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Michael Relph
University of Huddersfield Repository
EARL CAMERON Sapphire
From Real Time to Reel Time: the Films of John Schlesinger
Shail, Robert, British Film Directors
Janet Green Collection
Itinéraires, 2014-3 | 2015 Structures of Authority: Post-War Masculinity and the British Police 2
JOHN SCHLESINGER [Extent 140 Archive Boxes]
War Cinema– Or How British Films Learned to Stop Worrying and Love the Affluent Society
Bryanston Films : an Experiment in Cooperative Independent Production and Distribution
'Social Problem' Film: 'Violent Playground'
British Crime Film
Shakespeare on Film and Television in the Motion Picture, Broadcasting and Recorded Sound Division of the Library of Congress
Dead of Night
Film Club Sky 328 APRIL Newsletter Freesat 306 MAY 2019 Virgin 445
1 Film and Cultural History
Lindsay Anderson: Sequence and the Rise of Auteurism in 1950S Britain
THE RANK ORGANISATION 1962 ~"""""""""""------~L
'VICTIM': TEXT AS CONTEXT by ANDY MEDHURST Downloaded From
Top View
Bryanston Films : an Experiment in Cooperative Independent Production and Distribution
The Cultural Construction of the Police 1
Edward Carrick
The Spectacle of Realism: Special Effects at Ealing Studios, 1940-45 Keywords: Ealing Studios; Special Effects; Second World
Lobby Cards Gift of Professor Rennard Strickland
Mild Revolution’: the Politics of Ealing Studios
British World War Two Films 1945-65: Catharsis Or National Regeneration?
Windrush Noir: Racism in Pool of London and Sapphire
Bibliography
Can This Hell Perhaps Be Jules Dassin's London, Which Is
Ealing Studios - Wikipedia Coordinates: 51°30′32″N 0°18′26″W