox Monodic Chant (1814-2016)
Top View
Byzantine Music Formulae Byzantine Music Formulae
Greek Modes and Turkish Sounds. Music As a Means of Intercultural Exchange Between Orthodox Christians and Muslims in the Ottoman Empire
Protovarys in Theory, Tetraphonos in Practice? Preliminary Observations on an Archaeology of the Varys’ Intervallics
Copyrighted Material
The Eighth Echos Reflected in the Doxastika Sticheras from Dimitrie Suceveanu’S Idiomelar
The Post-Byzantine Psaltic Origin of the Recent Serbian Church Chant
“Yphos” As Infrapolitical Resistance: Greek Liturgical Music in 19Th Century Ottoman Istanbul