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Hunnenschlacht (Liszt)
Eine Symphonie Zu Dantes Divina Commedia Deux Légendes
A Structural Analysis of the Relationship Between Programme, Harmony and Form in the Symphonic Poems of Franz Liszt Keith Thomas Johns University of Wollongong
Liszt SYMPHONIC POEMS VOL
Two-Piano Music of Franz Liszt Department of Music, University of Richmond
Franz Liszt's Vallee D'obermann from the Annees De Pelerinage
The 'Faust' Or 'Lucifer' Sonata? on Liszt's Idea of Programme Music As
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Matt Wheeler Instrumental Ensemble Literature December 19Th, 2011 Prof
Musik Und Religion Im Zeitalter Des Historismus: Franz Liszts Wende Zum Oratorienschaffen Als Ästhetisches Problem
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The Enchanting Music of Blades and Bullets: Visions of Violence In
Volume 24, Number 12 (December 1906) Winton J
Franz Liszt Studies in Central European Histories
Nineteenth-Century Programme Music
Liszt As Kapellmeister: the Development of the Symphonic Poems on the Weimar Stage
Virtuosity, Aesthetics, and the Artist in Liszt's Weimar Prose (1848-1861)
Liszt's Symphonic Poem Tasso and the Concept of Two-Dimensional Sonata Form
Abstracts Paper Session 1
Top View
Encyclopedia of Romantic Nationalism in Europe | Public Interface |
Liszt TWELVE SYMPHONIC POEMS
7 X 11 Long.P65
LISZT SYMPHONIC POEMS, TRANSCRIBED by AUGUST STRADAL, VOLUME THREE Part 1: an Overview by Malcolm Macdonald