[PB 16.1-2 (2015) 5-7] Perfect Beat (print) ISSN 1038-2909 doi:10.1558/prbt.v16i1-2.29133 Perfect Beat (online) ISSN 1836-0343 Shelley Brunt Oli Wilson Introduction Shelley Brunt is a Senior Lecturer in Music and School of Media and Communication Media at RMIT University, Australia. Her research RMIT University interests are in the field of ethnomusicology, with GPO Box 2476 a focus on popular music in Japan, and forthcom- Melbourne, VIC, 3001 ing publications include the co-edited (with Geoff Australia Stahl) Made in Australia and New Zealand: Studies
[email protected] in Popular Music (Routledge, 2017). Oli Wilson is a Senior Lecturer in the School of School of Music & Creative Media Music and Creative Media Production at Massey Production University, Wellington. His main area of research is College of Creative Arts music in Oceania, and he specializes in the record- Massey University, Wellington ing industry and popular music cultures in Papua Aotearoa, New Zealand New Guinea.
[email protected] This is the second Perfect Beat publication under the new editorial team of exec- utive editor Mark Evans, editor Shelley Brunt, assistant editor Oli Wilson and reviews editor Catherine Strong. We are delighted to present a double issue to our readers for 2015, due to the significant number of quality submissions to the jour- nal. These submissions include articles and interview Riffs which focus on topic areas spanning the Pacific, from Norfolk Island to Guam, as well as the urban cen- tres of Australia, such as Melbourne and Perth. Our double issue begins with Joseph Cummins’s exploration of the complex network of relations between islands and other spaces through his analysis of the twelve-part jazz suite Mutiny Music by Rick Robertson.