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  • »  Giulio Caccini

Giulio Caccini

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    Here

  • 3. Monody and Opera

    3. Monody and Opera

  • ÄÁŒ @˧7'Ƚ“¾¢É˚Há©ÈÈ9

    ÄÁŒ @˧7'Ƚ“¾¢É˚Há©ÈÈ9

  • The Baroque Period, Part 1: Italian Vocal Repertoires of the Seventeenth Century

    The Baroque Period, Part 1: Italian Vocal Repertoires of the Seventeenth Century

  • L'orfeo Dolente

    L'orfeo Dolente

  • 1 9 Bridge 3 : Two Missed Traditions O F the Late 16Th

    1 9 Bridge 3 : Two Missed Traditions O F the Late 16Th

  • Performance Practice in the Seconda Prattica Madrigal Author(S): Rinaldo Alessandrini Source: Early Music, Vol

    Performance Practice in the Seconda Prattica Madrigal Author(S): Rinaldo Alessandrini Source: Early Music, Vol

  • Vocal Music 1600-1650

    Vocal Music 1600-1650

  • Italy 1614: New Trends in Part Song and Monody Musical Explorations of the Madrigal and Motet by Monteverdi and His Contemporaries

    Italy 1614: New Trends in Part Song and Monody Musical Explorations of the Madrigal and Motet by Monteverdi and His Contemporaries

  • Dario Castello's Music for Sackbut

    Dario Castello's Music for Sackbut

  • Peri, Le Musiche Sopra L'euridice

    Peri, Le Musiche Sopra L'euridice

  • Compact Discs / DVD-Blu-Ray Recent Releases - Spring 2017

    Compact Discs / DVD-Blu-Ray Recent Releases - Spring 2017

  • Monteverdi's Orfeo As Artistic Creed

    Monteverdi's Orfeo As Artistic Creed

  • Italian Musical Culture and Terminology in the Third Volume of Michael Praetorius’S Syntagma Musicum (1619)

    Italian Musical Culture and Terminology in the Third Volume of Michael Praetorius’S Syntagma Musicum (1619)

  • Chronology the Early Baroque Era

    Chronology the Early Baroque Era

  • Page 1 L B M P – 0 0 3 T H E

    Page 1 L B M P – 0 0 3 T H E

  • Der Fluyten Lust-Hof’

    Der Fluyten Lust-Hof’

  • How One Learned to Ornament in Late Sixteenth-Century Italy,

    How One Learned to Ornament in Late Sixteenth-Century Italy," Performance Practice Review: Vol

Top View
  • Realized Continuo Accompaniments from Florence C1600 John Walter
  • The Origin and Development of the Italian Aria in the Baroque Period
  • Conference Program & Abstracts
  • Implicit Evidence in the Music of Emilio De' Cavalieri
  • Caccini's Two Bodies: Problems of Text and Space in Early-Baroque
  • The Italian Dramatic Lament
  • First Attempts at the Dramatic Recitative: Jacopo Peri – Giulio Caccini1
  • Memoria Musae 2017
  • Download Download
  • UTRGV Music History Study Guide MUSIC in the BAROQUE ERA
  • The Baroque Era
  • An Introduction to Figured Bass on the Classical Guitar
  • The Keyboard Music of Peter Philips
  • The Florentine Camerata and Their Influence on the Beginnings of Opera :Ds
  • Baroque & Blue
  • CACCINI COVER 21305 18-04-2005 18:02 Pagina 1
  • A Singer's Guide to the Solo Secular Vocal Literature
  • Blue Heron Program Notes


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