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Peliades
Female Characters, Female Sympathetic Choruses, and the “Suppression” of Antiphonal Lament at the Openings of Euripides’ Phaethon, Andromeda, and Hypsipyle*
ABSTRACT a Director's Approach to Euripides' Hecuba Christopher F. Peck, M.F.A. Mentor: Deanna Toten Beard, Ph.D. This Thesi
Second Thoughts in Greek Tragedy Knox, Bernard M W Greek, Roman and Byzantine Studies; Fall 1966; 7, 3; Proquest Pg
Introduction: Medea in Greece and Rome
Euripides and Gender: the Difference the Fragments Make
Missing Medea
Euripides Scenes in Byzantine Art
The Reception of Euripides in Ovid's Metamorphoses
The Euripides Vita
Mortal Women Crossing Geographical Boundaries in Greek Mythology‟
Historyczny Uniwersytetu Łódzkiego Instytut Archeologii Justyna
The Evolution of Myths Concerning Medea, Clytemnestra and Electra from Homeric Epic to Seneca
A Theatre at UBC Companion Guide
The Reception of the Electra Myth from 1960-2005
Ovid, Metamorphoses, 3.511-733
Research.Pdf (843.3Kb)
General Introduction
Chong-Gossard, K.O., 'On Teaching Euripides' Medea'
Top View
A Commentary on the Fragments of Fourth-Century Tragedy Thomas Sims
Time and Space in Euripides' Choral Odes
Tyrants and Demagogues in Tragic Interpolation David Kovacs
Medea and the Rejuvenation of Pelias
Staging the Female: Studies in Female Space in Euripides
Euripides' Women
Final Final Thesis
