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Kaiser Marshall
Selected Observations from the Harlem Jazz Scene By
Jazz and the Cultural Transformation of America in the 1920S
Louis Armstrong
Jacques Butler “Jack”
What Is This Thing Called Swing? and Other Kinds of Jazz for That Matter?
A Hep Kid with a Beat
Howard Scott
Benny Goodman's Band As Opening C Fit Are Russell Smith, Joe Keyes, Miller Band Opened a Week Ago Bassist
Really the Blues, Mezzrow Says: “I Was the Only White Man in the Crowd
The Strutter VOLUME 22 NUMBER 7 Traditional Jazz in the Philadelphia Tri-State Area March 2012
King Porter Stomp" and the Jazz Tradition* Jazz Historians Have Reinforced and Expanded Morton's Claim and Goodman's Testimony
A Linked-Data Jazz Project for Stanford University Libraries
Harold MABERN: Teo MACERO
Guide to the Ernie Smith Jazz Film Collection
Fletcher Henderson and His Orchestra
The Twenties and Louis Armstrong a Thesis Submitted to the Faculty of Atlanta University in Partial Fulfillment of The
Notorious Band the Gibson Gang Is Corn Prised of 12 Jazz Men
Sn ¨Ü8ô,Nidyúäw
Top View
A Tommy Ladnier Discography Bo Lindström
Louis Armstrong -Portrait of the Artist As a Young Man 1923-1934
The Recordings of Sidney Bechet; in Fact It Does Not Include Much Release Information at All
A Case of Casual Insight the Chocolate Dandies Session of 4Th December 1930
Fletcher Henderson – Classic Period
Jazz Articles III Collection of Jazz Articles - III
JELLY ROLL MORTON's
Pkhouse Record Collection
"King Porter Stomp" and the Jazz Tradition *
Bennett Lester Carter “Benny”
The Evolution of the Ride Cymbal Pattern from 1917-1941
Acdsee Proprint
November 1981
Playlist Zu: Black and Blue. Louis Armstrong
Donald Matthew Redman “Don”
A Case of Serious Attempt
Coleman Hawkins “Hawk” “Bean”
Spring 2015 Rambler 2.Pmd