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Li Shangyin
Bowden Ku 0099M 13859 DA
Strong and Weak Interpretations in Translating Chinese Poetry
Li Shangyin: the Poetry of Allusion
The Donkey Rider As Icon: Li Cheng and Early Chinese Landscape Painting Author(S): Peter C
VCWE: Visual Character-Enhanced Word Embeddings
An Analysis of the Difficulties in the Translation of Regional Classical Chinese Poetry-A Case Study on Chongqing's Overseas Transmission
Li Shangyin and the Art of Poetic Ambiguity 1
The Hanzhong Written Poetry of Tang Dynasty and Contemporary Urban Construction in Hanzhong
An Introduction to Chinese Poetry from the Canon of Poetry to the Lyrics of the Song Dynasty
The Dreaming Mind and the End of the Ming World
Imagery Focalization and the Profiling of a Poetic World: from Semantic to Metaphorical Coherence and Beyond
Metaphysical and Mid-Late Tang Poetry a Baroque Comparison
Chinese Poetry
Guqin and Guzheng: the Historical and Contemporary Development of Two Chinese Musical Instruments
Essays on East Asian Religion and Culture
Romantic Identity in the Funerary Inscriptions (Muzhi) of Tang China
26Th) International Cosmos Prize Dr. Augustin Berque Director of Studies at the EHESS (École Des Hautes Études En Sciences Sociales
Bachelor's Thesis
Top View
On Parting, Separation and Longing in the Chinese Poetic Tradition
Fall 2012 Newsletter
Introduction to Chinese Literature
A Study of Li Yuan's “Zhuanbian Ren”
“Mountain-Dwelling Poems”: a Translation
A Semiotic View of Li Shangyin's Allusiveness
Chinese Poetry and Translation Chinese Poetry and Translation
Theatrical and Fictional Lyricism in Early Qing Literature
Exploring Chinese Poetry with Digital Assistance: Examples from Linguistic, Literary, and Historical Viewpoints
Kanshi by Mori Ōgai Hokuyū Nichijō and Go Hokuyū Nichijō (Part 2)
Li Shangyin the Poems on Occasion
Is Li Shangyin's Untitled Poem Not Writing Love?
Classical Chinese Poetry
300 Tang Poems About the Electronic Version Tang Shi San Bai Shou 300
Scanned Using Book Scancenter 5033
Classical Chinese Poetry I. Course Description II. Course
Connotators, Blended Spaces, and Figures of Grammar: Reflections on Traditional Chinese Poetics Through a Semiotic Study of Su Manshu’S Poetry
Formation of the Xikun Style Poetry Jin Qian University of Massachusetts Amherst