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Ludwig Meidner
The Smart Museum of Art Bulletin 1992-1993
The Silverman Collection
German and Austrian Art of the 1920S and 1930S the Marvin and Janet Fishman Collection
Revonnah Hannover Die Avantgarde Des 20
1914 the Avant-Gardes at War 8 November 2013 – 23 February 2014
Raoul Hausmann and Berlin Dada Studies in the Fine Arts: the Avant-Garde, No
The Museum of Modern Art
THE APOCALYPTIC LANDSCAPES of LUDWIG MEIDNER By
The Apocalypse in Germany
Street View: the Expressive Face of the Public in James Ensor's 1888 Christ's Entry Into Brussels
Annual Report 2002
Report 2, by Dr Jill Lloyd Assessment of the Collection As a Key Asset In
German Expressionist Prints and the Legacy of the Early German Masters
Two Ecstatics in an Apocalyptic Landscape, 1921 Black Chalk on Chamois Velin with Watermark ‘Progress’ 660 X 510 Mm
Robert Gore Rifkind Foundation, Rifkind Gallery Rotation History
Degenerate Art" in the Third Reich'
Wilhelm Arntz Papers, 1898-1986
The Blind Architect Meets Rembrandt Alexander Pilis & Ihor Holubizky
Top View
Germany – a Century of Expression
German Expressionism in Context: the First World War and the European Avant-Garde Ian Germani University of Regina (Canada) E-Mail:
[email protected]
The Art of World War I
Press Kit Contacts
I KURT SCHWITTERS' an ANNA BLUME and THE
Review of Leicester City's German Expressionist Art Collection
IMA 10 84-96 Czekanowska.Indd
Assessment of the Significance of the Collection As a Key Asset in the Understanding of German Expressionism Within the United Kingdom
Works of Art Pertaining to the First World War in the Spencer Museum of Art
Entartete Kunst
Degenerate Art 1 Degenerate Art
German EXPRESSIONIST PAINTINGS from the Collection of Mr