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Participatory cinema
An Exploration of the Potential of Participatory Documentary Filmmaking in Rural India
Towards a Fifth Cinema
Reversing the Gaze When (Re) Presenting Refugees in Nonfiction Film
Performing Memory and Authorship
A Brief History of Documentary: Movements and Modes
"Being in the Wrong Place at the Wrong Time
Introduction to Documentary Door Bill Nichols
ENG 2091-099: Literature, Self, and the World: Science Fiction (Honors) Jad Smith Eastern Illinois University
REMOTE OUTREACH CINEMA CAMPAIGN (R.O.C.C.) by Ian
Ten Years of Participatory Cinema As a Form of Political Solidarity with Refugees in Italy
Documentary Screens: Non-Fiction Film and Television
A Different Understanding of Low and Micro-Budget Film Production in the Uk
Collaborative Ethnographic Film: a Workshop Case Study
Introduction to Documentary Door Bill Nichols
Biopunk Dystopias: Genetic Engineering, Society, and Science
Understanding Film and Video As Tools for Change
Chapter 2 How Do Documentaries Differ from Other Types of Film?
Digital Jianghu: Independent Documentary in a Beijing Art Village
Top View
Evaluating Interactive Documentaries: Audience, Impact and Innovation in Public Interest Media
English Department
Fall Semester 2020
Examining Markers of Authenticity in the Modern Documentary
Letter from the President
The Evolution of Cyberpunk Into Postcyberpunk
Documentary Storytelling Enabled by Digital Technologies
ENG 3122 3A32 12970 Mowchun
Documentary Film, Observational Style and Postmodern Anthropology in Sardinia: a Visual Anthropology
Scott Pilgrim Vs. the Multimodal Mash-Up: Film As Participatory Narrative
How Can Structural Film Expand the Language
Here, There, and Everywhere: Leviathan and the Digital Future of Observational Ethnography
The Principles of Observational Cinema
RE-FRAMING VIDEO GAMES in the LIGHT of CINEMA Edited by Riccardo Fassone, Federico Giordano, Ivan Girina
The Influence of Popular Culture and Science Fiction on the Public Perception of Emerging Technologies – Focus: Nanotechnology
Produced Cinema. Participatory Transmedia Formats in the European Digital Space”