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NEWSLETTER Volume 12, Number 1 Spring 1994

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NEWSLETTER Volume 12, Number 1 Spring 1994 KURTWEILL NEWSLETTER Volume 12, Number 1 Spring 1994 IN THIS ISSUE More Radical Than Most Gebrauchsjazz: Music for the "Berlin im Licht" Festival 6 Nils Grosch Weill and Schoenberg 10 David Drew Around the World: Street Scene Research Documents at Yale University and the Rubin Academy of Music and Dance 14 David D'Andre and Claude Abravanel Books 17 Christopher Hailey. Franz Schreker, 1878-1934: A Cultural Biography. Keith Cochran Marc A Weiner. Undertones of Insurrection: Music, Politics, and the Social Sphere in the Modem German Narrative. Keith Cochran Hans Otto Munsterer. The Young Brecht James K. Lyon Peter Thomson and Glendyr Sacks, eds. The Cambridge Companion to Brecht Ronald Speirs Peter Jelavich. Be rlin Cabaret Alan IAreau Performances 20 Violin Concerto. Philadelphia Orchestra in New York Michael von der Linn Die sieben Todsiinden in New York Nicholas Deutsch Street Scene in Houston Howard Pollack Der Undberghflug in Dessau Andreas Hillger Recordings 23 Die sieben Todsunden. David Hamilton Fassbaender/NOR Radio Philharmonia (Hannover) /Garben on Harmonia Mundi Bierett/Cologne Radio Orchestra/Zagrosek on Capriccio Silja/Cleveland Orchestra/von Dohnanyi on Cleveland Orchestra label Videos 24 Der Undberghflug. Directed by Jean-Fran~oisJung; produced by WDR/La Sept/lNA Geoffrey Burleson Die sieben Todsiinden (Les sept peches capitaux). Directed by Peter Sellars; produced by La Sept-Arte/ Opera de Lyon. Geoffrey Burleson Columns Nils Grosch uncovers new info~ation about Kurt Weill Edition Report 3 music composed for the "Berlin im Licht" Festival. 1994 Grant Awards 5 Page 6. New Publications 16 Selected Perfom1ances 27 News lady in the Dark at City Center Zinman Conducts All-Weill Pops Reaux in Saratoga Springs and As part of the series "Encores! Great Concert Montreal American Musicals in Concert.,'' City Cen­ ter is poised to present a performance of David Zinman will conduct the Balti­ Charles Dutoit leads the Philadelphia Lady in the Dark on 4-7 May 1994. Chris­ more Symphony in an all-Weill "SuperPops" Orchestra in a performance of Die sieben tine Ebersole will appear in the leading evening, 9-11 June 1994, at 8:15 p.m. The Todsunden on 10 August 1994 at the role and Robert Fisher wi11 conduct. City occasion will mark the premiere of "Kurt orchestra's summer season at Saratoga Center, the former home of the New York Weill: Bilbao to Broadway," a concert of Springs, New York. Soprano Angelina City Opera, is located in midtown Manhat­ theater songs devised by Kim Kowalke for Reaux will join the Philadelphia Orchestra tan. six soloists, optional chorus, and orches­ as soloist and will also sing the role of One Touch of Venus in tra. AmongthesingersZinman has invited Anna I in performances with the Montreal Meiningen for the three performances at Meyerhoff Symphony Orchestra, Charles Dutoit, con­ Symphony Hall are Judy Kaye, Angelina ductor, during the coming season, on 14 will have its German­ One Touch a/Venus Reaux, and Kurt Ollmann. Evenly bal­ May 1995. language premiere at Das MeiningerThe­ anced between Weill's European and ater on 17 June 1994 and will remain in American works, the program is divided repertory during the theater's summer season. Wolfgang Hocke serves as musi­ into four thematically conceived sections, so that orchestras can program either a KURTWEIU cal director for the production, which will half- or full-evening performance. Com­ Vol. 12, No. 1; Spring t workshop a new German translation by Richard Weihe. piled from Weill's original orchestrations (in cooperation with European American Paul Green Centennial Music Corporation and tl1e Kurt Weill Foun­ jp tl!MICurtWalll Fouat1on ~~ TI1e University of North Carolina at dation), performance materials will be avail­ 7Elllt20thSl'Mt Chapel Hill and the Paul Green Founda­ able for the 1994-95 season from the N8W VCN'II. NY 1~110I tion celebrated the centennial of Paul Rodgers & Hammerstein Concert Library. Tel. (212) 505-5340 Green's birth with a series of events span­ Fmt(Zt1) 35J.911J ning January-April 1994. Paul Eliot Green Der Kuhhandel in Bautzen (17 March 1894-4 May 1981) wrote seven ISSN GIIN407 Broadway plays (including Johnny John­ The first stage production of Lys son), eleven other plays, seventeen sym­ Symonette's reconstruction of Der phonic dramas, two novels, and five screen­ Kuhhandel opens at the Deutsch­ 1heftewsletter1$published to ~1".,, plays. Sorbisches Volkstheater in Bautzen, Ger­ fORlffi when!9'l ll'lterested ~jJ!e(y..... a ll1lrielY, at alld opw1i0ns,:, ~ In addition to exhibitions, readings, and many on 18 June 1994. Stage director ideilS '1M $Cprtmed do not necessatily ~ tlW concerts.the celebration featured five per­ Wolfgang Poch leads a production team ptibllsher's official viewpoint The editor en­ formances of a multimedia production of featuring Hans Ellerfeld, set designer, and ~ Ul& submission of~ tMIWJ; drama, music, dance, pantomime, andritual Dieter Kempen, musical director. The and news Item$ for inclusion in f~ ~ entitled "A Tribute to Paul Green" (18-26 cast includes Kathrin Wachter, Birgitt Thesubm15Sion deadline~the ned ..eft:15 March) and a symposium on 19 March Bauman, Uta Jentsch, and Christian Bar. July 1994. devoted to the topic "Paul Green:Teacher, For performance dates and times call the Playwright, Citizen." theater at (03591) 5840. Oevidhmd,.Edlfor ~ .. twcado.Assodm .. Edwa,Jf l)..Hanlt, Ptodudlon.,,_ K.tthlNn Flr!negan, ~~ 8oardofT~ Kim l<owelke, 1teidtdt .HIJnrYMarx. Vb-1-tl-­ Lvs~ ~ Guy Stem, Seceta,y Milton Coleman, Treasure, fltl~ipGelter HarcJld Prince JullusRudel Foundatk,n. Staff l(im Kowalke, President Da,id Fa!Q!th, Ditedor «!t1'~ ijl: Symonetie, Mu5G1 EaalM Sins Banners Available MiHio R Mercado, Dlla!rord The New York Philha.rmonic is offering to make available to orchestras and other concert presenters AtlglilMS its reproductions of the banners designed by Caspar Neher for the original production of &ven Deadly Edward D. Harsh,~ Okr1cW Si11s. The banners made a striking visual complement as lobby hangings to the Philharmonic's to,~ December 1993 "Brecht, Weill, a nd Berlin" festival. Each of the seven canvas banners measures 8 John Andrus, ~ArdMt feet wide x 20 feet high and was painted by Oscar Hammerstein III (pictured above). For more information, contact the Philharmonic's Archivist and Historian, Barbara Haws, al (212) 875-5931. Kathleen Finnegan, Ad~ Photo: Chris Lee, courlesy New York Philharmonic. Assistant 2 Volume 12 Number 1 Kurt Weill Newsletter NEWS Kurt Weill Edition Receives NEH Grant National Endowment for the Humanities offers support The National Endowment for the Humanities, chaired by Sheldon Hackney, has awarded the Kurt Weill Edition major funding in supportof editorial work from April 1994 through March 1996. The support may continue beyond this two-year span through a process of re-application and evaluation of the Edition's progress during the initial period. NEH funds will support a range of activities associated with the preparation of edited manuscripts. The work of volume editors and other expert consultants are paramount among these. Also covered will be meetings of the Editorial Board, costs of preparing source materials, and a portion of staff salaries. Part of the grant comes in the form of outright funds, distributed to the Edition as expenses are incurred. The remainder is designated as "matching" funds. Intended to stimulate third party support of the KWE, these funds will be released in direct, one-to­ one proportion to moneys donated to the project by outside foundations, corporations, or individuals. Exile Conference at Harvard The city of Dessau presented Kurl Weill Fest '94 in early March at various venues throughout the city. This year's festival From 5-8 May 1994, the Department of included perlormances by the KunWeiU­ Program cover for Lost in the Stars at the Music of Harvard University hosts an in­ Ensemble; a revue entitled "Lost in the Stars Habimah Theater in Tel Aviv. Uri Paster ternational musicological conference en­ and Stripes" by Alan Marks, Sona MacDonald, directs the cast in a newH ebrewversio n by titled 'The Musical Migration, Austria­ and Udo Samet; and a production of Ehud Manor. Rafi Kadishsohn is the Mahagonny Songspiel at the city theater. For music director. The production runs in Germany to the U.S., circa 1930 - 1950." the main event, the festival organizers repertory through the end of May 1994. The conference, cosponsored by the presented a conce.rt perlonnance of Der Goethe Institute of Boston, focuses on the Lind/Jergh_Jlug. A review appears on page 22. unprecedented flow to the United States of German and Austrian musicians and schol­ ars fleeing National Socialism. Harvard music faculty members Reinhold Brinkmann and ChristophWolff will co-direct the proceedings. Scholars from Europe and the United States partici­ pate in five sessions: "Immigrants and Refu­ gees," "Sociological and Geographical As­ pects," "Kulturbruch and Acculturation," and "Scholars in Exile." An entire session, tentatively scheduled for Saturday after­ noon at 2 pm, is devoted to Kurt Weill and will include papers byStephen Hinton (Yale University), David Kilroy (Tufts Univer­ sity), and Alexander Ringer (University of Illinois). Kay Kaufman Shelemay (Harvard University) serves as chair and Kim Kowalke (University of Rochester) as re­ spondent for this session. The conference, which takes place in Paine Hall, opens with a concert of songs and chamber music by emigrant compos­ ers, among them Adorno, Eisler, Schoenberg, and Weill. Other participants include Leon Botstein (Bard College), The North Carolina School for the Arts HermannDanuser (Humboldt Universitat, presented Rise and Fall ofthe City of Berlin), Leo Treitler (City University of Mahagonny in January 1994 as part of its New York), Claudia M. Zenck (Graz), and semester-long celebra tion of Kurt WeiU. Edward Rothstein (The New York Times). The school will perform The Threepenny u Opera at the e nd of April and The Seven For a complete schedule ofevents, contact Deadly Sins in early May.
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