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Li Gonglin
Cataloguing Chinese Art in the Middle and Late Imperial Eras
Painting Outside the Lines: How Daoism Shaped
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Zeng Jing's Informal Portraits of the Jiangnan Litera
Representing Talented Women in Eighteenth-Century Chinese Painting: Thirteen Female Disciples Seeking Instruction at the Lake Pavilion
Lecture Notes, by James Cahill
The Heart of Ma Yuan the Search for a Southern Song Aesthetic
The Donkey Rider As Icon: Li Cheng and Early Chinese Landscape Painting Author(S): Peter C
JSYS45.Toc.Pdf
Buddha” and the “Foreign Kings” in Barbarian Royalty Worshipping Buddha
Apparition Painting Author(S): Yukio Lippit Source: RES: Anthropology and Aesthetics, No
Zhao Mengfu Calligraphy and Painting for Khubilai’S China
The Perceptions of Horses in Thirteenth- And
Paintings of Zhong Kui and Demons in the Late
Copyrighted Material
Freer Gallery of Art F1919.119 1 Trad. Attr. To: Li Gonglin 李兯麟(Ca. 1049
UC San Diego UC San Diego Previously Published Works
Qin Dynasty Great Wall of China
Top View
Chinese Art 2. the Song Dynasty
Art of Orient 2015.Indb
The Role of Japan in Modern Chinese Art Edited by Joshua A
Back to the Red Cliff: Reflections on the Narrative Mode in Early Literati Landscape Painting Byjerome Silbergeld
Confronting Dynastic Change
Patchwork East Asian Comparative Literature and Culture
Lecture Notes, by James Cahill Note: the Image Numbers in These Lecture Notes Do Not Exactly Coincide with the Images Onscreen B
The Ten Views of West Lake 151
Eremitic Landscape Dwelling in Confucian China and Enlightenment Europe: Structuring the Moral Self in Reclusion and Performing Public Duty
Comparing Bifa Ji and Linquan Gaozhi: Shifts in Art Writings About Landscape in the Five Dynasties and Northern Song Periods
About the Ming Dynasty
CITING WANG WEI Mi Youren and the Temporal Dimensions of Landscape