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Norsefire
“Why So Serious?” Comics, Film and Politics, Or the Comic Book Film As the Answer to the Question of Identity and Narrative in a Post-9/11 World
V for Vendetta’: Book and Film
Overthrowing Vengeance: the Role of Visual Elements in V for Vendetta
Alan Moore V for Vendetta
Gendered Power Dynamics in Superhero Films
Mechanisms of Control in Alan Moore's "V for Vendetta" and George Orwell's "1984"
V for Vendetta
Anarchy in Critical Dystopias: an Anatomy of Rebellion Taylor Andrew Loy Thesis Submitted to the Faculty of the Virginia Polytec
Antiutopía Y Control
A Bio-Political Reading of 20Th Century Latin American and Anglo-Saxon Science Fiction Juan David Cruz University of South Carolina
I /'Jtt~ / J Date Copyright 2015
Power Structures in V for Vendetta
Goodbye Lenin? Žižek on Neoliberal Ideology and Post-Marxist Politics
V for Vendetta Academic Guide(Fin)
Art and Totalitarianism in Film
Utopia and Dystopia Between Scientific Romance and Graphic Novel
Graphic Novels
Images of Guy Fawkes and the Creation of Postmodern Anarchism
Top View
The Validation of Violence in V for Vendetta Noah Mailloux College of the Holy Cross
Last Name 1 Student Name Instructor Name English 110 Date on The
Neoliberalism with a Human Face? Critical Perspectives on Hollywood
UNIVERZITA KARLOVA V PRAZE Moderní Dystopie a Teorie Totalitarismu
Intertextuality and the Depiction of Ideological Conflicts
Lana and Lilly Wachowski
And Using V for Vendetta in the Composition Classroom Stacey Kikendall University of New Mexico
“Become Transfigured Forever”: Political Transcendence in Alan Moore and David Lloyd’S V for Vendetta
"That's a Lotta Faith We're Putting in a Word": Language, Religion, And