Volume 24, Number 12 (December 1906) Winton J

Total Page:16

File Type:pdf, Size:1020Kb

Volume 24, Number 12 (December 1906) Winton J Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 12-1-1906 Volume 24, Number 12 (December 1906) Winton J. Baltzell Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Ethnomusicology Commons, Music Education Commons, Musicology Commons, Music Pedagogy Commons, Music Performance Commons, Music Practice Commons, and the Music Theory Commons Recommended Citation Baltzell, Winton J.. "Volume 24, Number 12 (December 1906)." , (1906). https://digitalcommons.gardner-webb.edu/etude/25 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. THE ETUDE 753 The Schumann Male Quartet Instruction Books Write to the Estey Factory OF PROVIDENCE and find out HOW CHEAP THIS ORGAN IS A. L. BROWN And mind you, it’s an Estey— The Very First Lessons at the Piano MRS. CROSBY ADAMS Price, 75c the Organ with sixty years’ ex¬ The Pixies’ Carnival perience behind it. The Organ, (Companion Set to “ Scenes from Pixieland.”) many of whose brothers are thirty, TEN TEACHING PIECES IN m forty, fifty years old, and still as GRADES I and II 1. Pixies’ Waltz Song.jA .40 musical as ever. The Estey that 2. Pixies’ Prize Song.r b .25 never needs repair or even tuning. 3. Pixies in the Indian Village 2A '40 4. The Melancholy Pixie.2A 40 The Estey with more real music in 5- Pixies’ Ballet .2B .40 6. Pixies in the Menagerie.2B .25 it than any other musical instrument. 7. Pixies on the Midway.2B .40 8. Pixies in the Giant Swing.2B .40 Cheaper than the cheap mail-order 9. Pixies’ Gavotte .2A .40 10. Pixies’ Good Night Song.2A .25 house Organ because it has in it Complete in one volume (Edition Wood, No. 416), $1.00. the wear and tone that will last a The composer' of this important set is widely known through the success of his life time. earlier compositions. Of this latest opus we MALE QUARTETS cannot speak too highly, for it is fully as If you are thinking of a Pipe valuable for teaching purposes and is, musi¬ cally, even more interesting than the well- Organ for your Church, remember known Op. 16. Verse Correlated Xt By ALICE C. D. RILEY Price, $1.50 that we are the largest builders of Pipe Organs in this country. THE 8. F. WOOD MUSIC CO. Before buying elsewhere, write to us to know for how little you can get a really BOSTON: NEW YORK: p# first-class Organ. Don t delay. Write right off. Our price, when considered with our 246 Summer Street 6 East 17th Street quality, will astonish you. LONDON: 12 Rathbone Place, Oxford St., W. CLAYTON F.SUMMY CO. No. 220 Wabash Ave. CHICAGO AS A SPECIAL INDUCEMENT, and to test the value of this paper as an adver¬ tising medium, we will allow you $5.00 on the purchase of an Estey Organ if you will write to us within ten days of the date of this paper, stating that you saw our advertisement in its columns of such and such a date. A Holiday Gift Sure to please any musical friend would be a copy of one of the following volumes, in Edition Wood, handsomely bound in Full Cloth and Gilt. In honor of the approaching Holidays v THE ESTEY ORGAN COMPANY have decided to make the following NEW OPERETTA BRATTLEBORO, VERMONT SPECIAL OFFER Until January 1st, 1907, —-' SUITABLE FOR THE any of these volumes for *( AMATEUR STAGE REGULAR PRICE. Express Reg. Price. from October 1st, 190 Mendelssohn, “Songs Without Words” $2 00 January 1st, 1907, NOT rsEHSS “SYLVIA” Special Exchange Offer LONGER Chopin, Waltzes (15) Complete. 150 Nocturnes (i9) Complete. i;r Polonaises (11) Complete. 1.7s THE VIRGIL CLAVIER METHOD Mazurkas (51) Complete. 200 NEW EXERCISES. NEW CUTS. Twenty-seven Etudes (3 new NEW ARRANGEMENT THROUGHOUT. Etudes) . FOUNDATION EXERCISES Schumann, Op. 15 and 68"“!!”"”.' 1.50 By A. K. VIRGIL. WbCcht °fI11’6 above Yolumes represents the SEND F0r> Hundreds of Teachers NEW EDITION OF BOOK II, ABOUT 250 PAGES, PRICE $3.00 angdhbindiCngeVement “ ^ artS °f printinS \W1 Are using Carl W. Grimm V wSr** ssjfi ss « -OURr Bound in cloth, 25 cents extra. Every old took returned m.^t h^r EfTge without postage, 85 cents, NEW COLLECTIONS sender, also date of sending. V returned must bear, clearly written, name and address of is«r wil1 be withdrawn January FOR VIOLIN AND PIANO 4| CATALOGS ir so rapidly. A trial with your For CHRISTMAS GIFT “The Pianist’s Mental Velocity’ THE B. F. WOOD MUSIC CO. ofThe'norvfamous musicalnovel NOTTURNO ByRv SIISILAS AC nG. PRATTTTTTA'r'T' J By CarIG. Schmidt dll Booksellers Price, SI.OO A guide to sight-reading. Every Teacher and Student of MSTON: NEW YORK: MALE, MIXED AND LADIES’ VOICES EATON & MAINS, Publishers. 156 5th Ave., N.Y. Music should have it. Write for descriptive circular : IS 25;4 discount to teachers ordering direct from author,246 Hancock St, Brooklyn 24i2“,S,treet 6 East '7th Street LONDON: 12 Rathbone Place, Oxford St., W. ““ WHITE-SMITH MUSIC PUBLISHING CO. PI AN OS ^ P°Wer’and ^^nce of Tone; Respon- 31VeneSS of Touch’ Surpassed Construction, Workmanship, J. FISCHER Cr BRO. 13 E. 17th St. 259 Wabash Ave. THE GEO. B. JENNINGS CO. and Excellence; and New Artistic Designs of Cases. 7 and II, Bible House - NEW YORK Manufacture of Artistic Grand and Vpright r.ana. 132d Street and Alexander Avenue, NEW YORK THE ETUDE 755 THE ETUDE A NEW WORK COMPOSED BY “GLEAMING STAR OF HEAVEN SIR EDWARD ELGAR New Publications VJl LiLj^» REVERIE crP.-WUBTELB Holiday Gifts Standard Concert Etudes Standard Compositions THE KINGDOM FOR ADVANCED STUDY For the Piano. (Part 3 of The Apostles) Vol. I—First Grade Price, 50 cents 1 as a continua Graded and Compiled by For Solo Chorus and Orchestra Graded Cour.^ Price, $2.50 W. S. B. MATHEWS Music Books Compositions for Piano lies. In order to convey some idea r f the By SIR EDWARD ELGAR imbers contained t, “ Caprice,” Leschetizky; lirty-one pieces IT SPECIAL PRICES Canto Popolare (In Moonlight) (from the is; “Vox Populi,” Sgambati; ciuuc u«« i a»c ave been thor- Concert Overture “In the South”) SI es,” Rubinstein; “Etude de Concert,” Chopfn- d have passed Chanson de Matin, Op. 15, No. 2. FOR CHRISTMAS ONLY Chanson de Nuit, Op. 15, No. 1. This volume contains the pick of the difficult studies Contrasts—The Gavotte, A. D. 1700 and 1900, concert pieces out of all the celebrated compositions A SPECIAL OFFER TO READERS OF “THE ETUDE When it is considered that some of these pieces Funeral March $2.10 worth of Music tor 65c. „ Op. 42. Handel Album RICHARD WUGNER'S Imperial March, Op. 32. Published Price, $2.10. The In the South (Alassio).Op. I A collection of favorite pieces for the four will be sentpostpa.d for Piano, with Portrait and Biographical 35c. Single copies, 10c. Mazurka.' Op. 10,’ j 68 EXERCISES Meditation (from the ‘Light of Life’’ Sketch danceofCthe'HONEVBEui a. im. £>*■"- -_J? ‘‘DerRingdes”" Prelude and Angel’s Farewell (' IN THE SYNTHETIC METHOD Selected and Edited by THEO, PRESSER “Dream of Geroutius”), Op. 38. (The General Principle of Vocalization.) Price, 60 cents "-«-Op. IQ No. 2. By Frederic W. Root, Price 75 cts. ^The entire literature of Handel has been inve.-’™*-'1 Designed to supplement analytical work in voice Nibeiungen” training and style of singing. that has ever^yet appeared in the Another addition to Mr. Root’s well-known graded Handel, in our opinion, has -r been- fully ;hp‘JRELL MUSIC COMPANY, ja^^PH.LADELPHIA^PA. appreciated by the American teaching public, and “Parsifal” The New Music Review THE TECHNIC AND ART Q®*S1NGING overwhelming genius of Bach has rather thrown Handel in the shade, yet for technical, and at the same Edited by HENRI T. FINCK We call the attention of all singingfflfchers, vocal¬ time interesting, work Handel is to be preferred. The ists and students to this important workTlt represents vo ume that we are issuing can be taken instead o f years of practical teachiug^Thfs work is turned on the either Bach’s “Inventions” or “Little Preludes,” and principles of the union in singing of pitch and vowel the pupil will derive just as much benefit and at the THE SCORESsTayTbeen hf very, carefully edited. New Anthems and consonantal sounds, the idea being to gain a finished same time experience more pleasure than with either home songs quality of tone combined with distinct enunciation, of the volumes of Bach. Worthy Engli and. with pian Atkins, I. Behold I Come Quickly. through the conception of definite pitch united to IICHEL. Atkins, I. There Is None That Can Rt words. It is, in fact, a serie* of practical studies in For the Home-coming of Christmas from beautifully < Thy Voice .. English diction. Blair, H. The Joy of the Lord is Y We shall be pleased to send this work for examina¬ „ hvmns in which religion has found expression Strength. tion to those who are interested. Also any of the other The Art Melodious This is a sheaf of songs mnnird t creed or sect. making a rich and substantial senes. Brahms, J. Lord Wo Leave Thy Seri volumes by Mr. Root published under the general title ’ ™ WltTh°eUtoldgswee? songs!songs 1 Not to knowjmmkn< is^to Sleeping.
Recommended publications
  • German Operetta on Broadway and in the West End, 1900–1940
    Downloaded from https://www.cambridge.org/core. IP address: 170.106.202.58, on 26 Sep 2021 at 08:28:39, subject to the Cambridge Core terms of use, available at https://www.cambridge.org/core/terms. https://www.cambridge.org/core/product/2CC6B5497775D1B3DC60C36C9801E6B4 Downloaded from https://www.cambridge.org/core. IP address: 170.106.202.58, on 26 Sep 2021 at 08:28:39, subject to the Cambridge Core terms of use, available at https://www.cambridge.org/core/terms. https://www.cambridge.org/core/product/2CC6B5497775D1B3DC60C36C9801E6B4 German Operetta on Broadway and in the West End, 1900–1940 Academic attention has focused on America’sinfluence on European stage works, and yet dozens of operettas from Austria and Germany were produced on Broadway and in the West End, and their impact on the musical life of the early twentieth century is undeniable. In this ground-breaking book, Derek B. Scott examines the cultural transfer of operetta from the German stage to Britain and the USA and offers a historical and critical survey of these operettas and their music. In the period 1900–1940, over sixty operettas were produced in the West End, and over seventy on Broadway. A study of these stage works is important for the light they shine on a variety of social topics of the period – from modernity and gender relations to new technology and new media – and these are investigated in the individual chapters. This book is also available as Open Access on Cambridge Core at doi.org/10.1017/9781108614306. derek b. scott is Professor of Critical Musicology at the University of Leeds.
    [Show full text]
  • Eine Symphonie Zu Dantes Divina Commedia Deux Légendes
    Liszt SYMPHONIC POEMS VOL. 5 Eine Symphonie zu Dantes Divina Commedia Deux Légendes BBC Philharmonic GIANANDREA NOSEDA CHAN 10524 Franz Liszt (1811–1886) Symphonic Poems, Volume 5 AKG Images, London Images, AKG Eine Symphonie zu Dantes Divina Commedia, S 109* 42:06 for large orchestra and women’s chorus Richard Wagner gewidmet I Inferno 20:03 1 Lento – Un poco più accelerando – Allegro frenetico. Quasi doppio movimento (Alla breve) – Più mosso – Presto molto – Lento – 6:31 2 Quasi andante, ma sempre un poco mosso – 5:18 3 Andante amoroso. Tempo rubato – Più ritenuto – 3:42 4 Tempo I. Allegro (Alla breve) – Più mosso – Più mosso – Più moderato (Alla breve) – Adagio 4:32 II Purgatorio 21:57 5 Andante con moto quasi allegretto. Tranquillo assai – Più lento – Un poco meno mosso – 6:22 6 Lamentoso – 5:11 Franz Liszt, steel plate engraving, 1858, by August Weger (1823 –1892) after a photograph 3 Liszt: Symphonic Poems, Volume 5 7 [L’istesso tempo] – Poco a poco più di moto – 3:42 8 Magnificat. L’istesso tempo – Poco a poco accelerando e Deux Légendes published by Editio Musica in Budapest in crescendo sin al Più mosso – Più mosso ma non troppo – TheDeux Légendes, ‘St François d’Assise: la 1984. ‘St François d’Assise’ is scored for strings, Un poco più lento – L’istesso tempo, ma quieto assai 6:40 prédication aux oiseaux’ (St Francis of Assisi: woodwind and harp only, while ‘St François de the Sermon to the Birds) and ‘St François de Paule’ adds four horns, four trombones and a Deux Légendes, S 354 19:10 Paule marchant sur les flots’ (St Francis of bass trombone.
    [Show full text]
  • A Structural Analysis of the Relationship Between Programme, Harmony and Form in the Symphonic Poems of Franz Liszt Keith Thomas Johns University of Wollongong
    University of Wollongong Research Online University of Wollongong Thesis Collection University of Wollongong Thesis Collections 1986 A structural analysis of the relationship between programme, harmony and form in the symphonic poems of Franz Liszt Keith Thomas Johns University of Wollongong Recommended Citation Johns, Keith Thomas, A structural analysis of the relationship between programme, harmony and form in the symphonic poems of Franz Liszt, Doctor of Philosophy thesis, School of Creative Arts, University of Wollongong, 1986. http://ro.uow.edu.au/theses/1927 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] A STRUCTURAL ANALYSIS OF THE RELATIONSHIP BETWEEN PROGRAMME, HARMONY AND FORM IN THE SYMPHONIC POEMS OF FRANZ LISZT. A thesis submitted in fulfilment of the requirements for the award of the degree of DOCTOR OF PHILOSOPHY from THE UNIVERSITY OF WOLLONGONG by KEITH THOMAS JOHNS (M.Litt.,B.A.Hons.,Grad.Dip.Ed., F.L.C.M., F.T.C.L., L.T.C.L. ) SCHOOL OF CREATIVE ARTS 1986 i ABSTRACT This thesis examines the central concern in an analysis of the symphonic poems of Franz Liszt, that is, the relationship between programme,harmony and form. In order to make a thorough and clear analysis of this relationship a structural/semiotic analysis has been developed as the analysis of best fit. Historically it has been fashionable to see Liszt's symphonic poems in terms of sonata form or a form only making sense in terms of the attached programme. Both of these ideas are critically examined in this analysis.
    [Show full text]
  • CYLINDERS 2M = 2-Minute Wax, 4M WA= 4-Minute Wax, 4M BA = Edison Blue Amberol, OBT = Original Box and Top, OP = Original Descriptive Pamphlet
    CYLINDERS 2M = 2-minute wax, 4M WA= 4-minute wax, 4M BA = Edison Blue Amberol, OBT = original box and top, OP = original descriptive pamphlet. ReproB/T = Excellent reproduction orange box and printed top Any mold on wax cylinders is always described. All cylinders are boxed (most in good quality boxes) with tops and are standard 2¼” diameter. All grading is visual. All cylinders EDISON unless otherwise indicated. “Direct recording” means recorded directly to cylinder, rather than dubbed from a Diamond-Disc master. This is used for cylinders in the lower 28200 series where there might be a question. BLANCHE ARRAL [s] 4108. Edison BA 28125. MIGNON: Je suis Titania (Thomas). Repro B/T. Just about 1-2. $40.00. ADELINA AGOSTINELLI [s]. Bergamo, 1882-Buenos Aires, 1954. A student in Milan of Giuseppe Quiroli, whom she later married, Agostinelli made her debut in Pavia, 1903, as Giordano’s Fedora. She appeared with success in South America, Russia, Spain, England and her native Italy and was on the roster of the Hammerstein Manhattan Opera, 1908-10. One New York press notice indicates that her rendering of the “Suicidio” from La Gioconda on a Manhattan Sunday night concert “kept her busy bowing in recognition to applause for three or four minutes”. At La Scala she was cast with Battistini in Simon Boccanegra and created for that house in 1911 the Marschallin in their first Rosenkavalier. Her career continued into the mid-1920s when she retired to Buenos Aires and taught. 4113. Edison BA 28159. LA TRAVIATA: Addio del passato (Verdi). ReproB/T.
    [Show full text]
  • Liszt SYMPHONIC POEMS VOL
    Liszt SYMPHONIC POEMS VOL. 4 Hungaria • Hamlet • Hunnenschlacht • Die Ideale BBC Philharmonic GIANANDREA NOSEDA CHAN 10490 AKG Images AKG Franz Liszt (1811–1886) Symphonic Poems, Volume 4 Hungaria, S 103 22:01 Symphonic Poem No. 9 1 Largo con duolo – Quasi andante marziale – Largo con duolo – Quasi andante marziale – Poco animando – 8:19 2 Agitato (un poco più mosso) – Allegro eroico (più tosto moderato) – Vivo – Allegro moderato – Vivo – Un poco animato – 3:41 3 Agitato molto – Più mosso (ma poco) – Stringendo – 2:50 4 Largo con duolo – Andante. Tempo di marcia funebre – 3:25 5 Allegro marziale – Von hier an bis zum Allegro trionfante das Tempo allmählich beschleunigen – 1:45 6 Allegro trionfante – Stretto – Presto giocoso assai 1:59 Franz Liszt, c. 1840, engraving by Carl Arnold Gonzenbach (1806–1885) after a drawing by Wilhelm von Kaulbach (1805–1874) 3 Die Ideale, S 106 28:45 Symphonic Poem No. 12 15 ‘So willst du treulos von mir scheiden’. Andante – 1:38 16 Aufschwung. ‘Es dehnte mit allmächt’gem Streben’. Hamlet, S 104 13:47 Allegro spiritoso (alla breve) – 5:47 Symphonic Poem No. 10 17 ‘Da lebte mir der Baum, die Rose’. Quieto e sostenuto assai – 2:55 7 Sehr langsam und düster – Etwas bewegter, aber immer langsam – 18 ‘Wie einst mit flehendem Verlangen’. [Quieto e sostenuto assai] – Fast dasselbe Tempo, aber allmählich beschleunigend – 3:32 Allmählich accelerando – Allegro molto mosso – 2:28 8 Allegro appassionato ed agitato assai – Dasselbe Tempo – 2:26 19 ‘Wie tanzte vor des Lebens Wagen’. [Allegro molto mosso] – 3:12 9 Allegro (wie früher) – Allegro molto agitato – Immer drängender – 3:28 20 Enttäuschung.
    [Show full text]
  • CYLINDERS 2M = 2-Minute Wax, 4M WA= 4-Minute Wax, 4M BA = Edison Blue Amberol, OBT = Original Box and Top, OP = Original Descriptive Pamphlet
    CYLINDERS 2M = 2-minute wax, 4M WA= 4-minute wax, 4M BA = Edison Blue Amberol, OBT = original box and top, OP = original descriptive pamphlet. Any mold on wax cylinders is always described. All cylinders are boxed (most in good quality boxes) with tops and are standard 2” diameter. All grading is visual. All cylinders EDISON unless otherwise indicated. ADELINA AGOSTINELLI [s]. Bergamo, 1882-Buenos Aires, 1954. A student in Milan of Giuseppe Quiroli, whom she later married, Agostinelli made her debut in Pavia, 1903, as Giordano’s Fedora. She appeared with success in South America, Russia, Spain, England and her native Italy and was on the roster of the Manhattan Opera, 1908-10. One New York press notice indicates that her rendering of the “Suicidio” from La Gioconda on a Manhattan Sunday night concert “kept her busy bowing in recognition to applause for three or four minutes”. At La Scala she was cast with Battistini in Simon Boccanegra and created for that house in 1911 the Marschallin in their first Rosenkavalier. Her career continued into the mid-1920s when she retired to Buenos Aires and taught. 9142. BA 28137. TOSCA: Vissi d’arte (Puccini). OBT and pamphlet. Just about 1-2. $50.00. CESARE ALESSANDRONI [b] 9127. U.S. Everlasting 33027. OTELLO: Credo (Verdi). In an Edison Orange repro- duction box. 2. $50.00. CORNELIUS BRONSGEEST [b] 9150. BA 26122. TANNHÄUSER: O du mein holder Abendstern (Wagner). Reproduction Edison orange box. Cons. ADELINA AGOSTINELLI 2. $50.00. JOHANNE BRUN [s]. 1874-1954. Her debut was at the Royal Danish Opera, 1896, as the Queen of the Night in The Magic Flute.
    [Show full text]
  • Volume 34, Number 07 (July 1916) James Francis Cooke
    Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 7-1-1916 Volume 34, Number 07 (July 1916) James Francis Cooke Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Ethnomusicology Commons, Fine Arts Commons, History Commons, Liturgy and Worship Commons, Music Education Commons, Musicology Commons, Music Pedagogy Commons, Music Performance Commons, Music Practice Commons, and the Music Theory Commons Recommended Citation Cooke, James Francis. "Volume 34, Number 07 (July 1916)." , (1916). https://digitalcommons.gardner-webb.edu/etude/626 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. ----- Price 15 Cents 1 473 THE ETUDE PRESSER’S MUSICAL MAGAZINE CONTENTS FOR JULY 1916 World of Music . Success Guides.G. if. Grecnhalyh A Practice Hour of Pleasure.C. W. London Can You Pass This Examination .'. The Part the Piano Should Pla^. .J. K. MacDonald The Layman's Attitude T W.’ R. Bpaldint Teaching Use of Bass Clef.Russell Carter 482 The Effect of Mechanical Ins :s Upon Musical jojuucu Lion.(Symposium) Royal Performers on the Flute. The Real Meaning of Rhythm.. .Lerou B. Campbell A Useful Finger Exercise.Wilbur F. Unger Discouraging the Pupil.Edna J. Warren Can There Be Any Real New Music?... How Parents Can Help...Geo.
    [Show full text]
  • Variety (January 1919)
    VARIEtY LiiiiiiiniiiiiiniirMfiuim/iiiiiijuiiiiiiiimniiiiiiiiiiiniiiiiiiiiiiiiiiiniiM THREE NEW SONGS BY THE WRITERS OF JEROME l1.REHiCK«Ca "SMILES" LEE 8. ROBERTS-^. WILL. CALLAHAN NEW TOSK a»W.46th8k V BROOKLYN "AFTER ALL" 6M Fnlton St. I PROVIDENCB After all the Tears, Kisses, Laughs, Winks, etc., this Is the only song Ifoilc Dept.. Hall ft Lyoaa for you to follow, "Smiles." BOSTON ..r- .. 328 Tremont St. PHILADELPHIA ai Boath 9th St. "YOUDONTKNOW'i BALTIMOBB Hnsie Dept., An inspiration. You can't afford to overlook this song. S Stewart Dry Goods Co. WASHINGTON . »th and DSti., N. W. ''A Little Birch I PITTSBURGH Canoe andYou" • Schmidt , 308 Bld«. WASHINGTON "TIMES": CLEVELAND B. F. Keith's Washington.—Mme. Marguerite Sylva's charm is infectious. .:(i:\'',<'' Hippodrome Bide. Her songs, "My Little Birch Canoe and You" and "You Dont Know" are great. ' V' ^•'• ftdJ iii"i""H'iiiiiii"i''iiiiiii"»"ii»"'i""""i»i "<ini"ii"i»iiii»"i"i»iM^^D^m i:Vri^^!:M^ ,•^-:^,c|/!w•,,^'v;.i^;> '?.•,<'" ..I % JEROME H. REniCKiCa • (Pm True to the Whole Regiment) | I '.;' By BOUSQUET, ROBERT & BRYAN - TORONTO UTTongeSt. the -French-American song hit, published with French and English tcit, DETROIT ' ' ';'•= .: , 187 Fort Street • ^>^':::;''• v':>'Vis;^Ur' 'v^:''/' r'^''^';; .;;.. .': V »,y.'-» ONCINNATl' The Fair Hasle Dept. **TILL WE MEET AGAIN" I ST. LOUIS Grand Leader, Hnsie Dept. By Egan Whiting, & those boys from Detroit who were broaghtto New CHICAGO York by Will Morrisaey to write Ms new OVER SEAS REVUE. Majeetle Theatre Blttf. HINNBAPOUS Ma sic Dept., ;• Powers Mercantile Co. PORTLAND, ORK. I "ONTHEROADTOCALAIS" I StI No. VasUflffton St.
    [Show full text]
  • Why Christmas Can Never Be Cancelled the Economist
    Why Christmas can never be cancelled The Economist Boozing away the winter blues is a long-held right Dec 11th 2020 BY TIM SMITH-LAING In the middle of a pandemic, it’s hard to think of a worse idea than celebrating a traditional Christmas. It seems like madness for extended families to travel from far and wide to squash round a table in the fug of a well-heated home and cough over Granny. Yet across the world people seem determined to do exactly that. Against the advice of epidemiologists, politicians in Britain chickened out of banning people from meeting up, France lifted stringent travel restrictions to allow limited get-togethers, and gatherings of up to ten people will be permitted in Germany. As many governments have found throughout history, you mess with Christmas at your peril. In an age of mass secularism, religion is only one reason why you can’t cancel seasonal festivities. Even Christians came rather late to the mid-winter festival. What we think of today as “Jesus’s birthday” wasn’t set in stone until the fourth century. Many early Christians thought their Messiah was born on January 6th. Others were adamant that it was the spring. (Just think, the Holly and the Ivy could have been Daffodils and Tulips.) It was only some 350 years after Jesus was born that newly Christian Rome put an end to centuries of squabbling and settled on December 25th as the date of the virgin birth (a few holdouts in the Orthodox church still prefer the January celebration).
    [Show full text]
  • Two-Piano Music of Franz Liszt Department of Music, University of Richmond
    University of Richmond UR Scholarship Repository Music Department Concert Programs Music 10-17-2011 Poetry and Passion: Two-Piano Music of Franz Liszt Department of Music, University of Richmond Follow this and additional works at: http://scholarship.richmond.edu/all-music-programs Part of the Music Performance Commons Recommended Citation Department of Music, University of Richmond, "Poetry and Passion: Two-Piano Music of Franz Liszt" (2011). Music Department Concert Programs. 9. http://scholarship.richmond.edu/all-music-programs/9 This Program is brought to you for free and open access by the Music at UR Scholarship Repository. It has been accepted for inclusion in Music Department Concert Programs by an authorized administrator of UR Scholarship Repository. For more information, please contact [email protected]. 3 3082 01189 4473 r THE UNIVERSITY OF RICHMOND DEPARTMENT OF MUSIC Presents POETRY AND PASSION: TWO-PIANO MUSIC OF FRANZ LISZT Paul Hanson Joanne Kong pianists Monday, October 17, 2011 7:30p.m. Booker Hall of Music Camp Concert Hall FRANZ L!SZT POETRY AND PASSION: TWO-PIANO MUSIC OF FRANZ LISZT (1811-1886) Weihnachtsbaum (Christmas Tree) (1882) Psallite (Sing Psalms) Die Hirten an der Krippe (The Shepherds at the Manger) Adeste Fideles Gleichsam ais Marsch der heiligen drei Konige (In the manner of "The March of the Three Holy Kings") Scherzoso (Playful) Man zundet dle Kerzen des Baumes an (Lighting the candles on the tree) Carillon (Chimes) Schlummerlied (Slumber Song) Altes provenzalisches Weihnachtslied (Old Proven9al Christmas Song) Abendglocken (Evening Bells) Ehemals (Old Times) Polnisch (Polish) 9nfermfssfon Symphonic Poems, transcribed for two pianos by Liszt Festklange (Festive Sounds) (1853) Orphee (Orpheus) (1853-1854) Hunnenschlacht (Battle of the Huns) (1857) @Please silence cell phones, digital watches, and paging devices before the concert.
    [Show full text]
  • Franz Liszt's Vallee D'obermann from the Annees De Pelerinage
    Franz Liszt’s Vallée d’Obermann from the Années de Pèlerinage, Première Année, Suisse: A Poetic Performance Guide A document submitted to The Graduate School of the University of Cincinnati in partial fulfillment of the requirements for the degree of DOCTOR OF MUSICAL ARTS in the Keyboard Studies Division of the College-Conservatory of Music 2013 by Bora Lee MM, University of Cincinnati, 2003 BM, Yonsei University, 2001 Committee Chair: Jonathan Kregor, Ph.D. Abstract An informed performance of the music of Franz Liszt often requires biographical study and knowledge of numerous literary references. Composed primarily during his exile from Paris with Countess Marie d’Agoult, the keyboard work Vallée d’Obermann from the Années de Pèlerinage, Première Année, Suisse captures the despondence and hope in two Romantic sources: the French novel Obermann (1804) by Étienne Pivert de Sénancour and the English poem Childe Harold’s Pilgrimage (1812) by Lord Byron. But the score also reflects the young musician’s unease over his career, reputation, and future. This document will address the highly personal nature of Vallée d’Obermann and investigate musical narratives that will benefit enterprising pianists for more poetically nuanced rendition. The first chapter will discuss the compositional and literary background of Vallée d’Obermann, delving into the works by Sénancour and Byron and touching upon events in Liszt’s life. The second chapter will present the rhetorical devices in Vallée d’Obermann that create unique music-poetic relationships. The final chapter is a performance guide to Vallée d’Obermann for pianists who wish not only to execute the technical obstacles of the score, but to project the work’s literary and autobiographical aspects.
    [Show full text]
  • Theatre. Monday
    Page Six THE DAILYWORKER, NEW YORK, SATURDAY’, NOVEMBER 12, 1927 f- : j" The New Plays “SPELLBOUND” by Frank Vos-' j A Theatre Guild Production per opens at the Earl Carroll I | Theatre next Monday evening with I San Carlo Singers Open FRANCO TAFURO Pauline Lord as the star. A GENIAL PHILANDERER 1 “NEW YORK” by Samuel Rus- Final Week With kin Golding, will be presented at “Tosca” | the Mansfield Theatre. Monday. “And So to Bed” Keeps Audience Wide Awake PORGY George Mac- A FOLK Ruth Shepley and Opera Com- .... PLAY at the Shubert Theatre The San Carlo Grand BY DUBOSE AND DOROTHY HEYWARD Quarrie are featured. pany, which opened the new Gallo MARQUISE,” a new play West 52d St. Evs. 8:40 “THE Eddinger, Theatre last Monday night, announces rfllin THFA to open THO Wallace as Samuel WALTER HAMPDEN UUILI/ 1IlllfL, Mats. Thurs. & Sat. 2:40. bv Noel Coward scheduled * the repertoire for the final week Monday Pepys, the world’s most famous MOVES MONDAY, NOV. 21, TO REPUBLIC THEATRE at the Biltmore Theatre, here. Only one'work in last week’s evening. Billie Burke is starred. diarist, contributes to ear strain at faulty enunciation, list will be repeated: “Madama But- AND MODELS.” times because of “ARTISTS his portrayal of the leading role in terfly” at Saturday’s matinee. The new Shubert Revue will have, The week’s offerings are: Monday, “Thrilling story. ; “And So to Bed,” endeared the ras- Superb play. Enthusiastically received.” 1 its premier at the Winter Garden “La Shalow, Schalker cally Pepys (pronounced peeps) to Tosca” with —Times.
    [Show full text]