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Max (software)

  • Tosca: an OSC Communication Plugin for Object-Oriented Spatialization Authoring

    Tosca: an OSC Communication Plugin for Object-Oriented Spatialization Authoring

  • Implementing Stochastic Synthesis for Supercollider and Iphone

    Implementing Stochastic Synthesis for Supercollider and Iphone

  • Pure Data

    Pure Data

  • The Viability of the Web Browser As a Computer Music Platform

    The Viability of the Web Browser As a Computer Music Platform

  • 62 Years and Counting: MUSIC N and the Modular Revolution

    62 Years and Counting: MUSIC N and the Modular Revolution

  • Bringing Csound to a Modern Production Environment

    Bringing Csound to a Modern Production Environment

  • (CCM)2 - College-Conservatory of Music Center for Computer Music, University of Cincinnati

    (CCM)2 - College-Conservatory of Music Center for Computer Music, University of Cincinnati

  • Final Presentation

    Final Presentation

  • Antescollider: Control and Signal Processing in the Same Score José Miguel Fernandez, Jean-Louis Giavitto, Pierre Donat-Bouillud

    Antescollider: Control and Signal Processing in the Same Score José Miguel Fernandez, Jean-Louis Giavitto, Pierre Donat-Bouillud

  • Distributed Musical Decision-Making in an Ensemble of Musebots: Dramatic Changes and Endings

    Distributed Musical Decision-Making in an Ensemble of Musebots: Dramatic Changes and Endings

  • Advances in the Parallelization of Music and Audio Applications

    Advances in the Parallelization of Music and Audio Applications

  • An Interview with Max Mathews

    An Interview with Max Mathews

  • Generative Tools for Interactive Composition: Real-Time Musical

    Generative Tools for Interactive Composition: Real-Time Musical

  • The New Developments in Csound 6

    The New Developments in Csound 6

  • Musical Use of a General and Expressive Plucked-String

    Musical Use of a General and Expressive Plucked-String

  • Temporal Semantics for a Live Coding Language

    Temporal Semantics for a Live Coding Language

  • Musebots at One Year: a Review

    Musebots at One Year: a Review

  • Bangbook.Pdf

    Bangbook.Pdf

Top View
  • Computer Music II Computer Music Center, Columbia University Spring
  • Controlling Complex Virtual Instruments – a Setup with Note~ for Max and Prepared Piano Sound Synthesis
  • Arts Across Learning Festival 2020 Brochure
  • Computer Music Automata
  • Casca Ndo Realization of Samuel Beckett's Radio Play by Charles I-@---- Dodge Cast of Characters
  • Farm2014 Copy 2.Key
  • SMC2011 Template
  • Herding Cats: Observing Live Coding in the Wild
  • The Csound Plugin Opcode Framework †
  • 1 Csound Synthesis Approach for the Ivcs3 Ios App Eugenio
  • Music Information Retrieval in Live Coding
  • Introduction to Supercollider
  • Software a Selection of Free and Open Source Programming Languages, Platforms and Environments in Digital Art Production
  • Introduction to Pure Data
  • Scheduling Musical Events in Max/MSP with Scheme for Max
  • Twenty Years of Ircam Spat: Looking Back, Looking Forward
  • Ftm — Complex Data Structures for Max
  • A New Implementation of Spat in Max Thibaut Carpentier


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