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Henri Herz
Franz Liszt Reproduction from the Original Oil Painting, 1837–39 Klassik Stiftung Weimar, Acc
Musical Women and Identity-Building in Early Independent Mexico (1821-1854)
Sketch for a Portrait of Kalkbrenner and Chopin
Characteristic Brilliance: an Examination of Compositional Influence in Clara Schumann’S Op 5
Reading Music: Representing Female Performance in Nineteenth-Century British Piano Method Books and Novels Laura Vorachek University of Dayton,
[email protected]
The Harpers' Legacy: Irish National Airs and Pianoforte Composers
Seducing Paris: Piano Virtuosos and Artistic Identity, 1820-48
Programme: Nineteenth-Century Music Conference University of Huddersfield, 2-4 July 2018
Le Pianiste: Parisian Music Journalism and the Politics of the Piano, 1833–35
Alfred Cortot: His Interpretive Art and Teachings
UNIVERSITY of LONDON THESIS J\Lv& AA
Information to Users
Clara Schumann's Piano Sonata in G Minor: a Preview of Things to Come Jiaying Zhu
Chopin Exhibit Bibliography
CHOPIN and HIS WORLD August 11–13 and 17–20, 2017
16Th International Conference the Musical Salon in Visual Culture
Chopin's Cantabile in Context
Leonardo Miucci Completing the Score
Top View
Preluding During the Period Circa
The European Sound in the Era of Liszt: Musical Tour in Nineteenth Century
Why the Virtuosi Stopped Playing Leon Plantinga During the Most
The Man and His Works
Green, Emily.Pdf (10.48Mb)
Princess Cristina Trivulzio Di Belgiojoso
J & J Lubrano Music Antiquarians
“Katechismus” Or 'Transcendante'? Reconsidering Chopin's Études Opus 10 and Opus 25 As a Document of an Era With
Deforming First-Movement Concerto Form: Moscheles' Seventh And
Leonardo Miucci Completing the Score. Beethoven and the Viennese Piano Concerto Tradition1
Les Belles De Nuit: Women Publishing Keyboard Waltzes in Paris, C. 1800
Compositori Mitteleuropei E La Nascita Di Un Virtuosismo Pianistico Francese