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John Loves Mary Preview Continued from Page 1
Inside this Issue Solid Gold Cadillac Auditions ...........2 2011/2012 Staff Positions .................2 CP 2011/2012 Season ......................3 WW II Popular Culture .....................4 CPers Carol Uptown .........................4 Vol. 6.5 January, 2011 Players Presents WWII Farce, John Loves Mary by Bob McLaughlin Community Players kicks off 2011 with the classic Hammerstein, comedy John Loves Mary, by Norman Krasna. Set at the directed by Joshua end of World War II, the play’s plot involves soldiers’ Logan, and featured homecoming and is fueled by mistaken identity and William Prince, good intentions gone wrong. As the curtain opens, Nina Foch, and Mary McKinley, a senator’s daughter, awaits the return Tom Ewell in the of John Lawrence, her fiancé, who has been fighting in cast. At the time Europe. John arrives, but with a secret: in order to help it was one of a out his buddy Fred Taylor, who was demobed and sent number of plays that home before he could cut through the red tape to marry dealt humorously his British girlfriend Lily Herbish, John has married Lily, or alarmingly with planning to bring her to the States and divorce her so the social anxieties she can wed Fred. (Got that?) But the best laid plans . connected with . Fred, it turns out, figuring he’d never see Lily again, the servicemen’s has married a hometown sweetheart who’s about to have homecoming: How much will the war have changed a baby. Can John put off his date with Mary at the altar these men? Will they be able to reintegrate into long enough to get divorced? Can John and Fred keep peacetime society? Will they chaotically upend Lily a secret from Mary and her parents? Can Lily find a traditional values? In 1949 John Loves Mary was made new beau? Not before John and Fred make a deal with into a film starring Ronald Reagan, Patricia Neal, and a loathed former officer and Senator McKinley starts Jack Carson. -
The 200 Plays That Every Theatre Major Should Read
The 200 Plays That Every Theatre Major Should Read Aeschylus The Persians (472 BC) McCullers A Member of the Wedding The Orestia (458 BC) (1946) Prometheus Bound (456 BC) Miller Death of a Salesman (1949) Sophocles Antigone (442 BC) The Crucible (1953) Oedipus Rex (426 BC) A View From the Bridge (1955) Oedipus at Colonus (406 BC) The Price (1968) Euripdes Medea (431 BC) Ionesco The Bald Soprano (1950) Electra (417 BC) Rhinoceros (1960) The Trojan Women (415 BC) Inge Picnic (1953) The Bacchae (408 BC) Bus Stop (1955) Aristophanes The Birds (414 BC) Beckett Waiting for Godot (1953) Lysistrata (412 BC) Endgame (1957) The Frogs (405 BC) Osborne Look Back in Anger (1956) Plautus The Twin Menaechmi (195 BC) Frings Look Homeward Angel (1957) Terence The Brothers (160 BC) Pinter The Birthday Party (1958) Anonymous The Wakefield Creation The Homecoming (1965) (1350-1450) Hansberry A Raisin in the Sun (1959) Anonymous The Second Shepherd’s Play Weiss Marat/Sade (1959) (1350- 1450) Albee Zoo Story (1960 ) Anonymous Everyman (1500) Who’s Afraid of Virginia Woolf Machiavelli The Mandrake (1520) (1962) Udall Ralph Roister Doister Three Tall Women (1994) (1550-1553) Bolt A Man for All Seasons (1960) Stevenson Gammer Gurton’s Needle Orton What the Butler Saw (1969) (1552-1563) Marcus The Killing of Sister George Kyd The Spanish Tragedy (1586) (1965) Shakespeare Entire Collection of Plays Simon The Odd Couple (1965) Marlowe Dr. Faustus (1588) Brighton Beach Memoirs (1984 Jonson Volpone (1606) Biloxi Blues (1985) The Alchemist (1610) Broadway Bound (1986) -
CRAIG STEARNS Production Designer Craigstearns.Com
CRAIG STEARNS Production Designer craigstearns.com PROJECTS DIRECTORS PRODUCERS/STUDIOS VERONICA MARS Various Directors Howard Grigsby, Rob Thomas Series Warner Bros. TV / Hulu THE GIFTED Permanent Sets Bryan Singer Neal Ahern, Matt Nix / Fox 24: LEGACY Various Directors Jon Paré, Evan Katz, Kiefer Sutherland Series Jon Cassar / Imagine Television / Fox HALT & CATCH FIRE Season 3 Various Directors Jeff Freilich, Melissa Bernstein / AMC WICKED CITY Various Directors Robert Simon, Steven Baigelman Series Laurie Zaks / ABC DEVIOUS MAIDS Season 2-3 Various Directors Marc Cherry, Eva Longoria / Lifetime JANE THE VIRGIN Series - Permanent Sets Various Directors Lewis Abel / CBS Studios SAVANNAH Feature Film Annette Haywood-Carter Jody Savin, Jay Sedrish CBGB Feature Film Randall Miller Jody Savin, Brad Rosenberger GRIMM 8 episodes Various Directors Steve Oster, Norberto Barba / NBC YOU AGAIN Feature Film Andy Fickman Mario Iscovich, Eric Tannenbaum / Disney NOT FORGOTTEN Dror Soref Donald Zuckerman, Jamie Beardsley Feature Film BOTTLE SHOCK Feature Film Randall Miller Jody Savin, Elaine Dysinger AMUSEMENT John Simpson Udi Nedivi, Neal Edelstein, Mike Macari Feature Film New Line Cinema MUSIC WITHIN Steven Sawalich Brett Donowho, Bruce Wayne Gillies Feature Film MGM NOBEL SON Feature Film Randall Miller Jody Savin, Terry Spazek BIG MOMMA’S HOUSE 2 John Whitesell Jeremiah Samuels, David Friendly th Feature Film 20 Century Fox / New Regency STEPHEN KING’S ROSE RED 6 Hr. Miniseries Craig Baxley Bob Phillips, Mark Carliner / ABC Emmy Award Nomination-Best Art Direction BIG MOMMA'S HOUSE Raja Gosnell David Friendly, Rodney Liber th Feature Film 20 Century Fox STORM OF THE CENTURY Craig Baxley Bob Phillips, Mark Carliner / ABC 6 hr. -
NEWSLETTER Volume 12, Number 1 Spring 1994
KURTWEILL NEWSLETTER Volume 12, Number 1 Spring 1994 IN THIS ISSUE More Radical Than Most Gebrauchsjazz: Music for the "Berlin im Licht" Festival 6 Nils Grosch Weill and Schoenberg 10 David Drew Around the World: Street Scene Research Documents at Yale University and the Rubin Academy of Music and Dance 14 David D'Andre and Claude Abravanel Books 17 Christopher Hailey. Franz Schreker, 1878-1934: A Cultural Biography. Keith Cochran Marc A Weiner. Undertones of Insurrection: Music, Politics, and the Social Sphere in the Modem German Narrative. Keith Cochran Hans Otto Munsterer. The Young Brecht James K. Lyon Peter Thomson and Glendyr Sacks, eds. The Cambridge Companion to Brecht Ronald Speirs Peter Jelavich. Be rlin Cabaret Alan IAreau Performances 20 Violin Concerto. Philadelphia Orchestra in New York Michael von der Linn Die sieben Todsiinden in New York Nicholas Deutsch Street Scene in Houston Howard Pollack Der Undberghflug in Dessau Andreas Hillger Recordings 23 Die sieben Todsunden. David Hamilton Fassbaender/NOR Radio Philharmonia (Hannover) /Garben on Harmonia Mundi Bierett/Cologne Radio Orchestra/Zagrosek on Capriccio Silja/Cleveland Orchestra/von Dohnanyi on Cleveland Orchestra label Videos 24 Der Undberghflug. Directed by Jean-Fran~oisJung; produced by WDR/La Sept/lNA Geoffrey Burleson Die sieben Todsiinden (Les sept peches capitaux). Directed by Peter Sellars; produced by La Sept-Arte/ Opera de Lyon. Geoffrey Burleson Columns Nils Grosch uncovers new info~ation about Kurt Weill Edition Report 3 music composed for the "Berlin im Licht" Festival. 1994 Grant Awards 5 Page 6. New Publications 16 Selected Perfom1ances 27 News lady in the Dark at City Center Zinman Conducts All-Weill Pops Reaux in Saratoga Springs and As part of the series "Encores! Great Concert Montreal American Musicals in Concert.,'' City Cen ter is poised to present a performance of David Zinman will conduct the Balti Charles Dutoit leads the Philadelphia Lady in the Dark on 4-7 May 1994. -
The Monthly Magazine of the Atlanta Memorial Arts Center March 1977
THE MONTHLY MAGAZINE OF THE ATLANTA MEMORIAL ARTS CENTER MARCH 1977 I - \6uCanlell AGood Ol’ Boy By What Keeps Him Company Used to be you could spot one a country mile away. Getting tougher all the time though. Because the good ol' boys ain't who they used to be. Exactly. Now you're just as likely to find 'em moving and shaking in the dty as hunting and fisning in the country. They're run ning fast and working hard, trying to change the South. But still, beneath all that "Wall Street" outside, you'll find a little Main Street inside. Maybe that's why this New South everybody's talking about is turning out to be the real South. Because a good ol' boy has the sense to keep what's good, change what's not and the wisdom to know the difference. You can even see it in his whiskey. Rebel Yell, made and sold only below the Mason-Dixon line. Rebel Yell's whisper of wheat im parts a smooth, luxurious flavor tailored especially for the good ol' boy in each of us. Keep company with the Host Bourbon of the South. Ask for Rebel 1 Rebel yell Yell. And if you don't recognize any good ol' boys in the room, don't worry. They'll recognize you. Rebel Yell. .the dSep south. The Good Ol’Boys Bourbon. REBEL YELL DISTILLERY • LOUISVILLE. KENTUCKY • 90 PROOF • KENTUCKY STRAIGHT BOURBON WHISKEY j.p Allen FASHIONS FOR WOMEN & CHILDREN, Of Special Interest FURS, SHOES, COSMETICS & GIFTS AT THE CENTER ATLANTA COLLEGE OF ART New U.I.C.A. -
Herever You Go, There You Are: Bringing Experiences of Race, Class, Language, Gender, and Culture to Research in Mathematics Education, by Mary Q
CURRICULUM VITAE EDUCATION M.A. in Speech-Theatre, 1994 Louisiana Tech University, Ruston, Louisiana B.A. in Music with Minor in Business, 1992 Louisiana Tech University, Ruston, Louisiana School of the Performing Arts TEACHING 2011-Present Director of Miller Arts Scholars, College of Arts and Sciences, University of Virginia 2010-Present Associate Professor of Sound Design, Department of Drama, University of Virginia 2004-2010 Assistant Professor of Sound Design, Department of Drama, University of Virginia 2002-2004 Assistant Professor of Music Technology, Performing Arts and Sound Design, Louisiana Tech University, Ruston, Louisiana 1996-2002 Instructor of Music Technology, Performing Arts and Sound Design, Louisiana Tech University, Ruston, Louisiana 1992-1993 Director for Job Training Partnership Act (JTPA) Summer Performing Arts Program, Louisiana Tech University Courses: Department of Drama, University of Virginia, by semester (2004 to Present) Fall 2021 CASS 1010 Miller Arts Scholars Discussion, 1 credit hour, 22 students DRAM 2620(1) Sound Design, 3 credit hours, 12 students DRAM 2620(2) Sound Design, 3 credit hours, 13 students DRAM 2630 Production Lab in Sound, 1 credit hour, 6 students DRAM 7620 Mentored Study in Sound, 3 credit hours, 2 students Summer 2021 DRAM 2620 Sound Design, 3 credit hours, 9 students Spring 2021 CASS 1011 Miller Arts Scholars Discussion, 1 credit hour, 23 students DRAM 2620(1) Sound Design, 3 credit hours, 11 students DRAM 2620(2) Sound Design, 3 credit hours, 14 students DRAM 2630 Production Lab in -
The Green Sheet and Opposition to American Motion Picture Classification in the 1960S
The Green Sheet and Opposition to American Motion Picture Classification in the 1960s By Zachary Saltz University of Kansas, Copyright 2011 Submitted to the graduate degree program in Film and Media Studies and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Master of Arts. ________________________________ Chairperson Dr. John Tibbetts ________________________________ Dr. Michael Baskett ________________________________ Dr. Chuck Berg Date Defended: 19 April 2011 ii The Thesis Committee for Zachary Saltz certifies that this is the approved version of the following thesis: The Green Sheet and Opposition to American Motion Picture Classification in the 1960s ________________________________ Chairperson Dr. John Tibbetts Date approved: 19 April 2011 iii ABSTRACT The Green Sheet was a bulletin created by the Film Estimate Board of National Organizations, and featured the composite movie ratings of its ten member organizations, largely Protestant and represented by women. Between 1933 and 1969, the Green Sheet was offered as a service to civic, educational, and religious centers informing patrons which motion pictures contained potentially offensive and prurient content for younger viewers and families. When the Motion Picture Association of America began underwriting its costs of publication, the Green Sheet was used as a bartering device by the film industry to root out municipal censorship boards and legislative bills mandating state classification measures. The Green Sheet underscored tensions between film industry executives such as Eric Johnston and Jack Valenti, movie theater owners, politicians, and patrons demanding more integrity in monitoring changing film content in the rapidly progressive era of the 1960s. Using a system of symbolic advisory ratings, the Green Sheet set an early precedent for the age-based types of ratings the motion picture industry would adopt in its own rating system of 1968. -
Sunshine State
SUNSHINE STATE A FILM BY JOHN SAYLES A Sony Pictures Classics Release 141 Minutes. Rated PG-13 by the MPAA East Coast East Coast West Coast Distributor Falco Ink. Bazan Entertainment Block-Korenbrot Sony Pictures Classics Shannon Treusch Evelyn Santana Melody Korenbrot Carmelo Pirrone Erin Bruce Jackie Bazan Ziggy Kozlowski Marissa Manne 850 Seventh Avenue 110 Thorn Street 8271 Melrose Avenue 550 Madison Avenue Suite 1005 Suite 200 8 th Floor New York, NY 10019 Jersey City, NJ 07307 Los Angeles, CA 9004 New York, NY 10022 Tel: 212-445-7100 Tel: 201 656 0529 Tel: 323-655-0593 Tel: 212-833-8833 Fax: 212-445-0623 Fax: 201 653 3197 Fax: 323-655-7302 Fax: 212-833-8844 Visit the Sony Pictures Classics Internet site at: http:/www.sonyclassics.com CAST MARLY TEMPLE................................................................EDIE FALCO DELIA TEMPLE...................................................................JANE ALEXANDER FURMAN TEMPLE.............................................................RALPH WAITE DESIREE PERRY..................................................................ANGELA BASSETT REGGIE PERRY...................................................................JAMES MCDANIEL EUNICE STOKES.................................................................MARY ALICE DR. LLOYD...........................................................................BILL COBBS EARL PICKNEY...................................................................GORDON CLAPP FRANCINE PICKNEY.........................................................MARY -
After the Ball David Williamson
David Williamson’s first full-length play, The Coming of Stork, premiered at the La Mama Theatre, Carlton, in 1970 and later became the film Stork, directed by Tim Burstall. The Removalists and Don’s Party followed in 1971, then Jugglers Three (1972), What If You Died Tomorrow? (1973), The Department (1975), A Handful of Friends (1976), The Club (1977) and Travelling North (1979). In 1972 The Removalists won the Australian Writers’ Guild AWGIE Award for best stage play and the best script in any medium and the British production saw Williamson nominated most promising playwright by the London Evening Standard. The 1980s saw his success continue with Celluloid Heroes (1980), The Perfectionist (1982), Sons of Cain (1985), Emerald City (1987) and Top Silk (1989); whilst the 1990s produced Siren (1990), Money and Friends (1991), Brilliant Lies (1993), Sanctuary (1994), Dead White Males (1995), Heretic (1996), Third World Blues (an adaptation of Jugglers Three) and After the Ball (both in 1997), and Corporate Vibes and Face to Face (both in 1999). The Great Man (2000), Up for Grabs, A Conversation, Charitable Intent (all in 2001), Soulmates (2002), Birthrights (2003), Amigos, Flatfoot (both in 2004), Operator and Influence(both 2005) have since followed. Williamson is widely recognised as Australia’s most successful playwright and over the last thirty years his plays have been performed throughout Australia and produced in Britain, United States, Canada and many European countries. A number of his stage works have been adapted for the screen, including The Removalists, Don’s Party, The Club, Travelling North, Emerald City, Sanctuary and Brilliant Lies. -
Abbey Theatre's
Under the leadership of Artistic Director Barbara Gaines and Executive Director Criss Henderson, Chicago A NOTE FROM DIRECTOR CAITRÍONA MCLAUGHLIN Shakespeare has redefined what a great American Shakespeare theater can be—a company that defies When Neil Murray and Graham McLaren (directors of theatrical category. This Regional Tony Award-winning the Abbey Theatre) asked me to direct Roddy Doyle’s theater’s year-round season features as many as twenty new play Two Pints and tour it to pubs around productions and 650 performances—including plays, Ireland, I was thrilled. As someone who has made musicals, world premieres, family programming, and presentations from around the globe. theatre in an array of found and site-sympathetic The work is enjoyed by 225,000 audience members annually, with one in four under the age of spaces, including pubs, shops, piers, beneath eighteen. Chicago Shakespeare is the city’s leading producer of international work, and touring flyovers, and one time inside a de-sanctified church, its own productions across five continents has garnered multiple accolades, including the putting theatre on in pubs around Ireland felt like a prestigious Laurence Olivier Award. Emblematic of its role as a global theater, the company sort of homecoming. I suspect every theatre director spearheaded Shakespeare 400 Chicago, celebrating Shakespeare’s legacy in a citywide, based outside of Dublin has had a production of yearlong international arts and culture festival, which engaged 1.1 million people. The Theater’s some sort or another perform in a pub, so why did nationally acclaimed arts in literacy programs support the work of English and drama teachers, this feel different? and bring Shakespeare to life on stage for tens of thousands of their students each school year. -
Past Productions
Past Productions 2017-18 2012-2013 2008-2009 A Doll’s House Born Yesterday The History Boys Robert Frost: This Verse Sleuth Deathtrap Business Peter Pan Les Misérables Disney’s The Little The Importance of Being The Year of Magical Mermaid Earnest Thinking Only Yesterday Race Laughter on the 23rd Disgraced No Sex Please, We're Floor Noises Off British The Glass Menagerie Nunsense Take Two 2016-17 Macbeth 2011-2012 2007-2008 A Christmas Carol Romeo and Juliet How the Other Half Trick or Treat Boeing-Boeing Loves Red Hot Lovers Annie Doubt Grounded Les Liaisons Beauty & the Beast Mamma Mia! Dangereuses The Price M. Butterfly Driving Miss Daisy 2015-16 Red The Elephant Man Our Town Chicago The Full Monty Mary Poppins Mad Love 2010-2011 2006-2007 Hound of the Amadeus Moon Over Buffalo Baskervilles The 39 Steps I Am My Own Wife The Mountaintop The Wizard of Oz Cats Living Together The Search for Signs of Dancing At Lughnasa Intelligent Life in the The Crucible 2014-15 Universe A Chorus Line A Christmas Carol The Real Thing Mid-Life! The Crisis Blithe Spirit The Rainmaker Musical Clybourne Park Evita Into the Woods 2005-2006 Orwell In America 2009-2010 Lend Me A Tenor Songs for a New World Hamlet A Number Parallel Lives Guys And Dolls 2013-14 The 25th Annual I Love You, You're Twelve Angry Men Putnam County Perfect, Now Change God of Carnage Spelling Bee The Lion in Winter White Christmas I Hate Hamlet Of Mice and Men Fox on the Fairway Damascus Cabaret Good People A Walk in the Woods Spitfire Grill Greater Tuna Past Productions 2004-2005 2000-2001 -
I Know Why the Caged Bird Sings by Maya Angelou
y f !, 2.(T I Know Why the Caged Bird Sings MAYA ANGELOU Level 6 Retold by Jacqueline Kehl Series Editors: Andy Hopkins and Jocelyn Potter Contents page Introduction V Chapter 1 Growing Up Black 1 Chapter 2 The Store 2 Chapter 3 Life in Stamps 9 Chapter 4 M omma 13 Chapter 5 A New Family 19 Chapter 6 Mr. Freeman 27 Chapter 7 Return to Stamps 38 Chapter 8 Two Women 40 Chapter 9 Friends 49 Chapter 10 Graduation 58 Chapter 11 California 63 Chapter 12 Education 71 Chapter 13 A Vacation 75 Chapter 14 San Francisco 87 Chapter 15 Maturity 93 Activities 100 / Introduction In Stamps, the segregation was so complete that most Black children didn’t really; absolutely know what whites looked like. We knew only that they were different, to be feared, and in that fear was included the hostility of the powerless against the powerful, the poor against the rich, the worker against the employer; and the poorly dressed against the well dressed. This is Stamps, a small town in Arkansas, in the United States, in the 1930s. The population is almost evenly divided between black and white and totally divided by where and how they live. As Maya Angelou says, there is very little contact between the two races. Their houses are in different parts of town and they go to different schools, colleges, stores, and places of entertainment. When they travel, they sit in separate parts of buses and trains. After the American Civil War (1861—65), slavery was ended in the defeated Southern states, and many changes were made by the national government to give black people more rights.