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Larisa Shepitko
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DIRECTOR Larisa Shepitko WRITING Yuri Klepikov and Larisa Shepitko Wrote the Screenplay Adapted from a Novel by Vasiliy Bykov
October 30, 2012 (XXV:9) Elim Klimov, COME and SEE/Иди И Смотри (1985, 136 Min)
Association for Slavic, East European, & Eurasian Studies
Saturday, November 22, 2014 Registration Desk: 7:00 A.M
Canadian Slavonic Papers: Revue Canadienne Des Slavistes Thinking
Larissa Shepitko, VOSKHODZDENIE/THE ASCENT (1976, 109 Min)
The Lady Vanishes: Soviet Censorship, Socialist Realism, and the Disappearance of Larisa Shepitko by Anastasia Sorokina
Contributors Auteurs
Andrei Tarkovsky: SOLARIS (1972, 167M) Spelling and Style—Use of Italics, Quotation Marks Or Nothing at All for Titles, E.G.—Follows the Form of the Sources
National Convention 2009
Soviet Cinema of the Sixties
The Filmmaker's Philosopher
Religious Themes in Recent Soviet Cinema
Renzi Swings for the Fences Lowdown
Curriculum Vitae
Religion, Politics, and Literature in Larisa Shepit'ko's the Ascent
Communist Morality, Gender and Embodiment in Thaw Cinema
Top View
Technology, Culture, and Legitimacy Through Soviet Aviation Christopher Zakroff
Representations of Urban Spaces and Their Transformations in Soviet Cinema of the 1920S and 1960S
In the Past Few Weeks, As Planning for the 2020 ICCEES World Congress (Which CAS Will Host at Concordia University in Montreal)
Come and See
Cteq-2019-Calendar.Pdf
Icons, Landscape, and the Boundaries of Good and Evil Larisa Shepitko's
AND up SHE WENT: the MORAL VERTICAL in WINGS Åsne Ø
Redthread2eng.Pdf
Interview with Elem Klimov
Schnittke VHS DVD Catalogue
The Politics of Culture Under Gorbachev
The Representation of Women in the Cinemas of the Thaw
¬¬¬¬Film Festival Winners¬¬¬¬
'Last of the Kodak': Andrei Tarkovsky's Struggle with Colour. by Richard
The Myth of the Woman Warrior and World War Ii in Soviet Culture
Multimedia Library Feature Films: Russian, Ukrainian, Or Central Asian