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Paul Green (playwright)
NEWSLETTER Volume 12, Number 1 Spring 1994
Herever You Go, There You Are: Bringing Experiences of Race, Class, Language, Gender, and Culture to Research in Mathematics Education, by Mary Q
Epilogue
The Group Theatre: a Reflection of the Theatre in the Thirties
John Gassner
A Model for Folk Theatre the Carolina Playmakers
Magical Night
ST. JAMES THEATER (Originally Erlanger Theater), 246-256 West 44Th Street
Drama Winners the First 50 Years: 1917-1966 Pulitzer Drama Checklist 1966 No Award Given 1965 the Subject Was Roses by Frank D
A Reflection of the Theatre in the Thirties
Culture with a Difference
Outstanding Broadway Dramas and Comedies Pulitzer Prize Winning Theater Productions
Reflections of Science and Technology in American Drama from 1913 to 1941
"You've Got to Be Carefully Taught": Reflections on War, Imperialism
Native Son, by Jack Marshall 1
Laughter, Suspense, Tragedy and Memories Mark American Century Theater’S 2008-2009 Season
Long, William Ivey (B. Ca 1947)
University Microfilms. a XEROX Company, Ann Arbor. Michigan
Top View
The American Theatre, 1936 - 1961
Representations of the Family in Southern Drama: Before And
School of Continuing and Non-Resident Education
Name of Anthology Plays Listed Author the Skin of Our Teeth
Appendix A: Hedgerow Repertory 1923–1956
Paul Green Foundation
Author/Playwright, Last Name Author/Playwright, First Name Title
Notes on Musicarnival's Production Years, 1954-65
Theorizing the Golden Age Musical: Genre, Structure, Syntax
Southern Progressivism in Paul Green's the House of Connelly
Finding the Lost Colony (1937): Paul Green, Symphonic Drama, and the History of a Collaboration
KWE 1013 Johnny Johnson Introduction
Ties Between Continental and American Expressionistic Drama
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Pulitzer Prize Plays
The History of Southern Drama
Kurt Weill: a Song Composer in Wartime