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Parang
Streams of Civilization: Volume 2
Experience the Energy, Creativity and Diversity That Is Uniquely Trinidad and Tobago: Many Hearts, Many Voices, One Vision
CARNIVAL and OTHER SEASONAL FESTIVALS in the West Indies, USA and Britain
USA and Philippines) MONOGRAPH SERIES No
Music, Mas, and the Film and Video Segments
CARIBBEAN AMERICAN HERITAGE MONTH Caribbean History and Culture
Danielle Sirek, Phd Candidate
[email protected]
418-5340 Supervisor: Dr
Narratives of Resistance in Trinidad's Calypso and Soca Music Meagan A. Sylvester, UWI, St. Augustine Trinidad and Tobago Drma
Rules and Regulations 2019
Calypso and the Bacchanal Connection Earl Lovelace
[email protected]
Top 20Th Century Other Awards
Calypso and the World Music Market Gordon Rohlehr
Chutney and Indo-Trinidadian Cultural Identity
Documenting Movements, Identity, and Popular Culture in Latin America
50 Years of Trinidad & Tobago Culture
The Construction and Deconstruction of National Identity in the Trinidad
Kaiso for Silvers’ at N.A.P.A Which Was Quite Entertaining
By Kevin Jeanville
Top View
Moses Document Final Submit
This Paper Is Concerned with Women's Participation in Trinidad Calypso, Which Is Part of My Broader Interest in Gender and Expressive Culture in the Caribbean
Diatonic Mag 2012 Final Version
ABSTRACT the EVOLUTION of PARANG (MUSIC and TEXT) in TRINIDAD from 1900-1997 Francisca Carol Allard the Tenacity Ofan Evolving P
Caribbean Jazz in Trinidad and Tobago by Jiselle
The Music Industry in Trinidad and Tobago
Calypso, Parang, Chutney Context: CONSIDERATIONS
Draft Local Content Policy: a Proposal for the Music Industry in Trinidad
L. Winer E. Aguilar Spanish Influence in the Lexicon of Trinidadian English Creole In
Teacher's Guide
The Music Industry Is One of the Largest Cultural Industries and Makes a Significant Contribution to the World-Economy
EXPONET Directory
THE SANTA ROSA FESTIVAL and AMERINDIAN IDENTITY in TRINIDAD Caribbean Studies, Vol