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Igor Stravinsky
Comparison and Contrast of Performance Practice for the Tuba
Igor Stravinsky
Nationalism, Primitivism, & Neoclassicism
The Rake's Progress by Igor Stravinsky the Role of Baba
Edinburgh International Festival 1962
A Selection of Contemporary Fanfares for Multiple Trumpets Demonstrating Evolutionary Processes in the Fanfare Form
A Level Schools Concert November 2014
STRAVINSKY's NEO-CLASSICISM and HIS WRITING for the VIOLIN in SUITE ITALIENNE and DUO CONCERTANT by ©2016 Olivia Needham Subm
Stravinsky and the Octatonic: a Reconsideration
The Late Choral Works of Igor Stravinsky
Chapter 28: Neoclassicism and Twelve-Tone Music: 1915–50 I
An Explanation of Anomalous Hexachords in Four Serial Works by Igor Stravinsky
The Tonal Tradition
SAN DIEGO SYMPHONY ORCHESTRA VIVALDI and BACH with AVI AVITAL a Jacobs Masterworks Concert Johannes Debus, Conductor
AN ARGUMENT for the REASSESSMENT of STRAVINSKY's EARLY SERIAL COMPOSITIONS THESIS Presented to the Graduate Council of the Unive
1 U2 and Igor Stravinsky: Textures, Timbres, and the Devil Dr. Dan
Divergent Paths: Schoenberg, Stravinsky, and the 20Th Century
Theory of Music-Stravinsky
Top View
An Analysis of Tonal Conflict in Stravinsky's
Igor Stravinsky Petrushka
Cameron Pyke, Benjamin Britten and Russia
Study Guide for the Rake's Progress 2016.Pub
An Analysis of Stravinsky's Symphony of Psalms
Shostakovich in His Studio
IGOR STRAVINSKY IGOR STRAVINSKY from "Great Lives: a Century in Obituaries"
Director's Note Igor Stravinsky's Opera the Rake's Progress Is Based On
Hylton and Stravinsky's Mavra at the Paris Opéra
The Problem of Articulation in Stravinsky's Music
Musical Forces in the Serial Music of Igor Stravinsky
In Stravinsky's Neoclassical Apotheoses
University of Cincinnati
El Pelele Mavra
TEMPO Books Received
Aesthetics of Objectivism in Igor Stravinsky's
21M.273 Emily Wang Igor Stravinsky's the Rake's Progress
Female Composers Score in WCMS Concert