Alan Ayckbourn: Complete Play List
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Plays and Pinot: Bedroom Farce
Plays and Pinot: Bedroom Farce Synopsis Trevor and Susannah, whose marriage is on the rocks, inflict their miseries on their nearest and dearest: three couples whose own relationships are tenuous at best. Taking place sequentially in the three beleaguered couples’ bedrooms during one endless Saturday night of co-dependence and dysfunction, beds, tempers, and domestic order are ruffled, leading all the players to a hilariously touching epiphany. About the Playwright Alan Ayckbourn, in full Sir Alan Ayckbourn, (born April 12, 1939, London, England), is a successful and prolific British playwright, whose works—mostly farces and comedies—deal with marital and class conflicts and point out the fears and weaknesses of the English lower-middle class. He wrote more than 80 plays and other entertainments, most of which were first staged at the Stephen Joseph Theatre in Scarborough, Yorkshire, England. At age 15 Ayckbourn acted in school productions of William Shakespeare, and he began his professional acting career with the Stephen Joseph Company in Scarborough. When Ayckbourn wanted better roles to play, Joseph told him to write a part for himself in a play that the company would mount if it had merit. Ayckbourn produced his earliest plays in 1959–61 under the pseudonym Roland Allen. His plays—many of which were performed years before they were published—included Relatively Speaking (1968), Mixed Doubles: An Entertainment on Marriage (1970), How the Other Half Loves (1971), the trilogy The Norman Conquests (1973), Absurd Person Singular (1974), Intimate Exchanges (1985), Mr. A’s Amazing Maze Plays (1989), Body Language (1990), Invisible Friends (1991), Communicating Doors (1995), Comic Potential (1999), The Boy Who Fell into a Book (2000), and the trilogy Damsels in Distress (2002). -
Psychosocial Alienation in a Brief History of Women by Alan Ayckbourn
Volume 8, Issue 8, Aug 2021, p. 68-81 Article History: Received Article Information 9/08/2021 Received in revised !Article Type: Research Article form 17/08/2021 ! This article was checked by iThenticate. Available online 28/08/2021 PSYCHOSOCIAL ALIENATION IN A BRIEF HISTORY OF WOMEN BY ALAN AYCKBOURN May Mohammed Baqer 1 Sahar Salam Abdullah 2 Abstract Psychosocial Alienation is a modern concept that arises from the capitalist and materialistic conceptions of individuals. The ever- growing competitive nature of domestic societies crystallised the concept in its modern form. The intensity of the rapid changes in the urbanised societies prevents the individuals from exploring their inner selves. Thus, a new generation is created with an alienation crisis which is reflected inward towards the self and outwards toward society. Alan Ayckbourn (1939), A British playwright, presents Alienated characters inspired by his life on and off stage. He explores their Alienation and their path toward recovery and self-realization. A Brief History of Women (2017) Ayckbourn explores the depth of the individual psyche from inside out in a refreshing way. Keywords: Psychosocial Alienation, the self, feminism, isolation. 1.Introduction Social Alienation is a worldwide pandemic. It is the psychological disease of the postmodern society. The cities, in particular, face this phenomenon more often than the outskirts of countries because of the overpopulation. More people in one place means less space for individual creativity. Thus, nothing is important, and values are decreasing in priority. Another factor that may be a significant influence is the variety of distraction in the postmodern world; the more distraction there is, the less grounded the individual is. -
List of Play Sets
Oxfordshire County Council List of Play Sets Available from the Oxford Central Library 2015 Oxford Central Library – W e s t g a t e – O x f o r d – O X 1 1 D J Author Title ISBN Copies Cast Genre Russell, Willy Shirley Valentine: A play T000020903 2 1f Comedy (Dramatic) Churchill, Caryl Drunk enough to say I love you? T000096352 3 2m Short Play, Drama Churchill, Caryl Number T000026201 3 2m Drama Fourie, Charles J. Parrot woman T000037314 3 1m, 1f Harris, Richard The business of murder T000348605 3 2m, 1f Mystery/Thriller Pinter, Harold The dumb waiter: a play T000029001 3 2m Short Play Plowman, Gillian Window cleaner: a play T000030648 3 1m, 1f Short Play Russell, Willy Educating Rita T000026217 3 1m, 1f Comedy (Dramatic) Russell, Willy Educating Rita T000026217 3 Simon, Neil They're playing our song T000024099 3 1m, 1f Musical; Comedy Tristram, David Inspector Drake and the Black Widow: a comedy T000035350 3 2m, 1f Comedy Ayckbourn, A., and others Mixed doubles: An entertainment on marriage T000963427 4 2m, 1f Anthology Ayckbourn, Alan Snake in the grass: a play T000026203 4 3f Drama Bennett, Alan Green forms (from Office suite) N000384797 4 1m, 2f Short Play; Comedy Brittney, Lynn Ask the family: a one act play T000035640 4 2m, 1f Short Play; Period (1910s) Author Title ISBN Copies Cast Genre Brittney, Lynn Different way to die: a one act play T000035647 4 2m, 2f Short Play Camoletti, Marc; Happy birthday 0573111723 4 2m, 3f Adaptation; Comedy Cross, Beverley Chappell, Eric Passing Strangers: a comedy T000348606 4 2m, 2f Comedy (Romantic) -
Other Half PR
CONTACT: Nancy Richards – 917-873-6389 (cell) /[email protected] MEDIA PAGE: www.northcoastrep.org/press FOR IMMEDIATE RELEASE, PLEASE: NORTH COAST REP SERVES UP BANQUET OF FUN IN HOW THE OTHER HALF LOVES By Sir Alan Ayckbourn Performances Beginning Wednesday, April 11, 2018 Running Through Sunday, May 6, 2018 Now extended by popular demand to May 13, 2018 Directed by Geoffrey Sherman Solana Beach, CA Britain’s comic genius, Sir Alan Ayckbourn, has penned a fast-paced and hilariously funny theatrical feast that stands as a classic modern comedy. With the precision of a master chef, Sir Ayckbourn mixes three very different marriages into a pot, simmering with sex, jealousy, and liberally spiced with ingenious stagecraft. Full of clever, razor-sharp dialogue and impeccable split-second timing, HOW THE OTHER HALF LOVES is a treat you won’t want to miss. Find out why The London Daily Mail called this “a delicious, jolly good show.” Geoffrey Sherman directs Jacqueline Ritz,* James Newcomb,* Sharon Rietkerk,* Christopher M. Williams,* Noelle Marion,* and Benjamin Cole. The design team includes Marty Burnett (Scenic Design), Matthew Novotny (Lighting Design), Aaron Rumley (Sound), Elisa Benzoni (Costumes), and Holly Gillard (Prop Design). Cindy Rumley* is the Stage Manager. *The actor or stage manager appears through the courtesy of Actors’ Equity Association, the union of professional actors and stage managers in the United States. For background information and photos, go to www.northcoastrep.org/press. HOW THE OTHER HALF LOVES previews begin Wednesday, April 11. Opening Night on Saturday, April 14, at 8pm. There will be a special talkback on Friday, April 20, with the cast and artistic director. -
Ayckbourn's Stage Reaction to Families Buried In
AYCKBOURN’S STAGE REACTION TO FAMILIES BURIED IN TECHNOLOGY KAĞAN KAYA Cumhuriyet University, Sivas Abstract: The paper analyses the premature warnings of British playwright, Alan Ayckbourn, who foresees that the modern family has been under the onslaught of technology. His dystopia, Henceforward... (1987) , set in the flat of the high-tech addict protagonist, Jerome, tells one of the traditional family stories of the playwright. However, the paper focuses on Ayckbourn’s neglected dramatic mission - that of securing the British family. Keywords: Alan Ayckbourn, British drama, dystopia, family, technology “Happy families are all alike; every unhappy family is unhappy in its own way.” (Tolstoy (2001), 1875-1877:1) 1. Introduction British playwright, Sir Alan Ayckbourn, is often referred to as a famous farceur. However, he is not pleased with this label, because with a “tireless dedication to the idea of theatre and... fierce moral concern with the state of the nation,” (Billington 1989), he has a distinctive multi-dimensional understanding of drama. In fact, he expresses sociologically harsh criticism of British middle-class man through his black comedy, in the light of his vision of drama. Henceforward... , which is the thirty-fourth play of the playwright, is a very noteworthy fraction of Ayckbourn’s tenet, for several reasons. It received the Evening Standard Award for Best Comedy in 1989. It was the second quickest transfer of all Alan Ayckbourn plays to the US, Houston’s Alley Theatre. Even the title of the play suggests a kind of manifesto of the playwright which declares that he is resolute in the changes of his drama. -
House & Garden
2008-2009 SEASON / WELCOME TO C T3 PEOPLE HOUSE & GARDEN A couple of months ago I had asked Jae Alder, BOARD OF DIRECTORS 'Hey! Who's directing House and Garden?' He CHAIRSonja J. McGill LIAISON, CITY OF DALLAS CULTURAL COMMISSION looked at me fora full fiveseconds, and then he TailimSong said 'Um ....You are.' BOARD MEMBERS JacAlder, Nancy Cochran, Roland ll[VirginiaDykes, David G. Luther, Patsy Here are the reasons I didn't completely freakout. P. Yung Micale, Jean M. Nelson,Shanna Nugent, It's all about trust. Valerie W. Pelan, Eileen Rosenblum, PhD, Enika 1) I trust myself Anybody that knows Eves = Absurd Person Sh1gular - that sort Schulze, John & Bonnie Strauss, AnnStuart, PhD, Katherine Ward, Karen Washington, Linda R. me knows I am constantly working on of thing. So I figure he has this whole Zimmerman multiple projects at the same time. I 'being in two places at one time' concept HONORARY BOARD MEMBERS GaryW. Grubbs, do this because I have artistic needs. down cold. And if you are going to trust Elizabeth Rivera, JanetSpencer Shaw Like paying my rent. So directing what anybody to do their homework and CORPORATE ADVISORY COUNCIL amounts to two full length productions get the mechanics of a tricky conceit TNS PARTNERS Jim Chambers simultaneously? A walk in the park ... like this worked out, it's going to be ALLIE BETH ALLMAN &ASSOCIATES Ayckbourn. I knew I could trust this Bill & MarsueWilliams 2) I trust Jae. He is my mentor. He GABLES RESIDENTIAL Cindy Davis whole schlemeil to work. And it does. usually knows how to match up a HEALTH SEARCH, LLC Dodie Butler A Class Act Thank God. -
David Mamet's Theory on the Power and Potential of Dramatic Language Rodney Whatley
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2011 Mametspeak: David Mamet's Theory on the Power and Potential of Dramatic Language Rodney Whatley Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF VISUAL ARTS, THEATRE AND DANCE MAMETSPEAK: DAVID MAMET’S THEORY ON THE POWER AND POTENTIAL OF DRAMATIC LANGUAGE By RODNEY WHATLEY A Dissertation submitted to the School of Theatre in partial fulfillment requirements for the degree of Doctor of Philosophy Degree Awarded: Fall Semester 2011 Rodney Whatley defended this dissertation on October 19, 2011. The members of the supervisory committee were: Mary Karen Dahl Professor Directing Dissertation Karen Laughlin University Representative Kris Salata Committee Member The Graduate School has verified and approved the above-named committee members, and certifies that the dissertation has been approved in accordance with university requirements. ii TABLE OF CONTENTS ABSTRACT...................................................................................................................................v 1. CHAPTER ONE: INTRODUCTION...................................................................................1 1.1 Rationale........................................................................................................................3 1.2 Description of Project....................................................................................................4 -
A DAY by the SEA by N
Two’s Company and Karl Sydow in association with Master Media present A DAY BY THE SEA by N. C. Hunter programme A DAY BY THE SEA by N. C. HUNTER Cast in order of speaking Director Tricia Thorns Miss Mathieson Stephanie Willson Set Designer Alex Marker governess to the children Costume Designer Emily Stuart Elinor Eddison Tatum Smith-Sperling or Lighting Designer Neill Brinkworth daughter of Frances by her first marriage Beatrix Taylor Sound Designer Candice Weaver Toby Eddison Jack Swiftor Production Manager Owen Donkin Elinor’s brother George Taylor Stage Manager /Operator Remi Bruno Smith Doctor Farley David Acton Rehearsal Stage Manager Naomi Buchanan Brooks Doctor to David Performance Stage Manager Lauren Burns David Anson David Whitworth Design Assistant Natalie Furnell Calvert Laura’s brother-in-law Costume Assistant Samina Sattar Laura Anson Susan Tracy Assistants to the production Elizabeth Holden and Jan Rae a widow Production photography Philip Gammon Frances Farrar Alix Dunmore Press Anne Mayer (020 3659 8482) recently divorced from her second husband Marketing Mel Cox, Target Live William Gregson David Gooderson a solicitor Poster & programme design Jon Bradfield Producer Graham Cowley Julian Anson John Sackville Laura’s son, in the Foreign Office Our grateful thanks to: Duncan Coombe; Paul Grimwood; Humphrey Caldwell Hugh Sachs Miller Centre Theatre for costumes; Ladies’ hair by Lynne of an official in the Foreign Office Emslie Griffin at Stars; Guy Chapman for extra marketing help; Out of Joint for rehearsal space; Phil Gammon and Tony Pescod for the boat; Jenny and Peter Parker and the Bottom Act I Group for props; Ian Black, Sadie Crowder, Angus Duke, The garden of Laura Anson’s house in Dorset. -
The Alan Ayckbourn and Andrew Lloyd Webber Musical Based on the Jeeves Stories by P.G
SPOTLIGHT ON THEATER NOTES PRODUCED BY THE PERFORMANCE PLUS™ PROGRAM, KENNEDY CENTER EDUCATION DEPARTMENT THE ALAN AYCKBOURN AND ANDREW LLOYD WEBBER MUSICAL BASED ON THE JEEVES STORIES BY P.G. WODEHOUSE logo designed by Dewynters plc., London TM © 1996 RUG Ltd. TM © 1996 RUG London plc., Dewynters designed by logo Y EEVES “The Fairy Tale World B J Jeevesorever joined and at the comic Bertie hip, Reginald Jeeves and Bertram Wilberforce Wooster are in the front rank of Fdroll characters invented in the 20th century. of P.G.odehouse Wodehouse” biographer Richard Jeeves is the perfect manservant. Bertie (“Bertram Voorhees* points out that BERTheTIE WOO STCharactersER TheTHE SCENE Story: A church hall, later to represent a London Wilberforce” is reserved for the rarest of occasions) is the WWodehouse’s fiction belongs “spiri- John Scherer flat and the house and grounds of Totleigh Towers. far-from-perfect master. Through the imagination of P.G. tually to the world of Victoria and Edward VII,” a THE TIME: This very evening. Wodehouse they have found a happy symbiosis, not unlike world “roughly limited on one side by the EEVES his manservant J , Eager to contribute to the festivities of a charity benefit that of naughty child and protective parent. Diamond Jubilee of Queen Victoria [1897] and Richard Kline performance in an English village hall, dim-but-affable Given Bertie’s propensity for foolish capers and his limited on the other by the introduction of the cross- Bertie Wooster bursts on stage strumming a frying pan. HONORIA GLOSSOP, his ex-fiance vocabulary, it is a bit difficult to understand how he managed word puzzle [1925].” To his confusion and chagrin, he realizes that the pan has Donna Lynne Champlin to graduate such prestigious institutions of learning as Eton been substituted for his stolen banjo. -
A Technician in the Wings: Ayckbourn's Comic Potential Stephanie Tucker
Spring 2003 71 A Technician in the Wings: Ayckbourn's Comic Potential Stephanie Tucker Alan Ayckboum has spent his entire professional life in the theater. Before becoming a director and playwright, he worked as "a stage manager, sound technician, lighting technician, scene painter, prop-maker and actor."^ He wrote his first play at 20, encouraged by his mentor Stephen Joseph, who, in response to Ayckboum's distaste for the role of Nicky in John van Druten's Bell Book and Candle, suggested that the young actor write himself a promising part. So he did—Jerry Wattis in The Square Cat "It was a piece of wish-fulfillment for the lad who fancied being a rock star—a central role for himself in which he got to dress up in glitzy teddy-boy drapes and play (very badly, apparently!) rock 'n' roll guitar."^ A dream, realized by an actor, in a fiction he had created! Boundaries between life and art had already begun to blur. That was in 1959. Since then Ayckboum has written sixty-one^ more plays, including two trilogies, a dramatic diptych, and several musicals. Because his plays are commercially successful, his subject matter the trials and woes of the middle classes, his genre of choice comedy-cum-farce, the playwright was initially perceived "as the inheritor of the lightweight boulevardier mantle recently worn by Terence Rattigan, Peter Ustinov and Enid Bagnold'"^—and, as such, dismissed as a minor if prodigiously productive playwright. According to Michael Billington, this critical prejudice has persisted, at least until 1990: "Alan Ayckboum is popular. -
A Chorus of Disapproval by Alan Ayckbourn Directed by Luke Miller
Darlington Theatre Players Present A Chorus of Disapproval by Alan Ayckbourn Directed by Luke Miller 5 - 27 July 2019 MARLOO THEATRE An Amateur Production BY ARRANGEMENT WITH ORiGiN™ THEATRICAL, ON BEHALF OF SAMUEL FRENCH, LTD. Please turn off your mobile and kindly do not take any photos. Also, it is strictly forbidden for audience members to make any form of recording of this production. Darlington Theatre Players Inc. Darlington Theatre Players Inc. (DTP) was established to encourage participation in all aspects of theatrical arts. Formalised from an existing group in the artistic hills of Darlington east of Perth, Western Australia in 1956, early performances were in the local hall, formerly a wine cellar. Following representations from DTP, the local shire built the main hall next to the existing hall in 1960, and later rebuilt the stage house and added the verandah and toilet block to the structure in 1978. In 1984 they took up a lease on the disused old Greenmount Primary School in Marloo Road. After several building projects financed from their own resources, and from Federal, State and Local Government grants, DTP have one of the best equipped local theatres in the Perth area – the Marloo Theatre. About the Playwright Alan Ayckbourn Alan has worked in theatre as a playwright and director for over sixty years, rarely if ever tempted by television or film, which perhaps explains why he continues to be so prolific. To date he has written more than 80 plays, many one act plays and a large amount of work for the younger audience. His work has been translated into over 35 languages, is performed on stage and television throughout the world and has won countless awards. -
List-Of-Drama-Sets.Pdf
Author Title Cast Length One Act Plays: Mixed Cast Agg, Howard A shot in the dark : a play in one act 3m, 5f Play: one act mixed Albee, Edward, 1928- The death of Bessie Smith 4m, 2f Play: one act mixed Albee, Edward, 1928- The zoo story, and other plays : The American dream; The death of Betty Smith; and,varies The sandboxPlay: one act mixed Auty, Stewart Absolute discretion : a one act play 5m, 9f Play: one act mixed Auty, Stewart An unassuming man : a one act play 4m, 4f Play: one act mixed Auty, Stewart Here endeth the first lesson : a one act satire 4m, 4f Play: one act mixed Ayckbourn, Alan, 1939- A cut in the rates 1m, 2f Play: one act mixed Ayckbourn, Alan, 1939- Confusions : five interlinked one-act plays 3m; 2f Play: one act mixed Ayckbourn, Alan, 1939- Confusions : five interlinked one-act plays 3m, 2f Play: one act mixed Barnes, Wilson Thicker than water : a play in one act 5m, 3f Play: one act mixed Barr, Russell A dish of tea with Dr Johnson 7m; 3f Play: one act mixed Barrie, J. M. (James Matthew), 1860-1937 Shall we join the ladies? 8m, 8f Play: one act mixed Bate, Sam Decline and fall : a play 3m, 5f Play: one act mixed Bellon, Loleh Thursday's ladies : a play 4f; 2m. Play: one act mixed Bennett, Alan, 1934- A visit from Miss Prothero : (from Office suite) 1m, 1f Play: one act mixed Bennett, Alan, 1934- Single spies : a double bill 9m, 2f Play: one act mixed Blair, Wilfrid, 1889-1968 For home - or country? : an extravaganza [in three scenes] 5f; 1m.