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Ozploitation
LAUREN BLISS the Cinematic Body in View of the Antipodes: Philip Brophy's Body Melt As the Bad Copy
The Cultural Traffic of Classic Indonesian Exploitation Cinema
What Killed Australian Cinema & Why Is the Bloody Corpse Still Moving?
Amongst Friends: the Australian Cult Film Experience Renee Michelle Middlemost University of Wollongong
Cine-Excess Journal 4
Landscape and Ecology in the Australian New Wave
COM 329—Contemporary Film V. 1
Bakalářská Práce
Network Films: a Global Genre?
Guide to Film Movements
Australian Cinema Umbrella Australian Cinema
Ozploitation Revisited: Not Quite Hollywood
Cine-Excess Journal 4
Introduction: 42Nd Street, and Beyond
Cultural Borrowings: Appropriation, Reworking, Transformation
Craig William Proudley Exegesis (PDF 985Kb)
Whither Culture? Australian Horror Films and the Limitations of Cultural Policy
Download and Print a PDF Version of the Subscription
Top View
Australian Horror Movies and the Guilty Pleasures That Won’T Go Away
Regionális Western – Benke Attila
Resume Wizard
Movie-Going in New Zealand, 1950-1980
Popular Culture Popular Culture Includes a Wide Range of Activities That a Large Number of People in a Society Engage In
Towards an Understanding of Australian Genre Cinema and Entertainment : Beyond the Limitations of ‘Ozploitation’
Celebrating the Finer Elements of Cinema
Platform Papers Quarterly Essays on the Performing Arts from Currency House
Australian History at the Cinema
Excess and Absence in Harlequin and Beyond
Film Calendar February 10 - April 6, 2017
Madman Cinema
Returning to Australian Horror Film and Ozploitation Cinema Debate Mark
That Was a Bit Mental: Volume 1
B for Bad Cinema Plus General Articles
Alfred Hitchcock's Silent Films Scandinavian Crime Cinema
Popular Culture As a Powerful Destination Marketing Tool: an Australian Study
Returning to Australian Horror Film and Ozploitation Cinema Debate
Making European Cult Cinema: Fan Production in an Alternative Economy