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Johannes de Muris
Playing with the Performer in Medieval Music: Machaut’S Ideas on Love and Order in Quant Vraie Amour / O Series Summe Rata / Super Omnes Speciosa (Motet 17)
02 Chapter 1 Stoessel
New Oxford History of Music Volume Ii
An Analysis of Guillaume De Machaut's "Le Lay De La Fonteinne" in Cultural Context Patricia A
Music and University Culture in Late Fourteenth-Centurypavia
A New Look at Ars Subtilior Notation and Style in the Codex Chantilly, Ms. 564
Shaw-Rebecca-MA-MUSIC-June
248 Matters on Musical Proportions: 15Th Century Hebrew Class-Notes
Plain-Chant, Music of Rituals That Does Not
Recycling Reversed Studies in the History of Polyphony in the Northern Low Countries Around 1400
Theory. the Abstract Principles Embodied in Music and the Sounds of Which It Consists
5 the Fourteenth Century Elizabeth Eva Leach
Symbolic Innovation: the Notation of Jacob De Senleches." Acta Musicologica No
KNIGHTS, MAIDS and MIRACLES the Spring of Middle Ages
Chapter 3: the Ars Nova: Musical Developments in the Fourteenth Century I. Introduction A. Ars Nova (The New Art) Arose in Fourt
The Captive Scribe, Part 1
Rethinking Ars Subtilior: Context, Language, Study and Performance
Experimental Affinities in Music
Top View
AMS/SMT San Antonio 2018 Abstracts Thursday Afternoon 2:15–3:45
Chronology Antiquity and the Middle Ages
A History of 'Consonance' and 'Dissonance'
M Javelinotc M Javelinot C Muh-Seeö Zhah-Vuh-Lee-No C
The Reception of the Universale Neume
Rethinking Ars Subtilior: Context, Language, Study and Performance
Theory, Theorists. file:///Home/Hugo/Material Didatico/New Grove/Entries
07 Chapter 6 Stoessel
Downloaded to My Phone and Instantly Consultable, Even When Offline
7 June 2020 a Little Reminder Please Don't Forget to Keep Looking at Our
Whose Music Is It Anyway? How We Came to View Musical Expression As a Form of Property
Philological Works on Musical Treatises of the Middle Ages 79
Vocal Facsimiles (Medieval-Renaissance)
Music Theory in Clio's Mirror