62 TEMPO

GIANCINTO SCELSI. Canti del Caprkorno Books received (U.K. premiere of complete cycle)—i (/I listing in this column does not preclude a review August I ICA, London / Michiko Hirayama in a later issue of TEMPO) (soprano), John Harle (saxophone), David Balen and James Wood (percussion) CHARLES KOECHLIN 1867-19^0: 'KOECH- LIN PAR LUI-MEME' (Koechlin's own pre- DMITRI SHOSTAKOVICH (d. 197J). The viously-unpublished self-analysis, plus tributes New Babylon (U.K. premiere of complete from pupils and friends, and facsimile of the film score)—22 September j British Film manuscript score of his Choeurs de VAlceste Institute / London Lyric Orchestra c. Omri d'Euripide) La Revue Musicale, Double Number Hadari. 340-341. Editions Richard-Masse. DAVID DEL TREDICI is writing a work for soprano, baritone, and chamber ensemble. CHARLES KOECHLIN 1867-19^0: CORRES- PONDANCE. La Revue Musicale Triple Number 348-349-3 co. Editions Richard-Masse.

Periodicals MAURICE OH ANA: Essais Etudes et Documents. La Revue Musicale Double Number 3^1-3 j2. CONTACT Editions Richard-Masse. No.24 Spring 1982 Adrian Thomas, Jeux ve'netiens : Lutoslawski at the Crossroads, pp.4-7. Fritz Hennenberg, DIALOGUES by Igor Stravinsky and Robert Who follows Eisler? Notes on six Composers oj the Craft (new version of Dialogues and Diary). CDR, pp.8-10. Margaret McLay, Experi- Faber, £y9c mental Music in Hungary: the New Music Studio, pp. 11-17. Susan Bradshaw, John Builer, VINDICATIONS: Essays on Romantic Music by pp. 18-20. Roger Wright, James Dillon, Deryck Cooke, with a memoir of the author pp.20-23. by Bryan Magee. Faber, £i2-jo.

MENS & MELOD1E / MUSIC AND POLITICS: Collected Writings 19J3- 1981 by Hans Werner Henze, trs. by Peter Aad van der Velde, Opera in Finland, pp.214- Labanyi. Faber, £1 j-oo. 217. 6/1982 Ernst Vermeulen, Amcrikaanse muziek in het MICHAEL HEAD: Composer Singer Pianist—a Holland Festival, pp.266-270. Luc van Hasselt, Memoir by Nancy Bush. With a study of the Stravinsky op Bezoek, pp. 281-288. Vocal Compositions of Michael Head by Alan Bush. Kahn & Averill, £2-95. MUSIC ANALYSIS Editor: Jonathan Dunsby; editorial address LEOS JANACEK: Leaves from his Life edited c/o Basil Blackwell Ltd., 108 Cowley Road, and translated by Vilem and Margaret Tausky, Oxford 0x4 4JF with Recollections of Janacek by Vilem Vol 1 Number 1 March 1982 Tausky. Kahn & Averill, £4-9^. Hans Keller, Epi/Prologue: Criticism and Analysis, pp.9-31. Arnold Whittall, Music RECORDED CLASSICAL MUSIC: a Critical Analysis as Human Science? 'Le Sacre du Primt- Guide to Compositions and Performances by Arthur emps' in Theory and Practice, pp.33-^3. Chris- Cohn. Schirmer Books. topher Wintle, Analysis and Performance: Webern's Concerto Op.24/11, pp.73-99. IGOR STRAVINSKY: SELECTED CORRES- NUOVA RIVISTA MUSICALE ITALIANA PONDENCE Volume I, edited and with com- Anno XVI n.i January / March 1982 mentaries by Robert Craft. Faber, £2c-oo. George Manoliu, Vane del violino di George Enescu, pp. 20-31 THE RAKE'S PROGRESS by Paul Griffiths with Igor Stravinsky, Robert Craft, and Gabriel SCHWEIZERISCHE MUSIKZEITUNG Josipovici. Cambridge Opera Handbooks, May / June 1982 Cambridge University Press £9-9^ (hardback), Klaus Ebbeke, 'minimal-music', pp.140-1467 £3"9I (paperback)

Downloaded from https://www.cambridge.org/core. IP address: 170.106.33.42, on 23 Sep 2021 at 13:30:52, subject to the Cambridge Core terms of use, available at https://www.cambridge.org/core/terms. https://doi.org/10.1017/S0040298200061726