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Patricia Zipprodt
Acquisitions Edited.Indd
1998 Acquisitions
Date Production Name Venue / Production Designer / Stylist Design
Introduction
The Resistible Rise of Arturo Ui
1983 Illinois Shakespeare Festival Program School of Theatre and Dance Illinois State University
I S a B E L R U B
American Paintings, Furniture & Decorative Arts
Designedinthe
Njustly of Mur- and a Tidal Wave Monday Night
Spoleto Festival Usa Program History 2016 – 1977
Broadway Starts to Rock: Musical Theater Orchestrations and Character, 1968-1975 By
Edition 3 | 2019-2020
Designers CHAPTI!R SCENERY, COSTUMES, MAKWP, MASKS, WIGS, and HAIR
Alvin Ailey's Embodiment of African American Culture
ARMBRUSTER SCENIC STUDIO (Est. 1875-Closed 1958) Mathias Armbruster (1839-1920) Studied Art in His Native Germany and Paris Before Coming to the United States
Detail Design Spring 2016 SEND
Grant Recipients and Project Participants
Top View
February 2008 Sightlines
NEWS E INFORMATION T NEUIGKEITEN Wor1d Light Show 89
Spoleto Festival Usa Program History 2013–1977
Experiences and Perceptions of Broadway Costume Designers Sara Jablon Iowa State University
FY16 Annual Report View Report
American Theatre Design Since 1945
Curtain Call: Celebrating a Century of Women Designing for Live Performance Educators’ Guide As a Tool for Enhancing Your Curriculum
Cabaret MUSIC by John Kander LYRICS by Fred Ebb BOOK by Joe Masteroff
Camera Obscura: Exposing, Framing, and Staging the Implicit Politics of Christopher Isherwood and the Various Adaptations of His Work
Download File
Vol. 37, No. 2 Winter/Spring 2010
Re-Defining the Musical: Adapting Cabaret for the Screen
View Program History Through 2021
Watermill Executive Producer
David Grindle
Information to Users
Hollywood Pantages Theatre Los
Costume Design I Fall 2017 ONLINE
Mcgill Community for Lifelong Learning | Rory O'sullivan Music
Dance, Costumes, and Barbara Matera