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Using the MMORPG 'Runescape' to Engage Korean
Using the MMORPG ‘RuneScape’ to Engage Korean EFL (English as a Foreign Language) Young Learners in Learning Vocabulary and Reading Skills Kwengnam Kim Submitted in accordance with the requirements for the degree of Doctor of Philosophy The University of Leeds School of Education October 2015 -I- INTELLECTUAL PROPERTY The candidate confirms that the work submitted is her own and that appropriate credit has been given where reference has been made to the work of others. This copy has been supplied on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. © 2015 The University of Leeds and Kwengnam Kim The right of Kwengnam Kim to be identified as Author of this work has been asserted by her in accordance with the Copyright, Designs and Patents Act 1988. -II- DECLARATION OF AUTHORSHIP The work conducted during the development of this PhD thesis has led to a number of presentations and a guest talk. Papers and extended abstracts from the presentations and a guest talk have been generated and a paper has been published in the BAAL conference' proceedings. A list of the papers arising from this study is presented below. Kim, K. (2012) ‘MMORPG RuneScape and Korean Children’s Vocabulary and Reading Skills’. Paper as Guest Talk is presented at CRELL Seminar in University of Roehampton, London, UK, 31st, October 2012. Kim, K. (2012) ‘Online role-playing game and Korean children’s English vocabulary and reading skills’. Paper is presented in AsiaCALL 2012 (11th International Conference of Computer Assisted Language Learning), in Ho Chi Minh City, Vietnam, 16th-18th, November 2012. -
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'i: 911 i" Virtual History An Intimate ALTERNATIVESAND COUNTERFACTUALS History of Killing EDITZBBY NIALL FERGUSON FACETO FACEKILLING IN 2OTHCENTURY WARFARE JOANNA BOORKE I~~~Bc~-:~i::: i::::;:: i:: i:: : - ;- :: : : - ;:i --- I'---a~E_ ~~:History des9~~1- I~by~eYeryhist0rian..,:!' team of historians~~ ~~fO'c~· venre asenes a~ "' IIIJLIIUIUe~~,mi*l·nlnml ce~ury:turningpeints.8 ~un~. -a·--PC~~n~·:nn~,,,l, : nsih, Tnlnnmnb ~~"l":"LUR""I:nl'uI rlr, Y,,, lli1~61L1~11 a or:nusslas:war - Duel The Sword and ALEXANDERHAMILTON, AARON BURR the Shield ANDTHE FUTUREOF AMERICA THE MITROKHINARCHIVE AND THOMASFLEMING THESECRET HISTORY OFTHE KGB CHRISTOPHER ANDREW AND VASILI MITROKHIN THOMAS FLEMINGI :::·j~:-~~ ---··-·-- ····-: ···~: ···~~-·I ~~~:·-·~·-· I c ~"~'` "e~ ,revea~lnD· andrelevant...it remindf~ men:~power;and P~~~ ~~Sed humanrl,;,:,~~~ --~~~~~mTade~lPilitrakhin·the KGB:asu,- ~P[aCe-I'~KennethT.Jacksonl·IU··`l:l~~ _ ~rjppe~~~ i~ Histbry:andSocial Sciencesl -I:~,=_S--L~lhP~~~k Review :=i:::- -VYIUI"U'PUIIIIIIIIV a ~A~IONA~BES~'ELLER~-~ 5~1n,ll ~a~p~~f~~ 1 I g ~ I a;~ ss1CI1I Igs 8 Some~p~o~l~ithink :Mexico City was the ii0ngestj Mmp!:)lI,ever,:'made.l BUtJ Ust i: gett ing Ithe~:~as toug her. As a kid, I Was~in:~::gang.·. in trouble With:the:law. ifnot ior a c~i:id~n·5:c0~iud9k Who saw more in:me:'-'who knew that when kids are supported by caring adults, they can learn from their mistakes - I could have landed in prison. He sent me to an alternative school where people helped me get on track. k The children's court gave me the chance to land on:my feet. -
Jewish Dimensions in Modern Visual Culture: Antisemitism, Assimilation, Affirmation
Fairfield University DigitalCommons@Fairfield History Faculty Book Gallery History Department 2009 Jewish Dimensions in Modern Visual Culture: Antisemitism, Assimilation, Affirmation Rose-Carol Washton Long Matthew Baigell Milly Heyd Gavriel D. Rosenfeld Fairfield University, [email protected] Follow this and additional works at: https://digitalcommons.fairfield.edu/history-books Copyright 2009 Brandeis University Press Content archived her with permission from the copyright holder. Recommended Citation Washton Long, Rose-Carol; Baigell, Matthew; Heyd, Milly; and Rosenfeld, Gavriel D., "Jewish Dimensions in Modern Visual Culture: Antisemitism, Assimilation, Affirmation" (2009). History Faculty Book Gallery. 14. https://digitalcommons.fairfield.edu/history-books/14 This item has been accepted for inclusion in DigitalCommons@Fairfield by an authorized administrator of DigitalCommons@Fairfield. It is brought to you by DigitalCommons@Fairfield with permission from the rights- holder(s) and is protected by copyright and/or related rights. You are free to use this item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses, you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. For more information, please contact [email protected]. 12 Gavriel D. Rosenfeld Postwar Jewish Architecture and the Memory of the Holocaust When Daniel Libeskind was named in early 2003 as the mas- ter planner in charge of redeveloping the former World Trade Center site in lower Manhattan, most observers saw it as a personal triumph that tes- tifi ed to his newfound status as one of the world’s most respected architects. -
School of Architecture 2010–2011
BULLETIN OF YALE UNIVERSITY BULLETIN OF YALE UNIVERSITY Periodicals postage paid New Haven ct 06520-8227 New Haven, Connecticut School of Architecture 2010–2011 School of Architecture 2010–2011 BULLETIN OF YALE UNIVERSITY Series 106 Number 4 June 30, 2010 BULLETIN OF YALE UNIVERSITY Series 106 Number 4 June 30, 2010 (USPS 078-500) The University is committed to basing judgments concerning the admission, education, is published seventeen times a year (one time in May and October; three times in June and employment of individuals upon their qualifications and abilities and a∞rmatively and September; four times in July; five times in August) by Yale University, 2 Whitney seeks to attract to its faculty, sta≠, and student body qualified persons of diverse back- Avenue, New Haven CT 0651o. Periodicals postage paid at New Haven, Connecticut. grounds. In accordance with this policy and as delineated by federal and Connecticut law, Yale does not discriminate in admissions, educational programs, or employment against Postmaster: Send address changes to Bulletin of Yale University, any individual on account of that individual’s sex, race, color, religion, age, disability, PO Box 208227, New Haven CT 06520-8227 status as a special disabled veteran, veteran of the Vietnam era, or other covered veteran, or national or ethnic origin; nor does Yale discriminate on the basis of sexual orientation Managing Editor: Linda Koch Lorimer or gender identity or expression. Editor: Lesley K. Baier University policy is committed to a∞rmative action under law in employment of PO Box 208230, New Haven CT 06520-8230 women, minority group members, individuals with disabilities, special disabled veterans, veterans of the Vietnam era, and other covered veterans. -
Architecture Program Report 7 September 2015
ARCHITECTURE PROGRAM REPORT FOR THE NATIONAL ARCHITECTURAL ACCREDITATION BOARD 7 SEPTEMBER 2015 THE IRWIN S. CHANIN SCHOOL OF ARCHITECTURE THE COOPER UNION FOR THE ADVANCEMENT OF SCIENCE AND ART NADER TEHRANI, DEAN ELIZABETH O’DONNELL, ASSOCIATE DEAN The Irwin S. Chanin School of Architecture of the Cooper Union Architecture Program Report September 2015 The Cooper Union for the Advancement of Science and Art The Irwin S. Chanin School of Architecture Architecture Program Report for 2016 NAAB Visit for Continuing Accreditation Bachelor of Architecture (160 credits) Year of the Previous Visit: 2010 Current Term of Accreditation: From the VTR dated July 27, 2010 “The accreditation term is effective January 1, 2010. The Program is scheduled for its next accreditation visit in 2016.” Submitted to: The National Architectural Accrediting Board Date: 7 September 2015 The Irwin S. Chanin School of Architecture of the Cooper Union Architecture Program Report September 2015 Program Administrator: Nader Tehrani, Dean and Professor Chief administrator for the academic unit in which the Program is located: Nader Tehrani, Dean and Professor Chief Academic Officer of the Institution: NA President of the Institution: William Mea, Acting President Individual submitting the Architecture Program Report: Nader Tehrani, Dean and Professor Name of individual to whom questions should be directed: Elizabeth O’Donnell, Associate Dean and Professor (proportional-time) The Irwin S. Chanin School of Architecture of the Cooper Union Architecture Program Report September 2015 Section Page Section 1. Program Description I.1.1 History and Mission I.1.2 Learning Culture I.1.3 Social Equity I.1.4 Defining Perspectives I.1.5 Long Range Planning I.1.6 Assessment Section 2. -
NEA Chronology Final
THE NATIONAL ENDOWMENT FOR THE ARTS 1965 2000 A BRIEF CHRONOLOGY OF FEDERAL SUPPORT FOR THE ARTS President Johnson signs the National Foundation on the Arts and the Humanities Act, establishing the National Endowment for the Arts and the National Endowment for the Humanities, on September 29, 1965. Foreword he National Foundation on the Arts and the Humanities Act The thirty-five year public investment in the arts has paid tremen Twas passed by Congress and signed into law by President dous dividends. Since 1965, the Endowment has awarded more Johnson in 1965. It states, “While no government can call a great than 111,000 grants to arts organizations and artists in all 50 states artist or scholar into existence, it is necessary and appropriate for and the six U.S. jurisdictions. The number of state and jurisdic the Federal Government to help create and sustain not only a tional arts agencies has grown from 5 to 56. Local arts agencies climate encouraging freedom of thought, imagination, and now number over 4,000 – up from 400. Nonprofit theaters have inquiry, but also the material conditions facilitating the release of grown from 56 to 340, symphony orchestras have nearly doubled this creative talent.” On September 29 of that year, the National in number from 980 to 1,800, opera companies have multiplied Endowment for the Arts – a new public agency dedicated to from 27 to 113, and now there are 18 times as many dance com strengthening the artistic life of this country – was created. panies as there were in 1965. -
The 150 Favorite Pieces of American Architecture
The 150 favorite pieces of American architecture, according to the public poll “America’s Favorite Architecture” conducted by The American Institute of Architects (AIA) and Harris Interactive, are as follows. For more details on the winners, visit www.aia150.org. Rank Building Architect 1 Empire State Building - New York City William Lamb, Shreve, Lamb & Harmon 2 The White House - Washington, D.C. James Hoban 3 Washington National Cathedral - Washington, D.C. George F. Bodley and Henry Vaughan, FAIA 4 Thomas Jefferson Memorial - Washington D.C. John Russell Pope, FAIA 5 Golden Gate Bridge - San Francisco Irving F. Morrow and Gertrude C. Morrow 6 U.S. Capitol - Washington, D.C. William Thornton, Benjamin Henry Latrobe, Charles Bulfinch, Thomas U. Walter FAIA, Montgomery C. Meigs 7 Lincoln Memorial - Washington, D.C. Henry Bacon, FAIA 8 Biltmore Estate (Vanderbilt Residence) - Asheville, NC Richard Morris Hunt, FAIA 9 Chrysler Building - New York City William Van Alen, FAIA 10 Vietnam Veterans Memorial - Washington, D.C. Maya Lin with Cooper-Lecky Partnership 11 St. Patrick’s Cathedral - New York City James Renwick, FAIA 12 Washington Monument - Washington, D.C. Robert Mills 13 Grand Central Station - New York City Reed and Stern; Warren and Wetmore 14 The Gateway Arch - St. Louis Eero Saarinen, FAIA 15 Supreme Court of the United States - Washington, D.C. Cass Gilbert, FAIA 16 St. Regis Hotel - New York City Trowbridge & Livingston 17 Metropolitan Museum of Art – New York City Calvert Vaux, FAIA; McKim, Mead & White; Richard Morris Hunt, FAIA; Kevin Roche, FAIA; John Dinkeloo, FAIA 18 Hotel Del Coronado - San Diego James Reid, FAIA 19 World Trade Center - New York City Minoru Yamasaki, FAIA; Antonio Brittiochi; Emery Roth & Sons 20 Brooklyn Bridge - New York City John Augustus Roebling 21 Philadelphia City Hall - Philadelphia John McArthur Jr., FAIA 22 Bellagio Hotel and Casino - Las Vegas Deruyter Butler; Atlandia Design 23 Cathedral of St. -
James Ingo Freed (19302005)
James Ingo Freed (19302005) Dates of Interview: December 1, 2, 3, 1997 Location of Interview: Freed's office in New York City Interviewer: Betty J. Blum Length of Transcript: 138 pages View Online Biographical Summary James Freed was born in 1930 in Essen, Germany. He was evacuated to Chicago in 1939, where he was later joined by his parents. He studied architecture under Ludwig Mies van der Rohe at the Illinois Institute of Technology, receiving his B.Arch. in 1953. After working with Mies on the Seagram building in New York City, he joined the office of I.M. Pei (now Pei Cobb Freed) in 1956. From 1975 to 1977, Freed served as Dean of the College of Architecture, Planning and Design at IIT. During the 1970s, he joined the "Chicago Seven," a diverse group of architects who held a series of influential exhibitions and symposia to encourage new approaches to architecture in Chicago. Freed was elected to the College of Fellows of the American Institute of Architects in 1977. He died in New York City in 2005. Interview Highlights Freed speaks about his early memories in Europe; coming to America and settling in Chicago; studying with Mies at the Illinois Institute of Technology; joining I.M. Pei in New York; why he did not suceed as Dean of Architecture at IIT; joining the Chicago Seven; exhibiting with the Chicago Seven; the New York Five, reflections on Mies and his impact on Freed's work. Townhouse, "Exquisite Corpse" exhibition, Walter Kelley Gallery, Chicago, 1977. Townhouse, "Exquisite Corpse" exhibition, Walter Kelley Gallery, Chicago, 1977. -
Oral History Interview with Keith Sonnier, 2009 September 22- October 20
Oral history interview with Keith Sonnier, 2009 September 22- October 20 Funding for this interview was provided by the U.S. General Services Administration, Design Excellence and the Arts. Contact Information Reference Department Archives of American Art Smithsonian Institution Washington. D.C. 20560 www.aaa.si.edu/askus Transcript Preface The following oral history transcript is the result of a recorded interview with Keith Sonnier on 2009 September 22 – 2010 January 19. The interview took place at Sonnier's studio in New York, NY and was conducted by Avis Berman for the Archives of American Art, Smithsonian Institution. This interview is part of the Archives of American Art's U.S. General Services Administration, Design Excellence and the Arts oral history project. This transcript has been lightly edited for readability by the Archives of American Art. The reader should bear in mind that they are reading a transcript of spoken, rather than written, prose. Interview AVIS BERMAN: This is Avis Berman interviewing Keith Sonnier for the Archives of American Art, GSA Oral History Project on September 22, 2009, in his studio in New York City. And I start the same way with everyone. Would you please state your full name and date of birth? KEITH SONNIER: My name is Keith Sonnier. Actually born James Keith Sonnier. Born in 1941, 31st of July. AVIS BERMAN: Okay. When did you stop using your first name? KEITH SONNIER: I always used my middle name. I don't know why, but I just always did. AVIS BERMAN: Mm-hmm. [Affirmative.] KEITH SONNIER: I have two other brothers and we all have middle names and first names. -
Prague 2009 – “British Junior Teams at the EJC 2001 to 2008”
British Junior Teams at the EJC 2001 to 2008 John Atkinson Director of World Class Programmes British Swimming John Atkinson • Director of World Class Programmes, British Swimming, I have worked for British Swimming since February 2001, now in my 9th year working for the national federation. • When commencing in post as the National Youth Coach in February 2001 I was tasked with bringing through the new generation of British Swimmers. • Now I work across all programmes of British Swimming managing operations of the newly established Intensive Training network and ensuring arrangements of national team camps and competitions takes place. John Atkinson • During my time with British Swimming they have progressed at the European Junior Championships as follows, • Winning 3 medals in 2001 • 7 medals in 2002 • To toping the medal table for total medals for the first ever time in 2003 with 20 medals (The highest ever tally for GBR by 8 medals). • In 2008 the British team won the EJC for the first time ever on 10 Gold Medals! • The new generation of swimmers that came through the Youth programme are now making an impact with the senior British team. 2001 • I commenced in post with British Swimming Feb 2001 –new programme commencing World Class Potential/World Class Start – government funding • Immediately attend a youth camp for females and then males, 2 x 4 day camps • We then swam the 6 nations March GBR vs GER, FRA, ITA, ESP, SWE, finished 5th (won in 2000) • Started to develop the World Class Potential/Start Programme Feb to June • Swam at EJC 2001 –3 medals European Juniors Malta, 2001 5 European Junior Champs 2001 • The Great Britain team came away from the meet with just 3 medals and a further 13 final placing’s (4th to 8th). -
Geoffrey Farmer: a Way out of the Mirror Canadian Pavilion, Venice Biennale 2017 May 13 - November 26, 2017
GEOFFREY FARMER: A WAY OUT OF THE MIRROR CANADIAN PAVILION, VENICE BIENNALE 2017 MAY 13 - NOVEMBER 26, 2017 A geyser of – Allen Ginsberg reading in Washington Square Park, 1966, book wide open, bearded, right hand in pocket and then myself as a student, curious, sitting on the edge of the fountain in the courtyard of the San Francisco Art Institute waiting anxiously for a John Cage performance to begin in 1991. A duvet freshly slept in by Karl after an LSD trip in the rock formations of the Maggi River, I had to drive us to the airport the next day. The memory of standing on a cliff on the edge of the Pacific Ocean spreading the ashes of an acquaintance who died of complications due to AIDS. Listening to Kathy Acker read Gertrude Stein’s Tender buttons with Jay DeFeo’s The Rose entombed in the wall behind her and the view of Alcatraz from that conference room. The discovery by my sister of photographs from 1955 of a collision between a train and my grandfather’s lumber truck. The grandfather I never knew, whose death somehow was connected to this event, whose name I removed from my name at age 23. The death of an architect, the founder of BBPR, who died in the Gusen concentration camp. Gian Luigi Banfi. Ten years later the firm designed our Pavilion. A page from an epic poem that quotes an artist “the key is in the sunlight,” page 33, Kaddish. Blessed, praised, glorified, exalted, extolled, water from Walden Pond. An image of a man penetrated by a wide variety of weapons like the ones found in Johannes de Ketham’s Fasciculus Medicinae, Venice, 1491. -
Nature Versus Culture: Lower Manhattan Land Art by Charles Simonds, Walter De Maria, and Alan Sonfist Farrar Fitzgerald CUNY City College
City University of New York (CUNY) CUNY Academic Works Master's Theses City College of New York 2017 Nature Versus Culture: Lower Manhattan Land Art by Charles Simonds, Walter De Maria, and Alan Sonfist Farrar Fitzgerald CUNY City College How does access to this work benefit ou?y Let us know! Follow this and additional works at: http://academicworks.cuny.edu/cc_etds_theses Part of the Museum Studies Commons Recommended Citation Fitzgerald, Farrar, "Nature Versus Culture: Lower Manhattan Land Art by Charles Simonds, Walter De Maria, and Alan Sonfist" (2017). CUNY Academic Works. http://academicworks.cuny.edu/cc_etds_theses/689 This Thesis is brought to you for free and open access by the City College of New York at CUNY Academic Works. It has been accepted for inclusion in Master's Theses by an authorized administrator of CUNY Academic Works. For more information, please contact [email protected]. Nature Versus Culture: Lower Manhattan Land Art by Charles Simonds, Walter De Maria, and Alan Sonfist Farrar Fitzgerald Adviser: Professor Ellen Handy May 2017 Submitted in partial fulfillment of the requirements for the degree of Master of Arts of the City College of the City University of New York Table of Contents 1. Introduction…………………………………………………………………………….…1 2. Ruinous Architecture, Charles Simonds’ Dwellings………..…….………………….….14 3. Displacing Culture, Walter De Maria’s New York Earth Room…………………………28 4. Too Natural, Alan Sonfist’s Time Landscape………………….………………………...41 5. Conclusion……………………………………………………………………………….56 Bibliography……………………………………………………………………………..59 Figures……………………………………………………………………………………65 i Introduction In the twilight of the postwar years’ economic boom and rapid urban transformation, three site-specific land art works were installed within blocks of each other in lower Manhattan (fig.