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Hong Kong New Wave
Introduction
1 Chinese Cinema Survey: 1980–Present Film S142 / Eall
Journal of Asian Studies Contemporary Chinese Cinema Special Edition
Corpo-Reality in the Hong Kong New Wave
ARTH 1112 Introduction to Film 2021
Japanese Women, Hong Kong Films, and Transcultural Fandom
Chang Cheh's the Assassin and the 1967 Hong Kong Riots
The Circulation of Chinese Cinemas in the UK: Studies in Taste, Tastemaking and Film Cultures
1 Yesterday Once More: Hong Kong-China Coproductions and The
Stony Brook University
Cinematic Hong Kong of Wong Kar-Wai
1 Chinese Cinema Survey: 1980–Present
Hong Kong New Wave Wuxia Pian Films and Their Contribution To
Wuxia Cinema of Chor Yuen
The Emergence of the Hong Kong New Wave ,," in Hong Kong New 'Enty-Third Hong Kong Hector Rodriguez
Congress Cilect
Transnational Chinese Cinema: Identity, Nationhood, Gender, Ed
“Let's Drink to 1997”
Top View
Between Facts of Genre and Fictions of Love
Hong Kong and Bollywood in the Global Soft Power Contest
The Hong Kong Wuxia Movie: Identity and Politics, 1966-1976
Transnational Chinese Cinema: Identity, Nationhood, Gender, Ed
Westminsterresearch Unpacking The
A Study on the Aesthetic Style of Hong Kong Film in the New Wave Movement
Karen Fang Hong Kong University Press the University of Hong Kong Pokfulam Road Hong Kong
Asian – Western Films – Where the Exotic Meets the Familiar: Chinese Images in the World Cinema and Coproduction
Hollywood of the East
PROOF Contents
World Cinemas, Transnational Perspectives
Remastering Hong Kong Cinema 2005
FILM S142 / EALL S258 Instructor: Xueli Wang Dates: Session B June 29Th – July 31St Meeting Times: Tth 1:00-4:15Pm
Cinematic Identity in Hong Kong of the 2000S
HEROIC BLOODSHED: the BASICS HEROIC BLOODSHED: the BASICS Spraying Blood and a New Genre of Fi Lmmaking Was Born
Wai Yee Ruby Cheung Phd Thesis
New Perspectives on Iranian Cinema