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James Ingo Freed
Jewish Dimensions in Modern Visual Culture: Antisemitism, Assimilation, Affirmation
School of Architecture 2010–2011
Architecture Program Report 7 September 2015
NEA Chronology Final
The 150 Favorite Pieces of American Architecture
James Ingo Freed (19302005)
Oral History Interview with Keith Sonnier, 2009 September 22- October 20
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Nature Versus Culture: Lower Manhattan Land Art by Charles Simonds, Walter De Maria, and Alan Sonfist Farrar Fitzgerald CUNY City College
2012Architecture.Pdf
Ejournals @ Oklahoma State University Library
University Village
A Course of Lectures on Translation Theory and Practice for Institutes and Departments of International Relations)
The Edge of Modernism Kalaidjian, Walter
SAH News Newsletter of the Society of Architectural Historians March / April / May 2010 Volume LIV, No
American Jewish Cultu|E
WHAT Architect WHERE Notes Zone 1: Manhattan Built in 1913-14 As Hurtig & Seamon's New Burlesque Theater in Neo-Classical Style
2011–12 Annual Report If We Want the Future to Be Different from the Past, More People Must Understand the Holocaust and Care Enough To
Top View
National Endowment for the Arts
School of Architecture 2009–2010
LIFE WRITING the HOLOCAUST Margaret Polizos Peterson, Doctor
National Medal of Arts
Exhibiting the Holocaust: Museum Tour Narratives As Presentations of Institutional Post-Holocaust American Identity
Exhibiting Atrocity: Memorial Museums and the Politics of Past Violence
Green Good Design 2014 Awards 2014 G O O D D E S I
ORAL HISTORY of JAMES INGO FREED Interviewed by Betty J. Blum Compiled Under the Auspices of the Chicago Architects Oral History
2010–11 Annual Report
Diane H. Lewis, FAAR Courses Taught
Composing the Past Through the Multiliteracies at The
2005–06 Annual Report
AIA New York Chapter Awards & Honors 2017
2016–17 ANNUAL REPORT 3 PRESERVING TRUTH the Museum’S Greatest Asset Is the Collection of Record on the Holocaust