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Acquisitions Edited.Indd
1998 Acquisitions PAINTINGS PRINTS Carl Rice Embrey, Shells, 1972. Acrylic on panel, 47 7/8 x 71 7/8 in. Albert Belleroche, Rêverie, 1903. Lithograph, image 13 3/4 x Museum purchase with funds from Charline and Red McCombs, 17 1/4 in. Museum purchase, 1998.5. 1998.3. Henry Caro-Delvaille, Maternité, ca.1905. Lithograph, Ernest Lawson, Harbor in Winter, ca. 1908. Oil on canvas, image 22 x 17 1/4 in. Museum purchase, 1998.6. 24 1/4 x 29 1/2 in. Bequest of Gloria and Dan Oppenheimer, Honoré Daumier, Ne vous y frottez pas (Don’t Meddle With It), 1834. 1998.10. Lithograph, image 13 1/4 x 17 3/4 in. Museum purchase in memory Bill Reily, Variations on a Xuande Bowl, 1959. Oil on canvas, of Alexander J. Oppenheimer, 1998.23. 70 1/2 x 54 in. Gift of Maryanne MacGuarin Leeper in memory of Marsden Hartley, Apples in a Basket, 1923. Lithograph, image Blanche and John Palmer Leeper, 1998.21. 13 1/2 x 18 1/2 in. Museum purchase in memory of Alexander J. Kent Rush, Untitled, 1978. Collage with acrylic, charcoal, and Oppenheimer, 1998.24. graphite on panel, 67 x 48 in. Gift of Jane and Arthur Stieren, Maximilian Kurzweil, Der Polster (The Pillow), ca.1903. 1998.9. Woodcut, image 11 1/4 x 10 1/4 in. Gift of Mr. and Mrs. Frederic J. SCULPTURE Oppenheimer in memory of Alexander J. Oppenheimer, 1998.4. Pierre-Jean David d’Angers, Philopoemen, 1837. Gilded bronze, Louis LeGrand, The End, ca.1887. Two etching and aquatints, 19 in. -
1998 Acquisitions
1998 Acquisitions PAINTINGS PRINTS Carl Rice Embrey, Shells, 1972. Acrylic on panel, 47 7/8 x 71 7/8 in. Albert Belleroche, Rêverie, 1903. Lithograph, image 13 3/4 x Museum purchase with funds from Charline and Red McCombs, 17 1/4 in. Museum purchase, 1998.5. 1998.3. Henry Caro-Delvaille, Maternité, ca.1905. Lithograph, Ernest Lawson, Harbor in Winter, ca. 1908. Oil on canvas, image 22 x 17 1/4 in. Museum purchase, 1998.6. 24 1/4 x 29 1/2 in. Bequest of Gloria and Dan Oppenheimer, Honoré Daumier, Ne vous y frottez pas (Don’t Meddle With It), 1834. 1998.10. Lithograph, image 13 1/4 x 17 3/4 in. Museum purchase in memory Bill Reily, Variations on a Xuande Bowl, 1959. Oil on canvas, of Alexander J. Oppenheimer, 1998.23. 70 1/2 x 54 in. Gift of Maryanne MacGuarin Leeper in memory of Marsden Hartley, Apples in a Basket, 1923. Lithograph, image Blanche and John Palmer Leeper, 1998.21. 13 1/2 x 18 1/2 in. Museum purchase in memory of Alexander J. Kent Rush, Untitled, 1978. Collage with acrylic, charcoal, and Oppenheimer, 1998.24. graphite on panel, 67 x 48 in. Gift of Jane and Arthur Stieren, Maximilian Kurzweil, Der Polster (The Pillow), ca.1903. 1998.9. Woodcut, image 11 1/4 x 10 1/4 in. Gift of Mr. and Mrs. Frederic J. SCULPTURE Oppenheimer in memory of Alexander J. Oppenheimer, 1998.4. Pierre-Jean David d’Angers, Philopoemen, 1837. Gilded bronze, Louis LeGrand, The End, ca.1887. Two etching and aquatints, 19 in. -
Date Production Name Venue / Production Designer / Stylist Design
Date ProductionVenue Name / Production Designer / Stylist Design Talent 2015 Opera Komachi atOpera Sekidrera America Camilla Huey Designer 3 dresses, 3 wigs 2014 Opera Concert Alice Tully Hall Opera Camilla Huey Designer 1 Gown Rebecca Ringle 2014 Opera Concert Carnegie Hall Opera Camilla Huey Designer 1 Gown Rebecca Ringle 2014 Opera Concert Carnegie Hall Opera Camilla Huey Designer 1 Gown Sara Jakubiak 2013 Opera Concert Bard University Opera Camilla Huey Designer 1 Gown Rebecca Ringle 1996 Opera Carmen Metropolitan Opera Leather Costumes 1996 Opera Midsummer'sMetropolitan Night's Dream Opera Leslie Weston / Izquierdo Human Pillar Set Piece 1997 Opera Samson & MetropolitanDelilah Opera Leslie Weston / Izquierdo Dyeing Costumes 1997 Opera Cerentola Metropolitan Opera Leslie Weston / Izquierdo Mechanical Wings 1997 Opera Madame ButterflyHouston Grand Opera Anita Yavich / Izquierdo Kimonos Hand Painted 1997 Opera Lillith Tisch Center for the Arts OperaCatherine Heraty / Izquierdo Costumes 1996 Opera Bartered BrideMetropolitan Opera Sylvia Nolan / Izquierdo Dancing Couple + Muscle Shirt 1996 Opera Four SaintsMetropolitan In Three Acts Opera Francesco Clemente/ Izquierdo FC Asssitant 1996 Opera Atilla New York City Opera Hal George / Izquierdo Refurbishment 1995 Opera Four SaintsHouston In Three Grand Acts Opera Francesco Clemente / Izquierdo FC Assistant 1994 Opera Requiem VariationsOpera Omaha Izquierdo 1994 Opera Countess MaritzaSanta Fe Opera Allison Chitty / Izquierdo 1994 Opera Street SceneHouston Grand Opera Francesca Zambello/ Izquierdo -
Introduction
THE NEW YORK PUBLIC LIBRARY FOR THE PERFORMING ARTS THE OLIVE WONG PROJECT PERFORMANCE COSTUME DESIGN RESEARCH GUIDE INTRODUCTION COSTUME DESIGN AND PERFORMANCE WRITTEN AND EDITED BY AILEEN ABERCROMBIE The New York Public Library for the Perform- newspapers, sketches, lithographs, poster art ing Arts, located in Lincoln Center Plaza, is and photo- graphs. In this introduction, I will nestled between four of the most infuential share with you some of Olive’s selections from performing arts buildings in New York City: the NYPL collection. Avery Fisher Hall, Te Metropolitan Opera, the Vivian Beaumont Teater (home to the Lincoln There are typically two ways to discuss cos- Center Teater), and David H. Koch Teater. tume design: “manner of dress” and “the history Te library matches its illustrious location with of costume design”. “Manner of dress” contextu- one of the largest collections of material per- alizes the way people dress in their time period taining to the performing arts in the world. due to environment, gender, position, economic constraints and attitude. Tis is essentially the The library catalogs the history of the perform- anthropological approach to costume design. ing arts through collections acquired by notable Others study “the history of costume design”, photographers, directors, designers, perform- examining the way costume designers interpret ers, composers, and patrons. Here in NYC the the manner of dress in their time period: where so many artists live and work we have the history of the profession and the profession- an opportunity, through the library, to hear als. Tis discussion also talks about costume sound recording of early flms, to see shows designers’ backstory, their process, their that closed on Broadway years ago, and get to relationships and their work. -
The Resistible Rise of Arturo Ui
Classic Stage Company JOHN DOYLE, Artistic Director TONI MARIE DAVIS, Chief Operating Officer/GM presents THE RESISTIBLE RISE OF ARTURO UI BY BERTOLT BRECHT TRANSLATED BY GEORGE TABORI with GEORGE ABUD, EDDIE COOPER, ELIZABETH A. DAVIS, RAÚL ESPARZA, CHRISTOPHER GURR, OMOZÉ IDEHENRE, MAHIRA KAKKAR, THOM SESMA Costume Design Lighting Design Sound Design ANN HOULD-WARD JANE COX MATT STINE TESS JAMES Associate Scenic Design Associate Costume Design Associate Sound Design DAVID L. ARSENAULT AMY PRICE AJ SURASKY-YSASI Casting Press Representative Production Stage Manager TELSEY + COMPANY BLAKE ZIDELL AND ASSOCIATES BERNITA ROBINSON ADAM CALDWELL, CSA WILLIAM CANTLER, CSA Assistant Stage Manager KARYN CASL, CSA JESSICA FLEISCHMAN DIRECTED AND DESIGNED BY JOHN DOYLE Cast in alphabetical order Clark / Ragg.............................................................................GEORGE ABUD Roma..........................................................................................EDDIE COOPER Giri......................................................................................ELIZABETH A. DAVIS Arturo Ui....................................................................................RAÚL ESPARZA Dogsborough / Dullfeet..........................................CHRISTOPHER GURR O’Casey / Betty Dullfeet.............................................OMOZÉ IDEHENRE Flake / Dockdaisy...............................................................MAHIRA KAKKAR Givola............................................................................................THOM -
1983 Illinois Shakespeare Festival Program School of Theatre and Dance Illinois State University
Illinois State University ISU ReD: Research and eData Illinois Shakespeare Festival Fine Arts Summer 1983 1983 Illinois Shakespeare Festival Program School of Theatre and Dance Illinois State University Follow this and additional works at: https://ir.library.illinoisstate.edu/isf Part of the Theatre and Performance Studies Commons Recommended Citation School of Theatre and Dance, "1983 Illinois Shakespeare Festival Program" (1983). Illinois Shakespeare Festival. 17. https://ir.library.illinoisstate.edu/isf/17 This Book is brought to you for free and open access by the Fine Arts at ISU ReD: Research and eData. It has been accepted for inclusion in Illinois Shakespeare Festival by an authorized administrator of ISU ReD: Research and eData. For more information, please contact [email protected]. The Sixth Annual Illinois Shakespeare Festival presents much Ado About 1!1othing MAcbErl-l The Two Gentlemen of Verona Ewing Manor Bloomington, Illinois Travel to the London Theatre with the Festival DECEMBER 26, 1983 - JANUARY 4, 1984 ANTICIPATED COST-$960.00-INCLUDES: (The price and arrangements are based on current fares, exhange rate, and the assumption of a full complement of travelers.) • Roundtrip airfare • Transportation to and from hotel and airport • Hotel (Nine nights) • Breakfast and dinner (Eight nights) • Five London productions • Two Fringe theatre productions • Visit to the Royal Academy of Dramatic Arts and the BBC • Trip to Stratford-upon-Avon, Shakespeare sights, and a performance at the Shakespeare theatre. TOUR DIRECTORS: Douglas Harris and Cal Pritner FOR INFORMATION CONTACT: Office of International Studies Illinois State University Normal, Illinois 61761 (309) 438-5365 Sponsored by: Department of Theatre Illinois Shakespeare Festival and the Office of International Studies Welcome Dear Patron: Qi behalf of Illinois State University, it is a pleasure to welcome you to the Illinois Shakespeare Festival. -
I S a B E L R U B
1 Isabel R ubio COSTUME DESIGNER I.A.T.S.E. U.S.A Local 829 Tel 718-797-4353 Cell 917-539-7076 www.isabelrubio.com email: [email protected] THEATRE COSTUME DESIGN DANIEL TIGER KING FOR A DAY Director: Jenn Rapp Fred Rogers Company & mills NATIONAL TOUR 2017-2018 entertainment KING STAG Director: Felix Ivanov Syracuse University DANIEL TIGER NEIGHBORHOOD Director: Jenn Rapp Fred Rogers Company & mills NATIONAL TOUR 2016-2017 CLIFFORD THE BIG RED DOG National tours 2015-2016 Director; Mark Fleischer Mills Entertainment THE WHALE Director: Kristen van Ginhoven Adirondack Theatre Festival BODEGA BAY Director: Sturgis Warner Abingdon theatre Company FILMING O’KEEFE Director; Martha Banta Adirondack Theatre Festival CLIFFORD THE BIG RED DOG National tours 2011-2013 Director; Mark Fleischer Mills Entertainment SUPERIOR DONUTS Director; Mark Fleischer Capital Repertory Theatre THE KID WHO WOULD BE POPE Director; Gabriel Barre La Vie /NY Musical theatre Festival BRUSH THE SUMMER BY Director; Mark Fleischer Adirondack Theatre Festival LOVE SONG Director; Gabriel Barre The Adirondack Theatre Festival TICK TICK BOOM Director; Gabriel Barre Adirondack Theatre Festival A NUMBER Director: Sturgis Warner Adirondack Theatre Festival SWIMING WITH STURGEONS Director: Sturgis Warner Abingdon theatre Company METAMORPHOSES Director; Alessandro Fabrizy Columbia University HAMLET Director: John Gould Rubin Columbia University PEER GYNT Director: Andrei Serban Columbia University MOMS MAIBLEY AND HER LADIES Director: Walter Dallas Crossroads Theatre SMELL OF A THE KILL Director: M. Mancinelli-Cahill Capital Rep Theatre RAISIN IN THE SUN Director: Regge Life Capital Repertory Theatre BILLY THE KID Director: Jim Simpson The Bat Co. The Flea Theatre HAVING OUR SAY Director: Edris Cooper Capital Repertory Theatre TWELFTH NIGHT Director: Joe Diecher N.J. -
American Paintings, Furniture & Decorative Arts
AMERICAN PAINTINGS, FURNITURE & DECORATIVE ARTS Wednesday, April 5, 2017 NEW YORK AMERICAN PAINTINGS, FURNITURE & DECORATIVE ARTS AUCTION Wednesday, April 5, 2017 at 10am EXHIBITION Saturday, April 1, 10am – 5pm Sunday, April 2, Noon – 5pm ?? ????????? ??????????????????????????????? Monday, April 3, 10am – 6pm LOCATION Doyle New York 175 East 87th Street New York City 212-427-2730 www.Doyle.com www.www.Doyle.com/BidLiveDoyleNewYork.com/BidLive Catalogue: $35 AMERICAN PAINTINGS & SCULPTURE INCLUDING PROPERTY CONTENTS FROM THE ESTATES OF Paintings 1-102 Donald Brenwasser Prints 103-108 An Estate, Fifth Avenue, NY THE COLLECTION OF Dorothy J. Henry WILLA KIM & WILLIAM PÈNE DU BOIS 109-205 Mary Kettaneh Paintings & Print 109-131 The Collection of Willa Kim and William Pène du Bois Furniture & Decorations 132-171 Jan Adriaan Laan of Bloemendal, the Netherlands Toys 172-203 Anne Murray Furniture & Decorations 204-205 A New York and Connecticut Estate Furniture & Decorations 205-298 A New York Estate Silver & Silver Plate 299-322 A Private Collector, Ardsley, NY Furniture & Decorations 323-250 Dorothy Wassyng Carpets & Rugs 251-367 Eunice Johnson Winslow Helen R. Yellin INCLUDING PROPERTY FROM A Boston, Massachusetts Collector A Collector, Wisconsin An East Coast Museum A Gentleman, New Jersey Glossary I The Metropolitan Museum of Art Conditions of Sale II A Mid-Atlantic Museum to Benefit the Acquisitions Fund Terms of Guarantee IV A New England Collection Information on Sales & Use Tax V A New Jersey Collector Buying at Doyle VI A Private Collector, Long Island Selling at Doyle VIII A Private Collector, New Jersey Auction Schedule IX A Prominent New York Family Company Directory X The Collection of Bennett and Judie Weinstock Absentee Bid Form XII Lot 51 2 American School 19th Century Portrait Miniature of a Young Girl Watercolor on paper 2 1/2 x 2 1/8 inches Provenance: Mrs. -
Designedinthe
Designedinthe USA The United States of America Exhibition at the 1995 Prague Quadrennial Designed in the USA The United States of America Exhibition at the 1995 Prague Quadrennial Exhibit Producer Arnold Aronson Associate Producer Sarah ash Gates Exhibit Designer Eric Fielding Architecture Exhibit Coordinator Timothy Hartung Student Exhibit Coordinators Sarah ash Gates, Timothy Saternow, William Forrester U.S. Delegation Tour Coordinator Leon Brauner Ass~tanttotheProducer Patrick Kelsey Catalog Text Arnold Aronson Catalog Design Eric Fielding Exhibit Staff Timothy Saternow, Tee/mical Director Patrick Kelsey Judy Pfeifer MirenaRada Joan Schlafer Merope Vachliotif Steering Committee Richard Durst, Eric Fielding, Sarah ash Gates, Patricia MacKay, Dr. Joel E. Rubin, Samuel Scripps Our thanks and appreciation to the following for their help and support: Christine Kaiser, Debora Kingston, Dr. Joel E. Rubin, Valerie dilorenzo, ~onnand Bouchard, and Joan Vick (USITT), Rex loser (Arts America). Martha Coigney (ITUfiS), Barbara Stral}ner (Lincoln Center Libra/J'for tbe Pe/forming Arts), Roberta Fotia (Rosco Laboratories), Ralph Pine (Drama Book Specialists), WiLlianl Bent (U.S. Illformatioll r1geIlC)~, Deb Styer,Josh Rothenberg, Blake Seidel, and Ernie Barbarash (Columbia {;lIiL'ersiM. Chris Boneau (BolleaulBryan-Broll'lI), Marcia McDonald and Tom Reiter (Grace Cos/umes), Brigid Milchell (Dislley Art Editions), Joseph Clark (Metropolitall Opera). Susan lee (League ofProfessiollal Tbeatres), Paul Arianas, Vito Zingarelli and Anita Gaffney (Stratford FestiL'fll), Tanya Grubich, MaJ)' HUDter (Seattle Rep), Ruth Rorak (Zenitb Travel), PalIick Costin (RCLAgenC)~, Takashi Mizuta (.\'HK), Dan Kuchar, Joan Schlafer Galena Tsypin, Angela Wendt, and Joseph Yossoupoff Published bylilc "niled Slales lnSlilUlc for The,nrc Technology. Inc. 10 \\'CSI 191h Sl. -
Njustly of Mur- and a Tidal Wave Monday Night
TPeatKer Free Parian? Ibere If no durgs at meter* Snow tapering off today. to the Red Bank parking lot* Partly cloudy tonight. Fair to- after « p. m. Wainesday* and morrow. High today, 28. Low Fridays, Red Bank's two »hop- tonight, 15-20. High tomorrow, ping nights. 30-35. '$Ut An Independent Newspaper Under Same Ownership Since. 1878 BY CARRIER PAGE ONE Issued Dally. Monday through Friday, entered as Second Class Matter 7c PER COPY 35c PER WEEK VOLUME 82, NO. 141 at thu Post Office at Red Bank. N. J., under the Act ol March 3. 1619. RED BANK, N. J., FRIDAY, MARCH 4, 1960 Freehold Twp. Savage Snowstorm To Get 35-Store Rips Shore Area, Shopping Plaza Leaves 17 Inches $6 Million 9 West Long Branch Man 'Bushed Limit To Project Set President Dies After Shoveling Snow For 1961 Debate Wind driven snow and freezing temperatures Relaxes gripped the Shore area yesterday and today. At least FREEHOLD TOWNSHIP — A Forecast one death was attributed to the storm. $6 million, 32-store shopping plaza RAMEY AIR FORCE BASE, William D. Martin, U.S. weather observer in Long is in the offing here. Puerto Rico (AP) — President EMERGENCY CALL — Heavy snow didn't stop the Keyport First Aid Squad from WASHINGTON (AP) - Rival Branch, put the official snowfall at 17 inches at 7 If completed as now planned, Eisenhower, admittedly "bush- bringing a maternity patient to Riverview Hospital, Red Bank, this morning. Police factions among supporters of a the project will be among the ed" from 12 days of touring civil rights bill stood their ground in area municipalities reported scores of accidents yesterday and today, most of a. -
Spoleto Festival Usa Program History 2016 – 1977
SPOLETO FESTIVAL USA PROGRAM HISTORY 2016 – 1977 Spoleto Festival USA Program History Page 2 2016 Opera Porgy and Bess; created by George Gershwin, DuBose and Dorothy Heyward, and Ira Gershwin; conductor, Stefan Asbury; director, David Herskovits; visual designer, Jonathan Green; lighting designer, Lenore Doxsee; wig and makeup designer, Ruth Mitchell; set designer, Carolyn Mraz; costume designer, Annie Simon; fight director, Brad Lemons; Cast: Alyson Cambridge, Lisa Daltirus, Eric Greene, Courtney Johnson, Lester Lynch, Sidney Outlaw, Victor Ryan Robertson, Indra Thomas; Spoleto Festival USA Orchestra, Johnson C. Smith University Concert Choir; Charleston Gaillard Center *La Double Coquette; music by Antoine Dauvergne with additions by Gérard Pesson; libretto by Charles-Simon Favart with additions by Pierre Alferi; director, Fanny de Chaillé; costume designer, Annette Messager; costume realization, Sonia de Sousa; lighting designer, Gilles Gentner; lighting realization, Cyrille Siffer; technical stage coordination, Francois Couderd; Cast: Robert Getchell, Isabelle Poulenard, Mailys de Villoutreys; Dock Street Theatre *The Little Match Girl; music and libretto by Helmut Lachenmann; conductor, John Kennedy; co-directors, Mark Down and Phelim McDermott; costume designer, Kate Fry; lighting designer, James F. Ingalls; set designer, Matt Saunders; puppet co-designers, Fiona Clift, Mark Down, Ruth Patton; Cast: Heather Buck, Yuko Kakuta, Adam Klein; Soloists: Chen Bo, Stephen Drury, Renate Rohlfing, Memminger Auditorium Dance Bill T. Jones/Arnie -
Broadway Starts to Rock: Musical Theater Orchestrations and Character, 1968-1975 By
Broadway Starts to Rock: Musical Theater Orchestrations and Character, 1968-1975 By Elizabeth Sallinger M.M., Duquesne University, 2010 B.A., Pennsylvania State University, 2008 Submitted to the graduate degree program in Musicology and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. Chair: Paul R. Laird Roberta Freund Schwartz Bryan Kip Haaheim Colin Roust Leslie Bennett Date Defended: 5 December 2016 ii The dissertation committee for Elizabeth Sallinger certifies that this is the approved version of the following dissertation: Broadway Starts to Rock: Musical Theater Orchestrations and Character, 1968-1975 Chair: Paul R. Laird Date Approved: 5 December 2016 iii Abstract In 1968, the sound of the Broadway pit was forever changed with the rock ensemble that accompanied Hair. The musical backdrop for the show was appropriate for the countercultural subject matter, taking into account the popular genres of the time that were connected with such figures, and marrying them to other musical styles to help support the individual characters. Though popular styles had long been part of Broadway scores, it took more than a decade for rock to become a major influence in the commercial theater. The associations an audience had with rock music outside of a theater affected perception of the plot and characters in new ways and allowed for shows to be marketed toward younger demographics, expanding the audience base. Other shows contemporary to Hair began to include rock music and approaches as well; composers and orchestrators incorporated instruments such as electric guitar, bass, and synthesizer, amplification in the pit, and backup singers as components of their scores.