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King Kapisi
Individuality, Collectivity, and Samoan Artistic Responses to Cultural Change
MC Trey: the 'Feline Force' of Australian Hip Hop Tony Mitchell
Still Life Press
PROMOTING DIVERSITY of CULTURAL EXPRESSION in ARTS in AUSTRALIA a Case Study Report
Party Warehouse Karaoke & Jukebox Song List
View Sample Pages of Tangata O Le Moana
A Rhythmic Analysis of Rap - What Can We Learn from ‘Flow’?
The Festivalisation of Pacific Cultures in New Zealand: Diasporic Flow and Identity Within ‘A Sea of Islands’
Introduction
Global Noise and Global Englishes
Bette... New Tune R Legit Service Must Overcome Intimately Its File -Sharing Progeny
Where's Morningside? Locating Bro'town in the Ethnic Genealogy Of
A Samoan Case Study
Cultural Transformation and Modernity: a Samoan Case Study
Staging Critical History Within the Space of the Beat Or What Cultural Historians Can Learn from Public Enemy, NTM, MC Solaar & George Clinton
What Is Planet Indigenus? “We Are All from Somewhere, a Place on This Earth from Where We Trace Our Ancestors
Non-Prevocalic /R
Pacific Languages Framework
Top View
View the 2016 Programme
Selling Beats and Pacifications: Pacific Music Labels in Aotearoa/New Zealand/Niu Sila
Clamor Magazine
1 Hip Hop in Te Reo Māori by a Pākehā
Ladi6, Urthboy and K'naan
PDF File Created from a TIFF Image by Tiff2pdf
94 Nesian Styles
The New Zealand Music Industry Te Ahumahi Puoro O Aotearoa April 2019
Coffee and Allah Press
Traditions in Transition a Musical Perspective in a Changing, Developing Samoa