DOCSLIB.ORG

School of Architecture 2010–2011

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
School of Architecture 2010–2011 BULLETIN OF YALE UNIVERSITY BULLETIN OF YALE UNIVERSITY Periodicals postage paid New Haven ct 06520-8227 New Haven, Connecticut School of Architecture 2010–2011 School of Architecture 2010–2011 BULLETIN OF YALE UNIVERSITY Series 106 Number 4 June 30, 2010 BULLETIN OF YALE UNIVERSITY Series 106 Number 4 June 30, 2010 (USPS 078-500) The University is committed to basing judgments concerning the admission, education, is published seventeen times a year (one time in May and October; three times in June and employment of individuals upon their qualifications and abilities and a∞rmatively and September; four times in July; five times in August) by Yale University, 2 Whitney seeks to attract to its faculty, sta≠, and student body qualified persons of diverse back- Avenue, New Haven CT 0651o. Periodicals postage paid at New Haven, Connecticut. grounds. In accordance with this policy and as delineated by federal and Connecticut law, Yale does not discriminate in admissions, educational programs, or employment against Postmaster: Send address changes to Bulletin of Yale University, any individual on account of that individual’s sex, race, color, religion, age, disability, PO Box 208227, New Haven CT 06520-8227 status as a special disabled veteran, veteran of the Vietnam era, or other covered veteran, or national or ethnic origin; nor does Yale discriminate on the basis of sexual orientation Managing Editor: Linda Koch Lorimer or gender identity or expression. Editor: Lesley K. Baier University policy is committed to a∞rmative action under law in employment of PO Box 208230, New Haven CT 06520-8230 women, minority group members, individuals with disabilities, special disabled veterans, veterans of the Vietnam era, and other covered veterans. The closing date for material in this bulletin was May 28, 2010. Inquiries concerning these policies may be referred to the O∞ce for Equal Opportu- The University reserves the right to withdraw or modify the courses of instruction nity Programs, 221 Whitney Avenue, 203.432.0849. or to change the instructors at any time. In accordance with both federal and state law, the University maintains information concerning current security policies and procedures and prepares an annual crime report ©2010 by Yale University. All rights reserved. The material in this bulletin may not concerning crimes committed within the geographical limits of the University. In addi- be reproduced, in whole or in part, in any form, whether in print or electronic media, tion, in accordance with federal law, the University maintains information concerning without written permission from Yale University. current fire safety practices and prepares an annual fire safety report concerning fires occurring in on-campus student housing facilities. Upon request to the O∞ce of the Vice Open House President for Human Resources and Administration, PO Box 208322, New Haven CT All interested applicants are invited to attend the School’s Open House: Thursday, 06520-8322, 203.432.8049, the University will provide such information to any applicant November 4, 2010. for admission. Inquiries In accordance with federal law, the University prepares an annual report on participation Requests for additional information may be directed to the Registrar, Yale School of rates, financial support, and other information regarding men’s and women’s intercol- Architecture, PO Box 208242, 180 York Street, New Haven CT 06520-8242; telephone, legiate athletic programs. Upon request to the Director of Athletics, PO Box 208216, New 203.432.2296; fax, 203.432.6576. Haven CT 06520-8216, 203.432.1414, the University will provide its annual report to any student or prospective student. Web site www.architecture.yale.edu Applications are submitted online. For all other matters related to admission to the School of Architecture, please telephone the O∞ce of Admissions, 203.432.2296. Photo credits Registration, Withdrawal Notices: Registrar, School of Architecture, 203.432.2296 Tom Bosschaert, Richard Caspole, Christy Lauren Chapman, Alejandro Fernandez de Financial Aid Information: Financial Aid O∞ce, School of Architecture, PO Box 208242, Mesa, Palmyra Geraki, John Jacobson, K. Brandt Knapp, Rafael Ng, Ezra Stoller Associ- New Haven CT 06520-8242, 203.432.2291 ates, Susan Surface Employment (Part-Time): O∞ce of Student Employment, 246 Church Street, PO Box 208288, New Haven CT 06520-8288, 203.432.0167 Printed on 100 percent postconsumer recycled paper. International Students (Assistance): O∞ce of International Students and Scholars, 421 Temple Street, PO Box 208224, New Haven CT 06520-8224, 203.432.2305 Health Services: Yale Health, 55 Lock Street, PO Box 208237, New Haven CT 06520-8237, 203.432.0246 Housing: Department of Graduate Housing, 420 Temple Street (Helen Hadley Hall), PO Box 208202, New Haven CT 06520-8202, 203.432.6112 Payment of Fees: O∞ce of Student Financial Services, 246 Church Street, PO Box 208232, New Haven CT 06520-8232, 203.432.2700 School of Architecture 2010–2011 BULLETIN OF YALE UNIVERSITY Series 106 Number 4 June 30, 2010 Contents Calendar 5 The President and Fellows of Yale University 6 The O∞cers of Yale University 7 School of Architecture Faculty and Administration, 2009–2010 9 History and Objectives of the School 19 Master of Architecture I Degree Program 23 First Professional Degree 23 Master of Architecture II Degree Program 29 Post-Professional Degree 29 Master of Environmental Design Degree Program 33 History/Theory Research-Based Program 33 Doctor of Philosophy Program 37 Joint-Degree Programs and Undergraduate Studies 41 Joint-Degree Programs 41 Undergraduate Studies 44 Study Areas and Course Descriptions, 2009–2010 47 Design and Visualization 47 Technology and Practice 58 History and Theory 69 Urbanism and Landscape 81 Admissions 93 Open House 93 General Admission Requirements 93 M.Arch. I: Three-Year Program Admission Requirements 93 M.Arch. II: Two-Year Program Admission Requirements 94 M.E.D. Program Admission Requirements 94 The Application Process 94 Tuition, Fees, and General Expenses 99 Financial Assistance for the Master’s Programs 105 International Students 111 Life at the School of Architecture 115 Lectures 115 Symposia 116 Exhibitions 119 Publications 120 Yale Urban Design Workshop 120 Student Organizations 121 Facilities 122 Academic Regulations 124 General Regulations 129 Committee Structure 130 4 School of Architecture Life at Yale University 133 A Global University 133 Cultural Resources 134 Athletic Resources 137 Religious Resources 138 Health Services 139 Resource O∞ce on Disabilities 143 Life in New Haven 145 Faculty Profiles 146 Endowment and Term Funds 167 School of Architecture Students 185 Awards 193 The Work of Yale University 196 Index 199 Campus Map 202 Travel Directions 204 Calendar FALL 2010 July 12 m Incoming First-Year M.Arch. I 1001c classes begin, 9 a.m. Aug. 13 F 1001c classes end, 5 p.m. Aug. 16 m Shop Orientation for incoming students begins, 9 a.m. Aug. 20 F Shop Orientation ends, 5 p.m. Aug. 26 TH Registration for all students, 8:30 a.m.–5 p.m. Advanced Studio Lottery, 11 a.m. Fall-term studio classes begin, 2:30 p.m. Aug. 27 F Fall-term non-studio classes begin, 8:30 a.m. (Friday classes do not meet; Monday classes meet instead) Sept. 6 m No classes. Labor Day (Regular classes for this day met on Friday, August 27) Oct. 11–15 m–F Midterm week Nov. 4 TH Open House for prospective applicants Nov. 19 F Fall recess begins, 5:20 p.m. Nov. 29 m Classes resume, 8:30 a.m. Dec. 3 F Fall-term classes end, 5:20 p.m. Dec. 6–10 m–F Design jury week Dec. 13–17 m–F Course examination week Dec. 17 F Winter recess begins, 5:20 p.m. SPRING 2011 Jan. 2 SU Closing date for applications for admission in 2011 (all programs) Jan. 6 TH Registration for all students, 8:30 a.m.–5 p.m. Advanced Studio Lottery, 11 a.m. Spring-term studio classes begin, 2:30 p.m. Jan. 7 F Spring-term non-studio classes begin, 8:30 a.m. (Friday classes do not meet; Monday classes meet instead) Jan. 17 m No classes. Martin Luther King, Jr. Day (Regular classes for this day met on Friday, January 7) Feb. 28–Mar. 4 m–F Midterm week Mar. 4 F Spring recess begins, 5:20 p.m. Mar. 21 m Classes resume, 8:30 a.m. Apr. 22 F Spring-term classes (except 1013b) end, 5:20 p.m. Apr. 25–29 m–F Design jury week Apr. 25–June 24 m–F Fieldwork, First-Year Building Project May 2–6 m–F Course examination week May 9 m 1017c classes begin, 9:30 a.m. May 23 m University Commencement June 24 F M.Arch. I, first-year spring-term 1013b and 1017c classes end, 5:20 p.m. The President and Fellows of Yale University President Richard Charles Levin, B.A., B.Litt., Ph.D. Fellows Her Excellency the Governor of Connecticut, ex o∞cio His Honor the Lieutenant Governor of Connecticut, ex o∞cio George Leonard Baker, Jr., B.A., M.B.A., Palo Alto, California Edward Perry Bass, B.S., Fort Worth, Texas Roland Whitney Betts, B.A., J.D., New York, New York Je≠rey Lawrence Bewkes, B.A., M.B.A., New York, New York Francisco Gonzalez Cigarroa, B.S., M.D., Austin, Texas ( June 2016) Peter Brendan Dervan, B.S., Ph.D., San Marino, California ( June 2014) Donna Lee Dubinsky, B.A., M.B.A., Portola Valley, California Mimi Gardner Gates, B.A., M.A., Ph.D., Seattle, Washington ( June 2013) Paul Lewis Joskow, B.A., Ph.D., Locust Valley, New York Neal Leonard Keny-Guyer, B.A., M.P.P.M., Portland, Oregon ( June 2015) William Irwin Miller, B.A., M.B.A., Columbus, Indiana ( June 2011) Indra Nooyi, B.S., M.B.A., M.P.P.M., Greenwich, Connecticut Barrington Daniels Parker, B.A., LL.B., Stamford, Connecticut Douglas Alexander Warner III, B.A., New York, New York Margaret Garrard Warner, B.A., Washington, D.C.
Load more

Recommended publications
  • Remembering Robert Venturi, a Modern Mannerist
    The Plan Journal 4 (1): 253-259, 2019 doi: 10.15274/tpj.2019.04.01.1 Remembering Robert Venturi, a Modern Mannerist In Memoriam / THEORY Maurizio Sabini After the generation of the “founders” of the Modern Movement, very few architects had the same impact that Robert Venturi had on architecture and the way we understand it in our post-modern era. Aptly so and with a virtually universal consensus, Vincent Scully called Complexity and Contradiction in Architecture (1966) “probably the most important writing on the making of architecture since Le Corbusier’s Vers une architecture, of 1923.” 1 And I would submit that no other book has had an equally consequential impact ever since, even though Learning from Las Vegas (published by Venturi with Denise Scott Brown and Steven Izenour in 1972) has come quite close. As Aaron Betsky has observed: Like the Modernism that Venturi sought to nuance and enrich, many of the elements for which he argued were present in even the most reduced forms of high Modernism. Venturi was trying to save Modernism from its own pronouncements more than from its practices. To a large extent, he won, to the point now that we cannot think of architecture since 1966 without reference to Robert Venturi.2 253 The Plan Journal 4 (1): 253-259, 2019 - doi: 10.15274/tpj.2019.04.01.1 www.theplanjournal.com Figure 1. Robert Venturi, Complexity and Contradiction in Architecture (London: The Architectural Press, with the Museum of Modern Art, New York, 1977; or. ed., New York: The Museum of Art, 1966).
    [Show full text]
  • Allen Memorial Art Museum Teacher Resource Packet - AMAM 1977 Addition
    Allen Memorial Art Museum Teacher Resource Packet - AMAM 1977 Addition Robert Venturi (American, 1925 – 2018) Allen Memorial Art Museum Addition¸ 1977 Sandstone façade, glass, brick. Robert Venturi was an American architect born in 1925. Best known for being an innovator of postmodern architecture, he and his wife Denise Scott Brown worked on a number of notable museum projects including the 1977 Oberlin addition, the Seattle Museum of Art, and the Sainsbury addition to the National Gallery in London. His architecture is characterized by a sensitive and thoughtful attempt to reconcile the work to its surroundings and function. Biography Robert Venturi was born in 1925 in Philadelphia, PA, and was considered to be one of the foremost postmodern architects of his time. He attended Princeton University in the 1940s, graduating in 1950 summa cum laude. His early experiences were under Eero Saarinen, who designed the famous Gateway Arch in St. Louis, and Louis Kahn, famous for his museum design at the Kimbell Art Museum in Texas and at Yale University. The AMAM addition represents one of Venturi’s first forays into museum design, and was intended to serve as a functional addition to increase gallery and classroom space. Allen Memorial Art Museum, Oberlin College For Educational Use Only 1 Venturi was also very well known for his theoretical work in architecture, including Complexity and Contradictions in Architecture (1966), and Learning from Las Vegas (1972). The second book presented the idea of the “decorated shed” and the “duck” as opposing forms of architecture. The Vanna Venturi house was designed for Venturi’s mother in Philadelphia, and is considered one of his masterworks.
    [Show full text]
  • Protecting Postmodern Historicism: Identification, Ve Aluation, and Prescriptions for Preeminent Sites
    University of Pennsylvania ScholarlyCommons Theses (Historic Preservation) Graduate Program in Historic Preservation 2013 Protecting Postmodern Historicism: Identification, vE aluation, and Prescriptions for Preeminent Sites Jonathan Vimr University of Pennsylvania Follow this and additional works at: https://repository.upenn.edu/hp_theses Part of the Historic Preservation and Conservation Commons Vimr, Jonathan, "Protecting Postmodern Historicism: Identification, vE aluation, and Prescriptions for Preeminent Sites" (2013). Theses (Historic Preservation). 211. https://repository.upenn.edu/hp_theses/211 Suggested Citation: Vimr, Jonathan (2013). Protecting Postmodern Historicism: Identification, vE aluation, and Prescriptions for Preeminent Sites. (Masters Thesis). University of Pennsylvania, Philadelphia, PA. This paper is posted at ScholarlyCommons. https://repository.upenn.edu/hp_theses/211 For more information, please contact [email protected]. Protecting Postmodern Historicism: Identification, vE aluation, and Prescriptions for Preeminent Sites Abstract Just as architectural history traditionally takes the form of a march of styles, so too do preservationists repeatedly campaign to save seminal works of an architectural manner several decades after its period of prominence. This is currently happening with New Brutalism and given its age and current unpopularity will likely soon befall postmodern historicism. In hopes of preventing the loss of any of the manner’s preeminent works, this study provides professionals with a framework for evaluating the significance of postmodern historicist designs in relation to one another. Through this, the limited resources required for large-scale preservation campaigns can be correctly dedicated to the most emblematic sites. Three case studies demonstrate the application of these criteria and an extended look at recent preservation campaigns provides lessons in how to best proactively preserve unpopular sites.
    [Show full text]
  • Seven to Receive Honorary Degrees UM Sweeps CASE Awards
    VERITAFor the Faculty and Staff of the University of Mi: March-April 1997 VolumSe 39 Number 6 Seven to receive honorary degrees oted architects Denise Scott sy-nthesis of nucleic acids. He is the Bethune-Cookman College and Florida affiliated with a number of the great Brown and Robert Venturi. a recipient of numerous other awards, Memorial College, chairman emeritus medical institutions in the United Nhusband-wife team, will be including the Max Berg Award for Pro­ of the United Protestant Appeal, and States, including Cornell Medical Col­ honored at this year's Commencement longing Human Life and the Scientific vice president of the Black Archives lege, the Mayo Clinic, and the Univer­ on May- 9, along with a host of famous Achievement Award of the American Research Foundation. Among his many- sity of Pittsburgh. His books and achievers including Sarah Caldwell; Medical Association. honors are the Greater Miami Urban teachings have influenced the way mil­ William H. Gray III; a\rthur Romberg; Garth C. Reeves, reporter, editor, League's Distinguished Service Award, lions of children were raised. Garth C. Reeves, Sr.; and Benjamin publisher, banker, entrepreneur, and the American Jew-ish Committee's Robert Venturi. a Philadelphia McLane Spock. In addition to receiving community activist, attended Dade Human Relations Award, the Boy- native, graduated from Princeton Uni­ an honorary- doctorate. Reeves will County Public Schools and received Scouts Silver Beaver award and the Sil­ versity. His firm. Venturi, Scott Brown deliver the Commencement address. his bachelor's degree from Florida ver Medallion of the National Confer­ and Associates, Inc., has made its mark Denise Scott Brow-n, a principal A&M College.
    [Show full text]
  • Dott. Arch. GUIDO ZULIANI
    Dott. Arch. GUIDO ZULIANI CURRICULUM VITAE Dott. Arch. GUIDO ZULIANI AZstudio (Owner - Principal) 235 west 108th street #52 New York City, N.Y. 10025 - USA Tel. (1) 347-570 3489 [email protected] via Gemona 78 33100 Udine - Italy Tel. (39) 329-548 9158 Tel./ Fax +39- 0432-506 254 EDUCATION AND PROFESSIONAL QUALIFICATIONS 1998 ACCADEMIA DELLE SCIENZE, LETTERE ED ARTI “GLI SVENTATI” - Udine, Italy Elected Member 1982 ORDINE DEGLI ARCHITETTI DELLA PROVINCIA DI UDINE Register architect 1980 ISTITUTO UNIVERSITARIO D'ARCHITETTURA DI VENEZIA (IUAV) today UNIVERSITÀ IUAV DI VENEZIA Dottore in Architettura (Master equivalent) - Summa cum Laude ACADEMIC EXPERIENCE 1985 - Present THE COOPER UNION FOR THE ADVANCEMENT OF SCIENCE AND ART IRWIN S. CHANIN SCHOOL OF ARCHITECTURE New York, NY 2009 - Present Professor of Architectural History 2005 - Present Professor of Architecture / Professor of Modern Architectural Concept Responsible for teaching Architectural Design II, Architectural Design IV, Thesis classes, the seminars in Modern Architectural Concepts, Analysis of Architectural Texts, Advanced Topics in Architecture 1991 - 2005 Associate Professor of Architecture 1986 - 1991 Visiting Professor of Architecture 2001 - Present Member of the Curriculum Committee Responsible for review and recommendations regarding the structure and the content of the school curriculum, currently designing the curriculum of the future post-professional Master Degree in Architecture of the Cooper Union. 2008 - Present SCHOOL OF DOCTORATE STUDIES - UNIVERSITÀ IUAV
    [Show full text]
  • React/Review | Volume 1 13
    react/review | volume 1 13 Outside of Architecture: Between Mediating and Navigating the Air Katarzyna Balug Air is the physical connection between us and our environment, transmitting our sense experience of light, heat, sound, taste, smell and pressure. But its very transparency prevents us from observing its continuous transformations. Atmosfields and pneumatic environments aim to reveal the aesthetic of air, both in the natural states which make up the atmosphere and by using thin membranes to manifest their motions and forces, in order to extend and change our direct experience of air and our relation to our atmospheric environment. – Graham Stevens1 Reveal, make manifest, extend, and relate: English artist Graham Stevens was uniquely articulate in capturing, in words and structures, the capacity of the inflatable form to condition the human’s relationship with her environment. Throughout 1960s Western Europe and the United States, young architects and artists like Stevens adopted the materials and aesthetics of the lunar Space Race to create immersive air-filled environments especially attuned to Earth. However, there was a significant difference in the operating logics of space structures and the Earth-bound forms they informed. While the pursuit of spaceflight had, since the mid-nineteenth century, emphasized the keeping out of the environment and the production of an artificial, fully controlled and enclosed atmosphere, inflatable architectures invited the outside in. These forms continually registered and mediated the relationship 1 Graham Stevens, “Pneumatics and Atmospheres,” Architectural Digest, no. 3 (1972): 166. react/review | volume 1 51 between circulating air and the plastic membrane, which together formed a structure without rigidity, and the body that occupied the resulting space.
    [Show full text]
  • Architecture Program Report for 2012 NAAB Visit for Continuing Accreditation
    Harvard Graduate School of Design Department of Architecture Architecture Program Report for 2012 NAAB Visit for Continuing Accreditation Master of Architecture Undergraduate degree outside of Architecture + 105 graduate credit hours Related pre-professional degree + 75 graduate credit hours Year of the Previous Visit: 2006 Current Term of Accreditation: At the July 2006 meeting of the National Architectural Accrediting Board (NAAB), the board reviewed the Visiting Team Report for the Harvard University Department of Architecture. As a result, the professional architecture program: Master of Architecture was formally granted a six-year term of accreditation. The accreditation term is effective January 1, 2006. The program is scheduled for its next accreditation visit in 2012. Submitted to: The National Architectural Accrediting Board Date: 14 September 2011 Harvard Graduate School of Design Architecture Program Report September 2011 Program Administrator: Jen Swartout Phone: 617.496.1234 Email: [email protected] Chief administrator for the academic unit in which the program is located (e.g., dean or department chair): Preston Scott Cohen, Chair, Department of Architecture Phone: 617.496.5826 Email: [email protected] Chief Academic Officer of the Institution: Mohsen Mostafavi, Dean Phone: 617.495.4364 Email: [email protected] President of the Institution: Drew Faust Phone: 617.495.1502 Email: [email protected] Individual submitting the Architecture Program Report: Mark Mulligan, Director, Master in Architecture Degree Program Adjunct Associate Professor of Architecture Phone: 617.496.4412 Email: [email protected] Name of individual to whom questions should be directed: Jen Swartout, Program Coordinator Phone: 617.496.1234 Email: [email protected] 2 Harvard Graduate School of Design Architecture Program Report September 2011 Table of Contents Section Page Part One.
    [Show full text]
  • Neri Oxman Material Ecology
    ANTONELLI THE NERI OXMAN CALLS HER DESIGN APPROACH MATERIAL ECOLOGY— A PROCESS THAT DRAWS ON THE STRUCTURAL, SYSTEMIC, AND AESTHETIC WISDOM OF NATURE, DISTILLED AND DEPLOYED THROUGH COMPUTATION AND DIGITAL FABRICATION. THROUGHOUT HER TWENTY- ECOLOGY MATERIAL NERI OXMAN NERI OXMAN YEAR CAREER, SHE HAS BEEN A PIONEER OF NEW MATERIALS AND CONSTRUCTION PROCESSES, AND A CATALYST FOR DYNAMIC INTERDISCIPLINARY COLLABORATIONS. WITH THE MEDIATED MATTER MATERIAL GROUP, HER RESEARCH TEAM AT THE MIT MEDIA LAB, OXMAN HAS PURSUED RIGOROUS AND DARING EXPERIMENTATION THAT IS GROUNDED IN SCIENCE, PROPELLED BY VISIONARY THINKING, AND DISTINGUISHED BY FORMAL ELEGANCE. ECOLOGY PUBLISHED TO ACCOMPANY A MONOGRAPHIC EXHIBITION OF OXMAN’S WORK AT THE MUSEUM OF MODERN ART, NEW YORK, NERI OXMAN: MATERIAL ECOLOGY FEATURES ESSAYS BY PAOLA ANTONELLI AND CATALOGUE HADAS A. STEINER. ITS DESIGN, BY IRMA BOOM, PAYS HOMAGE TO STEWART BRAND’S LEGENDARY WHOLE EARTH CATALOG, WHICH CELEBRATED AND PROVIDED RESOURCES FOR A NEW ERA OF AWARENESS IN THE LATE 1960S. THIS VOLUME, IN TURN, HERALDS A NEW ERA OF ECOLOGICAL AWARENESS—ONE IN WHICH THE GENIUS OF NATURE CAN BE HARNESSED, AS OXMAN IS DOING, TO CREATE TOOLS FOR A BETTER FUTURE. Moma Neri Oxman Cover.indd 1-3 9.01.2020 14:24 THE NERI OXMAN MATERIAL ECOLOGY CATALOGUE PAOLA ANTONELLI WITH ANNA BURCKHARDT THE MUSEUM OF MODERN ART, NEW YORK × Silk Pavilion I Imaginary Beings: Doppelgänger Published in conjunction with the exhibition Published by Neri Oxman: Material Ecology, at The Museum of The Museum of Modern Art, New York Modern Art, New York, February 22–May 25, 2020. 11 West 53 Street CONTENTS Organized by Paola Antonelli, Senior Curator, New York, New York 10019 Department of Architecture and Design, www.moma.org and Director, Research and Development; and Anna Burckhardt, Curatorial Assistant, © 2020 The Museum of Modern Art, New York 9 FOREWORD Department of Architecture and Design Certain illustrations are covered by claims to copyright cited on page 177.
    [Show full text]
  • Pavillon Spéciale
    PPAVILLONAVILLON SSPPÉCCIALEIALE Ecole Spéciale d’Architecture Paris, 2012 2nd PAVILLON SPÉCIALE MEETINGS OF THE INTERNATIONAL COMPETITION JURY Date: 17.03.2012 Venue: Ecole Spéciale d’Architecture, Paris INTERNATIONAL JURY Iñaki Abalos Founder Ábalos+Sentkiewicz Arquitectos (SP) Jean-Max Colard Architectural Journalist Les Inrocks (FR) Massimiliano Fuksas Director of Studio Fuksas (IT) David Keuning Director of MARK magazine (NL) Claude Parent Architect, teacher and writer (FR) Odile Decq General Director, École Spéciale d’Architecture Marie-Hélène Fabre Academic Head Hubert Ducroux Student representing school The Jury meeting for the evaluation of 8 submissions for the International Competition was opened offi cially by Odile Decq, Director of the Ecole Spéciale d’Architecture. After a debriefi ng by curator Matteo Cainer the committee moved into the gallery space where the entries where exhibited. Claude Parent was elected as President of the Jury and suffi cient time was allowed for the Jury members to go through the different projects individually. Afterwards, the Jury sat down to briefl y review the Competition Conditions and to set the criteria of evaluation: • Design • Student engagement • Resonance within the City • Practicality • Maintenance • Budget • Timescale Once the criteria was set, the jury evaluated together each project. The outcome was that the jury declared Ball Nogues Studio proposal to be the winner among the 8 fi nalists. Ball Nogues Studio_Los Angeles, United States DUS Architects_Amsterdam, Netherlands Fantastic Norway_Oslo, Norway MOS_New York, United States OSMD_Lisbon, Portugal Polaris Architects_Luxembourg, Luxembourg Softlab_New York, United States Sou Fujimoto Architects_Tokyo ,Japan To follow the jury comments for each of the projects. 2nd PAVILLON SPÉCIALE finalists Ball Nogues Studio_Los Angeles, United States (winner) The jury believes that this entry has the most potential since it presents various qualities, from it being very interesting architecturally, to economically feasible and at the same time ecologically strong.
    [Show full text]
  • Company Profile 2020
    COMPANY PROFILE 2020 AN MISSION & VISION In each of its products, Pugnale combines uncompromising Pugnale has distinguished itself since its birth for unique connotations craftsmanship with design. of Italian style by designing eyewear collections with an extremely The strong know-how in the use of technologies, quality materials glamorous character and an unmistakable style. from Italy, Japan or Germany, and the unique and precise finishes, Research and technological knowledge combined with the innovative HANDCRAFTED are the absolute protagonists of every creation. use of techniques and materials are the foundations for creating The brand takes inspiration from our prestigious Italian background: excellence in the Made in Italy premium eyewear sector. our artistic and cultural heritage. Pugnale identifies itself in the market of independent eyewear Pugnale’s collections tell the charm and emotion of a bygone while manufacturers because it focuses more on sales topics, on product being interpreted in an extremely contemporary way. highlights, on the transfer of emotions and passions rather than on Pugnale knows it has a mission, to transfer all the know-how of the traditional commercial sales techniques. Italian production tradition of high quality to the world, enriching it It is precisely the concept of craftsmanship, exclusivity combined TECHNOLOGICAL with design and research contents to be able to satisfy the needs of with high quality that induces our ideal customers to choose and a sophisticated public attentive to values. appreciate our products. The deepest mission of Pugnale is therefore to recover the high The ambition to see our creations worn by an audience that loves to value of the craftsmanship belonging to the first eyewear factories stand out with personality and creativity.
    [Show full text]
  • U.S. Mission to the United Nations in New York, New York, Was Designed and Constructed Under the U.S
    UNITED STATES MISSION TO THE UNITED NATIONS, New York, New York, i UNITED STATES MISSION THE TO UNITED NATIONS STATES UNITED UNITED STATES MISSION TO THE UNITED NATIONS New York, New York New York, New York New York, New The U.S. Mission to the United Nations in New York, New York, was designed and constructed under the U.S. General Services U.S. General Services Administration Administration’s Design Excellence Program, Public Buildings Service an initiative to create and preserve outstanding Office of the Chief Architect public buildings that will be used and enjoyed Design Excellence now and by future generations of Americans. 1800 F Street NW Washington, DC 20405 April 2013 202-501-1888 U.S. General Services Administration UNITED STATES MISSION TO THE UNITED NATIONS, New York, New York, 6, A Legacy of Excellence, 10, The Permanent Mission, 12, Design Inspiration, 17, Complementing the United Nations, 18, Secure and Welcoming, 24, The Architects and the Artist, 28, The Design and Construction Team, 30, U.S. General Services Administration and the Design Excellence Program, 2 3 4 5 A LEGACY OF EXCELLENCE, Responsible for conducting America’s taste of my countrymen, to increase their affairs abroad since 1789, the United States reputation, to reconcile them to the rest of Department of State is the oldest executive the world, and procure them its praise.” department of the federal government. Its first diplomats asserted American The State Department has realized Jefferson’s independence; their successors secured the vision consistently. One of its first offices nation’s geopolitical position. Although was designed by James Hoban, the architect the State Department has assumed many of the White House.
    [Show full text]
  • Jewish Dimensions in Modern Visual Culture: Antisemitism, Assimilation, Affirmation
    Fairfield University DigitalCommons@Fairfield History Faculty Book Gallery History Department 2009 Jewish Dimensions in Modern Visual Culture: Antisemitism, Assimilation, Affirmation Rose-Carol Washton Long Matthew Baigell Milly Heyd Gavriel D. Rosenfeld Fairfield University, [email protected] Follow this and additional works at: https://digitalcommons.fairfield.edu/history-books Copyright 2009 Brandeis University Press Content archived her with permission from the copyright holder. Recommended Citation Washton Long, Rose-Carol; Baigell, Matthew; Heyd, Milly; and Rosenfeld, Gavriel D., "Jewish Dimensions in Modern Visual Culture: Antisemitism, Assimilation, Affirmation" (2009). History Faculty Book Gallery. 14. https://digitalcommons.fairfield.edu/history-books/14 This item has been accepted for inclusion in DigitalCommons@Fairfield by an authorized administrator of DigitalCommons@Fairfield. It is brought to you by DigitalCommons@Fairfield with permission from the rights- holder(s) and is protected by copyright and/or related rights. You are free to use this item in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses, you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. For more information, please contact [email protected]. 12 Gavriel D. Rosenfeld Postwar Jewish Architecture and the Memory of the Holocaust When Daniel Libeskind was named in early 2003 as the mas- ter planner in charge of redeveloping the former World Trade Center site in lower Manhattan, most observers saw it as a personal triumph that tes- tifi ed to his newfound status as one of the world’s most respected architects.
    [Show full text]