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- Thomas S. Grey [email protected] 4666 Alpine Dr
- The Critical Reception of Richard Wagner's Tristan Und Isolde in the English-Speaking World
- Mahler and Strauss Transcript
- University of Cincinnati
- Wagner and Paris: the Case of Rienzi (1869)*
- On the Perception of Early Atonal Music: Finding Musical Meaning in the Work of Anton Von Webern Jonathan Schmieding University of Connecticut - Storrs
- Richard Wagner (1813–1883) Orchestral Music from Der Ring Des Nibelungen to Grasp the Essential Meaning of Der Ring Des Oblivion
- Richter's Wagner: a New Source for Tempi in Das Rheingold
- Richard Wagner and the Politics of Music-Drama Author(S): Mark Berry Source: the Historical Journal, Vol
- From Gesamtkunstwerk to Music Drama
- Scribe and Meyerbeer's L'africaine: a World-Minded Parisian Opera
- The Cambridge Companion to Wagner Edited by Thomas S
- The Music of Wagner in Toronto Before 1914 Carl Morey
- Tribute to Franz Liszt in His Bi-Centenary Year Lecture
- Memory and Hypnotism in Wagner's Musical Discourse
- Pianistic Contributions of Hans Von Bülow (1830-94): Performer, Teacher, and Editor
- Wagner's Loosely Knit Sentences and the Drama of Musical Form
- Scholarly Program Notes of Recital Repertoire Stephen D