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Igor Stravinsky
Comparison and Contrast of Performance Practice for the Tuba
Igor Stravinsky
Nationalism, Primitivism, & Neoclassicism
The Rake's Progress by Igor Stravinsky the Role of Baba
Edinburgh International Festival 1962
A Selection of Contemporary Fanfares for Multiple Trumpets Demonstrating Evolutionary Processes in the Fanfare Form
A Level Schools Concert November 2014
STRAVINSKY's NEO-CLASSICISM and HIS WRITING for the VIOLIN in SUITE ITALIENNE and DUO CONCERTANT by ©2016 Olivia Needham Subm
Stravinsky and the Octatonic: a Reconsideration
The Late Choral Works of Igor Stravinsky
Chapter 28: Neoclassicism and Twelve-Tone Music: 1915–50 I
An Explanation of Anomalous Hexachords in Four Serial Works by Igor Stravinsky
The Tonal Tradition
SAN DIEGO SYMPHONY ORCHESTRA VIVALDI and BACH with AVI AVITAL a Jacobs Masterworks Concert Johannes Debus, Conductor
AN ARGUMENT for the REASSESSMENT of STRAVINSKY's EARLY SERIAL COMPOSITIONS THESIS Presented to the Graduate Council of the Unive
1 U2 and Igor Stravinsky: Textures, Timbres, and the Devil Dr. Dan
Divergent Paths: Schoenberg, Stravinsky, and the 20Th Century
Theory of Music-Stravinsky
Top View
An Analysis of Tonal Conflict in Stravinsky's
Igor Stravinsky Petrushka
Cameron Pyke, Benjamin Britten and Russia
Study Guide for the Rake's Progress 2016.Pub
An Analysis of Stravinsky's Symphony of Psalms
Shostakovich in His Studio
IGOR STRAVINSKY IGOR STRAVINSKY from "Great Lives: a Century in Obituaries"
Director's Note Igor Stravinsky's Opera the Rake's Progress Is Based On
Hylton and Stravinsky's Mavra at the Paris Opéra
The Problem of Articulation in Stravinsky's Music
Musical Forces in the Serial Music of Igor Stravinsky
In Stravinsky's Neoclassical Apotheoses
University of Cincinnati
El Pelele Mavra
TEMPO Books Received
Aesthetics of Objectivism in Igor Stravinsky's
21M.273 Emily Wang Igor Stravinsky's the Rake's Progress
Female Composers Score in WCMS Concert
MTO 18.4: Ewell, Rethinking Octatonicism
W. H. Auden and Opera: Studies of the Libretto As Literary Form
Mariinsky Orchestra
Neoclassical Pioneers: Neoclassicism Before Stravinsky
PROGRAM NOTES Igor Stravinsky Divertimento, Suite from the Fairy's Kiss
Selected Twentieth-Century Piano Works Written by Fathers for Their Children
The Progress of a Motive in Stravinsky's the Rake's Progress
The Life and Times of Igor Stravinsky
András Keller Conducts the Royal Conservatory Orchestra Dmitri Shostakovich
Kaikhosru Sorabji's Critical Writings on British Music in the New Age (1924-1934)
The Rite of Swing: Stravinsky's Influence on the Jazz Idiom
Stravinsky and the Octatonic
Babbitt and Stravinsky Under the Serial "Regime"
Igor Stravinsky: the Poetics and Politics of Music
Igor Stravinsky Suite from the Firebird
Polymeter in Twentieth-Century Music: a Study in Notational Methods
Petrushka Igor Stravinsky
Polytonality"
Stravinsky's Sideward Glance: Neoclassicism, Dialogised Structures and the Reflected Discourse of Bach Dr Nicholas P. Mcka
Analysis of Stravinsky's the Rite of Spring
The Roles of Invariance and Analogy in the Linear Design of Stravinsky’S “Musick to Heare”*
Lietuvos Muzikologija 21.Indd
The Evolution of Style in the Neoclassical Works of Stravinsky Kyle Szabo James Madison University
Programs at the Conclusion of the Concert
The Use of Baroque Elements in Stravinsky's Suite Italienne
Dmitri Tymoczko
[email protected]
Stravinsky's Sketches for the Great Chorale David H. Smyth and Don
A Brief Exploration of Stravinsky's Nationalism
Igor Stravinsky