Diatonic Mag 2012 Final Version

Total Page:16

File Type:pdf, Size:1020Kb

Diatonic Mag 2012 Final Version Annual Publication 2nd Issue 2012 www.diatonicpan.org Featuring Diatonic Siparia Pan on the Move The Lovable Lunatic "Crazy" La Divina Pastora Siparia Police Youth Club Spotlight on Sport - Ian Morris The In this issue Culture & Sports Conference 2 Board& Diatonic Music Literacy Program 4 Diatonic Tour to Indiana 11 the Siparia - Pan on the Move 2011-2012 12 Committees Diatonic Fund Raiser 18 From L-R sitting: Wayne Sylvester (Asst. Manager – Steelband), Sparkle Joseph (Events), Akeba “Mankind” Scipio (Captain – Steelband), Summer Balkaran (V. Captain – Steelband) Andrew Cardinal (Musical Director – Steelband) From L-R standing: Keith Byer (Director/Manager), Joel Joseph (Chairman – Education), Glen Glod (Chairman – Events) Dennis Noel (Education), Janelle Parris (Director/Secretary to all Committees), Ian Jackie (Events), Roy Alexander (Education), Vernon Dimsoy (Director) Missing: Trevor Ravello (Events), Kalicia Reefer (Education) Diatonic Pan Institute is established in Siparia Steel Orchestra; Special Events; Marketing as a registered Non Governmental Organisa- and Distribution; Education and Sports. tion (NGO) and Community Based Organisa- Members of the sub committees are being tion (CBO). It is intended that the programs of lled from personnel within Siparia and its Diatonic will directly aect all communities in environs. To date, while all other committees the ward of Siparia and serve as a model for are fully functional, sports will commence in the national community. Diatonic will 2012 and marketing will commence in due continue to impact positively on poverty course. alleviation and social disorders in the society thereby exposing the tremendous social and economic power of the Steelpan. The Board thanks its chairmen The operations of Diatonic are managed by a and members for their dedicated Board with the following sub committees: service to Siparia. Message from the Manager Mr. Keith Byer Greetings on the occasion of our 2012 Pan now’. Siparia nally has something to be every possible eort to frustrate our on the Move competition and our 2012 proud of and Diatonic is overjoyed to be the attempts at securing tenure to house our magazine production. I am proud to one responsible for giving that gift to the operations. report that The Diatonic Pan Institute, Siparia community. now in its second year of operation has Notwithstanding those who continue to achieved substantially in the areas of While everyone continues to revel in the view civil societies as ‘cake sale’ institutions, steelband, education and events. While tremendous economic and social benets of Diatonic will persevere to achieve its some of our major achievements will be the Diatonic Siparia Pan on the Move, sadly, mandate of making a social intervention highlighted in this magazine, it will be the authorities in Siparia are prepared to sit geared towards creating a sustainable impossible to report on all our eorts due back and sponge on Diatonic’s eorts while tolerant society that will benet all. to limited space constraints. attempting to retard our progress in key areas. I would like to express my appreciation I would like to thank the executive and I must report however, how pleasantly for the limited infrastructural contribution members of the Steelband, Events and surprised I was at the response and outcome made by The Siparia Envirofest Committee; Education committees for their unselsh and of our 2011 Pan on the Move attempt. The however, to date no entity in Siparia has unwavering eorts in propelling Diatonic to objectives were way surpass expectations oered any nancial support for this prestig- the envious position it now holds nationally. and Siparia Fete was alive again. Today you ious event. I am appalled by the manner in My gratitude to all nanciers, well wishers, can still hear the buzz on the streets, with all which organisations trusted with the supporters and community members for types of organization and persons receiving responsibility of developing and improving their belief and I promise you a bigger and spin o congratulations. The watchword the social, infrastructural and economical more festive Pan on the Move 2012 that will now in Siparia is ‘you cannot stop this thing framework of Siparia continues to make see exponential growth in the coming years. 1 Head Table Siparia L-R Teddy Belgrave, Solomon Ioannou of the European Union, Keith Byer, Marcia Riley and Nestor Sullivan CULTURE & SPORTS CONFERENCE The Diatonic Education Committee staged two identical conferences entitled “Culture and Sports – A Tool for Social Transformation” in conjunction with the European Union. The conferences were held at Lions Civic Centre in Siparia and the Community Development Conference Facilities in Port of Spain. Presentations were made from Marcia Riley – “Eects of Culture and Sports on Youth Development”; Nestor Sullivan – “Business of the Steelpan and its Impact on Crime”; Kenny Phillips – “Music as an Industry”; Richard Braithwaite – “Role of Sport in Social Development”; and Damion Richardson – Ministry of Arts and Multiculturalism Tax Incentive Program. The day’s proceeding was moderated by Teddy Belgrave. All presentations were extremely informative, interactive and provocative, and fully explored their theme The NEWS newspaper of St. Vincent was represented by Mr. Duggie Joseph, who was sent to cover the event on their behalf. He was so impressed, that he immediately set about making plans for staging the conference in his country. Plans are also afoot to stage a similar conference in the sister isle of Tobago. Congratulations to the chairman of the Education Commit- tee Mr. Joel Joseph and his team for a job well done. Chairman Joel Joseph & committee members Dennis Noel & Roy Alexander relax after Conference POS 2 5 ALLEYNE’S Furniture & Appliances Ltd. Your Dealers In Sony, Sharp, Panasonic, The Festival of Daewoo, LG and Much More. LCD TV’s, Stereos, La Divina Pastora DVD Players, Microwaves, Part One Toasters and More. “The celebration of the Feast of La Divina Pastora is not only a Catholic religious festival; it is also deeply cultural, and dear to the hearts of Siparians.” Two distinct festivals have evolved in honour of buggy from neighbouring districts, and by the our patron, La Divina Pastora. The original coastal steamer from Port of Spain and other areas festival, called The Feast of La Divina Pastora or of Trinidad. These would disembark at the port of Siparia Fete, is held on the Feast-day observed by South Oropouche, and then travel over land to the Catholic Church, on the third Sunday after Siparia. With the advent of rail transport to Siparia Easter Sunday, when the gospel reading is that of in 1913, several chose the train, and the Trinidad the Good Shepherd. Government Railway had to schedule extra trains to Siparia for the event. Passengers often had to On this day, throngs of people journey to Siparia to disembark at the Coora Halt and walk the rest of the participate in the mid-morning Mass celebrated by way, due to the number of carriages parked at the the Archbishop of Port of Spain. The local parish Siparia railway station. makes preparations for adequate accomodation for the attendees; extra chairs are placed in the church After the church services were completed, the and tents are erected in the yard. Mass at 10.00a.m, feteing resumed. Horse racing, cycle racing and is followed by a procession with the famous statue other sporting events took place at the Irwin Park of La Divina Pastora through the streets. During the Savannah, while out in the streets steel bands procession, the Rosary is prayed and Marian hymns, entertained the crowds, and there was dancing in (hymns in honour of the Blessed Virgin Mary) are the streets. In the rum-shops, both calypsonians sung. The deejays and bars voluntarily turn o their and paranderos serenaded patrons with voice and music as the procession passes, a custom very guitar; and children enjoyed the rides oered by much appreciated by the Church. At the end of the the fun-fairs set up for the occasion, while vendors procession, the faithful return to the church for oered their wares for sale, and the gambling Benediction of the Blessed Sacrament. This ends booths enticed patrons to ‘not be lucky and the ocial religious observances, but many people coward’.....for a fee of course! remain in the church for hours, oering their private devotions. These observances have been Today, the crowds may not be as thick, and the the custom since before 1795, when the ocial factors of cultural celebration may have changed feast-day date was proclaimed by the reigning somewhat, the atmosphere of festivity remains, Pope, Pius VI. with dances, concerts, dance festivals and an old-time carnival parade, and all, Siparians and 2-3 Coora Road Siparia, The celebration of the Feast of La Divina Pastora is visitors alike, participate enthusiastically. 20 A George Street, Guapo Rd Fyzabad. not only a Catholic religious festival; it is also deeply cultural, and dear to the hearts of Siparians. In times Part 2 would be presented in the next edition. Phone: 868 649-1303 / 868 649-9695 past, Siparia Fete was one of the biggest events in 868 677-5104 Fax: 868 649-9695 this country. The crowds came to Siparia from all Theresa Noel, Amateur Heritage Historian, Website: www.alleynestt.com over, often days in advance to attend the pre-Fete Retired Teacher dances and other activities, travelling by horse and 3 Diatonic launches its Music Literacy Program PLNL President Roberto Mantellini hands over sponsorship cheque to Diatonic. Music Literacy Class Diatonic Education Committee launched its Music Literacy Program on February 01 2012, which was made available FREE to the community, thanks to the timely intervention of Point Lisas Nitrogen Limited. The program will see participants sitting the grade 1 Trinity School of Music examination in May 2012 and progress- ing to grade 8 by 2014.
Recommended publications
  • Streams of Civilization: Volume 2
    Copyright © 2017 Christian Liberty Press i Streams Two 3e TEXT.indb 1 8/7/17 1:24 PM ii Streams of Civilization Volume Two Streams of Civilization, Volume Two Original Authors: Robert G. Clouse and Richard V. Pierard Original copyright © 1980 Mott Media Copyright to the first edition transferred to Christian Liberty Press in 1995 Streams of Civilization, Volume Two, Third Edition Copyright © 2017, 1995 Christian Liberty Press All rights reserved. No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, without written permission from the publisher. Brief quota- tions embodied in critical articles or reviews are permitted. Christian Liberty Press 502 West Euclid Avenue Arlington Heights, Illinois 60004-5402 www.christianlibertypress.com Copyright © 2017 Christian Liberty Press Revised and Updated: Garry J. Moes Editors: Eric D. Bristley, Lars R. Johnson, and Michael J. McHugh Reviewers: Dr. Marcus McArthur and Paul Kostelny Layout: Edward J. Shewan Editing: Edward J. Shewan and Eric L. Pfeiffelman Copyediting: Diane C. Olson Cover and Text Design: Bob Fine Graphics: Bob Fine, Edward J. Shewan, and Lars Johnson ISBN 978-1-629820-53-8 (print) 978-1-629820-56-9 (e-Book PDF) Printed in the United States of America Streams Two 3e TEXT.indb 2 8/7/17 1:24 PM iii Contents Foreword ................................................................................1 Introduction ...........................................................................9 Chapter 1 European Exploration and Its Motives
    [Show full text]
  • Experience the Energy, Creativity and Diversity That Is Uniquely Trinidad and Tobago: Many Hearts, Many Voices, One Vision
    TRINIDAD AND TOBAGO THE BEST OF BOTH WORLDS Experience the Energy, Creativity and Diversity that is uniquely Trinidad and Tobago: Many Hearts, Many Voices, One Vision. 1 STEELPAN MUSIC TAKES TO THE STREETS ARIAPITA AVENUE, PORT OF SPAIN 2 CONTENTS DESTINATION OUR EXPORTS 08 TRINIDAD 34 TO THE WORLD DESTINATION MAKE YOUR MOVE: 15 TOBAGO 39 INVESTING DYNAMIC, UNIQUE, ENERGY 21 CULTURE 43 EVOLUTION BOUNDLESS VIBRANT SERVICES 28 CREATIVITY 50 INDUSTRY exportt.co.tt/expo2020 3 STATEMENT, FROM Experience the Energy, Creativity and THE GOVERNMENT OF Diversity that is uniquely Trinidad and Tobago: TRINIDAD AND TOBAGO Many Hearts, Many Voices, One Vision. The Republic of Trinidad and Tobago is a twin is- land nation, situated at the southern-most end of the Caribbean archipelago. The country is one of the most culturally diverse and dynamic nations in the Caribbean. Our rich heritage is demonstrat- ed through our people, culture, cuisine, and reli- gious festivals. We are also home to the Greatest Show on Earth – Trinidad and Tobago Carnival. At Expo 2020, the Trinidad and Tobago Pavilion celebrates who we are as a people, showcasing our beautiful twin island; and demonstrating our economic resilience. We share with Dubai and the rest of the world, our industries, our innova- THE COAT OF ARMS OF TRINIDAD AND TOBAGO tions, our culture, our diversity and our natural wonders. exportt.co.tt/expo2020 4 STATEMENT, FROM THE GOVERNMENT OF TRINIDAD AND TOBAGO Our National Instrument, the Steelpan is fea- The Trinidad and Tobago Pavilion also showcases tured prominently at the Pavilion. Born out of our the country’s success in the energy sector, which people’s resistance to oppression, the Steelpan has fueled its rapid development into one of is a testament of the innovation which can the most industrialized and innovative nations emerge from the shared hopes and aspirations in the Caribbean.
    [Show full text]
  • CARNIVAL and OTHER SEASONAL FESTIVALS in the West Indies, USA and Britain
    CORE Metadata, citation and similar papers at core.ac.uk Provided by SAS-SPACE CARNIVAL AND OTHER SEASONAL FESTIVALS in the West Indies, U.S.A. and Britain: a selected bibliographical index by John Cowley First published as: Bibliographies in Ethnic Relations No. 10, Centre for Research in Ethnic Relations, September 1991, University of Warwick, Coventry, CV4 7AL John Cowley has published many articles on blues and black music. He produced the Flyright- Matchbox series of LPs and is a contributor to the Blackwell Guide To Blues Records, and Black Music In Britain (both edited by Paul Oliver). He has produced two LPs of black music recorded in Britain in the 1950s, issued by New Cross Records. More recently, with Dick Spottswood, he has compiled and produced two LPs devoted to early recordings of Trinidad Carnival music, issued by Matchbox Records. His ‗West Indian Gramophone Records in Britain: 1927-1950‘ was published by the Centre for Research in Ethnic Relations. ‗Music and Migration,‘ his doctorate thesis at the University of Warwick, explores aspects of black music in the English-speaking Caribbean before the Independence of Jamaica and Trinidad. (This selected bibliographical index was compiled originally as an Appendix to the thesis.) Contents Introduction 4 Acknowledgements 7 How to use this index 8 Bibliographical index 9 Bibliography 24 Introduction The study of the place of festivals in the black diaspora to the New World has received increased attention in recent years. Investigations range from comparative studies to discussions of one particular festival at one particular location. It is generally assumed that there are links between some, if not all, of these events.
    [Show full text]
  • USA and Philippines) MONOGRAPH SERIES No
    United States Agency for International Development Peanut Collaborative Research Support Program Project 04 (USA and Philippines) MONOGRAPH SERIES No. 1 Department of Food Science and Technology University of Georgia 1109 Experiment St. Griffin, Georgia 30223-1797 USA Food Development Center National Food Authority Department of Agriculture FTI Complex, Taguig 1632 Metro Manila, Philippines Department of Food Science and Nutrition College of Home Economics University of the Philippines Diliman 1101 Quezon City, Philippines Department of Food Science and Technology Leyte State University 6521-A Leyte, Philippines 4 4 TECHNICAL AND POLICY ISSUES RELATED TO STRENGTHENING THE MARKET FOR PEANUTS Flor Crisanta F. Galvez1 Alicia O. Lustre2 Alberto R. Cariso3 Gertrude Agustin4 Ermina V. Edra5 Lutgarda S. Palomar6 and Anna V. A. Resurreccion7 !Chairman, Department of Food Science and Nutrition, UP Diliman 1101 2Director, Food Development Center 1632 3Division Chief, Food Development Center 1632 4Supervising Research Specialist, Food Development Center 1632 5Research Analyst, Food Development Center 1632 6Professor, Leyte State University 6521-A 7Professor, University of Georgia, Griffin, Georgia 30223-1797 JULY 2002 2 ACKNOWLEDGMENT The authors acknowledge the Peanut-Collaborative Research Support Program (P-CRSP) of the United States Agency for International Development (USAID) for providing research funds through Grant No. LAG-G-00-96-00013-00. We would also like to thank Dr. Tim Williams, Program Director of Peanut-CRSP for his support of our research activities; Dr. Anna V. A. Resurreccion, for her leadership as principal investigator of this Peanut-CRSP project; Dr. Manjeet Chinnan and Dr. Larry Beuchat, co- investigators of Peanut-CRSP, for their contributions to the research and training activities.
    [Show full text]
  • Music, Mas, and the Film and Video Segments
    Entertainment Services with Special Reference to MUSIC, MAS, AND THE FILM AND VIDEO SEGMENTS Submitted to: MR. HENRY S. GILL Communications Director/Team Leader CARICOM Trade Project Caribbean Regional Negotiating Machinery (RNM) "Windmark", First Avenue, Harts Gap Hastings, Christ Church Barbados Submitted by: MS. ALLISON DEMAS AND DR. RALPH HENRY December 2001 Entertainment Services with Special Reference to Music, Mas, and the Film & Video Segments i Contents EXECUTIVE SUMMARY........................................................................................................VI SECTION I 1.0 INTRODUCTION .......................................................................................................... 1 1.1 Objectives of Study........................................................................................................ 2 1.2 Delimitations and Limitations....................................................................................... 2 1.3 Outline of Study............................................................................................................. 3 1.4 Intellectual Property Rights.......................................................................................... 4 1.5 Industrial Organisation ................................................................................................ 7 1.6 Music........................................................................................................................... 11 1.7 Street Festivals...........................................................................................................
    [Show full text]
  • CARIBBEAN AMERICAN HERITAGE MONTH Caribbean History and Culture
    U . S . D E P A R T M E N T O F T H E I N T E R I O R CARIBBEAN AMERICAN HERITAGE MONTH Caribbean History and Culture WHY CARIBBEAN AMERICAN HERITAGE MONTH? Caribbean American Heritage Month was established to create and disseminate knowledge about the contributions of Caribbean people to the United States. H I S T O R Y O F C A R I B B E A N A M E R I C A N H E R I T A G E M O N T H In the 19th century, the U.S. attracted many Caribbean's who excelled in various professions such as craftsmen, scholars, teachers, preachers, doctors, inventors, comedians, politicians, poets, songwriters, and activists. Some of the most notable Caribbean Americans are Alexander Hamilton, first Secretary of the Treasury, Colin Powell, the first person of color appointed as the Secretary of the State, James Weldon Johnson, the writer of the Black National Anthem, Celia Cruz, the world-renowned "Queen of Salsa" music, and Shirley Chisholm, the first African American Congresswoman and first African American woman candidate for President, are among many. PROCLAMATION TIMELINE 2004 2005 2006 Ms. Claire A. Nelson, The House passed the A Proclamation Ph.D. launched the Bill for recognizing the making the Resolution official campaign for significance of official was signed by June as National Caribbean Americans the President in June Caribbean American in 2005. 2006. Heritage Month in 2004. D E M O G R A P H Y Caribbean Population in the United States Countries 1980-2017 Ninety percent of Caribbean 5,000,000 people came from five countries: Cuba, Dominican Republic, Jamaica, Haiti, 4,000,000 Trinidad, and Tobago.
    [Show full text]
  • Danielle Sirek, Phd Candidate [email protected] 418-5340 Supervisor: Dr
    MUSICKING AND IDENTITY IN GRENADA: STORIES OF TRANSMISSION, REMEMBERING, AND LOSS DANIELLE DAWN SIREK A thesis submitted in partial fulfilment of the requirements of the Manchester Metropolitan University for the degree of Doctor of Philosophy Awarded for a Collaborative Programme of Research at the Royal Northern College of Music by the Manchester Metropolitan University December 2013 For my family, for my colleagues, for my students: May you find stories of ‘who you are’, and feel connected to others, through your musicking ii Acknowledgements I am grateful for the unending support, academic and personal, that I have received throughout the research and writing of this dissertation. Firstly I would like to thank my husband Adam Sirek, my parents Kim and Marius LaCasse, and my father- and mother-in-law Jan and Elizabeth Sirek, who have been my constant support in every possible way throughout this journey. My thankfulness to you is immeasurable. And to my baby Kathryn, whose smiles were a constant source of strength and encouragement, my thanks and love to you. I would like to express my sincere gratitude to my co-supervisory team, Drs Felicity Laurence and Byron Dueck, who devoted seemingly unending hours closely analysing my thesis, discussing ideas with me, and providing me with encouragement and inspiration in many more ways than just academic. I am truly grateful for their guidance, expertise, and for being so giving of their time and of themselves. I learned so much more than research techniques and writing style from both of them.
    [Show full text]
  • Narratives of Resistance in Trinidad's Calypso and Soca Music Meagan A. Sylvester, UWI, St. Augustine Trinidad and Tobago Drma
    105 Narratives of Resistance in Trinidad’s Calypso and Soca Music Meagan A. Sylvester, UWI, St. Augustine Trinidad and Tobago [email protected] or [email protected] Abstract In Trinidad, the historical, socio-political and economic conditions which gave rise to the birth of Calypso are usually highlighted, in the existing literature, however, there is very little information regarding the oppositional lyrics of current Soca songs. By concentrating on the praxis of cultural resistance exemplified in the narratives of selected Carnival, Calypso and Soca songs, this article expands the existing discourse. Trinidad’s Carnival, post-emancipation, has important societal roles and functions. This article demonstrates that Carnival functions as performative rituals of resistance, individual and community awakening and identity development. Carnival’s established roles, functions and rituals are deliberately designed to disrupt the status quo. Keywords: Carnival, Calypso, Soca, Resistance, Respectability, Reputation Introduction Several synergies exist between the festival, the exuberant behaviours associated with the annual Carnival, and the art form of Calypso music and song. The respected, Trinidadian folklorist, J. D. Elder (1968), for example, states that the music and art of Trinidad and Tobago’s Carnival (the premiere, national cultural festival), manifests publicly, the oppression of established economic and social systems. Elder’s view concurs with that of Hill (2007), specifically, that social thought is illustrated visibly, in the communal and individual experiences that are demonstrated through sound. For Milla Riggio (2004), Carnival is an artistic institution in which music, song, dance, costumes, masks, handicraft, religion, poetry and sculpture depict the performers’ and artists’ creativity, worldviews, belief systems and philosophies of life.
    [Show full text]
  • Rules and Regulations 2019
    Rules, Regulations And Procedures Contents MISSION STATEMENT AND OBJECTIVES ..................................... 1 OVERALL GUIDELINES ...................................................................... 2 SECTION I - COMPETITION GUIDELINES ..................................... 5 PART I- COMPETITION STRUCTURE .................................... 5 Preliminaries .................................................................... 5 Semi-finals ........................................................................ 5 Finals ................................................................................. 6 PART II- GROUP/ ORGANIZATION GUIDELINES ............. 7 PART III- INDIVIDUAL PARTICIPANT GUIDELINES ....... 9 PART IV- TUTOR GUIDELINES ............................................. 10 PART V- ADJUDICATION GUIDELINES ............................. 14 PART VI - TIMEKEEPING GUIDELINES .............................. 18 SECTION II- LA REINE RIVE (MISS BEST VILLLAGE) ............... 22 PART 1- GENERAL ................................................................... 22 PART 2- SELF-EXPRESSION ................................................... 24 PART 3- TALENT ...................................................................... 25 PART 4- EVENING GOWN ..................................................... 27 PART 5- HAIR, MAKEUP & MOBILITY................................ 29 PART 6- ON STAGE QUESTION ............................................ 31 SECTION III - FOLK PRODUCTIONS ............................................. 34 PART 1-
    [Show full text]
  • Calypso and the Bacchanal Connection Earl Lovelace [email protected]
    Anthurium: A Caribbean Studies Journal Volume 3 Issue 2 Calypso and the Caribbean Literary Article 6 Imagination: A Special Issue December 2005 Calypso and the Bacchanal Connection Earl Lovelace [email protected] Follow this and additional works at: http://scholarlyrepository.miami.edu/anthurium Recommended Citation Lovelace, Earl (2005) "Calypso and the Bacchanal Connection," Anthurium: A Caribbean Studies Journal: Vol. 3 : Iss. 2 , Article 6. Available at: http://scholarlyrepository.miami.edu/anthurium/vol3/iss2/6 This Essay is brought to you for free and open access by Scholarly Repository. It has been accepted for inclusion in Anthurium: A Caribbean Studies Journal by an authorized editor of Scholarly Repository. For more information, please contact [email protected]. Lovelace: Calypso and the Bacchanal Connection Calypso and the Bacchanal Connection1 Calypsonians really ketch hell for a long time To associate your self with them was a big crime. If your sister talked to a steelband man The family want to break she hand Put she out, lick out every teeth in she mouth. Pass You outcast! (The Mighty Sparrow, “Outcast”) This calypso, “Outcast” by The Mighty Sparrow tells the story of calypso and of calypso’s men and women as undesirables, at that time relegated by society to what I call the bacchanal space, the jamette or underworld space in the Creole culture of Trinidad and Tobago.2 It was sung sometime in the sixties. So a conference like this on calypso forty years later indicates to us the distance that we have travelled. We owe debts of gratitude to calypsonians like Sparrow, Kitchener, Chalkdust, Shadow, and Rudder, but are specially grateful to people like Gordon Rohlehr, Chalkdust, and Louis Regis, to name a few, who have brought home to us the wealth of calypso production, the variety of its concerns and its significance to us as achievement and history.
    [Show full text]
  • Top 20Th Century Other Awards
    Top 20th Century Other Awards This calypso survey was conducted by Kaisoca International in Toronto via an internet poll to idnetify the Top 100 Calypsos of the 20th Century. There were a total of 825 entries submitted and results were tabulated from these entries. Kaisoca International is a calypso resreach organization headed by George Maharaj many thanks to John Child from England for his input with the dates of release of calypso and also to Oliver Dixon for his work on the tabulations of the results. These results were published in The Trinidad Mirror, The Trinidad Guardian, The Trinidad Express, The Toronto Caribbean Camera, The Share of Toronto, so you going to Carnival Magazine, Folkroots Magazine of England. The results of the top calypsos of the 20th century: The Top 25 Soca Hits of the Century 1. Sugar Bum Bum - Lord Kitchener 1978 2. Meh Lover - Lord Nelson 1983 3. Tiny Winey - Byron Lee 1985 4. Hot Hot Hot - Arrow 1983/4 5. Soca Man - Baron 1990 6. Get Something and Wave - Superblue 1991 7. Na Na Na - Second Imij 8. Dollar Wine - Colin Lucas 1991 9. Teaser - Becket 1990/1 10. Moving - Nigel Lewis 1996 11. Soca Baptist - Blueboy 1980 12. Judit - Scrunter 1985 13. Shaking it - Shandileer 1989 14. Gimme the Ting - Lord Kitchener 1984 15. Dingolay - Shadow 1994 16. I Don't Mind - Winston So So 1986 17. Paul - Crazy 1993 18. Golo - Second Imij 19. Parkway Rock - Rootsman 1986 20. Maimi Vibes - Rootsman 1987 21. Subway Jam - Swallow 1981/2 22. Jump (On the Count of Four) - Second Imij 1992 23.
    [Show full text]
  • Calypso and the World Music Market Gordon Rohlehr
    “We Getting the Kaiso That We Deserve” Calypso and the World Music Market Gordon Rohlehr Over the past six decades, calypsonians have had to produce their songs for that many-headed monster, the market, while retaining close contact with their communities and struggling to maintain aspects of ca- lypso tradition in a rapidly changing world. Market forces have steadily pushed calypso toward commodi- fication, teaching singers to do for profit what their ancestors did for fun, entertainment, relaxation, edifi- cation, or self-knowledge. Synchronized now to the heavy life-pulse of a so-called “world music,” calypso has emerged beyond the confines of its original small communities. It has begun to behave like other popular musics. Calypsonians are not naive; they are aware of real dangers as well as the possibility of tan- gible rewards of playing for the world market. A growing appreciation of the paradoxical nature of commodification can be heard in many of the calyp- sos which over the past three decades have monitored change and erosion in Trinidad’s musics, festivals, and performance styles. Calypsonians have maintained a bitter and ominous discourse about the state of cul- ture and the situation of art and artists in the post- independence era. Some of these calypsos or calypso-influenced songs in which such discourse has taken place have been Stalin’s “Steelband Gone” (), “If I Did Know” and “Where Limbo Gone” (), and “De Jam” (); Chalkdust’s “We Is We” (), “Kaiso versus Soca” (), “The Spirit Gone” (), “Uncle Sam . Gregory “G.B.” Own We” (), “Quacks and Invalids” (), and “Kaiso Sick in the Hos- Ballantyne performing at pital” (); Relator’s “Radio Stations” (ca.
    [Show full text]