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Music of the Future

  • Parsifal and Canada: a Documentary Study

    Parsifal and Canada: a Documentary Study

  • The Nineteenth Century, Part 2: Nationalism and Ideology

    The Nineteenth Century, Part 2: Nationalism and Ideology

  • 4. Wagner Prelude to Tristan Und Isolde (For Unit 6: Developing Musical Understanding)

    4. Wagner Prelude to Tristan Und Isolde (For Unit 6: Developing Musical Understanding)

  • Constructing Chivalry: the Symbolism of King Mark in Wagner's Tristan

    Constructing Chivalry: the Symbolism of King Mark in Wagner's Tristan

  • WAGNER 3 Cds the Royal Swedish Orchestra Traces Its Origins from the Court Chapel of the Sixteenth Century and Is One of the World’S Oldest Orchestras

    WAGNER 3 Cds the Royal Swedish Orchestra Traces Its Origins from the Court Chapel of the Sixteenth Century and Is One of the World’S Oldest Orchestras

  • The Love-Honor Dilemma in Tristan and Isolde: Calderón and the Tragic Conception of Wagner’S Opera

    The Love-Honor Dilemma in Tristan and Isolde: Calderón and the Tragic Conception of Wagner’S Opera

  • Chapter Twenty Two Outline Student

    Chapter Twenty Two Outline Student

  • Romanticism, Rebellion, and the Music of the Future an Essay By

    Romanticism, Rebellion, and the Music of the Future an Essay By

  • Religious Workshop and Gregorian Chant: the Janus Liszt, Or How to Make New with the Old Nicolas Dufetel

    Religious Workshop and Gregorian Chant: the Janus Liszt, Or How to Make New with the Old Nicolas Dufetel

  • The Art-Work of the Future

    The Art-Work of the Future

  • Nietzsche's Critique of

    Nietzsche's Critique of "Absolute" Music

  • Art and Revolution

    Art and Revolution

  • Meyerbeer's Africana and Municipal

    Meyerbeer's Africana and Municipal

  • Fall 2011 in Deiner Zauber Holde Nacht

    Fall 2011 in Deiner Zauber Holde Nacht

  • DIE MEISTERSINGER VON NÜRNBERG RICHARD WAGNER Born May 22, 1813, in Leipzig, Germany Died February 13, 1883, in Venice, Italy

    DIE MEISTERSINGER VON NÜRNBERG RICHARD WAGNER Born May 22, 1813, in Leipzig, Germany Died February 13, 1883, in Venice, Italy

  • The Paradox of Commodified Music in Decadence

    The Paradox of Commodified Music in Decadence

  • A Sublime Invasion: Meyerbeer, Balzac, and the Opera Machine

    A Sublime Invasion: Meyerbeer, Balzac, and the Opera Machine

  • Download Booklet

    Download Booklet

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  • Thomas S. Grey [email protected] 4666 Alpine Dr
  • The Critical Reception of Richard Wagner's Tristan Und Isolde in the English-Speaking World
  • Mahler and Strauss Transcript
  • University of Cincinnati
  • Wagner and Paris: the Case of Rienzi (1869)*
  • On the Perception of Early Atonal Music: Finding Musical Meaning in the Work of Anton Von Webern Jonathan Schmieding University of Connecticut - Storrs
  • Richard Wagner (1813–1883) Orchestral Music from Der Ring Des Nibelungen to Grasp the Essential Meaning of Der Ring Des Oblivion
  • Richter's Wagner: a New Source for Tempi in Das Rheingold
  • Richard Wagner and the Politics of Music-Drama Author(S): Mark Berry Source: the Historical Journal, Vol
  • From Gesamtkunstwerk to Music Drama
  • Scribe and Meyerbeer's L'africaine: a World-Minded Parisian Opera
  • The Cambridge Companion to Wagner Edited by Thomas S
  • The Music of Wagner in Toronto Before 1914 Carl Morey
  • Tribute to Franz Liszt in His Bi-Centenary Year Lecture
  • Memory and Hypnotism in Wagner's Musical Discourse
  • Pianistic Contributions of Hans Von Bülow (1830-94): Performer, Teacher, and Editor
  • Wagner's Loosely Knit Sentences and the Drama of Musical Form
  • Scholarly Program Notes of Recital Repertoire Stephen D


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