DOCSLIB.ORG

City Research Online

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
City Research Online City Research Online City, University of London Institutional Repository Citation: Lingas, A. ORCID: 0000-0003-0083-3347 (2008). The Divine Liturgy of St John Chrysostom according to the Byzantine Tradition: A New Musical Setting in English. Portland, USA: Cappella Romana. This is the published version of the paper. This version of the publication may differ from the final published version. Permanent repository link: https://openaccess.city.ac.uk/id/eprint/21533/ Link to published version: Copyright: City Research Online aims to make research outputs of City, University of London available to a wider audience. Copyright and Moral Rights remain with the author(s) and/or copyright holders. URLs from City Research Online may be freely distributed and linked to. Reuse: Copies of full items can be used for personal research or study, educational, or not-for-profit purposes without prior permission or charge. Provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. City Research Online: http://openaccess.city.ac.uk/ [email protected] CAPPELLA ROMANA THE DIVINE LITURGY OF OUR FATHER AMONG THE SAINTS JOHN CHRYSOSTOM IN ENGLISH IN BYZANTINE CHANT 2 CDS: THE COMPLETE SERVICE the DIVINE LITURGY • CAPPella Romana The Very Revd Archimandrite Meletios (Webber), priest · The Revd Dr John Chryssavgis, deacon DISC ONE: the LITURGY DISC TWO: the LITURGY of the CATECHUMENS 46:55 of the FAITHFUL 60:5 Opening Blessing, Litany of Peace, Cherubic Hymn in Mode Plagal IV, after and Prayer of the First Antiphon 5:4 Petros Peloponnesios (d. 1778) : First Antiphon :4 Opening Section 7:59 3 Short Litany and The Great Entrance : Prayer of the Second Antiphon :6 3 After the Entrance 3:0 4 Second Antiphon 3:00 4 Litany of the Precious Gifts and Kiss of Peace 3:4 5 Short Litany and 5 The Creed :35 Prayer of the Third Antiphon :37 The Holy Oblation (Anaphora) 7:4 6 Third Antiphon :40 6 The Dialogue before the Anaphora :0 7 Entrance with the Holy Gospel :53 7 The Anaphora (the Eucharistic Prayer) 6: 8 Apolytikia 8 Megalynarion (of the day and of the local church) :6 and Conclusion of the Anaphora 5:9 9 Kontakion of the Season :4 9 Litany of the Lord’s Prayer 3:4 0 Trisagion 4:37 0 The Lord’s Prayer 3:0 Dynamis (Perisse) of the Trisagion after Communion of the Clergy Nileus Kamarados (1847–1922) 5:04 and Antiphonal Psalm 5:05 Prokeimenon :53 Distribution of Holy Communion 0:33 3 Apostle :3 Communion of the Laity : 4 Alleluiarion 3:09 3 ‘Praise the Lord from the Heavens’ after 5 Gospel :48 St John Koukouzelis (ca 1280–1341) 0: 6 Litany of Fervent Supplication 3:8 Post-Communion Hymns :50 7 Litany for the Catechumens :03 4 We have seen the true light :47 8 Litanies of the Faithful : 5 Let our mouth be filled :03 6 Thanksgiving and (Constantinopolitan) Dismissal :58 7 Prayer behind the Ambo :06 A large-type version of this booklet Final (Monastic) Dismissal :40 is available online at 8 Blessed be the name of the Lord :43 www.cappellaromana.org 9 Final dismissal :58 Total time 07:0 Psalmody and the worship of Almighty God have been inex- worship, commissioned a translation of tricably linked for many centuries and countless traditions the Liturgy of St John Chrysostom into have been enabled to reach heights of spirituality through the a dignified form of current English that rhythmic and melodic use of words and music. As a recent would be suitable for liturgical use. This writer on this subject observes, ‘Chanting has been used in work was prepared by the Very Reverend religious ceremonies since mankind first learnt to vocalise’ Archimandrite Ephrem Lash. (Colin R. Shearing). It is this text which Cappella Romana has Byzantine Chant, the liturgical music of the Eastern Ortho- chosen to use in its recent recording of dox Church, was once the preserve of ascetic monks and the Divine Liturgy of our Father among pious cantors in parts of south-east Europe and the eastern the Saints John Chrysostom. Its artistic Mediterranean area, with the music being cultivated during director, Dr Alexander Lingas, is one the Byzantine era. Safeguarded by the Oecumenical Patriar- of those teachers of Byzantine music chate of Constantinople to the present time, it is today uni- who over the years has contributed versally recognised as being one of the supreme expressions to its promotion, in particular by stressing its uniqueness of religious chant and has reached an appreciative audience and importance in deepening our spiritual life. In addition in western Europe, the Americas and elsewhere – in part to congratulating him on his initiative in promoting this through the dispersion of Orthodox Christians who use this recording, I should also like to thank all those who have in form of chanting, in part through studies written by eminent any way been involved in producing this CD – whether their scholars, and in part through the medium of recordings. contribution be vocal, technical or to translating the text. Without doubt, the most solemn and meaningful of all acts I therefore welcome this dignified rendition of a celebra- of Orthodox worship is the celebration of the Divine Liturgy tion of the Liturgy which is part of the life-blood of every – the offering of Bread and Wine which, through the invoca- Orthodox Christian; and I commend it as contributing to the tion of the All-Holy Spirit, become for us ‘the precious Body ‘savour of spiritual fragrance’ – this being one of the reasons … and … Blood’ of our Lord and Saviour Jesus Christ. In this for which we hymn the Triune God – with the confidence service is concentrated the entire theology of the Orthodox that it will increase the understanding and appreciation of Church concerning our Redemption and it is the cornerstone both the spirituality of Orthodox worship and the heights of on which our Church depends and continues its mission musical expression to which its chanting aspires. throughout the world. The Archdiocese of Thyateira and Great Britain, which I have the honour and privilege to lead in the name of His All-Holiness the Oecumenical Patriarch of Constantinople Gregorios Archbishop of Thyateira and Great Britain Vartholomaeos I, anxious that there should be a deeper and more comprehensive understanding of this profound act of 3 The Genesis of this Project But non-Orthodox brethren also who are well- disposed to our Orthodox Church will, through by Alexander Lingas this translation, come to know the wealth of our In 1995, the Archdiocese of Thyateira and Great liturgical tradition and to appreciate properly the Britain published its bilingual (Greek-English) edi- treasures of the faith, which are guarded like the tion of The Divine Liturgy of Our Father Among the apple of the eye and which, through the streams Saints John Chrysostom (Oxford: Oxford University of the texts of the Fathers, water the flock, saved Press; henceforth the Thyateira Translation), the by God, of our Lord and God and Saviour, Jesus ordinary form of the Eucharist celebrated by Ortho- Christ. dox Christians. His Eminence Archbishop Gregorios Therefore the Holy Great Church of Christ chaired a committee of eminent scholars and pastors rejoices as by this means it bears its witness in that produced both its edition of the Greek text and the world and continues through this translation its official translation into reverent contemporary the work of the translation of its liturgical texts English. Their approach was rigorous, collaborative, that began from it when many centuries ago and transparent, leading them to publish discussions its chosen children, the Sacred Missionaries, of major liturgical and translation problems. These brothers from Thessalonika, Cyril and Methodios issues are summarised elsewhere in this booklet by and their disciples with godly zeal devoted them- Archimandrite Ephrem (Lash), who served as lead selves to the translation of the Holy Scriptures translator for the committee and continues to offer and the sacred liturgical texts into the language his own work online (http://www.anastasis.org.uk). of the Slavs. The Father of Lights blessed their In his Letter of Commendation for the Thyateira labours thereafter, and from then many peoples, Translation, His All-Holiness Bartholomew I, Arch- tribes and tongues have praised and still praise bishop of Constantinople, New Rome and Ecumeni- the mighty acts of God, initiated into under- cal Patriarch, elaborates on the pastoral, educational, standing and taking their part in the universal and missionary ramifications of its translation: glorification of the Holy Trinity. Through it the whole body of the Most Holy May the Lord God through this translation into Church that dwells in English-speaking countries the contemporary international language open and that does not know at all, or not adequately, gates of knowledge and faith for his scattered the original language of the sacred liturgical texts children throughout the world, so that ‘with one of our Holy Orthodox Church will be able to voice and one heart’ they may glorify and praise comprehend easily and to take part ‘in spirit and his all-holy Name and build up his Church, truth’ and understanding in what is being cel- which he purchased from among the nations ebrated and, in the words of the divine Apostle, through his precious Blood (Thyateira Transla- to answer ‘Amen’ to the Church’s thanksgiving. tion, pp. iv–vi). 4 Since every celebration of the Divine Liturgy is a postdoctoral fellow at the University of Oxford sung, a full realisation of this bold vision necessarily (1996–2001), during which I had the immense depends on the creation of musical settings of the pleasure of working closely with Archimandrite translated hymns, psalms, and responses that are Ephrem and Dr Melling on several projects.
Load more

Recommended publications
  • ARTES. JOURNAL of MUSICOLOGY Vol
    “GEORGE ENESCU” NATIONAL UNIVERSITY OF ARTS IAŞI FACULTY OF PERFORMANCE, COMPOSITION AND MUSIC THEORY STUDIES RESEARCH CENTER “THE SCIENCE OF MUSIC” DOCTORAL SCHOOL – MUSIC FIELD ARTES. JOURNAL OF MUSICOLOGY vol. 23-24 ARTES 2021 RESEARCH CENTER “THE SCIENCE OF MUSIC” ARTES. JOURNAL OF MUSICOLOGY Editor-in-chief – Prof. PhD Laura Vasiliu, “George Enescu” National University of Arts, Iași, Romania Senior editor – Prof. PhD Liliana Gherman, “George Enescu” National University of Arts, Iași, Romania SCIENTIFIC COMMITTEE Prof. PhD Gheorghe Duțică, “George Enescu” National University of Arts, Iași, Romania Prof. PhD Maria Alexandru, “Aristotle” University of Thessaloniki, Greece Prof. PhD Valentina Sandu-Dediu, National University of Music Bucharest, Romania Prof. PhD Pavel Pușcaș, “Gheorghe Dima” National Music Academy, Cluj-Napoca, Romania Prof. PhD Mirjana Veselinović-Hofman, University of Arts in Belgrade, Serbia Prof. PhD Victoria Melnic, Academy of Music, Theatre and Fine Arts, Chișinău, Republic of Moldova Prof. PhD Violeta Dinescu, “Carl von Ossietzky” Universität Oldenburg, Germany Prof. PhD Nikos Maliaras, National and Kapodistrian University of Athens, Greece Lect. PhD Emmanouil Giannopoulos, “Aristotle” University of Thessaloniki, Greece EDITORS Assoc. Prof. PhD Irina Zamfira Dănilă, “George Enescu” National University of Arts, Iași, Romania Assoc. Prof. PhD Diana-Beatrice Andron, “George Enescu” National University of Arts, Iași, Romania Lect. PhD Rosina Caterina Filimon, “George Enescu” National University of Arts, Iași, Romania Assoc. Prof. PhD Gabriela Vlahopol, “George Enescu” National University of Arts, Iași, Romania Assist. Prof. PhD Mihaela-Georgiana Balan, “George Enescu” National University of Arts, Iași, Romania ISSN 2344-3871 ISSN-L 2344-3871 Translators: PhD Emanuel Vasiliu Assist. Prof. Maria Cristina Misievici DTP Ing.
    [Show full text]
  • EARLY MUSIC NOW with SARA SCHNEIDER Broadcast Schedule — Summer 2020
    EARLY MUSIC NOW WITH SARA SCHNEIDER Broadcast Schedule — Summer 2020 PROGRAM #: EMN 20-01 RELEASE: June 22, 2020 Treasures from Wolfenbüttel Starting in the late Renaissance, the court at Wolfenbüttel in northern Germany emerged as a cultural center. The dukes of the house of Welf employed high-profile composers like Michael Praetorius to increase their prestige, but lesser masters like Daniel Selichius made their mark as well. In this edition of Early Music Now, we'll hear from both composers, with performances by the Huelgas Ensemble and Weser-Renaissance Bremen. PROGRAM #: EMN 20-02 RELEASE: June 29, 2020 Those Talented Purcells This week's show focuses on Henry Purcell, and his lesser-known brother (or cousin) Daniel. We'll hear chamber music by both composers, plus selections from the semiopera they worked on together: The Indian Queen, from a 2015 release by The Sixteen. PROGRAM #: EMN 20-03 RELEASE: July 6, 2020 The Lost Voices of Hagia Sophia This week's program showcases an extraordinary recent release from the Portland-based ensemble Cappella Romana. This recording of medieval Byzantine chant composed for Hagia Sophia was recorded entirely in live, virtual acoustics, and soared to #1 on Billboard's Traditional Classical chart! These evocative sounds linger in the soul long after the music fades. PROGRAM #: EMN 20-04 RELEASE: July 13, 2020 Salomone Rossi: Revolutionary Jewish composer Salomone Rossi was a musician who served the Gonzaga court in Mantua. They valued him so highly that he was given a relatively large amount of personal freedom, while other members of the Jewish faith were restricted.
    [Show full text]
  • SAINT MARY ORTHODOX CHURCH October 1St 2017
    SAINT MARY ORTHODOX CHURCH The Self-Ruled Antiochian Orthodox Christian Archdiocese of North America “The disciples were first called Christians in Antioch.” (Acts 11:26) 6330 W. 127th St., Palos Heights, IL 60463 Phone : (708) 239-0004, Fax : (708) 221-6449 www.stmaryoc.org ([email protected]) Church Office Hours : Monday - Friday 10:00am-3:00pm St. Mary Parish Clergy st V. Rev. Fr. Mousa Haddad, Pastor October 1 2017 V. Rev. Fr. Malek Rihani Rev. Fr. Danial Doss (OCA) Seventeenth Sunday after Pentecost & Second Sunday of Luke Rev. Archdeacon Saed Rihani Subdn. John Andoun, Youth Director Apostle Ananias of the Seventy, First Bishop of Damascus Parish Council Luai Sweiss - Chairman & Righteous Father Romanos the Melodist Isa Riadi - Vice Chairman Fadi Abu Manneh - Treasurer Scott Abdo - Financial Secretary John Eannace - Secretary Magida Abudayyeh Nidal Al-Farah Jason Haddad Natalie Salman Rashid Sweis Parish Ministries Sunday School - Philip Riske SOYO - Jehan Tadros YAM - Marram Salman Antiochian Women - Nihad Sweis Fundraising - Rashid Sweis Humanitarian - Shireen Salman OCLife - Nancy Cannon Fishers of Men - John Eannace Athletics - Nidal Haddad Choir - Michael Rascia Chanters - Khaled Salman, Faris Samawi and Danny Haddad Webmaster - Sana Sweis Ushers - Jamal Swais, Louis Sweiss Office May Sweis [email protected] Church Hall Rental Call the church office or email our Office Administrator Weekly Schedule of Services: Saturday Great Vespers 5:00pm (Confessions heard after Great Vespers) Sunday Orthros 8:45am followed by Divine Liturgy 10:00am Wednesday Morning Prayers followed by Arabic Bible Study 10:00am Check our website for feast day services and all other services Welcome to St.
    [Show full text]
  • Divine Liturgy
    THE DIVINE LITURGY OF OUR FATHER AMONG THE SAINTS JOHN CHRYSOSTOM H QEIA LEITOURGIA TOU EN AGIOIS PATROS HMWN IWANNOU TOU CRUSOSTOMOU St Andrew’s Orthodox Press SYDNEY 2005 First published 1996 by Greek Orthodox Archdiocese of Australia 242 Cleveland Street Redfern NSW 2016 Australia Reprinted with revisions and additions 1999 Reprinted with further revisions and additions 2005 Reprinted 2011 Copyright © 1996 Greek Orthodox Archdiocese of Australia This work is subject to copyright. Apart from any use permitted under the Copyright Act 1968, no part may in any form or by any means (electronic, mechanical, photocopying, recording or otherwise) be reproduced, stored in a retrieval system or transmitted without prior written permission from the publisher. Enquiries should be addressed to the publisher. National Library of Australia Cataloguing-in-Publication Data The divine liturgy of our father among the saints John Chrysostom = I theia leitourgia tou en agiois patros imon Ioannou tou Chrysostomou. ISBN 0 646 44791 2. 1. Orthodox Eastern Church. Liturgy of St. John Chrysostom. 2. Orthodox Eastern Church. Prayer-books and devotions. 3. Prayers. I. Greek Orthodox Archdiocese of Australia. 242.8019 Typeset in 11/12 point Garamond and 10/11 point SymbolGreek II (Linguist’s Software) CONTENTS Preface vii The Divine Liturgy 1 ïH Qeiva Leitourgiva Conclusion of Orthros 115 Tevlo" tou' ÒOrqrou Dismissal Hymns of the Resurrection 121 ÆApolutivkia ÆAnastavsima Dismissal Hymns of the Major Feasts 127 ÆApolutivkia tou' Dwdekaovrtou Other Hymns 137 Diavforoi ÓUmnoi Preparation for Holy Communion 141 Eujcai; pro; th'" Qeiva" Koinwniva" Thanksgiving after Holy Communion 151 Eujcaristiva meta; th;n Qeivan Koinwnivan Blessing of Loaves 165 ÆAkolouqiva th'" ÆArtoklasiva" Memorial Service 177 ÆAkolouqiva ejpi; Mnhmosuvnw/ v PREFACE The Divine Liturgy in English translation is published with the blessing of His Eminence Archbishop Stylianos of Australia.
    [Show full text]
  • November 1: Registration and Welcome Reception at the Hilton Hotel Boston Downtown Financial District
    November 1: Registration and Welcome Reception at the Hilton Hotel Boston Downtown Financial District November 2 - 4: Panels, Registration and Book Exhibits will take place at Hellenic College Holy Cross campus November 2 - 3: Coaches to Hellenic College Holy Cross campus depart each morning at 8:00 a.m. from the Hilton Downtown Financial District only. Coaches for the return trip to the Hilton Downtown Financial District will depart in front of the Archbishop Iakovos Library Building after the end of the receptions. On Saturday, coaches to take participants to the Cathedral Center will depart at 1:00 p.m., also from the Archbishop Iakovos Library Building. November 2 - 4: A small exhibition of Greek, Roman and Byzantine objects from the Archbishop Iakovos Collection, curated by the Very Reverend Dr. Joachim (John) Cotsonis and Dr. Maria Kouroumali, will be on display in the Archbishop Iakovos Museum, Third Floor, Archbishop Iakovos Library Building. Opening hours of exhibition: 10:00 a.m. - 6:00 p.m. (Fri - Sat.); 10:00 a.m. - 4:00 p.m. (Sun) Thursday, November 1, 2012 Hilton Hotel Boston Downtown Financial District 5:00 p.m. - 8.00 p.m. Registration Hilton Lobby 6:30 p.m. - 7:30 p.m. The Mary Jaharis Center for Byzantine Art and Culture Informal Welcome Reception Kellogg Ballroom 8:00 - 10:00 p.m. BSANA Governing Board Meeting William Fly Room Friday, November 2, 2012 Hellenic College Holy Cross campus Continental Breakfast: 8:00 a.m. - 9.00 a.m. Maliotis Cultural Center Lobby Registration and Book Exhibits (all day) Maliotis Cultural Center Upper Wing 9:00 a.m.
    [Show full text]
  • OCTOECHOS – DAY of the WEEK Tone 1 – 1St Canon – Ode 3
    OCTOECHOS – DAY OF THE WEEK Tone 1 – 1st Canon – Ode 3 – Hymn to the Theotokos You conceived God in your womb through the Holy Spirit, and yet remained unconsumed, O Virgin. The bush unconsumed by the fire clearly foretold you to the lawgiver Moses for you received the Fire that cannot be endured. Monday – Vespers / Tuesday - Matins: Aposticha – Tone 1 O VIRGIN, WORTHY OF ALL PRAISE: MOSES, WITH PROPHETIC EYES, BEHELD THE MYSTERY THAT WAS TO TAKE PLACE IN YOU, AS HE SAW THE BUSH THAT BURNED, YET WAS NOT CONSUMED; FOR, THE FIRE OF DIVINITY DID NOT CONSUME YOUR WOMB, O PURE ONE. THEREFORE, WE PRAY TO YOU AS THE MOTHER OF GOD, // TO ASK PEACE, AND GREAT MERCY FOR THE WORLD. Tone 2 – Saturday Vespers & Friday Vespers (repeated) – Dogmaticon Dogmatic THE SHADOW OF THE LAW PASSED WHEN GRACE CAME. AS THE BUSH BURNED, YET WAS NOT CONSUMED, SO THE VIRGIN GAVE BIRTH, YET REMAINED A VIRGIN. THE RIGHTEOUS SUN HAS RISEN INSTEAD OF A PILLAR OF FLAME.// INSTEAD OF MOSES, CHRIST, THE SALVATION OF OUR SOULS. Tone 3 – Wed Matins – 2nd Aposticha ON THE MOUNTAIN IN THE FORM OF A CROSS, MOSES STRETCHED OUT HIS HANDS TO THE HEIGHTS AND DEFEATED AMALEK. BUT WHEN YOU SPREAD OUT YOUR PALMS ON THE PRECIOUS CROSS, O SAVIOUR, YOU TOOK ME IN YOUR EMBRACE, SAVING ME FROM ENSLAVEMENT TO THE FOE. YOU GAVE ME THE SIGN OF LIFE, TO FLEE FROM THE BOW OF MY ENEMIES. THEREFORE, O WORD, // I BOW DOWN IN WORSHIP TO YOUR PRECIOUS CROSS. Tone 4 – Irmos of the First Canon – for the Resurrection (Sat Night/Sun Morn) ODE ONE: FIRST CANON IRMOS: IN ANCIENT TIMES ISRAEL WALKED DRY-SHOD ACROSS THE RED SEA, AND MOSES, LIFTING HIS HAND IN THE FORM OF THE CROSS, PUT THE POWER OF AMALEK TO FLIGHT IN THE DESERT.
    [Show full text]
  • THO 3347 (H 2015) – Glossary of Terms
    THO 3347 (H 2015) – Glossary of Terms Akathist Literally, “not standing.” A hymn dedicated to our Lord, the Theotokos, a saint, or a holy event. Aposticha The stichera sung with psalm verses at the end of Vespers and Matins. These differ from the stichera at Psalm 140 (Vespers) and at the Praise Psalms (Matins), which are sung with fixed psalms, in that the psalm verses used (pripivs) vary with the day or feast, and do not end the singing of the whole psalm. See also stichery na stichovnych. Archieratikon Тhе book containing texts and rubrics for the solemn Hierarchical (a.k.a. Pontifical) Divine Liturgy. The Archieratikon also contains the sacrament of Ноlу Orders and special blessings and consecrations. Canon A system of nine odes (the Second Ode is sung only during Great Lent) sung at Matins after Psalm 50 and before the Praises. Each ode is connected traditionally with a scriptural canticle (see below for the nine scriptural canticles) and consists of an Irmos, a variable number of troparia and, on feasts, a katavasia. After the Third Ode a sidalen is usually sung, and after the Sixth Ode a kontakion and ikos, and after the Ninth Ode, the Svitelen is sung. The Canon has its own system of eight tones. Domatikon A theotokion sung after “Now…” (or “Glory… Now…”) at the end of Psalms 140, 141, 129, and 116 at Vespers on Friday and Saturday evenings, and on the eve of a Polyeleos saint or saints with a vigil in the same tone as the last sticheron of the saint (at “Glory…”).
    [Show full text]
  • The Orthodox Post Page 3
    The Orthodox Post Page 3 THE ORTHODOX October 2014 Volume X, Issue 9 POST 2009 St. Nicholas Albanian Orthodox Church, 181-14 Midland Parkway, Jamaica Estates, New York, NY 11432 Volume V, Issue 6 Web site: www.stnicholasalbanian.org E-mail: [email protected] Tel: (718) 380-5684 Pastor’s Message INSIDE THIS ISSUE by Fr. Nathan Preston Pastor’s Message & President’s Message 1 There were, when I worked at the shelter, certain Daughters’ Corner & Flea Mkt/Bake Sale 2 maxims—ideas needing to be remembered—to help one throughout Golf Outing 3 the day and throughout the job. And the longer I worked there, after Community News & General Meeting 4 the sheen of novelty had long worn from my tasks, and as more 2015 Pledge Program 5 responsibility was handed over to me, particularly that responsibility to help and direct and inspire others in our jobs, the return to these September Feast Days 6 fundamental ideas, these maxims, became a necessity. One of these Merchant Ads 7-9 of which I needed routinely to be reminded and to remind was quite Major Events & Ushers’ Sunday Schedule 10 simple: “To walk through those doors is an act of bravery,” those My life now as your priest is differently frenzied than it was doors being the front doors of our building off a side street in before. The fights I have to break up are not physical; the food and downtown Newark. And though the bravery referred to might be welfare to be expended not always so immediate; the case planning, thought to be that of the staff, who so often endured thankless though, is sometimes quite similar.
    [Show full text]
  • Divine Liturgy
    Saint Andrew Orthodox Church June 6, 2021 Christ is Risen! Truly, He is Risen! Sunday of the Blind Man Diocese of Los Angeles and the West Antiochian Orthodox Christian Archdiocese of North America Father Josiah Trenham, Pastor Father Thomas Hernandez, Assistant Pastor Father Joseph Corrigan Protodeacon Elias Khoury 951-369-0309 • [email protected] • www.saintandrew.net Divine Liturgy Today’s Hymns and Readings for Your Participation in the Divine Liturgy Paschal Apolytikion salvation.” And this she did for many days. But Christ is risen from the dead, trampling down Paul was annoyed, and turned and said to the death by death, and upon those in the tombs spirit, “I charge you in the Name of Jesus Christ bestowing life! to come out of her.” And it came out that very Christos anesti ek nekron, thanato thanaton hour. But when her owners saw that their hope patisas, ke tis en tis mnimasin of gain was gone, they seized Paul and Silas and zoin harisamenos! (Greek) dragged them into the market place before the Al-Masihu qam min bain'il-amwat, wa wati al rulers; and when they had brought them to the mowta bil mowt, wa wahab'l hayata lil lathina fi'l magistrates they said, “These men are Jews and qubur! (Arabic) they are disturbing our city. They advocate cus- Christós voskrése iz mértvych, smértiju toms which it is not lawful for us Romans to ac- smert’ popráv, i súščym vo hrobích živót da- cept or practice.” The crowd joined in attacking rováv! (Slavonic) them; and the magistrates tore the garments off Apolytikion of the Resurrection them and gave orders to beat them with rods.
    [Show full text]
  • The Office of Vespers
    THE PATRIARCHAL ORTHODOX CHURCH OF ROMANIA ARCHDIOCESE OF WESTERN EUROPE THE OFFICE OF VESPERS TYPIKON ( With Litiya & Artoklasia Service ) ? The priest vests with the epitrachelion in the sanctuary. He opens the curtain and the Royal Doors Standing before the holy table facing East, he blesses himself saying loudly : Priest Blessed is Our God, always, Now and Forever, and to the Ages of Ages. + Choir Amen. Glory to Thee our God, Glory to Thee. The Choir Leader begins the Trisagion Prayers. The priest closes the Holy Doors and curtain Choir Come let us worship and bow down before God our King ( + metanie ) Come let us worship and bow down before Christ, our King and God ( + metanie ) Come let us worship and bow down before Christ himself, our King, and our God ( + metanie ) O Heavenly King, the Paraclete, the Spirit of Truth, who are present everywhere filling all things, Treasury of good things, and Giver of Life, come and dwell in us, cleanse us of every stain, and save our souls, O Good One. + Holy God, Holy Mighty, Holy Immortal, Have mercy on us ( three times) + Glory to the Father, and to the Son, and to the Holy Spirit, Now, and forever, and to the Ages of Ages, Amen. All Holy Trinity have mercy on us. Lord forgive us our sins. Master pardon our transgressions. Holy One, visit and heal our infirmities for your name’s sake. Lord have mercy, Lord have mercy, Lord have mercy. + Glory to the Father, and to the Son, and to the Holy Spirit Now, and forever, and to the Ages of Ages, Amen.
    [Show full text]
  • June 09, 2020 Rev. Father, Hon. President, & Est. Members of the Community Council, Churches of the Greek Orthodox Archdioc
    June 09, 2020 Rev. Father, Hon. President, & Est. Members of the Community Council, Churches of the Greek Orthodox Archdiocese of Canada In Ontario Beloved in Christ, Plan for the Reopening of the Churches 1. Church leaders are responsible for the implementation and adherence to all health regulations issued by each Province. If any particular parish feels that they are not ready to implement the following guidelines immediately, they can postpone re-opening for up to a week. 2. All those in high risk groups are strongly urged to stay home in accordance with government guidelines. 3. Each Church according to its area should determine how many people it can safely host per service, while maintaining government guidelines (2 m social distancing and 30% capacity). 4. There should be more services during the week to accommodate all the faithful, or more than one (1) service will be done daily so people can attend and maintain social distancing. 5. Only one chanter per chanting station (analogion) is permitted. 6. Up to five (5) altar boys per service are permitted (depending on size of altar area) and only one sexton. 7. When full capacity of 30% is reached, no parishioners will be allowed into the Church. Additional people are free to wait outside until the end of Liturgy, maintaining social distance. Please note that Church halls can be used for additional seating, provided they do not surpass 30% of the hall’s occupancy and still maintain social distancing. When Liturgy concludes clergy have 2 options: a) After the first group exits the Church, those waiting outside may be allowed in to receive Holy Communion or b) If they are too many people, clergy can consider, or even plan beforehand, to have additional services the same day.
    [Show full text]
  • Median Modes in the Light of the Greek Manuscript No. 9 from the National Archives in Drobeta Turnu Severin
    122 International Journal of Orthodox Theology 6:3 (2015) urn:nbn:de:0276-2015-3081 Adrian-Cristian Maziliţa Median Modes in the Light of the Greek Manuscript No. 9 from the National Archives in Drobeta Turnu Severin Abstract The Greek manuscript no. 9 from 1751 – a unique manuscript in Romania tells us more about the musical tradition of the Eastern Church, tradition which provided the unmodified safekeeping until today of the music and repertory that is an integral part of the cult of the Ortho- dox Church. Taking into account the importance of this manuscript for the musicological research of the ecclesi- astical chant before the hrisantic Rev. PhD Associate reform, this study deals with different Lecturer Adrian-Cristian aspects from the old theory of Maziliţa, Faculty of Byzantine music, as: metrophony, Orthodox Theology at the solfeggio, median modes and trohos University from Craiova, system. Romania Median Modes in the Light of the Greek Manuscript No. 9 from the 123 National Archives in Drobeta Turnu Severin Keywords Greek manuscript, Byzantine chant, old notation, median modes, trohos system, Saint Ioannes Koukouzeles, Ioannes Plousiadinos 1 Median Modes A particularly important element presented in the Greek manuscript no. 9 at the National Archives in Drobeta Turnu - Severin1, is the median modes about which, until now, we have few accounts. 1 The Greek manuscript no. 9 at the National Archives in Drobeta Turnu- Severin, includes excerpts from the theoretical work of Saint Ioannes Koukouzeles, hermeneia of St. Ioan Damaschin, hermeneia of Manuel Chrysaphes about requirements of psaltic music and about phtorals, of the monk Pahomie and hermeneia about trills, together with musical- theological explanation written by Nikolaos Malaxos.
    [Show full text]